Lord Macaulay, in his Essay on Machiavelli, propounds a singular theory. Declining the various solutions which have been offered to explain how a man supposed to be so great could have lent his genius to the doctrine of 'the Prince,' he has advanced a hypothesis of his own, which may or may not be true, as an interpretation of Machiavelli's character, but which, as an exposition of a universal ethical theory, is as questionable as what it is brought forward to explain. We will not show Lord Macaulay the disrespect of supposing that he has attempted an elaborate piece of irony. It is possible that he may have been exercising his genius with a paradox, but the subject is not of the sort in which we can patiently permit such exercises. It is hard work with all of us to keep ourselves straight, even when we see the road with all plainness as it lies out before us; and clever men must be good enough to find something else to amuse themselves with, instead of dusting our eyes with sophistry.

According to this conception of human nature, the basenesses and the excellencies of mankind are no more than accidents of circumstance, the results of national feeling and national capabilities; and cunning and treachery, and lying, and such other 'natural defences of the weak against the strong,' are in themselves neither good nor bad, except as thinking makes them so. They are the virtues of a weak people, and they will be as much admired, and are as justly admirable; they are to the full as compatible with the highest graces and most lofty features of the heart and intellect as any of those opposite so called heroisms which we are generally so unthinking as to allow to monopolise the name. Cunning is the only resource of the feeble; and why may we not feel for victorious cunning as strong a sympathy as for the bold, downright, open bearing of the strong? That there may be no mistake in the essayist's meaning, that he may drive the nail home into the English understanding, he takes an illustration which shall be familiar to all of us in the characters of Iago and Othello. To our northern thought, the free and noble nature of the Moor is wrecked through a single infirmity, by a fiend in the human form. To one of Machiavelli's Italians, Iago's keen-edged intellect would have appeared as admirable as Othello's daring appears to us, and Othello himself little better than a fool and a savage. It is but a change of scene, of climate, of the animal qualities of the frame, and evil has become good, and good has become evil. Now, our displeasure with Lord Macaulay is, not that he has advanced a novel and mischievous theory: it was elaborated long ago in the finely tempered dialectics of the Schools of Rhetoric at Athens; and so long as such a phenomenon as a cultivated rogue remains possible among mankind, it will reappear in all languages and under any number of philosophical disguises. Seldom or never, however, has it appeared with so little attempt at disguise. It has been left for questionable poets and novelists to idealise the rascal genus; philosophers have escaped into the ambiguities of general propositions, and we do not remember elsewhere to have met with a serious ethical thinker deliberately laying two whole organic characters, with their vices and virtues in full life and bloom, side by side, asking himself which is best, and answering gravely that it is a matter of taste.

Lord Macaulay has been bolder than his predecessors; he has shrunk from no conclusion, and has looked directly into the very heart of the matter; he has struck, as we believe, the very lowest stone of our ethical convictions, and declared that the foundation quakes under it.

For, ultimately, how do we know that right is right, and wrong is wrong? People in general accept it on authority; but authority itself must repose on some ulterior basis; and what is that? Are we to say that in morals there is a system of primary axioms, out of which we develope our conclusions, and apply them, as they are needed, to life? It does not appear so. The analogy of morals is rather with art than with geometry. The grace of heaven gives us good men, and gives us beautiful creations; and we, perceiving by the instincts within ourselves that celestial presence in the objects on which we gaze, find out for ourselves the laws which make them what they are, not by comparing them with any antecedent theory, but by careful analysis of our own impressions, by asking ourselves what it is which we admire in them, and by calling that good, and calling that beautiful.

So, then, if admiration be the first fact—if the sense of it be the ultimate ground on which the after temple of morality, as a system, upraises itself—if we can be challenged here on our own ground, and fail to make it good, what we call the life of the soul becomes a dream of a feeble enthusiast, and we moralists a mark for the sceptic's finger to point at with scorn.

