The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 06 of 12)

In ancient Egypt the god whose death and resurrection were annually celebrated with alternate sorrow and joy was Osiris, the most popular of all Egyptian deities; and there are good grounds for classing him in one of his aspects with Adonis and Attis as a personification of the great yearly vicissitudes of nature, especially of the corn. But the immense vogue which he enjoyed for many ages induced his devoted worshippers to heap upon him the attributes and powers of many other gods; so that it is not always easy to strip him, so to say, of his borrowed plumes and to restore them to their proper owners. In the following pages I do not pretend to enumerate and analyse all the alien elements which thus gathered round the popular deity. All that I shall attempt to do is to peel off these accretions and to exhibit the god, as far as possible, in his primitive simplicity. The discoveries of recent years in Egypt enable us to do so with more confidence now than when I first addressed myself to the problem many years ago.

The myth of Osiris. The Pyramid Texts.

The story of Osiris is told in a connected form only by Plutarch, whose narrative has been confirmed and to some extent amplified in modern times by the evidence of the monuments.1 Of the monuments which illustrate [pg 004] the myth or legend of Osiris the oldest are a long series of hymns, prayers, incantations, and liturgies, which have been found engraved in hieroglyphics on the walls, passages, and galleries of five pyramids at Sakkara. From the place where they were discovered these ancient religious records are known as the Pyramid Texts. They date from the fifth and sixth dynasties, and the period of time during which they were carved on the pyramids is believed to have been roughly a hundred and fifty years from about the year 2625 b.c. onward. But from their contents it appears that many of these documents were drawn up much earlier; for in some of them there are references to works which have perished, and in others there are political allusions which seem to show that the passages containing them must have been composed at a time when the Northern and Southern Kingdoms were still independent and hostile states and had not yet coalesced into a single realm under the sway of one powerful monarch. As the union of the kingdoms appears to have taken place about three thousand four hundred years before our era, the whole period covered by the composition of the Pyramid Texts probably did not fall short of a thousand years. Thus the documents form the oldest body of religious literature surviving to us from the ancient world, and occupy a place in the history of Egyptian language and civilization like that which the Vedic hymns and incantations occupy in the history of Aryan speech and culture.2

The Pyramid Texts intended to ensure the blissful immortality of Egyptian kings.

The special purpose for which these texts were engraved on the pyramids was to ensure the eternal life and felicity of the dead kings who slept beneath these colossal monuments. [pg 005] Hence the dominant note that sounds through them all is an insistent, a passionate protest against the reality of death: indeed the word death never occurs in the Pyramid Texts except to be scornfully denied or to be applied to an enemy. Again and again the indomitable assurance is repeated that the dead man did not die but lives. “King Teti has not died the death, he has become a glorious one in the horizon.” “Ho! King Unis! Thou didst not depart dead, thou didst depart living.” “Thou hast departed that thou mightest live, thou hast not departed that thou mightest die.” “Thou diest not.” “This King Pepi dies not.” “Have ye said that he would die? He dies not; this King Pepi lives for ever.” “Live! Thou shalt not die.” “Thou livest, thou livest, raise thee up.” “Thou diest not, stand up, raise thee up.” “O lofty one among the Imperishable Stars, thou perishest not eternally.”3 Thus for Egyptian kings death was swallowed up in victory; and through their tears Egyptian mourners might ask, like Christian mourners thousands of years afterwards, “O death, where is thy sting? O grave, where is thy victory?”

The story of Osiris in the Pyramid Texts.

Now it is significant that in these ancient documents, though the myth or legend of Osiris is not set forth at length, it is often alluded to as if it were a matter of common knowledge. Hence we may legitimately infer the great antiquity of the Osirian tradition in Egypt. Indeed so numerous are the allusions to it in the Pyramid Texts that by their help we could reconstruct the story in its main outlines even without the narrative of Plutarch.4 Thus the discovery of these texts has confirmed our belief in the accuracy and fidelity of the Greek writer, and we may accept his account with confidence even when it records incidents or details which have not yet been verified by a [pg 006] comparison with original Egyptian sources. The tragic tale runs thus:

Osiris a son of the earth-god and the sky-goddess.

