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A god whose life might in a sense be said to be neither in heaven nor earth but between the two, was the Norse Balder, the good and beautiful god. The story of his death is as follows: Once on a time Balder dreamed heavy dreams which seemed to forebode his death. Thereupon the gods held a council and resolved to make him secure against every danger. So the goddess Frigg took an oath from fire and water, iron and all metals, stones and earth, from trees, sicknesses and poisons, and from all four-footed beasts, birds, and creeping things, that they would not hurt Balder. When this was done Balder was deemed invulnerable; so the gods amused themselves by setting him in their midst, while some shot at him, others hewed at him, and others threw stones at him. But whatever they did, nothing could hurt him; and at this they were all glad. Only Loki, the mischief-maker, was displeased, and he went in the guise of an old woman to Frigg, who told him that the weapons of the gods could not wound Balder, since she had made them all swear not to hurt him. Then Loki asked, “Have all things sworn to spare Balder?” She answered, “East of Walhalla grows a plant called mistletoe; it seemed to me too [pg 245] young to swear.” So Loki went and pulled the mistletoe and took it to the assembly of the gods. There he found the blind god HÖdur standing at the outside of the circle. Loki asked him, “Why do you not shoot at Balder?” HÖdur answered, “Because I do not see where he stands; besides I have no weapon.” Then said Loki, “Do like the rest and show Balder honour, as they all do. I will show you where he stands, and do you shoot at him with this twig.” HÖdur took the mistletoe and threw it at Balder, as Loki directed him. The mistletoe struck Balder and pierced him through and through, and he fell down dead. And that was the greatest misfortune that ever befel gods and men. For a while the gods stood speechless, then they lifted up their voices and wept bitterly. They took Balder's body and brought it to the sea-shore. There stood Balder's ship; it was called Ringhorn, and was the hugest of all ships. The gods wished to launch the ship and to burn Balder's body on it, but the ship would not stir. So they sent for a giantess called Hyrrockin. She came riding on a wolf and gave the ship such a push that fire flashed from the rollers and all the earth shook. Then Balder's body was taken and placed on the funeral pile upon his ship. When his wife Nanna saw that, her heart burst for sorrow and she died. So she was laid on the funeral pile with her husband, and fire was put to it. Balder's horse, too, with all its trappings, was burned on the pile.651
The circumstantiality of this story suggests that it belongs to the extensive class of myths which are invented [pg 246] to explain ritual. For a myth is never so graphic and precise in its details as when it is a simple transcript of a ceremony which the author of the myth witnessed with his eyes. At all events, if it can be made probable that rites like those described in the Balder myth have been practised by Norsemen and by other European peoples, we shall be justified in inferring that the ritual gave birth to the myth, not the myth to the ritual. For while many cases can be shown in which a myth has been invented to explain a rite, it would be hard to point to a single case in which a myth has given rise to a rite. Ritual may be the parent of myth, but can never be its child.652
The main incidents in the myth of Balder's death are two; first, the pulling of the mistletoe, and second, the death and burning of the god. Now both these incidents appear to have formed parts of an annual ceremony once observed by Celts and Norsemen, probably also by Germans and Slavs.
In most parts of Europe the peasants have been accustomed from time immemorial to kindle bonfires on certain days of the year, and to dance round them or leap over them. Customs of this kind can be traced back on historical evidence to the Middle Ages,653 and their analogy to similar customs observed in antiquity goes with strong internal evidence to prove that their origin must be sought in a period long [pg 247] prior to the spread of Christianity. Indeed the earliest evidence of their observance in Northern Europe is furnished by the attempts made by Christian synods in the eighth century to put them down as heathenish rites.654 Not uncommonly effigies are burned in these fires, or a pretence is made of burning a living person in them; and there are grounds for believing that anciently human beings were actually burned on these occasions. A brief review of the customs in question will bring out the traces of human sacrifice, and will serve at the same time to throw light on their meaning.655
The seasons of the year at which these bonfires are most commonly lit are spring and midsummer, but in some places they are kindled at Hallow E'en (October 31st) and Christmas. In spring the first Sunday in Lent (Quadragesima) and Easter Eve are the days on which in different places the ceremony is observed. Thus in the Eifel Mountains, Rhenish Prussia, on the first Sunday in Lent young people used to collect straw and brushwood from house to house. These they carried to an eminence and piled them up round a tall, slim, beech-tree, to which a piece of wood was fastened at right angles to form a cross. The structure was known as the “hut” or “castle.” Fire was set to it and the young people marched round the blazing “castle” bareheaded, each carrying a lighted torch and praying aloud. Sometimes a straw man was burned in the “hut.” People observed the direction in which the smoke blew from the fire. If it blew towards the corn-fields, it was a sign that the [pg 248] harvest would be abundant. On the same day, in some parts of the Eifel, a great wheel was made of straw and dragged by three horses to the top of a hill. Thither the village boys marched at nightfall, set fire to the wheel, and sent it rolling down the slope. Two lads followed it with levers to set it in motion again, in case it should anywhere meet with a check.656 About Echternach the same ceremony is called “burning the witch.”657 At Voralberg in the Tyrol on the first Sunday in Lent a slender young fir-tree is surrounded with a pile of straw and fire-wood. At the top of the tree is fastened a human figure called the “witch”; it is made of old clothes and stuffed with gunpowder. At night the whole is set on