Bold and ably-urged arguments against our own convictions, if they do not confuse us, will usually send us back over our ground to re-examine the strength of our positions: and if we are honest with ourselves, we shall very often find points of some uncertainty left unguarded, of which the show of the strength of our enemy will oblige us to see better to the defence. It was not without some shame, and much uneasiness, that, while we were ourselves engaged in this process, full of indignation with Lord Macaulay, we heard a clear voice ringing in our ear, 'Who art thou that judgest another?' and warning us of the presence in our own heart of a sympathy, which we could not 'deny,' with the sadly questionable hero of the German epic, 'Reynard the Fox.' With our vulpine friend, we were on the edge of the very same abyss, if, indeed, we were not rolling in the depth of it. By what sophistry could we justify ourselves, if not by the very same which we had just been so eagerly condemning? And our conscience whispered to us that we had been swift to detect a fault in another, because it was the very fault to which, in our own heart of hearts, we had a latent leaning.

Was it so indeed, then? Was Reineke no better than Iago? Was the sole difference between them, that the vates sacer who had sung the exploits of Reineke loved the wicked rascal, and entangled us in loving him? It was a question to be asked. And yet we had faith enough in the straight-forwardness of our own sympathies to feel sure that it must admit of some sort of answer. And, indeed, we rapidly found an answer satisfactory enough to give us time to breathe, in remembering that Reineke, with all his roguery, has no malice in him. It is not in his nature to hate; he could not do it if he tried. The characteristic of Iago is that deep motiveless malignity which rejoices in evil as its proper element—which loves evil as good men love virtue. In calculations on the character of the Moor, Iago despises Othello's unsuspicious trustingness as imbecility, while he hates him as a man because his nature is the perpetual opposite and perpetual reproach of his own. Now, Reineke would not have hurt a creature, not even Scharfenebbe, the crow's wife, when she came to peck his eyes out, if he had not been hungry; and that γαστρος αναγκη, that craving of the stomach, makes a difference quite infinite. It is true that, like Iago, Reineke rejoices in the exercise of his intellect: the sense of his power and the scientific employment of his time are a real delight to him; but then, as we said, he does not love evil for its own sake; he is only somewhat indifferent to it. If the other animals venture to take liberties with him, he will repay them in their own coin, and get his quiet laugh at them at the same time; but the object generally for which he lives is the natural one of getting his bread for himself and his family; and, as the great moralist says, 'It is better to be bad for something than for nothing.' Badness generally is undesirable; but badness in its essence, which may be called heroic badness, is gratuitous.

But this first thought served merely to give us a momentary relief from our alarm, and we determined we would sift the matter to the bottom, and no more expose ourselves to be taken at such disadvantage. We went again to the poem, with our eyes open, and our moral sense as keenly awake as a genuine wish to understand our feelings could make it. We determined that we would really know what we did feel and what we did not. We would not be lightly scared away from our friend, but neither would we any more allow our judgment to be talked down by that fluent tongue of his; he should have justice from us, he and his biographer, as far as it lay with us to discern justice and to render it.

And really on this deliberate perusal it did seem little less than impossible that we could find any conceivable attribute illustrated in Reineke's proceedings which we could dare to enter in our catalogue of virtues, and not blush to read it there. What sin is there in the Decalogue in which he has not steeped himself to the lips? To the lips, shall we say? nay, over head and ears—rolling and rollicking in sin. Murder, and theft, and adultery; sacrilege, perjury, lying—his very life is made of them. On he goes to the end, heaping crime on crime, and lie on lie, and at last, when it seems that justice, which has been so long vainly halting after him, has him really in her iron grasp, there is a solemn appeal to heaven, a challenge, a battle ordeal, in which, by means we may not venture even to whisper, the villain prospers, and comes out glorious, victorious, amidst the applause of a gazing world. To crown it all, the poet tells us that under the disguise of the animal name and form the world of man is represented, and the true course of it; and the idea of the book is, that we who read it may learn therein to discern between good and evil, and choose the first and avoid the last. It seemed beyond the power of sophistry to whitewash Reineke, and the interest which still continued to cling to him seemed too nearly to resemble the unwisdom of the multitude, with whom success is the one virtue, and failure the only crime.