Osiris was the offspring of an intrigue between the earth-god Seb (Keb or Geb, as the name is sometimes transliterated) and the sky-goddess Nut. The Greeks identified his parents with their own deities Cronus and Rhea. When the sun-god Ra perceived that his wife Nut had been unfaithful to him, he declared with a curse that she should be delivered of the child in no month and no year. But the goddess had another lover, the god Thoth or Hermes, as the Greeks called him, and he playing at draughts with the moon won from her a seventy-second part5 of every day, and having compounded five whole days out of these parts he added them to the Egyptian year of three hundred and sixty days. This was the mythical origin of the five supplementary days which the Egyptians annually inserted at the end of every year in order to establish a harmony between lunar and solar time.6 On these five days, regarded as outside the year of twelve months, the curse of the sun-god did not rest, and accordingly Osiris was born on the first of them. At his nativity a voice rang out proclaiming that the Lord of All had come into the world. Some say that a certain Pamyles heard a voice from the temple at Thebes bidding him announce with a shout that a great king, the beneficent Osiris, was born. But Osiris was not the only child of his mother. On the second of the supplementary days she gave birth to the elder Horus, on the third to the god Set, whom the Greeks called Typhon, on the fourth to the goddess Isis, and on the fifth to the goddess Nephthys.7 [pg 007] Afterwards Set married his sister Nephthys, and Osiris married his sister Isis.

Osiris introduces the cultivation of corn and of the vine. His violent death. Isis searches for his body.

Reigning as a king on earth, Osiris reclaimed the Egyptians from savagery, gave them laws, and taught them to worship the gods. Before his time the Egyptians had been cannibals. But Isis, the sister and wife of Osiris, discovered wheat and barley growing wild, and Osiris introduced the cultivation of these grains amongst his people, who forthwith abandoned cannibalism and took kindly to a corn diet. Moreover, Osiris is said to have been the first to gather fruit from trees, to train the vine to poles, and to tread the grapes. Eager to communicate these beneficent discoveries to all mankind, he committed the whole government of Egypt to his wife Isis, and travelled over the world, diffusing the blessings of civilization and agriculture wherever he went. In countries where a harsh climate or niggardly soil forbade the cultivation of the vine, he taught the inhabitants to console themselves for the want of wine by brewing beer from barley. Loaded with the wealth that had been showered upon him by grateful nations, he returned to Egypt, and on account of the benefits he had conferred on mankind he was unanimously hailed and worshipped as a deity.8 But his brother Set (whom the Greeks called Typhon) with seventy-two others plotted against him. Having taken the measure of his good brother's body by stealth, the bad brother Typhon fashioned and highly decorated a coffer of the same size, and once when they were all drinking and making merry he brought in the coffer and jestingly promised to give it to the one whom it should fit exactly. Well, they all tried one after the other, but it fitted none of them. Last of all Osiris stepped into it and lay down. On that the conspirators ran and slammed the lid down on him, nailed it fast, soldered it with molten lead, and flung the [pg 008] coffer into the Nile. This happened on the seventeenth day of the month Athyr, when the sun is in the sign of the Scorpion, and in the eight-and-twentieth year of the reign or the life of Osiris. When Isis heard of it she sheared off a lock of her hair, put on mourning attire, and wandered disconsolately up and down, seeking the body.9

She takes refuge in the papyrus swamps. Isis and her infant son Horus.

By the advice of the god of wisdom she took refuge in the papyrus swamps of the Delta. Seven scorpions accompanied her in her flight. One evening when she was weary she came to the house of a woman, who, alarmed at the sight of the scorpions, shut the door in her face. Then one of the scorpions crept under the door and stung the child of the woman that he died. But when Isis heard the mother's lamentation, her heart was touched, and she laid her hands on the child and uttered her powerful spells; so the poison was driven out of the child and he lived. Afterwards Isis herself gave birth to a son in the swamps. She had conceived him while she fluttered in the form of a hawk over the corpse of her dead husband. The infant was the younger Horus, who in his youth bore the name of Harpocrates, that is, the child Horus. Him Buto, the goddess of the north, hid from the wrath of his wicked uncle Set. Yet she could not guard him from all mishap; for one day when Isis came to her little son's hiding-place she found him stretched lifeless and rigid on the ground: a scorpion had stung him. Then Isis prayed to the sun-god Ra for help. The god hearkened to her and staid his bark in the sky, and sent down Thoth to teach her the spell by which she might restore her son to life. She uttered the words of power, and straightway the poison flowed from the body of Horus, air passed into him, and he lived. Then Thoth ascended up into the sky and took his place once more in the bark of the sun, and the bright pomp passed onward jubilant.10

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The body of Osiris floats to Byblus, where it is recovered by Isis. The body of Osiris dismembered by Typhon, and the pieces recovered by Isis. Diodorus Siculus on the burial of Osiris.