fire and boys and girls dance round it, swinging torches and singing rhymes in which the words “corn in the winnowing-basket, the plough in the earth” may be distinguished.658 In Swabia on the first Sunday in Lent a figure called the “witch” or the “old wife” or “winter's grandmother” is made up of clothes and fastened to a pole. This is stuck in the middle of a pile of wood, to which fire is applied. While the “witch” is burning the young people throw blazing discs into the air. The discs are thin round pieces of wood, a few inches in diameter, with notched edges to imitate the rays of the sun or stars. They have a hole in the middle, by which they are attached to the end of a wand. Before the disc is thrown it is set on fire, the wand is swung to and fro, and the impetus thus communicated to the disc is augmented by dashing the rod sharply against a sloping board. The burning disc is thus thrown off, and mounting [pg 249] high into the air, describes a long curve before it reaches the ground. A single lad may fling up forty or fifty of these discs, one after the other. The object is to throw them as high as possible. The wand by which they are hurled must, at least in some parts of Swabia, be of hazel. Sometimes the lads also leap over the fire brandishing blazing torches of pine-wood. The charred embers of the burned “witch” and discs are taken home and planted in the flax-fields the same night, in the belief that they will keep vermin from the fields.659 In the RhÖn Mountains, Bavaria, on the first Sunday in Lent the people used to march to the top of a hill or eminence. Children and lads carried torches, brooms daubed with tar, and poles swathed in straw. A wheel, wrapt in combustibles, was kindled and rolled down the hill; and the young people rushed about the fields with their burning torches and brooms, till at last they flung them in a heap, and standing round them, struck up a hymn or a popular song. The object of running about the fields with the blazing torches was to “drive away the wicked sower.” Or it was done in honour of the Virgin, that she might preserve the fruits of the earth throughout the year and bless them.660
It seems hardly possible to separate from these bonfires, kindled on the first Sunday in Lent, the fires in which, about the same season, the effigy called Death is burned as part of the ceremony of “carrying out Death.” We have seen that at Spachendorf, [pg 250] Austrian Silesia, on the morning of Rupert's Day (Shrove Tuesday?) a straw-man, dressed in a fur coat and a fur cap, is laid in a hole outside the village and there burned, and that while it is blazing every one seeks to snatch a fragment of it, which he fastens to a branch of the highest tree in his garden or buries in his field, believing that this will make the crops to grow better. The ceremony is known as the “burying of Death.”661 Even when the straw-man is not designated as Death, the meaning of the observance is probably the same; for the name Death, as I have tried to show, does not express the original intention of the ceremony. At Cobern in the Eifel Mountains the lads make up a straw-man on Shrove Tuesday. The effigy is formally tried and accused of having perpetrated all the thefts that have been committed in the neighbourhood throughout the year. Being condemned to death, the straw-man is led through the village, shot, and burned upon a pyre. They dance round the blazing pile, and the last bride must leap over it.662 In Oldenburg on the evening of Shrove Tuesday people used to make long bundles of straw, which they set on fire, and then ran about the fields waving them, shrieking, and singing wild songs. Finally they burnt a straw-man on the field.663 In the district of DÜsseldorf the straw-man burned on Shrove Tuesday was made of an unthreshed sheaf of corn.664 On the first Monday after the spring equinox the urchins of Zurich drag a straw-man on a little cart through the streets, while at the same time the girls [pg 251] carry about a May-tree. When vespers ring, the straw-man is burned.665 In the district of Aachen on Ash Wednesday a man used to be encased in peas-straw and taken to an appointed place. Here he slipped quietly out of his straw casing, which was then burned, the children thinking that it was the man who was being burned.666 In the Val di Ledro (Tyrol) on the last day of the Carnival a figure is made up of straw and brushwood and then burned. The figure is called the Old Woman, and the ceremony “burning the Old Woman.”667
Another occasion on which these fire-festivals are held is Easter Eve, the Saturday before Easter Sunday. On that day it has been customary in Catholic countries to extinguish all the lights in the churches, and then to make a new fire, sometimes with flint and steel, sometimes with a burning-glass. At this fire is lit the Easter candle, which is then used to rekindle all the extinguished lights in the church. In many parts of Germany a bonfire is also kindled, by means of the new fire, on some open space near the church. It is consecrated, and the people bring sticks of oak, walnut, and beech, which they char in the fire, and then take home with them. Some of these charred sticks are thereupon burned at home in a newly-kindled fire, with a prayer that God will preserve the homestead from fire, lightning, and hail. Thus every house receives “new fire.” Some of the sticks are placed in the fields, gardens, and meadows, with a prayer that God will keep them from blight and hail. Such fields and gardens are thought to thrive more than others; the corn and the plants that grow in them are not beaten [pg 252] down by hail, nor devoured by mice, vermin, and beetles, no witch harms them, and the ears of corn stand close and full. The charred sticks are also applied to the plough. The ashes of the Easter bonfire, together with the ashes of the consecrated palm-branches, are mixed with the seed at sowing. A wooden figure called Judas is sometimes burned in the consecrated bonfire.668