It appeared, too, that although the animal disguises were too transparent to endure a moment's reflection, yet that they were so gracefully worn that such moment's reflection was not to be come at without an effort. Our imagination following the costume, did imperceptibly betray our judgment; we admired the human intellect, the ever ready prompt sagacity and presence of mind. We delighted in the satire on the foolishnesses and greedinesses of our own fellow-creatures; but in our regard for the hero we forgot his humanity wherever it was his interest that we should forget it, and while we admired him as a man we judged him only as a fox. We doubt whether it would have been possible, if he had been described as an open acknowledged biped in coat and trousers, to have retained our regard for him. Something or other in us, either real rightmindedness, or humbug, or hypocrisy, would have obliged us to mix more censure with our liking than most of us do in the case as it stands. It may be that the dress of the fox throws us off our guard, and lets out a secret or two which we commonly conceal even from ourselves. When we have to pass an opinion upon bad people, who at the same time are clever and attractive, we say rather what we think that we ought to feel than what we feel in reality; while with Reineke, being but an animal, we forget to make ourselves up, and for once our genuine tastes show themselves freely. Some degree of truth there undoubtedly is in this. But making all allowance for it—making all and over allowance for the trick which is passed upon our senses, there still remained a feeling unresolved. The poem was not solely the apotheosis of a rascal in whom we were betrayed into taking an interest; and it was not a satire merely on the world, and on the men whom the world delight to honour. There was still something which really deserved to be liked in Reineke, and what it was we had as yet failed to discover.

'Two are better than one,' and we resolved in our difficulty to try what our friends might have to say about it. The appearance of the Wurtemburg animals at the Exhibition came fortunately apropos to our assistance: a few years ago it was rare to find a person who had read the Fox Epic; and still more, of course, to find one whose judgment would be worth taking about it. But now the charming figures of Reineke himself, and the Lion King, and Isegrim, and Bruin, and Bellyn, and Hintze, and Grimbart, had set all the world asking who and what they were, and the story began to get itself known. The old editions, which had long slept unbound in reams upon the shelves, began to descend and clothe themselves in green and crimson. Mr. Dickens sent a summary of it round the households of England. Everybody began to talk of Reineke; and now, at any rate, we said to ourselves, we shall see whether we are alone in our liking—whether others share in this strange sympathy, or whether it be some unique and monstrous moral obliquity in ourselves.

We set to work, therefore, with all earnestness, feeling our way first with fear and delicacy, as conscious of our own delinquency, to gather judgments which should be wiser than our own, and correct ourselves, if it proved that we required correction, with whatever severity might be necessary. The result of this labour of ours was not a little surprising. We found that women invariably, with that clear moral instinct of theirs, at once utterly reprobated and detested our poor Reynard; detested the hero and detested the bard who sang of him with so much sympathy; while men we found almost invariably feeling just as we felt ourselves, only with this difference, that we saw no trace of uneasiness in them about the matter. It was no little comfort to us, moreover, to find that the exceptions were rather among the half-men, the would-be extremely good, but whose goodness was of that dead and passive kind which spoke to but a small elevation of thought or activity; while just in proportion as a man was strong, and real, and energetic, was his ability to see good in Reineke. It was really most strange: one near friend of ours—a man who, as far as we knew (and we knew him well), had never done a wrong thing—when we ventured to hint something about roguery, replied, 'You see, he was such a clever rogue, that he had a right.' Another, whom we pressed more closely with that treacherous cannibal feast at Malepartus, on the body of poor Lampe, said off-hand and with much impatience of such questioning, 'Such fellows were made to be eaten.' What could we do? It had come to this;—as in the exuberance of our pleasure with some dear child, no ordinary epithet will sometimes reach to express the vehemence of our affection, and borrowing language out of the opposites, we call him little rogue or little villain, so here, reversing the terms of the analogy, we bestow the fulness of our regard on Reineke because of that transcendently successful roguery.