Meantime the coffer containing the body of Osiris had floated down the river and away out to sea, till at last it drifted ashore at Byblus, on the coast of Syria. Here a fine erica-tree shot up suddenly and enclosed the chest in its trunk. The king of the country, admiring the growth of the tree, had it cut down and made into a pillar of his house; but he did not know that the coffer with the dead Osiris was in it. Word of this came to Isis and she journeyed to Byblus, and sat down by the well, in humble guise, her face wet with tears. To none would she speak till the king's handmaidens came, and them she greeted kindly, and braided their hair, and breathed on them from her own divine body a wondrous perfume. But when the queen beheld the braids of her handmaidens' hair and smelt the sweet smell that emanated from them, she sent for the stranger woman and took her into her house and made her the nurse of her child. But Isis gave the babe her finger instead of her breast to suck, and at night she began to burn all that was mortal of him away, while she herself in the likeness of a swallow fluttered round the pillar that contained her dead brother, twittering mournfully. But the queen spied what she was doing and shrieked out when she saw her child in flames, and thereby she hindered him from becoming immortal. Then the goddess revealed herself and begged for the pillar of the roof, and they gave it her, and she cut the coffer out of it, and fell upon it and embraced it and lamented so loud that the younger of the king's children died of fright on the spot. But the trunk of the tree she wrapped in fine linen, and poured ointment on it, and gave it to the king and queen, and the wood stands in a temple of [pg 010] Isis and is worshipped by the people of Byblus to this day. And Isis put the coffer in a boat and took the eldest of the king's children with her and sailed away. As soon as they were alone, she opened the chest, and laying her face on the face of her brother she kissed him and wept. But the child came behind her softly and saw what she was about, and she turned and looked at him in anger, and the child could not bear her look and died; but some say that it was not so, but that he fell into the sea and was drowned. It is he whom the Egyptians sing of at their banquets under the name of Maneros. But Isis put the coffer by and went to see her son Horus at the city of Buto, and Typhon found the coffer as he was hunting a boar one night by the light of a full moon.11 And he knew the body, and rent it into fourteen pieces, and scattered them abroad. But Isis sailed up and down the marshes in a shallop made of papyrus, looking for the pieces; and that is why when people sail in shallops made of papyrus, the crocodiles do not hurt them, for they fear or respect the goddess. And that is the reason, too, why there are many graves of Osiris in Egypt, for she buried each limb as she found it. But others will have it that she buried an image of him in every city, pretending it was his body, in order that Osiris might be worshipped in many places, and that if Typhon searched for the real grave he might not be able to find it.12 However, the genital member of Osiris had been eaten by the fishes, so Isis made an image of it instead, and the image is used by the Egyptians at their festivals to this day.13 “Isis,” writes the historian Diodorus Siculus, “recovered all the parts of the body except the genitals; and because she wished that her husband's grave should be unknown and honoured by all who dwell in the land of Egypt, she resorted to the following device. She moulded human images out of wax and spices, corresponding to the stature of Osiris, round each one of the parts of his body. Then she called in the priests according to their families and took an oath of them all that [pg 011] they would reveal to no man the trust she was about to repose in them. So to each of them privately she said that to them alone she entrusted the burial of the body, and reminding them of the benefits they had received she exhorted them to bury the body in their own land and to honour Osiris as a god. She also besought them to dedicate one of the animals of their country, whichever they chose, and to honour it in life as they had formerly honoured Osiris, and when it died to grant it obsequies like his. And because she would encourage the priests in their own interest to bestow the aforesaid honours, she gave them a third part of the land to be used by them in the service and worship of the gods. Accordingly it is said that the priests, mindful of the benefits of Osiris, desirous of gratifying the queen, and moved by the prospect of gain, carried out all the injunctions of Isis. Wherefore to this day each of the priests imagines that Osiris is buried in his country, and they honour the beasts that were consecrated in the beginning, and when the animals die the priests renew at their burial the mourning for Osiris. But the sacred bulls, the one called Apis and the other Mnevis, were dedicated to Osiris, and it was ordained that they should be worshipped as gods in common by all the Egyptians; since these animals above all others had helped the discoverers of corn in sowing the seed and procuring the universal benefits of agriculture.”14

The various members of Osiris treasured as relics in various parts of Egypt.

Such is the myth or legend of Osiris, as told by Greek writers and eked out by more or less fragmentary notices or allusions in native Egyptian literature. A long inscription in the temple at Denderah has preserved a list of the god's graves, and other texts mention the parts of his body which were treasured as holy relics in each of the sanctuaries. Thus his heart was at Athribis, his backbone at Busiris, his neck at Letopolis, and his head at Memphis. As often happens in such cases, some of his divine limbs were miraculously multiplied. His head, for example, was at Abydos as well as at Memphis, and his legs, which were remarkably numerous, would have sufficed for several ordinary mortals.15 [pg 012] In this respect, however, Osiris was nothing to St. Denys, of whom no less than seven heads, all equally genuine, are extant.16

Osiris mourned by Isis and Nephthys.