Sometimes instead of the consecrated bonfire a profane fire used to be kindled on Easter Eve. In the afternoon the lads of the village collected firewood and carried it to a corn-field or to the top of a hill. Here they piled it together and fastened in the midst of it a pole with a cross-piece, all wrapt in straw, so that it looked like a man with outstretched arms. This figure was called the Easter-man, or the Judas. In the evening the lads lit their lanterns at the new holy fire in the church, and ran at full speed to the pile. The one who reached it first set fire to it and to the effigy. No women or girls might be present, though they were allowed to watch the scene from a distance. Great was the joy while the effigy was burning. The ashes were collected and thrown at sunrise into running water, or were scattered over the fields on Easter Monday. At the same time the palm branches which had been consecrated on Palm Sunday, and sticks which had been charred in the fire and consecrated on Good Friday, were also stuck up in the fields. The object was to preserve the fields from hail.669 In MÜnsterland, these Easter fires are always kindled upon [pg 253] certain definite hills, which are hence known as Easter or Pascal Mountains. The whole community assembles about the fire. Fathers of families form an inner circle round it. An outer circle is formed by the young men and maidens, who, singing Easter hymns, march round and round the fire in the direction of the sun, till the blaze dies down. Then the girls jump over the fire in a line, one after the other, each supported by two young men who hold her hands and run beside her. When the fire has burned out, the whole assemblage marches in solemn procession to the church, singing hymns. They march thrice round the church, and then break up. In the twilight boys with blazing bundles of straw run over the fields to make them fruitful.670 In Holland, also, Easter fires used to be kindled on the highest eminences, the people danced round them, and leaped through the flames.671 In Schaumburg, the Easter bonfires may be seen blazing on all the mountains around for miles. They are made with a tar barrel fastened to a pine-tree, which is wrapt in straw. The people dance singing round them.672 Easter bonfires are also common in the Harz Mountains and in Brunswick, Hanover, and Westphalia. They are generally lit upon particular heights and mountains which are hence called Easter Mountains. In the Harz the fire is commonly made by piling brushwood about a tree and setting it on fire, and blazing tar barrels are often rolled down into the valley. In Osterode, every one tries to snatch a brand from the bonfire and rushes about with it; the better it burns, the more lucky it is. In Grund there are torch [pg 254] races.673 In the Altmark, the Easter bonfires are composed of tar barrels, bee-hives, etc., piled round a pole. The young folk dance round the fire; and when it has died out, the old folk come and collect the ashes, which they preserve as a remedy for the ailments of bees. It is also believed that as far as the blaze of the bonfire is visible, the corn will grow well throughout the year, and no conflagration will break out.674 In some parts of Bavaria, bonfires were kindled at Easter upon steep mountains, and burning arrows or discs of wood were shot high into the air, as in the Swabian custom already described. Sometimes, instead of the discs, an old waggon wheel was wrapt in straw, set on fire, and sent rolling down the mountain. The lads who hurled the discs received painted Easter eggs from the girls.675 In some parts of Swabia the Easter fires might not be kindled with iron or flint or steel; but only by the friction of wood.676 At BraunrÖde in the Harz Mountains it was the custom to burn squirrels in the Easter bonfire.677 In the Altmark, bones were burned in it.678
In the central Highlands of Scotland bonfires, known as the Beltane fires, were formerly kindled with great ceremony on the 1st of May, and the traces of human sacrifices at them were particularly clear and unequivocal. In the neighbourhood of Callander, in Perthshire, the custom lasted down to [pg 255] the close of last century. The fires were lit by the people of each hamlet on a hill or knoll round which their cattle were pasturing. Hence various eminences in the Highlands are known as “the hill of the fires,” just as in Germany some mountains take their name from the Easter fires which are kindled upon them. On the morning of May Day the people repaired to a hill or knoll and cut a round trench in the green sod, leaving in the centre a platform of turf large enough to contain the whole company. On this turf they seated themselves, and in the middle was placed a pile of wood or other fuel, which of old they kindled with tein-eigin—that is, forced fire or need-fire. The way of making the need-fire was this: “The night before, all the fires in the country were carefully extinguished, and next morning the materials for exciting this sacred fire were prepared. The most primitive method seems to be that which was used in the islands of Skye, Mull, and Tiree. A well-seasoned plank of oak was procured, in the midst of which a hole was bored. A wimble of the same timber was then applied, the end of which they fitted to the hole. But in some parts of the mainland the machinery was different. They used a frame of green wood, of a square form, in the centre of which was an axle-tree. In some places three times three persons, in others three times nine, were required for turning round, by turns, the axle-tree or wimble. If any of them had been guilty of murder, adultery, theft, or other atrocious crime, it was imagined either that the fire would not kindle, or that it would be devoid of its usual virtue. So soon as any sparks were emitted by means of the violent friction, they applied a species of agaric which grows on old birch-trees, [pg 256] and is very combustible. This fire had the appearance of being immediately derived from heaven, and manifold were the virtues ascribed to it. They esteemed it a preservative against witchcraft, and a sovereign remedy against malignant diseases, both in the human species and in cattle; and by it the strongest poisons were supposed to have their nature changed.” For many years, however, before the close of last century, the Beltane fires were kindled in the usual way. The fire being lit, the company prepared a custard of eggs and milk, which they ate. Afterwards they amused themselves a while by singing and dancing round the fire. Then “they knead a cake of oatmeal, which is toasted at the embers against a stone. After the custard is eaten up they divide the cake into so many portions, as similar as possible to one another in size and shape, as there are persons in the company. They daub one of these portions all over with charcoal until it be perfectly black. They put all the bits of cake into a bonnet. Every one, blindfold, draws out a portion. He who holds the bonnet is entitled to the last bit. Whoever draws the black bit is the devoted person who is to be sacrificed to Baal, whose favour they mean to implore, in rendering the year productive of the sustenance of man and beast.” The victim thus selected “was called cailleach bealtine—i.e. the Beltane carline, a term of great reproach. Upon his being known, part of the company laid hold of him, and made a show of putting him into the fire; but, the majority interposing, he was rescued. And in some places they laid him flat on the ground, making as if they would quarter him. Afterwards he was pelted with eggshells, and retained the odious appellation during the [pg 257] whole year. And, while the feast was fresh in people's memory, they affected to speak of the cailleach bealtine as dead.” He had to leap thrice through the flames, and this concluded the ceremony.679