When we asked our friends how they came to feel as they did, they had little to say. They were not persons who could be suspected of any latent disposition towards evil-doing; and yet though it appeared as if they were falling under the description of those unhappy ones who, if they did not such things themselves, yet 'had pleasure in those who did them,' they did not care to justify themselves. The fact was so: αρχη το ὁτι: it was a fact—what could we want more? Some few attempted feebly to maintain that the book was a satire. But this only moved the difficulty a single step; for the fact of the sympathy remained unimpaired, and if it was a satire we were ourselves the objects of it. Others urged what we said above, that the story was only of poor animals that, according to Descartes, not only had no souls, but scarcely had even life in any original and sufficient sense, and therefore we need not trouble ourselves. But one of two alternatives it seemed we were bound to choose, either of which was fatal to the proposed escape. Either there was a man hiding under the fox's skin; or else, if real foxes have such brains as Reineke was furnished withal, no honest doubt could be entertained that some sort of conscience was not forgotten in the compounding of him, and he must be held answerable according to his knowledge.

What would Mr. Carlyle say of it, we thought, with his might and right? 'The just thing in the long run is the strong thing.' But Reineke had a long run out and came in winner. Does he only 'seem to succeed?' Who does succeed, then, if he no more than seems? The vulpine intellect knows where the geese live, it is elsewhere said; but among Reineke's victims we do not remember one goose, in the literal sense of goose; and as to geese metaphorical, the whole visible world lies down complacently at his feet. Nor does Mr. Carlyle's expressed language on this very poem serve any better to help us—nay, it seems as if he feels uneasy in the neighbourhood of so strong a rascal, so briefly he dismisses him. 'Worldly prudence is the only virtue which is certain of its reward.' Nay, but there is more in it than that: no worldly prudence would command the voices which have been given in to us for Reineke.

Three only possibilities lay now before us: either we should, on searching, find something solid in the Fox's doings to justify success; or else the just thing was not always the strong thing; or it might be, that such very semblance of success was itself the most miserable failure; that the wicked man who was struck down and foiled, and foiled again, till he unlearnt his wickedness, or till he was disabled from any more attempting it, was blessed in his disappointment; that to triumph in wickedness, and to continue in it and to prosper to the end, was the last, worst penalty inflicted by the divine vengeance. Ἱν' αθανατος η αδικος ων—to go on with injustice through this world and through all eternity, uncleansed by any purgatorial fire, untaught by any untoward consequence to open his eyes and to see in its true accursed form the miserable demon to which he has sold himself—this, of all catastrophes which could befal an evil man, was the deepest, lowest, and most savouring of hell, which the purest of the Grecian moralists could reason out for himself,—under which third hypothesis many an uneasy misgiving would vanish away, and Mr. Carlyle's broad aphorism might be accepted by us with thankfulness.

It appeared, therefore, at any rate, to have to come to this—that if we wanted a solution for our sphinx enigma, no Œdipus was likely to rise and find it for us; and that if we wanted help, we must take it for ourselves. This only we found, that if we sinned in our regard for the unworthy animal, we shared our sin with the largest number of our own sex; comforted with the sense of good fellowship, we went boldly to work upon our consciousness; and the imperfect analysis which we succeeded in accomplishing, we here lay before you, whoever you may be, who have felt, as we have felt, a regard which was a moral disturbance to you, and which you will be pleased if we enable you to justify—

Following the clue which was thrust into our hand by the marked difference of the feelings of men upon the subject, from those of women, we were at once satisfied that Reineke's goodness, if he had any, must lay rather in the active than the passive department of life. The negative obedience to prohibitory precepts, under which women are bound as well as men, as was already too clear, we were obliged to surrender as hopeless. But it seemed as if, with respect to men whose business is to do, and to labour, and to accomplish, this negative test was a seriously imperfect one; and it was quite as possible that a man who unhappily had broken many prohibitions might yet exhibit positive excellences, as that he might walk through life picking his way with the utmost assiduity, risking nothing and doing nothing, not committing a single sin, but keeping his talent carefully wrapt up in a napkin, and get sent, in the end, to outer darkness for his pains, as an unprofitable servant. And this appeared the more important to us, as it was very little dwelt upon by religions or moral teachers: at the end of six thousand years, the popular notion of virtue, as far as it could get itself expressed, had not risen beyond the mere abstinence from certain specific bad actions.