According to native Egyptian accounts, which supplement that of Plutarch, when Isis had found the corpse of her husband Osiris, she and her sister Nephthys sat down beside it and uttered a lament which in after ages became the type of all Egyptian lamentations for the dead. “Come to thy house,” they wailed, “Come to thy house. O god On! come to thy house, thou who hast no foes. O fair youth, come to thy house, that thou mayest see me. I am thy sister, whom thou lovest; thou shalt not part from me. O fair boy, come to thy house.... I see thee not, yet doth my heart yearn after thee and mine eyes desire thee. Come to her who loves thee, who loves thee, Unnefer, thou blessed one! Come to thy sister, come to thy wife, to thy wife, thou whose heart stands still. Come to thy housewife. I am thy sister by the same mother, thou shalt not be far from me. Gods and men have turned their faces towards thee and weep for thee together.... I call after thee and weep, so that my cry is heard to heaven, but thou hearest not my voice; yet am I thy sister, whom thou didst love on earth; thou didst love none but me, my brother! my brother!”17 This lament for the fair youth cut off in his prime reminds us of the laments for Adonis. The title of Unnefer or “the Good Being” bestowed on him marks the beneficence which tradition universally ascribed to Osiris; it was at once his commonest title and one of his names as king.18

Being brought to life again, Osiris reigns as king and judge of the dead in the other world. The confession of the dead.

The lamentations of the two sad sisters were not in vain. In pity for her sorrow the sun-god Ra sent down from heaven the jackal-headed god Anubis, who, with the [pg 013] aid of Isis and Nephthys, of Thoth and Horus, pieced together the broken body of the murdered god, swathed it in linen bandages, and observed all the other rites which the Egyptians were wont to perform over the bodies of the departed. Then Isis fanned the cold clay with her wings: Osiris revived, and thenceforth reigned as king over the dead in the other world.19 There he bore the titles of Lord of the Underworld, Lord of Eternity, Ruler of the Dead.20 There, too, in the great Hall of the Two Truths, assisted by forty-two assessors, one from each of the principal districts of Egypt, he presided as judge at the trial of the souls of the departed, who made their solemn confession before him, and, their heart having been weighed in the balance of justice, received the reward of virtue in a life eternal or the appropriate punishment of their sins.21 The confession or rather profession which the Book of the Dead puts in the mouth of the deceased at the judgment-bar of Osiris22 sets the morality of the ancient Egyptians in a very favourable light. In rendering an account of his life the deceased solemnly protested that he had not oppressed his fellow-men, that he had made none to weep, that he had done no murder, neither committed fornication nor borne false witness, that he had not falsified the balance, that he had not taken the milk from the mouths of babes, that he had given bread to the hungry and water to the thirsty, and had clothed the naked. In harmony [pg 014] with these professions are the epitaphs on Egyptian graves, which reveal, if not the moral practice, at least the moral ideals of those who slept beneath them. Thus, for example, a man says in his epitaph: “I gave bread to the hungry and clothes to the naked, and ferried across in my own boat him who could not pass the water. I was a father to the orphan, a husband to the widow, a shelter from the wind to them that were cold. I am one that spake good and told good. I earned my substance in righteousness.”23 Those who had done thus in their mortal life and had been acquitted at the Great Assize, were believed to dwell thenceforth at ease in a land where the corn grew higher than on earth, where harvests never failed, where trees were always green, and wives for ever young and fair.24

The fate of the wicked.

We are not clearly informed as to the fate which the Egyptians supposed to befall the wicked after death. In the scenes which represent the Last Judgment there is seen crouching beside the scales, in which the heart of the dead is being weighed, a monstrous animal known as the “Eater of the Dead.” It has the head of a crocodile, the trunk of a lion, and the hinder parts of a hippopotamus. Some think that the souls of those whose hearts had been weighed in the balance and found wanting were delivered over to this grim monster to be devoured; but this view appears to be conjectural. “Generally the animal seems to have been placed there simply as guardian of the entrance to the Fields of the Blessed, but sometimes it is likened to Set. Elsewhere it is said that the judges of the dead slay the wicked and drink their blood. In brief, here also we have conflicting statements, and can only gather that there seems to have been no general agreement among the dwellers in the Valley of the Nile as to the ultimate lot of the wicked.”25

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In the resurrection of Osiris the Egyptians saw a pledge of their own immortality.