Another account of the Beltane festival, written in the latter half of last century, is as follows: “On the 1st of May the herdsmen of every village hold their Beltien, a rural sacrifice. They cut a square trench on the ground, leaving the turf in the middle; on that they make a fire of wood, on which they dress a large caudle of eggs, butter, oatmeal, and milk, and bring, besides the ingredients of the caudle, plenty of beer and whisky; for each of the company must contribute something. The rites begin with spilling some of the caudle on the ground, by way of libation; on that every one takes a cake of oatmeal, upon which are raised nine square knobs, each dedicated to some particular being, the supposed preserver of their flocks and herds, or to some particular animal, the real destroyer of them; each person then turns his face to the fire, breaks off a knob, and, flinging it over his shoulder, says, ‘This I give to thee, preserve thou my horses; this to thee, preserve thou my sheep; and so on.’ After that they use the same ceremony to the noxious animals: ‘This I give to thee, O fox! spare thou my lambs; this to thee, O hooded crow! this to thee, O eagle!’ When the ceremony is over they dine on the caudle; and, after the feast is finished, what is left is hid by two persons deputed for that purpose; but on the next Sunday they reassemble, and finish the reliques of the [pg 258] first entertainment.”680 The 1st of May is a great popular festival in the more midland and southern parts of Sweden. On the preceding evening huge bonfires, which should be lighted by striking two flints together, blaze on all the hills and knolls. Every large hamlet has its own fire, round which the young people dance in a ring. The old folk notice whether the flames incline to the north or to the south. In the former case the spring will be cold and backward; in the latter mild and genial.681
But the season at which these fire-festivals are most generally held all over Europe is the summer solstice, that is, Midsummer Eve (23d June) or Midsummer Day (24th June). According to a mediÆval writer the three great features of this festival were the bonfires, the procession with torches round the fields, and the custom of rolling a wheel. The writer adds that the smoke drives away harmful dragons which cause sickness, and he explains the custom of rolling the wheel to mean that the sun has now reached the highest point in the ecliptic, and begins thenceforward to descend.682 From his description, which is still applicable, we see that the main features of the midsummer fire-festival are identical with those which characterise the spring festivals. In Swabia lads and lasses, hand in hand, leap over the midsummer bonfire, praying that the hemp may grow three ells high, and they set fire to wheels of straw and send them rolling down the hill.683 In Lechrain bonfires are kindled on [pg 259] the mountains on Midsummer Day; and besides the bonfire a tall beam, thickly wrapt in straw, and surmounted by a cross-piece, is burned in many places. Round this cross, as it burns, the lads dance; and when the flames have subsided, the young people leap over the fire in pairs, a young man and a young woman together. It is believed that the flax will grow that year as high as they leap over the fire; and that if a charred billet be taken from the fire and stuck in a flax field it will promote the growth of the flax.684 At Deffingen, as they jumped over the midsummer bonfire, they cried out, “Flax, flax! may the flax this year grow seven ells high!”685 In Bohemia bonfires are kindled on many of the mountains on Midsummer Eve; boys and girls, hand in hand, leap over them; cart-wheels smeared with resin are ignited and sent rolling down the hill; and brooms covered with tar and set on fire are swung about or thrown high into the air. The handles of the brooms or embers from the fire are preserved and stuck in gardens to protect the vegetables from caterpillars and gnats. Sometimes the boys run down the hillside in troops, brandishing the blazing brooms and shouting. The bonfire is sometimes made by stacking wood and branches round the trunk of a tree and setting the whole on fire.686
In old farm-houses of the Surenthal and Winenthal a couple of holes or a whole row of them may sometimes be seen facing each other in the door-posts of the barn or stable. Sometimes the holes are smooth and round; sometimes they are deeply burnt and blackened. [pg 260] The explanation of them is this. About midsummer, but especially on Midsummer Day, two such holes are bored opposite each other, into which the extremities of a strong pole are fixed. The holes are then stuffed with tow steeped in resin and oil; a rope is looped round the pole, and two young men, who must be brothers or must have the same baptismal name, and must be of the same age, pull the ends of the rope backwards and forwards so as to make the pole revolve rapidly, till smoke and sparks issue from the two holes in the door-posts. The sparks are caught and blown up with tinder, and this is the new and pure fire, the appearance of which is greeted with cries of joy. Heaps of combustible materials are now ignited with the new fire, and blazing bundles are placed on boards and sent floating down the brook. The boys light torches at the new fire and run to fumigate the pastures. This is believed to drive away all the demons and witches that molest the cattle. Finally the torches are thrown in a heap on the meadow and allowed to burn out. On their way back the boys strew the ashes over the fields: this is supposed to make them fertile. If a farmer has taken possession of a new house, or if servants have changed masters, the boys fumigate the new abode and are rewarded by the farmer with a supper.687