The king of the beasts forgives Reineke on account of the substantial services which at various times he has rendered. His counsel was always the wisest, his hand the promptest in cases of difficulty; and all that dexterity, and politeness, and courtesy, and exquisite culture had not been learnt without an effort, or without conquering many undesirable tendencies in himself. Men are not born with any art in its perfection, and Reineke had made himself valuable by his own sagacity and exertion. Now, on the human stage, a man who has made himself valuable is certain to be valued. However we may pretend to estimate men according to the wrong things which they have done, or abstained from doing, we in fact follow the example of Nobel, the king of the beasts: we give them their places among us according to the service-ableness and capability which they display. We might mention not a few eminent public servants, whom the world delights to honour—ministers, statesmen, lawyers, men of science, artists, poets, soldiers, who, if they were tried by the negative test, would show but a poor figure; yet their value is too real to be dispensed with; and we tolerate unquestionable wrong to secure the services of eminent ability. The world really does this, and it always has really done it from the beginning of the human history; and it is only indolence or cowardice which has left our ethical teaching halting so far behind the universal and necessary practice. Even questionable prima donnas, in virtue of their sweet voices, have their praises hymned in drawing-room and newspaper, and applause rolls over them, and gold and bouquets shower on them from lips and hands which, except for those said voices, would treat them to a ruder reward. In real fact, we take our places in this world, not according to what we are not, but according to what we are. His Holiness Pope Clement, when his audience-room rang with furious outcries for justice on Benvenuto Cellini, who, as far as half-a-dozen murders could form a title, was as fair a candidate for the gallows as ever swung from that unlucky wood, replied, 'All this is very well, gentlemen: these murders are bad things, we know that. But where am I to get another Benvenuto if you hang this one for me?'

Or, to take an acknowledged hero, one of the old Greek sort, the theme of the song of the greatest of human poets, whom it is less easy to refuse to admire than even our friend Reineke. Take Ulysses. It cannot be said that he kept his hands from taking what was not his, or his tongue from speaking what was not true; and if Frau Ermelyn had to complain (as indeed there was too much reason for her complaining) of certain infirmities in her good husband Reineke, Penelope, too, might have urged a thing or two, if she had known as much about the matter as we know, which the modern moralist would find it hard to excuse.

After all is said, the capable man is the man to be admired. The man who tries and fails, what is the use of him? We are in this world to do something—not to fail in doing it. Of your bunglers—helpless, inefficient persons, 'unfit alike for good or ill,' who try one thing, and fail because they are not strong enough, and another, because they have not energy enough, and a third, because they have no talent—inconsistent, unstable, and therefore never to excel, what shall we say of them? what use is there in them? what hope is there of them? what can we wish for them? το μηποτ' ειναι παντ' αριστον. It were better for them they had never been born. To be able to do what a man tries to do, that is the first requisite; and given that, we may hope all things for him. 'Hell is paved with good intentions,' the proverb says; and the enormous proportion of bad successes in this life lie between the desire and the execution. Give us a man who is able to do what he settles that he desires to do, and we have the one thing indispensable. If he can succeed doing ill, much more he can succeed doing well. Show him better, and, at any rate, there is a chance that he will do better.

We are not concerned here with Benvenuto or with Ulysses further than to show, through the position which we all consent to give them, that there is much unreality in our common moral talk, against which we must be on our guard. And if we fling off an old friend, and take to affecting a hatred of him which we do not feel, we have scarcely gained by the exchange, even though originally our friendship may have been misplaced.