In the resurrection of Osiris the Egyptians saw the pledge of a life everlasting for themselves beyond the grave. They believed that every man would live eternally in the other world if only his surviving friends did for his body what the gods had done for the body of Osiris. Hence the ceremonies observed by the Egyptians over the human dead were an exact copy of those which Anubis, Horus, and the rest had performed over the dead god. “At every burial there was enacted a representation of the divine mystery which had been performed of old over Osiris, when his son, his sisters, his friends were gathered round his mangled remains and succeeded by their spells and manipulations in converting his broken body into the first mummy, which they afterwards reanimated and furnished with the means of entering on a new individual life beyond the grave. The mummy of the deceased was Osiris; the professional female mourners were his two sisters Isis and Nephthys; Anubis, Horus, all the gods of the Osirian legend gathered about the corpse.” In this solemn drama of death and resurrection the principal part was played by the celebrant, who represented Horus the son of the dead and resuscitated Osiris.26 He formally opened the eyes and mouth of the dead man by rubbing or pretending to rub them four times with the bleeding heart and thigh of a sacrificed bull; after which a pretence was made of actually opening the mouth of the mummy or of the statue with certain instruments specially reserved for the purpose. Geese and gazelles were also sacrificed by being decapitated; they were supposed to represent the enemies of Osiris, who after the murder of the divine man had sought to evade the righteous punishment of their crime but had been detected and beheaded.27

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Every dead Egyptian identified with Osiris.

Thus every dead Egyptian was identified with Osiris and bore his name. From the Middle Kingdom onwards it was the regular practice to address the deceased as “Osiris So-and-So,” as if he were the god himself, and to add the standing epithet “true of speech,” because true speech was characteristic of Osiris.28 The thousands of inscribed and pictured tombs that have been opened in the valley of the Nile prove that the mystery of the resurrection was performed for the benefit of every dead Egyptian;29 as Osiris died and rose again from the dead, so all men hoped to arise like him from death to life eternal. In an Egyptian text it is said of the departed that “as surely as Osiris lives, so shall he live also; as surely as Osiris did not die, so shall he not die; as surely as Osiris is not annihilated, so shall he too not be annihilated.” The dead man, conceived to be lying, like Osiris, with mangled body, was comforted by being told that the heavenly goddess Nut, the mother of Osiris, was coming to gather up his poor scattered limbs and mould them with her own hands into a form immortal and divine. “She gives thee thy head, she brings thee thy bones, she sets thy limbs together and puts thy heart in thy body.” Thus the resurrection of the dead was conceived, like that of Osiris, not merely as spiritual but also as bodily. “They possess their heart, they possess their senses, they possess their mouth, they possess their feet, they possess their arms, they possess all their limbs.”30

Combat between Set and Horus, the brother and the son of Osiris, for the crown of Egypt.

If we may trust Egyptian legend, the trials and contests of the royal house did not cease with the restoration of Osiris [pg 017] to life and his elevation to the rank of presiding deity in the world of the dead. When Horus the younger, the son of Osiris and Isis, was grown to man's estate, the ghost of his royal and murdered father appeared to him and urged him, like another Hamlet, to avenge the foul unnatural murder upon his wicked uncle. Thus encouraged, the youth attacked the miscreant. The combat was terrific and lasted many days. Horus lost an eye in the conflict and Set suffered a still more serious mutilation. At last Thoth parted the combatants and healed their wounds; the eye of Horus he restored by spitting on it. According to one account the great battle was fought on the twenty-sixth day of the month of Thoth. Foiled in open war, the artful uncle now took the law of his virtuous nephew. He brought a suit of bastardy against Horus, hoping thus to rob him of his inheritance and to get possession of it himself; nay, not content with having murdered his good brother, the unnatural Set carried his rancour even beyond the grave by accusing the dead Osiris of certain high crimes and misdemeanours. The case was tried before the supreme court of the gods in the great hall at Heliopolis. Thoth, the god of wisdom, pleaded the cause of Osiris, and the august judges decided that “the word of Osiris was true.” Moreover, they pronounced Horus to be the true-begotten son of his father. So that prince assumed the crown and mounted the throne of the lamented Osiris. However, according to another and perhaps later version of the story, the victory of Horus over his uncle was by no means so decisive, and their struggles ended in a compromise, by which Horus reigned over the Delta, while Set became king of the upper valley of the Nile from near Memphis to the first cataract. Be that as it may, with the accession of Horus began for the Egyptians the modern period of the world, for on his throne all the kings of Egypt sat as his successors.31

The legend of their contest may be a reminiscence of dynastic struggles.