At Konz, on the Moselle, the midsummer fire-festival used to be celebrated as follows. A quantity of straw, contributed jointly by every house, was collected on the top of the Stromberg Hill. Here, towards evening, the men and boys assembled, while the women and girls took up their position at a certain well down below. On the top of the hill a huge wheel was completely covered with a portion of the [pg 261] collected straw, the remainder of which was made into torches. The mayor of Sierk, who always received a basket of cherries for his services, gave the signal, the wheel was ignited with a torch, and sent rolling down the hill amid shouts of joy. All the men and boys swung their torches in the air, some of them remained on the top of the hill, while others followed the fiery wheel on its course down the hillside to the Moselle. As it passed the women and girls at the well they raised cries of joy which were answered by the men on the top of the hill. The inhabitants of the neighbouring villages also stood on the banks of the river and mingled their voices with the general shout of jubilation. The wheel was often extinguished before it reached the water, but if it plunged blazing into the river the people expected an abundant vintage, and the inhabitants of Konz had the right to exact a waggon-load of white wine from the surrounding vineyards.688
In France the midsummer customs are similar. In Poitou a wheel enveloped in straw is set on fire, and people run with it through the fields, which are supposed to be fertilised thereby; also, the people leap thrice over the fire, holding in their hands branches of nut-trees, which are afterwards hung over the door of the cattle-stall. At Brest torches are brandished, and hundreds of them flung up into the air together.689 In Britanny midsummer fires blaze on the hills, the people dance round them, singing and leaping over the glowing embers. The bonfire is made by piling wood round a pole which is surmounted by a nosegay or crown.690 [pg 262] Sometimes, instead of rolling fiery wheels, discs of wood are ignited in the midsummer fires and thrown into the air in the manner already described.691 At Edersleben, near Sangerhausen, a high pole was planted in the ground and a tar barrel was hung from it by a chain which reached to the ground. The barrel was then set on fire and swung round the pole amid shouts of joy.692
In our own country the custom of lighting bonfires at midsummer has prevailed extensively. In the North of England these fires used to be lit in the open streets. Young and old gathered round them; the former leaped over the fires and engaged in games, while the old people looked on. Sometimes the fires were kindled on the tops of high hills. The people also carried firebrands about the fields.693 In Herefordshire and Somersetshire people used to make fires in the fields on Midsummer Eve “to bless the apples.”694 In Devonshire the custom of leaping over the midsummer fires was also observed.695 In Cornwall bonfires were lit on Midsummer Eve and the people marched round them with lighted torches, which they also carried from village to village. On Whiteborough, a large tumulus near Launceston, a huge bonfire used to be kindled on Midsummer Eve; a tall summer pole with a large bush at the top was fixed in the centre of the bonfire.696 At Darowen in Wales small bonfires were lit on Midsummer Eve.697 On the same [pg 263] day people in the Isle of Man used to light fires to the windward of every field, so that the smoke might pass over the corn; and they folded their cattle and carried blazing furze or gorse round them several times.698
In Ireland, “on the Eves of St. John Baptist and St. Peter, they always have in every town a bonfire late in the evening, and carry about bundles of reeds fast tied and fired; these being dry, will last long, and flame better than a torch, and be a pleasing divertive prospect to the distant beholder; a stranger would go near to imagine the whole country was on fire.”699 Another writer says of the South of Ireland: “On Midsummer's Eve, every eminence, near which is a habitation, blazes with bonfires; and round these they carry numerous torches, shouting and dancing.”700 An author who described Ireland in the first quarter of last century says: “On the vigil of St. John the Baptist's nativity, they make bonfires, and run along the streets and fields with wisps of straw blazing on long poles to purify the air, which they think infectious by believing all the devils, spirits, ghosts, and hobgoblins fly abroad this night to hurt mankind.”701 Another writer states that he witnessed the festival in Ireland in 1782: “Exactly at midnight the fires began to appear, and taking advantage of going up to the leads of the house, which had a widely extended view, I saw on a radius of thirty miles, all around, the fires burning on every eminence which the country afforded. I had a further satisfaction in learning, from undoubted authority, that the people danced [pg 264]round the fires, and at the close went through these fires, and made their sons and daughters, together with their cattle, pass through the fire; and the whole was conducted with religious solemnity.”702 That the custom prevailed in full force as late as 1867 appears from a notice in the Liverpool Mercury, 29th June 1867, which runs thus: “The old pagan fire-worship still survives in Ireland, though nominally in honour of St. John. On Sunday night bonfires were observed throughout nearly every county in the province of Leinster. In Kilkenny fires blazed on every hillside at intervals of about a mile. There were very many in the Queen's county, also in Kildare and Wexford. The effect in the rich sunset appeared to travellers very grand. The people assemble and dance round the fires, the children jump through the flames, and in former times live coals were carried into the corn-fields to prevent blight.”703
In Scotland the traces of midsummer fires are few. In reference to the parish of Mongahitter it is said: “The Midsummer Eve fire, a relic of Druidism, was kindled in some parts of this country.”704 Moresin states that on St. Peter's Day (29th June) the Scotch ran about with lighted torches on mountains and high grounds;705 and at Loudon in Ayrshire it appears that down to the close of last century the custom still prevailed for herdsmen and young people to kindle fires on high grounds on St. Peter's Day.706 In the Perthshire Highlands on Midsummer Day the cowherd used to go three times round the fold, according to the [pg 265] course of the sun, with a burning torch in his hand. This was believed to purify the flocks and herds and prevent diseases.707
