CHAPTER VIII AUGUSTUS THE REVIVAL OF THE ROMAN SPIRIT

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The death of Julius CÆsar seemed to plunge the world once more into darkness. We have evidence enough of the general feeling of horror and despair,—a despair hard to realise in our days, when settled and orderly government saves us from all serious anxiety about our lives and property. Power fell into the hands of a far more unscrupulous man than CÆsar, the Mark Antony of Shakespeare’s play; but he had a rival in CÆsar’s nephew and adopted son, afterwards known as Augustus. Civil war, of course, followed: first, war between these two and the murderers of Julius, and then war between the two victors. Antony, who had in a division of the Empire taken the eastern half, and married Cleopatra, the beautiful queen of Egypt, was crushed at the naval battle of Actium: the Empire became once more united, and hope began to spring up afresh.

Instead of following the melancholy history of these years (44 to 31 B.C.) let us try to realise the need of a complete change in men’s minds and in the ways of government, if the Roman Empire was to be preserved, and Mediterranean civilisation with it. We can best do this by learning something of the two men who more than all others brought about the change: Virgil, the greatest of Roman poets, and Augustus, the most fortunate and discerning of Roman statesmen. Augustus began a new system of government, based, no doubt, on the ideas of Julius, which lasted, gradually developing itself, till the fifth century of our era. Virgil, the poet of the new Roman spirit, kept that spirit alive into the Middle Ages, and rightly read, he keeps it still before us.

If Virgil had lived in an ordinary age, when the flow of events was smooth and unruffled, he might have been a great poet, but hardly one of the world’s greatest. But he lived in a crisis of the history of civilisation, and he was called to do his part in it. For a century before he wrote, the one great fact in the world was the marvellous growth of the Roman dominion. When he was born, seventy years before the Christian era, Rome was the only great civilised power left, and a few years later it looked as if she had not even a barbarian rival to menace her, except the Parthians far away in the East. The Roman was everywhere, fighting, trading, ruling; nothing of importance could be done without the thought—What will Rome say to it?

Yet just as Virgil was growing to manhood it became obvious, as we have seen, that this great power was in reality on the verge of breaking up. She had abandoned justice and duty, and given herself to greed and pleasure. Her government was rapacious: she was sucking the life-blood of the nations. She had lost her old virtues of self-sacrifice, purity of family life, reverence for the divine. The rulers of the world had lost the sense of duty and discipline; they were divided into jarring political factions, and had felt the bitterness of civil war, in which men killed each other in cold blood almost for the sake of killing. But with Julius CÆsar’s strong hand and generous temper it must have seemed to many that a better time was coming, and among these was the young poet from Mantua under the rampart of the Alps.

No one who knows Virgil’s poems well can have any doubt that all his hopes for himself and his family, for Italy and the Empire, were bound up with the family of the CÆsars. The sub-alpine region in which he was born and bred had been for ten years of his boyhood and youth under the personal rule of the great Julius, and had supplied him with the flower of that famous army that had conquered first Gaul and then the world. It is possible that the poet owed his position as a Roman citizen to the enlightened policy of CÆsar. Even now we cannot read without a thrill of horror the splendid lines in which he records the eclipse of the sun and the mourning of all nature when the great man was murdered by so-called patriots.[12] With such patriots, with the rapacious republican oligarchy, he could have had no sympathy, and there is not a trace of it in his poems. When, during the civil wars that followed the murder, he was turned out of his ancestral farm near Mantua to make room for veteran soldiers, he owed the recovery of it to the master of those soldiers, the second CÆsar, whom henceforward he regarded not only as his own protector and friend, but as the one hope of the Empire.

Now this younger CÆsar, nephew and adopted son of Julius, though not a great soldier or a hero in any sense, was yet one of those rare men who learn wisdom in adversity, and use it to overcome passion and violence in themselves and others. He came gradually to see that Italy and the world could not be rescued from misery and despair by war and strong government alone. He grasped the fact, which Sulla had missed, that the one thing wanting was loyalty—loyalty to himself and belief in his mission: loyalty to Rome and Italy, and belief in their mission in the world. Confidence in him, and in the destiny of Rome, might create in men’s minds a hope for the future, a new self-respect, almost a new faith. Divided and depressed as they were, he wanted to set new ideals before them, and to get them to help him loyally towards the realisation of those ideals. Economically, morally, religiously, Italy was to rise to new life in an era of peace and justice.