These legends of a contest for the throne of Egypt [pg 018] may perhaps contain a reminiscence of real dynastical struggles which attended an attempt to change the right of succession from the female to the male line. For under a rule of female kinship the heir to the throne is either the late king's brother, or the son of the late king's sister, while under a rule of male kinship the heir to the throne is the late king's son. In the legend of Osiris the rival heirs are Set and Horus, Set being the late king's brother, and Horus the late king's son; though Horus indeed united both claims to the crown, being the son of the king's sister as well as of the king. A similar attempt to shift the line of succession seems to have given rise to similar contests at Rome.32

Osiris represented as a king in tradition and art. The tomb of Osiris at Abydos.

Thus according to what seems to have been the general native tradition Osiris was a good and beloved king of Egypt, who suffered a violent death but rose from the dead and was henceforth worshipped as a deity. In harmony with this tradition he was regularly represented by sculptors and painters in human and regal form as a dead king, swathed in the wrappings of a mummy, but wearing on his head a kingly crown and grasping in one of his hands, which were left free from the bandages, a kingly sceptre.33 Two cities above all others were associated with his myth or memory. One of them was Busiris in Lower Egypt, which claimed to possess his backbone; the other was Abydos in Upper Egypt, which gloried in the possession of his head.34 Encircled by the nimbus of the dead yet living god, Abydos, originally an obscure place, became from the end of the Old Kingdom the holiest spot in Egypt; his tomb there would seem to have been to the Egyptians what the Church of the Holy [pg 019] Sepulchre at Jerusalem is to Christians. It was the wish of every pious man that his dead body should rest in hallowed earth near the grave of the glorified Osiris. Few indeed were rich enough to enjoy this inestimable privilege; for, apart from the cost of a tomb in the sacred city, the mere transport of mummies from great distances was both difficult and expensive. Yet so eager were many to absorb in death the blessed influence which radiated from the holy sepulchre that they caused their surviving friends to convey their mortal remains to Abydos, there to tarry for a short time, and then to be brought back by river and interred in the tombs which had been made ready for them in their native land. Others had cenotaphs built or memorial tablets erected for themselves near the tomb of their dead and risen Lord, that they might share with him the bliss of a joyful resurrection.35

The tombs of the old kings at Abydos. The tomb of King Khent identified with the tomb of Osiris. The sculptured effigy of Osiris. The hawk the crest of the earliest dynasties.

Hence from the earliest ages of Egyptian history Abydos would seem to have been a city of the dead rather than of the living; certainly there is no evidence that the place was ever of any political importance.36 No less than nine of the most ancient kings of Egypt known to us were buried here, for their tombs have been discovered and explored within recent years.37 The royal necropolis lies on the edge of the desert about a mile and a half from the temple of Osiris.38 Of the graves the oldest is that of King Khent, the second or third king of the first dynasty. His reign, which fell somewhere between three thousand four hundred [pg 020] and three thousand two hundred years before our era, seems to have marked an epoch in the history of Egypt, for under him the costume, the figure drawing, and the hieroglyphics all assumed the character which they thenceforth preserved to the very end of Egyptian nationality.39 Later ages identified him with Osiris in a more intimate sense than that in which the divine title was lavished on every dead king and indeed on every dead man; for his tomb was actually converted into the tomb of Osiris and as such received in great profusion the offerings of the faithful. Somewhere between the twenty-second and the twenty-sixth dynasty a massive bier of grey granite was placed in the sepulchral chamber. On it, cut in high relief, reposes a shrouded figure of the dead Osiris. He lies at full length, with bare and upturned face. On his head is the White Crown of Upper Egypt; in his hands, which issue from the shroud, he holds the characteristic emblems of the god, the sceptre and the scourge. At the four corners of the bier are perched four hawks, representing the four children of Horus, each with their father's banner, keeping watch over the dead god, as they kept watch over the four quarters of the world. A fifth hawk seems to have been perched on the middle of the body of Osiris, but it had been broken off before the tomb was discovered in recent years, for only the bird's claws remain in position. Finely carved heads of lions, one at each corner of the bier, with the claws to match below, complete the impressive monument. The scene represented is unquestionably the impregnation of Isis in the form of a hawk by the dead Osiris; the Copts who dismantled the shrine appear to have vented their pious rage on the figure of the hawk Isis by carrying it off or smashing it. If any doubt could exist as to the meaning of these sculptured figures, it would be set at rest by the ancient inscriptions attached to them. Over against the right shoulder of the shrouded figure, who lies stretched on the bier, are carved in hieroglyphics the words, “Osiris, the [pg 021] Good Being, true of speech”; and over against the place where the missing hawk perched on the body of the dead god is carved the symbol of Isis. Two relics of the ancient human occupants of the tomb escaped alike the fury of the fanatics and the avarice of the plunderers who pillaged and destroyed it. One of the relics is a human skull, from which the lower jawbone is missing; the other is an arm encircled by gorgeous jewelled bracelets of gold, turquoises, amethysts, and dark purple lapis lazuli. The former may be the head of King Khent himself; the latter is almost certainly the arm of his queen. One of the bracelets is composed of alternate plaques of gold and turquoise, each ornamented with the figure of a hawk perched on the top of it.40 The hawk was the sacred bird or crest of the earliest dynasties of Egyptian kings. The figure of a hawk was borne before the king as a standard on solemn occasions: the oldest capital of the country known to us was called Hawk-town: there the kings of the first dynasty built a temple to the hawk: there in modern times has been found a splendid golden head of a hawk dating from the Ancient Empire; and on the life-like statue of King Chephren of the third dynasty we see a hawk with out-spread wings protecting the back of the monarch's head. [pg 022] From the earliest to the latest times of Egyptian civilization “the Hawk” was the epithet of the king of Egypt and of the king alone; it took the first place in the list of his titles.41 The sanctity of the bird may help us to understand why Isis took the form of a hawk in order to mate with her dead husband; why the queen of Egypt wore on her arm a bracelet adorned with golden hawks; and why in the holy sepulchre the four sons of Horus were represented in the likeness of hawks keeping watch over the effigy of their divine grandfather.42

