True to her word, Madame Bergeret quitted the conjugal roof and betook herself to the house of her mother, the widow Pouilly.

As the time for her departure drew near, she had half a mind not to go, and with a little coaxing would have consented to forget the past and resume the old life with her husband, at the same time vaguely despising M. Bergeret as the injured party.

She was quite ready to forgive and forget, but the unbending esteem in which she was held by the circle in which she moved did not allow of such a course. Madame Dellion had made it clear to her that any such weakness on her part would be judged unfavourably; all the drawing-rooms in the place were unanimous upon that score. There was but one opinion among the tradespeople: Madame Bergeret must return to her mother. In this way did they uphold the proprieties and, at the same time, rid themselves of a thoughtless, common, compromising person, whose vulgarity was apparent even to the vulgar, and who was a burden on everybody about her. They made her believe there was something heroic in her conduct.

“I have the greatest admiration for you, my child,” said old Madame Dutilleul from the depths of her easy chair, she who had survived four husbands, and was a truly terrible woman. People suspected her of everything, except of ever having loved, and in her old age she was honoured and respected by all.

Madame Bergeret was delighted at having inspired sympathy in Madame Dellion and admiration in Madame Dutilleul, and still she could not finally make up her mind to go, for she was of a homely disposition and accustomed to regular habits and quite content to live on in idleness and deceit. Having grasped this fact, M. Bergeret redoubled his efforts to ensure his deliverance. He stoutly upheld Marie, the servant, who kept every one in the house in a state of wretchedness and trepidation, was suspected of harbouring thieves and cut-throats in her kitchen, and only brought herself into prominence by the catastrophes she caused.

Four days before the time appointed for Madame Bergeret’s departure, this girl, who was drunk as usual, upset a lighted lamp in her mistress’s room and set fire to the blue chintz bed-curtains. Madame Bergeret was spending the day with her friend, Madame Lacarelle. She returned and, amid the dreadful stillness of the house, beheld on entering her room the evidences of the disaster. She called and called in vain for her stony-hearted husband and her besotted maid, then stood gazing at the smoke-blackened ceiling and the dismal ravages of the fire. This commonplace accident assumed in her eyes a mystic significance that frightened her. But presently as the candle began to flicker she lay down, tired out and very cold, upon her bed under the skeleton of the charred canopy whose black shreds fluttered like the wings of a bat. The next morning, on waking, she wept for her blue curtains, the souvenir and symbol of her youth; bare-footed, with dishevelled hair, smothered with blacks and clad only in her nightdress, she ran desperately about the rooms, crying and moaning. M. Bergeret took no notice of her; for him she had ceased to exist.

That evening, with the help of the girl Marie, she drew her bed into the middle of the dreary room. But now she realized that this room could never again be a resting-place for her, and that she must leave the home where for fifteen years she had fulfilled the duties of daily life.

Moreover, the ingenious Bergeret, having taken rooms for his daughter Pauline and himself in a little house in the Place Saint-ExupÈre, was busy moving out and moving in.

He went backwards and forwards ceaselessly between the two houses, keeping close to the walls, and trotting along with the agility of a mouse suddenly unearthed in a heap of debris. His heart was glad within him, but he concealed his joy, for he was a prudent man.

Having been told that, at an early date, she must hand over the keys of the house to the landlord, Madame Bergeret in like manner set about despatching her furniture to her mother, who lived in a maisonnette on the ramparts of a little northern town. She made bundles of clothes and of linen, pushed the furniture about, gave orders to the men, sneezed in the dusty atmosphere, and wrote out labels addressed to “Madame Veuve Pouilly.”

From her labours Madame Bergeret derived moral assistance, for it is good for mankind to work. It takes a man’s mind off his own life and turns him away from dreadful self-examination; it keeps him from that which makes solitude unbearable, the contemplation of that other being, his real self. It is the sovereign remedy for moral and Æsthetic obsessions. Work is also excellent, in that it panders to our vanity, hides from us our impotence, and flatters us with the hope of something good to come. We imagine that it enables us to steal a march on Fate. Failing to realize the necessary relation between individual endeavour and the mechanism of the universe, we fondly imagine that our efforts are directed to our own advantage against the rest of the machine. Work gives us illusory determination, strength and independence, and makes us as gods in our own eyes. We appear to ourselves as so many heroes, genii, demons, demiurges, gods—yes, as God Himself. And, in fact, man has always conceived of God as a worker. Thus it was that the removal restored Madame Bergeret’s natural gaiety and the joyous energy of her physical strength. She sang songs as she tied up parcels; the rapid flow of blood in her veins made her content, and she looked forward to a happy future.