In Slavonic countries also the midsummer festival is celebrated with similar rites. In Russia fires are lighted and young people, crowned with flowers, jump through them and drive their cattle through them. In Little Russia a stake is driven into the ground on St. John's Night, wrapt in straw, and set on fire. As the flames rise the peasant women throw birch-tree boughs into them, saying, “May my flax be as tall as this bough!”708 “In Ruthenia the bonfires are lighted by a flame procured from wood by friction, the operation being performed by the elders of the party, amid the respectful silence of the rest. But as soon as the fire is ‘churned,’ the bystanders break forth with joyous songs, and when the bonfires are lit the young people take hands, and spring in couples through the smoke, if not through the flames, and after that the cattle in their turn are driven through it.”709 In many parts of Prussia and Lithuania great fires are kindled on the Eve of St. John (Midsummer Eve). All the heights are ablaze with them, as far as the eye can see. The fires are supposed to be a protection against thunder, hail, and cattle disease, especially if next morning the cattle are driven over the places where the fires burned.710 In some parts of Masuren it is the custom on the evening of Midsummer Day to put out all the fires in the village. Then an oaken stake is driven into the ground, a wheel is fixed on it as on an axle [pg 266] and is made to revolve rapidly, till the friction produces fire. Every one takes home a light from the new fire and rekindles the fire on the domestic hearth.711 In Bohemia the cows used to be driven over the midsummer fires to protect them from witchcraft.712 In Servia on Midsummer Eve herdsmen light torches of birch bark and march round the sheepfolds and cattle-stalls; then they climb the hills and there allow the torches to burn out.713
In Greece the women light fires on St. John's Eve and jump over them crying, “I leave my sins behind me.”714 Italy must also have had its midsummer bonfires, since at Orvieto they were specially excepted from the prohibition directed against bonfires in general.715 We have seen that they are still lighted in Sardinia.716 In Corsica on the Eve of St. John the people set fire to the trunk of a tree or to a whole tree, and the young men and maidens dance round the blaze, which is called fucaraja.717 Midsummer fires are, or were formerly, lighted in Spain.718 Even the Mohammedans of Algeria and Morocco are reported to have kindled great midsummer bonfires of straw, into which they kept throwing incense and spices the whole night, invoking the divine blessing on their fruit-trees.719
It remains to show that the burning of effigies of human beings in the midsummer fires was not uncommon. At Rottenburg in WÜrtemberg, down [pg 267] to the beginning of the present century, a ceremony was observed on Midsummer Day which was called “beheading the angel-man.” A stump was driven into the ground, wrapt with straw, and fashioned into the rude likeness of a human figure, with arms, head, and face. This was the angel-man; round about him wood was piled up. The boys, armed with swords, assembled in crowds, covered the figure completely over with flowers, and eagerly awaited the signal. When the pile of wood was fired and the angel-man burst into a blaze, the word was given and all the boys fell upon him with their swords and hewed the burning figure in pieces. Then they leaped backwards and forwards over the fire.720 In some parts of the Tyrol a straw-man is carted about the village on Midsummer Day and then burned. He is called the Lotter, which has been corrupted into Luther.721 In French Flanders down to 1789 a straw figure representing a man was always burned in the midsummer bonfire, and the figure of a woman was burned on St. Peter's Day, 29th June.722 At GrÄtz on the 23d June the common people used to make a puppet called the Tatermann, which they dragged to the bleaching-ground, and pelted with burning besoms till it took fire.723 In some parts of Russia a figure of Kupalo is burned or thrown into a stream on St. John's Night.724 The Russian custom of carrying the straw effigy of Kupalo over the midsummer bonfire has been already described.725
The best general explanation of these European [pg 268] fire-festivals seems to be the one given by Mannhardt, namely, that they are sun-charms or magical ceremonies intended to ensure a proper supply of sunshine for men, animals, and plants. We have seen that savages resort to charms for making sunshine,726 and we need not wonder that primitive man in Europe has done the same. Indeed, considering the cold and cloudy climate of Europe during a considerable part of the year, it is natural that sun-charms should have played a much more prominent part among the superstitious practices of European peoples than among those of savages who live nearer the equator. This view of the festivals in question is supported by various considerations drawn partly from the rites themselves, partly from the influence which they are believed to exert upon the weather and on vegetation. For example, the custom of rolling a burning wheel down a hillside, which is often observed on these occasions, seems a very natural imitation of the sun's course in the sky, and the imitation is especially appropriate on Midsummer Day when the sun's annual declension begins. Not less graphic is the imitation of his apparent revolution by swinging a burning tar-barrel round a pole.727 The custom of throwing blazing discs, shaped like suns, into the air is probably also a piece of imitative magic. In these, as in so many cases, the magic force is supposed to take effect through mimicry or sympathy; by imitating the desired result you actually produce it; by counterfeiting the sun's progress through the heavens you really help the luminary to pursue his celestial journey with punctuality and despatch. The name “fire of heaven,” by which the [pg 269] midsummer fire is sometimes popularly known,728 clearly indicates a consciousness of the connection between the earthly and the heavenly flame.