The association of Osiris with Byblus.

The legend recorded by Plutarch which associated the dead Osiris with Byblus in Phoenicia43 is doubtless late and probably untrustworthy. It may have been suggested by the resemblance which the worship of the Egyptian Osiris bore to the worship of the Phoenician Adonis in that city. But it is possible that the story has no deeper foundation than a verbal misunderstanding. For Byblus is not only the name of a city, it is the Greek word for papyrus; and as Isis is said after the death of Osiris to have taken refuge in the papyrus swamps of the Delta, where she gave birth to and reared her son Horus, a Greek writer may perhaps have confused the plant with the city of the same name.44 However [pg 023] that may have been, the association of Osiris with Adonis at Byblus gave rise to a curious tale. It is said that every year the people beyond the rivers of Ethiopia used to write a letter to the women of Byblus informing them that the lost and lamented Adonis was found. This letter they enclosed in an earthen pot, which they sealed and sent floating down the river to the sea. The waves carried the pot to Byblus, where every year it arrived at the time when the Syrian women were weeping for their dead Lord. The pot was taken up from the water and opened: the letter was read; and the weeping women dried their tears, because the lost Adonis was found.45

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The date of a festival sometimes furnishes a clue to the nature of the god.

A useful clue to the original nature of a god or goddess is often furnished by the season at which his or her festival is celebrated. Thus, if the festival falls at the new or the full moon, there is a certain presumption that the deity thus honoured either is the moon or at least has lunar affinities. If the festival is held at the winter or summer solstice, we naturally surmise that the god is the sun, or at all events that he stands in some close relation to that luminary. Again, if the festival coincides with the time of sowing or harvest, we are inclined to infer that the divinity is an embodiment of the earth or of the corn. These presumptions or inferences, taken by themselves, are by no means conclusive; but if they happen to be confirmed by other indications, the evidence may be regarded as fairly strong.

The year of the Egyptian calendar a vague or movable one.

Unfortunately, in dealing with the Egyptian gods we are in a great measure precluded from making use of this clue. The reason is not that the dates of the festivals are always unknown, but that they shifted from year to year, until after a long interval they had revolved through the whole course of the seasons. This gradual revolution of the festal Egyptian cycle resulted from the employment of a calendar year which neither corresponded exactly to the solar year nor was periodically corrected by intercalation.46 [pg 025] The solar year is equivalent to about three hundred and sixty-five and a quarter days; but the ancient Egyptians, ignoring the quarter of a day, reckoned the year at three hundred and sixty-five days only.47 Thus each of their calendar years was shorter than the true solar year by about a quarter of a day. In four years the deficiency amounted to one whole day; in forty years it amounted to ten days; in four hundred years it amounted to a hundred days; and so it went on increasing until after a lapse of four times three hundred and sixty-five, or one thousand four hundred and sixty solar years, the deficiency amounted to three hundred and sixty-five days, or a whole Egyptian year. Hence one thousand four hundred and sixty solar years, or their equivalent, one thousand four hundred and sixty-one Egyptian years, formed a period or cycle at the end of which the Egyptian festivals returned to those points of the solar year at which they had been celebrated in the beginning.48 In the meantime they had been held successively on every day of the solar year, though always on the same day of the calendar.

Thus the official calendar was divorced from the natural calendar, which is marked by the course of the seasons.