She painted in glowing colours her life in the little Flemish town where she would live with her mother and her two younger daughters. There she hoped to grow young again, to be brilliant and admired, to have attention offered her, and to find sympathy. Who could say whether, once the decree nisi was granted in her favour, a second and wealthy marriage were not awaiting her in her native town? Was it not quite possible that she might marry a good-tempered, sensible man, a country gentleman, an agriculturist or a Government official, somebody quite different from M. Bergeret?

The packing-up also afforded her peculiar satisfaction, for from it she derived some solid advantages in the way of gain. Not satisfied with the appropriation of what she had brought as her marriage portion, and a large share of the common property, she heaped into her trunks things which she ought in ordinary fairness to have left to others. In this way she packed among her underclothes a silver cup which had belonged to M. Bergeret’s maternal grandmother. Again, she added to her own jewels which, be it said, were of no great value, the watch and chain of M. Bergeret’s father, a professor at the University, who, having refused in 1852 to swear fidelity to the Empire, had died in 1873, poor and forgotten.

Madame Bergeret interrupted her packing only to go and pay her farewell calls, visits both sad and triumphant. Public opinion was in her favour. Men’s judgments are diverse, and there is no place in the world where there is undivided and unanimous opinion on any single subject. Tradidit mundum disputationibus eorum. Madame Bergeret herself was the subject of polite discussion and of secret dissent. The greater number of the ladies of her acquaintance considered her irreproachable, otherwise they would not have received her at their houses. There were a few, however, who suspected that her adventure with M. Roux had not been quite blameless; some of them even went so far as to say so. One blamed her, another excused her, a third approved of her, casting all the blame upon M. Bergeret, as being a spiteful man.

That point, too, was open to doubt. Some people declared M. Bergeret to be a nice, quiet man, the only thing to dislike in him being his too subtle mind, which was at variance with public opinion.

M. de Terremondre said that M. Bergeret was a very nice sort of man; to which Madame Dellion replied that if he were really a good man he would have stood by his wife, however wicked she was.

“There would be some merit in that,” she said. “There is nothing noble in putting-up with a charming woman.”

Another opinion of Madame Dellion’s was: “M. Bergeret is doing his utmost to keep his wife, but she is leaving him, and quite right too! It serves M. Bergeret right.”

Thus did Madame Dellion express opinions which were inconsistent, for human thought has ever depended not upon force of reason but on violence of feeling.

Although the world is known to be uncertain in its judgment, Madame Bergeret would have gone from the town in possession of a good reputation, if on the very eve of her departure, when paying her farewell visit to Madame Lacarelle, she had not met M. Lacarelle alone in the drawing-room. M. Gustave Lacarelle, chief clerk at the prÉfecture, had a long, thick, fair moustache, which, while the chief characteristic of his countenance, was also destined to determine his character. In his student days at the Law Schools, his comrades had discovered in him a resemblance to the ancient Gauls, as depicted in the sculpture and paintings of the later romanticists. Other more careful observers, remarking that the long strands of hair were situated under a snub nose and placid eyes, gave Lacarelle the name of “The Seal.” The latter, however, did not prevail against that of “The Gaul.” Lacarelle became “The Gaul” to his companions, who consequently made up their minds that he ought to be a great drinker, a great fighter, and a devil with the women, in order that he might conform in reality to the Frenchman of immemorial tradition. At the Corps dinners he was forced to drink far more than he wanted, and he could never go into a brasserie with his friends without being pushed up against some tray-laden waitress. When he married and returned to his native town, and, by what was a great stroke of fortune in those days, obtained a post in the Central Administration of the department from which he hailed, Gustave Lacarelle continued to be called “The Gaul” by the most important of the magistrates, lawyers, and Government officials who frequented his house. The ignorant mob, however, did not bestow this name upon him until 1895, in which year a statue to Eporedorix was erected and unveiled on the Pont National.

Twenty-two years previously, under the presidency of M. Thiers, it had been decided that subscriptions should be invited for the erection of a statue to the Gaulish chief Eporedorix, who, in the year 52 B.C., led the river tribes against CÆsar, and imperilled the small Roman garrison by cutting down the wooden bridge built by them to ensure communication with the rest of the Army. The archÆologists of the little county town firmly believed that this feat of arms had been accomplished in their town, founding their belief on a passage in the Commentaries which all the learned societies of the district quoted as a proof of the fact that the wooden bridge cut down by Eporedorix was situated in their particular town. There is a great deal of uncertainty with regard to CÆsar’s geography, and local patriotism is both fierce and jealous. The chief town of the department, three sous-prÉfectures, and four smaller towns quarrelled for the glory of having slaughtered the Romans by the hand of Eporedorix.

Competent authority decided the question in favour of the capital town of the department. It was an unfortified town, which much to its sorrow and anger had been forced in 1870 after one hour’s bombardment to allow the enemy to enter its walls, walls which in the time of Louis XI had been crumbling to pieces, and now lay concealed beneath the ivy that had overgrown them.