This may seem too grand an ideal for a man like Augustus CÆsar, who (as I have said) was no hero, and who certainly was no philosopher. But it is none the less true that he understood that “peace hath her victories no less renowned than war”: and that his own conviction, based, perhaps, on shrewd political reasonings, inspired his poets and historians to hail a new age of peace and prosperity. In one way or another they all fell in with his ideas. Their themes are the glory and beauty of Italy, the greatness of Rome, the divine power which had given her the right to rule the world, and the story of the way in which she had come to exercise that right. But as Virgil is the greatest figure in the group, so is his Æneid the greatest work in which those ideas are immortalised. The Roman Empire has vanished, the ancient city, which rose in fresh magnificence under Augustus, has crumbled away; but the Æneid remains the one enduring monument of that age of new hope.

It is said that Augustus himself suggested to the poet the subject of the Æneid. If so, it was characteristic of a man who used every chance of extending his own fame and influence without forcing them on the attention of his people. If a poem was to be written on the great theme of the revival of Rome and Italy, Augustus himself could not of course be the hero of it, nor even Julius: political and artistic feeling alike forbade. But a hero it must have, and he must be placed, not in the burning light of the politics of the day, but in the dim distance of the past. Such a hero was found in the mythical ancestor of the Julian family, Æneas, son of Venus and Anchises. A legend, familiar to educated Romans, told how this Trojan hero, whose personality appears in Homer, wandered over the seas after the fall of Troy, and landed at last in Italy; how he subdued the wild tribes then dwelling in Latium, brought peace and order and civilisation, and was under the hand of destiny the founder of the great career of Rome. His son Iulus, whose name the Julii believed themselves to bear, was in the legend the founder of the city from which Rome herself was founded; and thus the family of the CÆsars, the rescue of Italy from barbarism, and the foundation of the Eternal City, might all be brought into connexion with the story of Æneas the Trojan. Here, then, was the hero, the type of which the antitype was to be found in Augustus.

And this is how the Æneid became a great national and a great imperial poem. It created a national hero, and endowed him with the best characteristics of his race, and especially with that sense of duty which the Romans called pietas: this is why it became a great national poem. It connected him with the famous stories of Greece and of Troy, and made him prophetically the ancestor of the man who was rescuing the Empire from ruin: this is why it became a great imperial poem. The idea was a noble one, and Virgil rose to his subject. Though the Æneid has drawbacks which for a modern reader detract from the general effect, yet whenever the poet comes upon his great theme the tone is that of a full organ. Even in a translation, though he cannot feel the witchery of Virgil’s magic touch, the reader may recognise and welcome the recurrence of that great theme, and so learn how its treatment made the poem the world’s second great epic. It instantly took a firm hold on the Roman mind; it came to be looked on almost as a sacred book, loved and honoured as much by Christian Fathers as by pagan scholars. Italy has given the world two of the greatest poems ever written: the Æneid of Virgil, and the Divina Commedia of Dante, in which the younger poet took the imaginary figure of his predecessor as his guide and teacher in his travel through the scenes of the nether world.

But we must now leave poetry for fact and action, and try to gain some idea of that work of Augustus which laid the solid foundation of a new imperial system; a system of which we moderns not only see the relics still around us, but feel unconsciously the influence in many ways. Augustus had found time to discover, since the death of Julius, that the work to be done would fall mainly into two great departments: (1) Rome and Italy must be loyal, contented, and at peace; (2) the rest of the Empire must be governed justly and efficiently. To this we must add that the whole must contribute, each part in due proportion, to its own defence and government, both by paying taxes and by military service.

1. The city of Rome, with a population of perhaps half a million, of all races and degrees, had been a constant anxiety to Augustus so far, and had exercised far more power in the Empire than such a mixed and idle population was entitled to. He saw that this population must be well policed, and induced to keep itself in order as far as possible; that it must be made quite comfortable, run no risk of starvation, have confidence in the good-will of its gods, and enjoy plenty of amusement. Above all, it must believe in himself, in order to be loyal to his policy. When he returned to Rome after crushing Antony and Cleopatra, the Romans were already disposed to believe in him, and he did all he could to make them permanently and freely loyal. He divided the city into new sections for police purposes, and recruited corps of “watchmen” from the free population; he restored temples and priesthoods, erected many pleasant and convenient public buildings (thus incidentally giving plenty of employment), organised the supply of corn and of water, and encouraged public amusements by his own presence at them. He took care that no one should starve, or become so uncomfortable as to murmur or rebel.

