The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 10 of 12)

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Preface.

In this concluding part of The Golden Bough I have discussed the problem which gives its title to the whole work. If I am right, the Golden Bough over which the King of the Wood, Diana's priest at Aricia, kept watch and ward was no other than a branch of mistletoe growing on an oak within the sacred grove; and as the plucking of the bough was a necessary prelude to the slaughter of the priest, I have been led to institute a parallel between the King of the Wood at Nemi and the Norse god Balder, who was worshipped in a sacred grove beside the beautiful Sogne fiord of Norway and was said to have perished by a stroke of mistletoe, which alone of all things on earth or in heaven could wound him. On the theory here suggested both Balder and the King of the Wood personified in a sense the sacred oak of our Aryan forefathers, and both had deposited their lives or souls for safety in the parasite which sometimes, though rarely, is found growing on an oak and by the very rarity of its appearance excites the wonder and stimulates the devotion of ignorant men. Though I am now less than ever disposed to lay weight on the analogy between the Italian priest and the Norse god, I have allowed it to stand because it furnishes me with a pretext for discussing not only the general question of the external soul in popular superstition, but also the fire-festivals of Europe, since fire played a part both in the myth of Balder and in the ritual of the Arician grove. Thus Balder the [pg vi] Beautiful in my hands is little more than a stalking-horse to carry two heavy pack-loads of facts. And what is true of Balder applies equally to the priest of Nemi himself, the nominal hero of the long tragedy of human folly and suffering which has unrolled itself before the readers of these volumes, and on which the curtain is now about to fall. He, too, for all the quaint garb he wears and the gravity with which he stalks across the stage, is merely a puppet, and it is time to unmask him before laying him up in the box.

To drop metaphor, while nominally investigating a particular problem of ancient mythology, I have really been discussing questions of more general interest which concern the gradual evolution of human thought from savagery to civilization. The enquiry is beset with difficulties of many kinds, for the record of man's mental development is even more imperfect than the record of his physical development, and it is harder to read, not only by reason of the incomparably more subtle and complex nature of the subject, but because the reader's eyes are apt to be dimmed by thick mists of passion and prejudice, which cloud in a far less degree the fields of comparative anatomy and geology. My contribution to the history of the human mind consists of little more than a rough and purely provisional classification of facts gathered almost entirely from printed sources. If there is one general conclusion which seems to emerge from the mass of particulars, I venture to think that it is the essential similarity in the working of the less developed human mind among all races, which corresponds to the essential similarity in their bodily frame revealed by comparative anatomy. But while this general mental similarity may, I believe, be taken as established, we must always be on our guard against tracing to it a multitude of particular resemblances which may be and often are due to simple diffusion, since nothing is more certain than [pg vii] that the various races of men have borrowed from each other many of their arts and crafts, their ideas, customs, and institutions. To sift out the elements of culture which a race has independently evolved and to distinguish them accurately from those which it has derived from other races is a task of extreme difficulty and delicacy, which promises to occupy students of man for a long time to come; indeed so complex are the facts and so imperfect in most cases is the historical record that it may be doubted whether in regard to many of the lower races we shall ever arrive at more than probable conjectures.

Since the last edition of The Golden Bough was published some thirteen years ago, I have seen reason to change my views on several matters discussed in this concluding part of the work, and though I have called attention to these changes in the text, it may be well for the sake of clearness to recapitulate them here.

In the first place, the arguments of Dr. Edward Westermarck have satisfied me that the solar theory of the European fire-festivals, which I accepted from W. Mannhardt, is very slightly, if at all, supported by the evidence and is probably erroneous. The true explanation of the festivals I now believe to be the one advocated by Dr. Westermarck himself, namely that they are purificatory in intention, the fire being designed not, as I formerly held, to reinforce the sun's light and heat by sympathetic magic, but merely to burn or repel the noxious things, whether conceived as material or spiritual, which threaten the life of man, of animals, and of plants. This aspect of the fire-festivals had not wholly escaped me in former editions; I pointed it out explicitly, but, biassed perhaps by the great authority of Mannhardt, I treated it as secondary and subordinate instead of primary and dominant. Out of deference to Mannhardt, for whose work I entertain the highest respect, and because the evidence for the purificatory theory of the fires is perhaps [pg viii] not quite conclusive, I have in this edition repeated and even reinforced the arguments for the solar theory of the festivals, so that the reader may see for himself what can be said on both sides of the question and may draw his own conclusion; but for my part I cannot but think that the arguments for the purificatory theory far outweigh the arguments for the solar theory. Dr. Westermarck based his criticisms largely on his own observations of the Mohammedan fire-festivals of Morocco, which present a remarkable resemblance to those of Christian Europe, though there seems no reason to assume that herein Africa has borrowed from Europe or Europe from Africa. So far as Europe is concerned, the evidence tends strongly to shew that the grand evil which the festivals aimed at combating was witchcraft, and that they were conceived to attain their end by actually burning the witches, whether visible or invisible, in the flames. If that was so, the wide prevalence and the immense popularity of the fire-festivals provides us with a measure for estimating the extent of the hold which the belief in witchcraft had on the European mind before the rise of Christianity or rather of rationalism; for Christianity, both Catholic and Protestant, accepted the old belief and enforced it in the old way by the faggot and the stake. It was not until human reason at last awoke after the long slumber of the Middle Ages that this dreadful obsession gradually passed away like a dark cloud from the intellectual horizon of Europe.