Capability no one will deny to Reineke. That is the very differentia of him. An 'animal capable' would be his sufficient definition. Here is another very genuinely valuable feature about him—his wonderful singleness of character. Lying, treacherous, cunning scoundrel as he is, there is a wholesome absence of humbug about him. Cheating all the world, he never cheats himself; and while he is a hypocrite, he is always a conscious hypocrite—a form of character, however paradoxical it may seem, a great deal more accessible to good influences than the other of the unconscious sort. Ask Reineke for the principles of his life, and if it suited his purpose to tell you, he could do so with the greatest exactness. There would be no discrepancy between the profession and the practice. He is most truly single-minded, and therefore stable in his ways, and therefore, as the world goes, and in the world's sense, successful. Whether really successful is a question we do not care here to enter on; but only to say this—that of all unsuccessful men in every sense, either divine, or human, or devilish, there is none equal to Bunyan's Mr. Facing-both-ways—the fellow with one eye on heaven and one on earth—who sincerely preaches one thing, and sincerely does another; and from the intensity of his unreality is unable either to see or feel the contradiction. Serving God with his lips, and with the half of his mind which is not bound up in the world, and serving the devil with his actions, and with the other half, he is substantially trying to cheat both God and the devil, and is, in fact, only cheating himself and his neighbours. This, of all characters upon the earth, appears to us to be the one of whom there is no hope at all—a character becoming, in these days, alarmingly abundant; and the abundance of which makes us find even in a Reineke an inexpressible relief.

But what we most thoroughly value in him is his capacity. He can do what he sets to work to do. That blind instinct with which the world shouts and claps its hand for the successful man, is one of those latent impulses in us which are truer than we know; it is the universal confessional to which Nature leads us, and, in her intolerance of disguise and hypocrisy, compels us to be our own accusers. Whoever can succeed in a given condition of society, can succeed only in virtue of fulfilling the terms which society exacts of him; and if he can fulfil them triumphantly, of course it rewards him and praises him. He is what the rest of the world would be, if their powers were equal to their desires. He has accomplished what they all are vaguely, and with imperfect consistency, struggling to accomplish; and the character of the conqueror—the means and appliances by which he has climbed up that great pinnacle on which he stands victorious, the observed of all observers, is no more than a very exact indicator of the amount of real virtue in the age, out of which he stands prominent.

We are forced to acknowledge that it was not a very virtuous age in which Reineke made himself a great man; but that was the fault of the age as much as the fault of him. His nature is to succeed wherever he is. If the age had required something else of him, then he would have been something else. Whatever it had said to him, 'Do, and I will make you my hero,' that Reineke would have done. No appetite makes a slave of him—no faculty refuses obedience to his will. His entire nature is under perfect organic control to the one supreme authority. And the one object for which he lives, and for which, let his lot have been cast in whatever century it might, he would always have lived, is to rise, to thrive, to prosper, and become great.

The world as he found it said to him—Prey upon us; we are your oyster, let your wit open us. If you will only do it cleverly—if you will take care that we shall not close upon your fingers in the process, you may devour us at your pleasure, and we shall feel ourselves highly honoured. Can we wonder at a fox of Reineke's abilities taking such a world at its word?

And let it not be supposed that society in this earth of ours is ever so viciously put together, is ever so totally without organic life, that a rogue, unredeemed by any merit, can prosper in it. There is no strength in rottenness; and when it comes to that, society dies and falls in pieces. Success, as it is called, even worldly success, is impossible, without some exercise of what is called moral virtue, without some portion of it, infinitesimally small, perhaps, but still some. Courage, for instance, steady self-confidence, self-trust, self-reliance—that only basis and foundation stone on which a strong character can rear itself—do we not see this in Reineke? While he lives, he lives for himself; but if he comes to dying, he can die like his betters; and his wit is not of that effervescent sort which will fly away at the sight of death and leave him panic-stricken. It is true there is a meaning to that word courage, which was perhaps not to be found in the dictionary in which Reineke studied. 'I hope I am afraid of nothing, Trim,' said my uncle Toby, 'except doing a wrong thing.' With Reineke there was no 'except.' His digestive powers shrank from no action, good or bad, which would serve his turn. Yet it required no slight measure of courage to treat his fellow-creatures with the steady disrespect with which Reineke treats them. To walk along among them, regardless of any interest but his own; out of mere wantonness to hook them up like so many cock-chafers, and spin them for his pleasure; not like Domitian, with an imperial army to hold them down during the operation, but with no other assistance but his own little body and large wit; it was something to venture upon. And a world which would submit to be so treated, what could he do but despise?