Again, the manner in which the fire appears to have been originally kindled on these occasions favours the view that it was intended to be a mock-sun. For, as various scholars have seen,729 it is highly probable that originally at these festivals fire was universally obtained by the friction of two pieces of wood. We have seen that this is still the case in some places both at the Easter and midsummer fires, and that it is expressly stated to have been formerly the case at the Beltane fires.730 But what makes it almost certain that this was once the invariable mode of kindling the fire at these periodic festivals is the analogy of the need-fires. Need-fires are kindled, not at fixed periods, but on occasions of special distress, particularly at the outbreak of a murrain, and the cattle are driven through the need-fire, just as they are sometimes driven through the midsummer fires.731 Now, the need-fire has always been produced by the friction of wood and sometimes by the revolution of a wheel; in Mull, for example, it was made by turning an oaken wheel over nine oaken spindles from east to west, that is, in the direction of the sun. It is a plausible conjecture that the wheel employed to produce the need-fire represents the sun;732 and if the spring and midsummer fires were originally produced in the same way, it would be a confirmation [pg 270] of the view that they were originally sun-charms. In point of fact there is, as Kuhn has pointed out,733 some evidence to show that the midsummer fire was originally thus produced. For at Obermedlingen in Swabia the “fire of heaven,” as it was called, was made on St. Vitus's Day (15th June) by igniting a cart-wheel, which, smeared with pitch and plaited with straw, was fastened on a pole twelve feet high, the top of the pole being inserted in the nave of the wheel. This fire was made on the summit of the mountain, and as the flame ascended, the people uttered a set form of words, with eyes and arms directed heaven-ward.734 Here the fact of a wheel being fixed on the top of a pole and ignited makes it probable that originally the fire was produced, as in the need-fire, by the revolution of a wheel. The day on which the ceremony takes place (15th June) is near midsummer; and we have seen that in Masuren fire is (or was) actually made on Midsummer Day by turning a wheel rapidly about an oaken pole, though it is not said that the new fire so produced is used to light a bonfire.
Once more, the influence which these bonfires are supposed to exert on the weather and on vegetation, goes to show that they are sun-charms, since the effects ascribed to them are identical with those of sunshine. Thus, in Sweden the warmth or cold of the coming season is inferred from the direction in which the flames of the bonfire are blown; if they blow to the south, it will be warm, if to the north, cold. No doubt at present the direction of the flames is regarded merely as an augury of the weather, not as a mode of influencing it. But we may be pretty sure that this is one of the cases in which magic has [pg 271] dwindled into divination. So in the Eifel Mountains, when the smoke blows towards the corn-fields, this is an omen that the harvest will be abundant. But doubtless the older view was, not merely that the smoke and flames prognosticated, but that they actually produced an abundant harvest, the heat of the flames acting like sunshine on the corn. Indeed, this older view must still have been held by people in the Isle of Man when they lit fires to windward of their fields in order that the smoke might blow over them. Again, the idea that the corn will grow well as far as the blaze of the bonfire is visible, is certainly a remnant of the belief in the quickening and fertilising power of the bonfires. The same belief reappears in the notion that embers taken from the bonfires and inserted in the fields will promote the growth of the crops, and again it plainly underlies the custom of mixing the ashes of the bonfire with the seed-corn at sowing, or of scattering the ashes by themselves over the field. The belief that the flax will grow as high as the people leap over the bonfire belongs clearly to the same class of ideas. Once more, we saw that at Konz, on the banks of the Moselle, if the blazing wheel which was trundled down the hillside reached the river without being extinguished, this was hailed as a proof that the vintage would be abundant. So firmly was this belief held that the successful performance of the ceremony entitled the villagers to levy a tax upon the owners of the neighbouring vineyards. Here the unextinguished wheel meant an unclouded sun, and this in turn meant an abundant vintage. So the waggon-load of white wine which the villagers received from the vineyards round about was in fact a payment for the sunshine which they had procured for the grapes.
[pg 272] The interpretation of these fire-customs as charms for making sunshine is confirmed by a parallel custom observed by the Hindoos of Southern India at the Pongol or Feast of Ingathering. The festival is celebrated in the early part of January, when, according to Hindoo astrologers, the sun enters the tropic of Capricorn, and the chief event of the festival coincides with the passage of the sun. For some days previously the boys gather heaps of sticks, straw, dead leaves, and everything that will burn. On the morning of the first day of the festival the heaps are fired. Every street and lane has its bonfire. The young folk leap over the fire or pile on fresh fuel. This fire is an offering to SÛrya, the sun-god, or to Agni, the deity of fire; it “wakes him from his sleep, calling on him again to gladden the earth with his light and heat.”735 To say that the fires awaken the sun-god from his sleep is only a metaphorical and perhaps modernised expression of the belief that they actually help to rekindle the sun's light and heat.
The custom of leaping over the fire and driving cattle through it may be intended, on the one hand, to secure for man and beast a share of the vital energy of the sun, and, on the other hand, to purify them from all evil influences; for to the primitive mind fire is the most powerful of all purificatory agents. The latter idea is obviously uppermost in the minds of Greek women when they leap over the midsummer fire, saying, “I leave my sins behind me.” So in Yucatan at a New Year's festival the people used to light a huge bonfire and pass through it, in the belief that this was a means of [pg 273] ridding themselves of their troubles.736 The custom of driving cattle through a fire is not confined to Europe. At certain times the Hottentots make a fire of chips, dry branches, and green twigs, so as to raise a great smoke. Through this fire they drive their sheep, dragging them through by force, if necessary. If the sheep make their escape without passing through the fire, it is reckoned a heavy disgrace and a very bad omen. But if they pass readily through or over the fire, the joy of the Hottentots is indescribable.737
The procession or race with burning torches, which so often forms a part of these fire-festivals, appears to be simply a means of diffusing far and wide the genial influence of the bonfire or of the sunshine which it represents. Hence on these occasions lighted torches are very frequently carried over the fields, sometimes with the avowed intention of fertilising them;738 and with the same intention live coals from the bonfire are sometimes placed in the field “to prevent blight.” The custom of trundling a burning wheel over the fields, which is practised for the express purpose of fertilising them, embodies the same idea in a still more graphic form; since in this way the mock-sun itself, not merely its light and heat represented by torches, is made actually to pass over the ground which is to receive its quickening and kindly influence. Again, the custom of carrying lighted brands round the cattle is plainly [pg 274] equivalent to driving the animals through the fire. It is quite possible that in these customs the idea of the quickening power of fire may be combined with the conception of it as a purgative agent for the expulsion or destruction of evil beings. It is certainly sometimes interpreted in the latter way by persons who practise the customs; and this purgative use of fire comes out very prominently, as we have seen, in the general expulsion of demons from towns and villages. But in the present class of cases this aspect of it is perhaps secondary, if indeed it is more than a later misinterpretation of the custom.