The town had undergone the hardships and privations of military occupation. It had suffered and atoned. The project of erecting a monument to the memory of the Gaulish chief was received with enthusiasm by the townspeople, who were experiencing the humiliation of defeat, and were all the more grateful to their long-dead compatriot for providing them with something of which they could be proud. Resuscitated after fifteen hundred years of oblivion, Eporedorix united all the citizens in a bond of filial devotion. The name of the hero roused no distrust in any of the different political parties which were then dividing France. Opportunists, Radicals, Constitutionalists, Royalists, Orleanists, Bonapartists, they all gave to the scheme; half the cost was subscribed within the year, and deputies of the department obtained from the Government what was wanting to make up the required sum.

The order for the statue of Eporedorix was given to Mathieu Michel, David d’Angers’ youngest pupil, he whom the Master had called his Benjamin. Mathieu Michel, who was then in his fiftieth year, at once set to work, and attacked the clay with a generous, if somewhat cramped, hand, for the republican sculptor had done but little work during the Empire. In less than two years, however, he finished the figure, a plaster model of which was exhibited in the Salon of 1873, among many other Gaulish chiefs gathered together among the palms and begonias under the huge glass dome. Owing to the endless formalities insisted upon by the authorities, the statue was not finally completed in marble for another five years. After this, so many administrative difficulties, so many disputes arose, between the town and the Government, that it looked as though the statue of Eporedorix would never be erected upon the Pont National.

In 1895, however, the work was accomplished, and the statue, arriving from Paris, was received by the prÉfet, who solemnly handed it over to the mayor of the town. Mathieu Michel accompanied his work. He was then over seventy, and the whole town turned out to look at the old man with his lion-like head and long, flowing, white hair.

The inauguration took place on the 7th of June, when M. Dupont was Minister of Public Instruction, M. Worms-Clavelin prÉfet of the department, and M. Trumelle mayor of the town. Doubtless the enthusiasm was not what it would have been on the morrow of the invasion, when indignation was at its height, but at any rate everybody was satisfied. The speeches and also the uniforms of the officers met with applause, and when the green veil which hid Eporedorix from view was withdrawn the whole town cried as with one voice, “Lacarelle! it is Lacarelle! it is the image of Lacarelle!”

This, to tell the truth, was by no means correct. Mathieu Michel, the pupil and emulator of David d’Angers, he whom the venerable master called the child of his old age, the republican sculptor and patriot, insurgent in ’48, volunteer in ’70, had not portrayed M. Gustave Lacarelle in this marble hero. No, indeed! This chief, with his shy and gentle look, clasping his lance, and seeming, under his wide-winged helmet, to be meditating upon the poetry of Chateaubriand and the historic philosophy of Henri Martin, this warrior, steeped in romantic melancholy, was not, in spite of what the people cried, the true portrait of M. Lacarelle.

The prÉfet’s secretary had big, prominent eyes, a short, snub nose, flabby cheeks, and a double chin. Mathieu Michel’s Eporedorix gazed with deep-set orbs into the distance. His nose was Grecian, and the contour of his face pure and classical. But, like M. Lacarelle, he had a tremendous moustache, the long, curving branches of which were visible from every point of view.

Struck by this resemblance, the crowd unanimously bestowed upon M. Lacarelle the glorious name of Eporedorix, and from that time the secretary of the prÉfet found himself compelled to personate in public the popular idea of the Gaul, and to conform to it by word and deed under all circumstances. Lacarelle was fairly successful, for he had had plenty of practice since his student days, and all that was required of him was to be hail-fellow-well-met with everybody, keen on the Army, and a teller of broad stories when necessary. He was considered to be an adept at kissing women, and so he became a great embracer. He kissed them all and he kissed them always. It did not matter who they were: women, young girls, and little girls, pretty ones and plain, old and young, he embraced them out of pure Gaulishness, and with no evil intentions, for he was a moral man.

And that is why, coming unexpectedly upon Madame Bergeret waiting in the drawing-room for his wife, he immediately embraced her. Madame Bergeret was not ignorant of M. Lacarelle’s little habit, but her vanity, which was great, confounded her judgment, which was scanty. She thought he kissed her because he loved her, and straightway fell into so great an emotion that her bosom heaved stormily, her legs gave way beneath her, and she sank panting into the arms of M. Lacarelle. The latter was both surprised and embarrassed, but his amour-propre was flattered. He placed Madame Bergeret as comfortably as he could upon the couch, and, bending over her, said in a voice filled with sympathy:

“Poor lady! So charming and so unhappy! And so you are leaving us? You are going to-morrow?”

And he imprinted upon her brow a chaste kiss. But Madame Bergeret, whose nerves were all unstrung, burst into a fit of sobs and tears; then slowly, solemnly, and sorrowfully she returned his kiss at the very moment that Madame Lacarelle entered the room.

The next day the whole town sat in judgment upon Madame Bergeret, who had remained among them just one day too long.