Thus the official calendar was completely divorced, except at rare and long intervals, from what may be called the natural calendar of the shepherd, the husbandman, and the sailor—that is, from the course of the seasons in which the times for the various labours of cattle-breeding, tillage, and navigation are marked by the position of the sun in the sky, the rising or setting of the stars, the fall of rain, the growth of pasture, the ripening of the corn, the blowing of certain winds, and so forth. Nowhere, perhaps, are the events of this natural calendar better marked or more regular in their recurrence than in Egypt; nowhere accordingly could their divergence from the corresponding dates of the official calendar be more readily observed. The [pg 026] divergence certainly did not escape the notice of the Egyptians themselves, and some of them apparently attempted successfully to correct it. Thus we are told that the Theban priests, who particularly excelled in astronomy, were acquainted with the true length of the solar year, and harmonized the calendar with it by intercalating a day every few, probably every four, years.49 But this scientific improvement was too deeply opposed to the religious conservatism of the Egyptian nature to win general acceptance. “The Egyptians,” said Geminus, a Greek astronomer writing about 77 b.c., “are of an opposite opinion and purpose from the Greeks. For they neither reckon the years by the sun nor the months and days by the moon, but they observe a peculiar system of their own. They wish, in fact, that the sacrifices should not always be offered to the gods at the same time of the year, but that they should pass through all the seasons of the year, so that the summer festival should in time be celebrated in winter, in autumn, and in spring. For that purpose they employ a year of three hundred and sixty-five days, composed of twelve months of thirty days each, with five supplementary days added. But they do not add the quarter of a day for the reason I have given—namely, in order that their festivals may revolve.”50 So attached, indeed, were the Egyptians to their old calendar, that the kings at their consecration were led by the priest of Isis at Memphis into the holy of holies, and there made to swear that they would maintain the year of three hundred and sixty-five days without intercalation.51

Attempt of Ptolemy III. to reform the Egyptian calendar by intercalation.

The practical inconvenience of a calendar which marked true time only once in about fifteen hundred years might be [pg 027] calmly borne by a submissive Oriental race like the ancient Egyptians, but it naturally proved a stumbling-block to the less patient temperament of their European conquerors. Accordingly in the reign of King Ptolemy III. Euergetes a decree was passed that henceforth the movable Egyptian year should be converted into a fixed solar year by the intercalation of one day at the end of every four years, “in order that the seasons may do their duty perpetually according to the present constitution of the world, and that it may not happen, through the shifting of the star by one day in four years, that some of the public festivals which are now held in the winter should ever be celebrated in the summer, and that other festivals now held in the summer should hereafter be celebrated in the winter, as has happened before, and must happen again if the year of three hundred and sixty-five days be retained.” The decree was passed in the year 239 or 238 b.c. by the high priests, scribes, and other dignitaries of the Egyptian church assembled in convocation at Canopus; but we cannot doubt that the measure, though it embodied native Egyptian science, was prompted by the king or his Macedonian advisers.52 This sage attempt to reform the erratic calendar was not permanently successful. The change may indeed have been carried out during the reign of the king who instituted it, but it was abandoned by the year 196 b.c. at latest, as we learn from the celebrated inscription known as the Rosetta stone, in which a month of the Macedonian calendar is equated to the corresponding month of the movable Egyptian year.53 And the testimony of Geminus, which I have cited, proves that in the following century the festivals were still revolving in the old style.

Institution of the fixed Alexandrian year by the Romans.

The reform which the Macedonian king had vainly attempted to impose upon his people was accomplished by the practical Romans when they took over the administration [pg 028] of the country. The expedient by which they effected the change was a simple one; indeed it was no other than that to which Ptolemy Euergetes had resorted for the same purpose. They merely intercalated one day at the end of every four years, thus equalizing within a small fraction four calendar years to four solar years. Henceforth the official and the natural calendars were in practical agreement. The movable Egyptian year had been converted into the fixed Alexandrian year, as it was called, which agreed with the Julian year in length and in its system of intercalation, though it differed from that year in retaining the twelve equal Egyptian months and five supplementary days.54 But while the new calendar received the sanction of law and regulated the business of government, the ancient calendar was too firmly established in popular usage to be at once displaced. Accordingly it survived for ages side by side with its modern rival.55 The spread of Christianity, which required a fixed year for the due observance of its festivals, did much to promote the adoption of the new Alexandrian style, and by the beginning of the fifth century the ancient movable year of Egypt appears to have been not only dead but forgotten.56

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Chapter III. The Calendar of the Egyptian Farmer.

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Contents

Chapter I. The Myth Of Osiris.

Chapter III. The Calendar of the Egyptian Farmer.