To the animals utterly below ourselves, external to our own species, we hold ourselves bound by no law. We say to them, vos non vobis, without any uneasy misgivings. We rob the bees of their honey, the cattle of their lives, the horse and the ass of their liberty. We kill the wild animals that they may not interfere with our pleasures; and acknowledge ourselves bound to them by no terms except what are dictated by our own convenience. And why should Reineke have acknowledged an obligation any more than we, to creatures so utterly below himself? He was so clever, as our friend said, that he had a right. That he could treat them so, Mr. Carlyle would say, proves that he had a right.

But it is a mistake to say he is without a conscience. No bold creature is ever totally without one. Even Iago shows some sort of conscience. Respecting nothing else in heaven or earth, he respects and even reverences his own intellect. After one of those sweet interviews with Roderigo, his, what we must call conscience, takes him to account for his company; and he pleads to it in his own justification—

Reineke, if we take the mass of his misdeeds, preyed chiefly, like our own Robin Hood, on rogues who were greater rogues than himself. If Bruin chose to steal Rusteviel's honey, if Hintze trespassed in the priest's granary, they were but taken in their own evildoings. And what is Isegrim, the worst of Reineke's victims, but a great heavy, stupid, lawless brute?—fair type, we will suppose, of not a few Front-de-Boeufs and other so-called nobles of the poet's era, whose will to do mischief was happily limited by their obtuseness. We remember that French baron—Gilbert de Retz, we believe, was his name—who, like Isegrim, had studied at the universities, and passed for learned, whose after-dinner pastime for many years, as it proved at last, was to cut children's throats for the pleasure of watching them die. We may well feel gratitude that a Reineke was provided to be the scourge of such monsters as these; and we have a thorough pure, exuberant satisfaction in seeing the intellect in that little weak body triumph over them and trample them down. This, indeed, this victory of intellect over brute force, is one great secret of our pleasure in the poem, and goes far, in the Carlyle direction, to satisfy us that, at any rate, it is not given to mere base physical strength to win in the battle of life, even in times when physical strength is apparently the only recognised power.

We are insensibly falling from our self-assumed judicial office into that of advocacy; and sliding into what may be plausibly urged, rather than standing fast on what we can surely affirm. Yet there are cases when it is fitting for the judge to become the advocate of an undefended prisoner; and advocacy is only plausible when a few words of truth are mixed with what we say, like the few drops of wine which colour and faintly flavour the large draught of water. Such few grains or drops, whatever they may be, we must leave to the kindness of Reynard's friends to distil for him, while we continue a little longer in the same strain.

After all, it may be said, what is it in man's nature which is really admirable? It is idle for us to waste our labour in passing Reineke through the moral crucible unless we shall recognise the results when we obtain them; and in these moral sciences our analytical tests can only be obtained by a study of our own internal experience. If we desire to know what we admire in Reineke, we must look for what we admire in ourselves. And what is that? Is it what on Sundays, and on set occasions, and when we are mounted on our moral stilts, we are pleased to call goodness, probity, obedience, humility? Is it? Is it really? Is it not rather the face and form which Nature made—the strength which is ours, we know not how—our talents, our rank, our possessions? It appears to us that we most value in ourselves and most admire in our neighbour, not acquisitions, but gifts. A man does not praise himself for being good. If he praise himself he is not good. The first condition of goodness is forgetfulness of self; and where self has entered, under however plausible a form, the health is but skin-deep, and underneath there is corruption. And so through everything; we value, we are vain of, proud of, or whatever you please to call it, not what we have done for ourselves, but what has been done for us—what has been given to us by the upper powers. We look up to high-born men, to wealthy men, to fortunate men, to clever men. Is it not so? Whom do we choose for the county member, the magistrate, the officer, the minister? The good man we leave to the humble enjoyment of his goodness, and we look out for the able or the wealthy. And again of the wealthy, as if on every side to witness to the same universal law, the man who with no labour of his own has inherited a fortune, ranks higher in the world's esteem than his father who made it. We take rank by descent. Such of us as have the longest pedigree, and are therefore the farthest removed from the first who made the fortune and founded the family, we are the noblest. The nearer to the fountain, the fouler the stream; and that first ancestor, who has soiled his fingers by labour, is no better than a parvenu.