It remains to ask, What is the meaning of burning an effigy in these bonfires? The effigies so burned, as was remarked above, can hardly be separated from the effigies of Death which are burned or otherwise destroyed in spring; and grounds have been already given for regarding the so-called effigies of Death as really representations of the tree-spirit or spirit of vegetation. Are the other effigies, which are burned in the spring and midsummer bonfires, susceptible of the same explanation? It would seem so. For just as the fragments of the so-called Death are stuck in the fields to make the crops grow, so the charred embers of the figure burned in the spring bonfires are sometimes placed in the fields in the belief that they will keep vermin from the crop. Again, the rule that the last married bride must leap over the fire in which the straw-man is burned on Shrove Tuesday, is probably intended to make her fruitful. But, as we have seen, the power of blessing women with offspring is a special attribute of tree-spirits;739 it is therefore a fair presumption that the burning [pg 275] effigy over which the bride must leap is a representative of the fertilising tree-spirit or spirit of vegetation. This character of the effigy, as representative of the spirit of vegetation, is almost unmistakable when the effigy is composed of an unthreshed sheaf of corn or is covered from head to foot with flowers.740 Again, it is to be noted that instead of an effigy living trees are sometimes burned both in the spring and midsummer bonfires.741 Now, considering the frequency with which the tree-spirit is represented in human shape, it is hardly rash to suppose that when sometimes a tree and sometimes an effigy is burned in these fires, the effigy and the tree are regarded as equivalent to each other, each being a representative of the tree-spirit. This, again, is confirmed by observing, first, that sometimes the effigy which is to be burned is carried about simultaneously with a May-tree, the former being carried by the boys, the latter by the girls;742 and, second, that the effigy is sometimes tied to a living tree and burned with it.743 In these cases, we can scarcely doubt, the tree-spirit is represented, as we have found it represented before, in duplicate, both by the tree and by the effigy. That the true character of the effigy as a representative of the beneficent spirit of vegetation should sometimes be forgotten, is natural. The custom of burning a beneficent god is too foreign to later modes of thought to escape misinterpretation. Naturally enough the people who continued to burn his image came in time to identify it as the effigy of persons, whom, on various grounds, they considered objectionable, such as Judas Iscariot, Luther, and a witch.
The general reasons for killing a god or his [pg 276] representative have been examined in the preceding chapter. But when the god happens to be a deity of vegetation, there are special reasons why he should die by fire. For light and heat are necessary to vegetable growth; and, on the principle of sympathetic magic, by subjecting the personal representative of vegetation to their influence, you secure a supply of these necessaries for trees and crops. In other words, by burning the spirit of vegetation in a fire which represents the sun, you make sure that, for a time at least, vegetation shall have plenty of sun. It may be objected that, if the intention is simply to secure enough sunshine for vegetation, this end would be better attained, on the principles of sympathetic magic, by merely passing the representative of vegetation through the fire instead of burning him. In point of fact this is sometimes done. In Russia, as we have seen, the straw figure of Kupalo is not burned in the midsummer fire, but merely carried backwards and forwards across it.744 But, for the reasons already given, it is necessary that the god should die; so next day Kupalo is stripped of her ornaments and thrown into a stream. In this Russian custom, therefore, the passage of the image through the fire is a sun-charm pure and simple; the killing of the god is a separate act, and the mode of killing him—by drowning—is probably a rain-charm. But usually people have not thought it necessary to draw this fine distinction; for the various reasons already assigned, it is advantageous, they think, to expose the god of vegetation to a considerable degree of heat, and it is also advantageous to kill him, and they combine these advantages in a rough-and-ready way by burning him.
[pg 277] Finally, we have to ask, were human beings formerly burned as representatives of the tree-spirit or deity of vegetation? We have seen reasons for believing that living persons have often acted as representatives of the tree-spirit, and have suffered death as such. There is no reason, therefore, why they should not have been burned, if any special advantages were likely to be attained by putting them to death in that way. The consideration of human suffering is not one which enters into the calculations of primitive man. It would have been surprising if it did, when we remember the record of Christian Europe. Now, in the fire-festivals which we are discussing, the pretence of burning people is sometimes carried so far that it seems reasonable to regard it as a mitigated survival of an older custom of actually burning them. Thus in Aachen, as we saw, the man clad in peas-straw acts so cleverly that the children really believe he is being burned. And at the Beltane fires the pretended victim was seized, and a show made of throwing him into the fire, and for some time afterwards people affected to speak of him as dead. In the following customs Mannhardt is probably right in recognising traces of an old custom of burning a leaf-clad representative of the spirit of vegetation. At Wolfeck, in Austria, on Midsummer Day, a boy completely clad in green fir branches goes from house to house, accompanied by a noisy crew, collecting wood for the bonfire. As he gets the wood he sings—