Yet we should deceive ourselves if we imagined that the belief in witchcraft is even now dead in the mass of the people; on the contrary there is ample evidence to shew that it only hibernates under the chilling influence of rationalism, and that it would start into active life if that influence were ever seriously relaxed. The truth seems to be that to this day the peasant remains a pagan and savage at heart; his civilization is merely a thin veneer which the [pg ix] hard knocks of life soon abrade, exposing the solid core of paganism and savagery below. The danger created by a bottomless layer of ignorance and superstition under the crust of civilized society is lessened, not only by the natural torpidity and inertia of the bucolic mind, but also by the progressive decrease of the rural as compared with the urban population in modern states; for I believe it will be found that the artisans who congregate in towns are far less retentive of primitive modes of thought than their rustic brethren. In every age cities have been the centres and as it were the lighthouses from which ideas radiate into the surrounding darkness, kindled by the friction of mind with mind in the crowded haunts of men; and it is natural that at these beacons of intellectual light all should partake in some measure of the general illumination. No doubt the mental ferment and unrest of great cities have their dark as well as their bright side; but among the evils to be apprehended from them the chances of a pagan revival need hardly be reckoned.

Another point on which I have changed my mind is the nature of the great Aryan god whom the Romans called Jupiter and the Greeks Zeus. Whereas I formerly argued that he was primarily a personification of the sacred oak and only in the second place a personification of the thundering sky, I now invert the order of his divine functions and believe that he was a sky-god before he came to be associated with the oak. In fact, I revert to the traditional view of Jupiter, recant my heresy, and am gathered like a lost sheep into the fold of mythological orthodoxy. The good shepherd who has brought me back is my friend Mr. W. Warde Fowler. He has removed the stone over which I stumbled in the wilderness by explaining in a simple and natural way how a god of the thundering sky might easily come to be afterwards associated with the oak. The explanation turns on the great frequency with which, as statistics prove, the oak [pg x] is struck by lightning beyond any other tree of the wood in Europe. To our rude forefathers, who dwelt in the gloomy depths of the primaeval forest, it might well seem that the riven and blackened oaks must indeed be favourites of the sky-god, who so often descended on them from the murky cloud in a flash of lightning and a crash of thunder.

This change of view as to the great Aryan god necessarily affects my interpretation of the King of the Wood, the priest of Diana at Aricia, if I may take that discarded puppet out of the box again for a moment. On my theory the priest represented Jupiter in the flesh, and accordingly, if Jupiter was primarily a sky-god, his priest cannot have been a mere incarnation of the sacred oak, but must, like the deity whose commission he bore, have been invested in the imagination of his worshippers with the power of overcasting the heaven with clouds and eliciting storms of thunder and rain from the celestial vault. The attribution of weather-making powers to kings or priests is very common in primitive society, and is indeed one of the principal levers by which such personages raise themselves to a position of superiority above their fellows. There is therefore no improbability in the supposition that as a representative of Jupiter the priest of Diana enjoyed this reputation, though positive evidence of it appears to be lacking.

Lastly, in the present edition I have shewn some grounds for thinking that the Golden Bough itself, or in common parlance the mistletoe on the oak, was supposed to have dropped from the sky upon the tree in a flash of lightning and therefore to contain within itself the seed of celestial fire, a sort of smouldering thunderbolt. This view of the priest and of the bough which he guarded at the peril of his life has the advantage of accounting for the importance which the sanctuary at Nemi acquired and the treasure which it amassed through the offerings of the faithful; for the shrine would seem to have been to ancient what Loreto [pg xi] has been to modern Italy, a place of pilgrimage, where princes and nobles as well as commoners poured wealth into the coffers of Diana in her green recess among the Alban hills, just as in modern times kings and queens vied with each other in enriching the black Virgin who from her Holy House on the hillside at Loreto looks out on the blue Adriatic and the purple Apennines. Such pious prodigality becomes more intelligible if the greatest of the gods was indeed believed to dwell in human shape with his wife among the woods of Nemi.

These are the principal points on which I have altered my opinion since the last edition of my book was published. The mere admission of such changes may suffice to indicate the doubt and uncertainty which attend enquiries of this nature. The whole fabric of ancient mythology is so foreign to our modern ways of thought, and the evidence concerning it is for the most part so fragmentary, obscure, and conflicting that in our attempts to piece together and interpret it we can hardly hope to reach conclusions that will completely satisfy either ourselves or others. In this as in other branches of study it is the fate of theories to be washed away like children's castles of sand by the rising tide of knowledge, and I am not so presumptuous as to expect or desire for mine an exemption from the common lot. I hold them all very lightly and have used them chiefly as convenient pegs on which to hang my collections of facts. For I believe that, while theories are transitory, a record of facts has a permanent value, and that as a chronicle of ancient customs and beliefs my book may retain its utility when my theories are as obsolete as the customs and beliefs themselves deserve to be.

I cannot dismiss without some natural regret a task which has occupied and amused me at intervals for many years. But the regret is tempered by thankfulness and hope. I am thankful that I have been able to conclude [pg xii] at least one chapter of the work I projected a long time ago. I am hopeful that I may not now be taking a final leave of my indulgent readers, but that, as I am sensible of little abatement in my bodily strength and of none in my ardour for study, they will bear with me yet a while if I should attempt to entertain them with fresh subjects of laughter and tears drawn from the comedy and the tragedy of man's endless quest after happiness and truth.

J. G. FRAZER.

Cambridge, 17th October 1913.

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