And as it is with what we value, so it is with what we blame. It is an old story, that there is no one who would not in his heart prefer being a knave to being a fool; and when we fail in a piece of attempted roguery, as Coleridge has wisely observed, though reasoning unwisely from it, we lay the blame, not on our own moral nature, for which we are responsible, but on our intellectual, for which we are not responsible. We do not say what knaves, we say what fools, we have been; perplexing Coleridge, who regards it as a phenomenon of some deep moral disorder; whereas it is but one more evidence of the universal fact that gifts are the true and proper object of appreciation; and as we admire men for possessing gifts, so we blame them for their absence. The noble man is the gifted man; the ignoble is the ungifted; and therefore we have only to state a simple law in simple language to have a full solution of the enigma of Reineke. He has gifts enough: of that, at least, there can be no doubt; and if he lacks the gift to use them in the way which we call good, at least he uses them successfully. His victims are less gifted than he, and therefore less noble; and therefore he has a right to use them as he pleases.

And, after all, what are these victims? Among the heaviest charges which were urged against him was the killing and eating of that wretched Scharfenebbe—Sharpbeak—the crow's wife. It is well that there are two sides to every story. A poor weary fox, it seemed, was not to be allowed to enjoy a quiet sleep in the sunshine but what an unclean carrion bird must come down and take a peck at him. We can feel no sympathy with the outcries of the crow husband over the fate of the unfortunate Sharpbeak. Wofully, he says, he flew over the place where, a few moments before, in the glory of glossy plumage, a loving wife sate croaking out her passion for him, and found nothing—nothing but a little blood and a few torn feathers—all else clean gone and utterly abolished. Well, and if it was so, it was a blank prospect for him, but the earth was well rid of her; and for herself, it was a higher fate to be assimilated into the body of Reineke than to remain in a miserable individuality to be a layer of carrion crows' eggs.

And then for Bellyn, and for Bruin, and for Hintze, and the rest, who would needs be meddling with what was no concern of theirs—what is there in them to challenge either regret or pity? They made love to their occupation.

Ah! if they were all. But there is one misdeed, one which outweighs all others whatsoever—a crime which it is useless to palliate, let our other friend say what he pleased; and Reineke himself felt it so. It sate heavy, for him, on his soul, and alone of all the actions of his life we are certain that he wished it undone—the death and eating of that poor foolish Lampe, the hare. It was a paltry revenge in Reineke. Lampe had told tales of him; he had complained that Reineke, under pretence of teaching him his Catechism, had seized him and tried to murder him; and though he provoked his fate by thrusting himself, after such a warning, into the jaws of Malepartus, Reineke betrays an uneasiness about it in confession; and, unlike himself, feels it necessary to make some sort of an excuse.

Grimbart, the badger, Reineke's father confessor, had been obliged to speak severely of the seriousness of the offence. 'You see,' Reineke answers:—

But even this acknowledgment does not satisfy Reineke. His mind is evidently softened, and it was on that occasion that he poured out his pathetic lamentation over the sad condition of the world—so fluent, so musical, so touching, that Grimbart listened with wide eyes, unable, till it had run to the length of a sermon, to collect himself. It is true that at last his office as ghostly father obliged him to put in a slight demurrer:—

But he sighs to think what a bishop Reineke would have made.

And now, for the present, farewell to Reineke Fuchs, and to the song in which his glory is enshrined—the Welt Bibel, Bible of this world, as Goethe called it, the most exquisite moral satire, as we will call it, which has ever been composed. It is not addressed to a passing mode of folly or of profligacy, but it touches the perennial nature of mankind, laying bare our own sympathies, and tastes, and weaknesses, with as keen and true an edge as when the living world of the old Swabian poet winced under its earliest utterance.

Humorous in the high pure sense, every laugh which it gives may have its echo in a sigh, or may glide into it as excitement subsides into thought; and yet, for those who do not care to find matter there either for thought or sadness, may remain innocently as a laugh.

Too strong for railing, too kindly and loving for the bitterness of irony, the poem is, as the world itself, a book where each man will find what his nature enables him to see, which gives us back each our own image, and teaches us each the lesson which each of us desires to learn.