But, on the other hand, he did not mean this motley population to continue to have undue influence on the affairs of the Empire. True, he gave them back their Free State (respublica), and you might see magistrates, Senate, and assemblies in the city, just as under the Republic. But the people of the city had henceforth little political power. The consuls and Senate were indeed far from idle, but the assemblies for election and legislation soon ceased to be realities. In elections no money was now to be gained by a vote, and in legislation the “people” were quite content with sanctioning the wisdom of Augustus and his advisers. At the beginning of the next reign it was possible to put nearly the whole of this business into the hands of the Senate, and the Roman people made no objection. Seeing that they were only a fraction of the free population of the Empire, it was as well that this should be so; the rest of the citizen body could not use their votes at a distance from Rome, and the Senate and the princeps[13] (as Augustus and his immediate successors were called) represented the interests of the Empire far better than the crowd of voters.

Of the work of Augustus in Italy we unluckily know very little, but what we do know shows that he worked on much the same principles as in the city. Italy was made safe and comfortable, and was now free from all warlike disturbance for a long period. Brigandage was suppressed: roads were repaired: agriculture and country life were encouraged in all possible ways. A book on agriculture written even in Augustus’s earlier years boasts of the prosperity of rural Italy, and Virgil’s poem on husbandry is full of the love and praise of Italian life and scenery. Here is a specimen—

“But no, not Medeland with its wealth of woods,

Fair Ganges, Hermus thick with golden silt,

Can match the praise of Italy....

Here blooms perpetual spring, and summer here

In months that are not summer’s; twice teem the flocks:

Twice does the tree yield service of her fruit.

. . . . . . .

Mark too her cities, so many and so proud,

Of mighty toil the achievement, town on town

Up rugged precipices heaved and reared,

And rivers gliding under ancient walls.”[14]

2. The peaceful state of Rome and Italy made it possible for Augustus to undertake, in person to a great extent, the more important work of organising the rest of the Empire. He found it in a state of chaos almost as great as that of the Turkish Empire in our own time. He left it a strongly compacted union of provinces and dependent kingdoms grouped around the Mediterranean, which for a long time to come served two valuable purposes. First, it protected Mediterranean civilisation against barbarian attack, the most valuable thing done for us (as I said in my first chapter) by Roman organisation. Secondly, it gave free opportunity for the growth of that enlightened system of law which has been the other chief gift of Rome to modern civilisation. And also, though without any purpose on the part of the government—nay, in spite of its strenuous opposition—it made possible the rapid growth of Christianity, during the next half-century, which seized on the great towns and the main lines of communication to spread itself among the masses of the people.

Augustus was able to do all this work beyond Italy quite legally, and as a servant of the State. He had succeeded in identifying himself, his family, and all his interests, with the State and its interests, in a way of which Sulla had never dreamt, and which had not been possible for Julius CÆsar. When he restored the Free State he divided the work of government with the Senate and the magistrates, and in this division he took care that the whole range of what we should call imperial and foreign affairs should fall to himself, with the sole command of the army. Thus he became supreme ruler of all provinces on or near the frontiers, appointed their governors, and kept them responsible to himself. If there was war on a frontier, it was carried through by his lieutenants, under his imperium and his auspices. For a governor to wage war on his own account was no longer possible, for it was made high treason under a new and stringent law. The safety of the Empire, and especially of the frontier provinces, depended on the army, and the army was now identified once more in interest through Augustus with the State.

But of course a system like this would not work of itself; it needed constant looking after. Augustus knew this well, and knew also that he could not by himself either set it going or continue to look after it. It was part of his good fortune that he found a really capable and loyal helper in Agrippa, a tried soldier and organiser, who till his death in 12 B.C., during the most prosperous years of Augustus’s power, was able to identify his own interests with those of his friend and the State. The two worked admirably together, and between them found time to travel over the whole Empire, working hard at settlements of all kinds, and conducting military operations where they were absolutely necessary. It was the same kind of work, but on a far larger scale, as that of Pompeius after his conquests in the East: founding new cities, and settling the status of old ones: making treaties with kings and chieftains: arranging the details of finance, land-tenure, and so on. Let us notice two important points in all this work of organisation, which will help to show how greatly in earnest Augustus was in his task of welding the Empire into real unity, and ruling it on rational principles.

First, he instituted for the first time (though Julius is said to have contemplated it) a complete survey, or census as the Romans called it, of all the material resources of the Empire, in order to ascertain what taxes all its free inhabitants ought to pay for purposes of government. Under the Republic there had never been such a survey, and the result was that abundant opportunity had been found for unfair taxation, and for extortion by corrupt officials. Now every house, field, and wood was duly valued by responsible officials, so that unjust exactions could be easily detected. By accurate keeping of accounts the government was able to tell what sums it ought to receive, and how much it had to spend; and we know that Augustus’s foreign policy was greatly influenced by such financial considerations. He kept a kind of yearly balance-sheet himself, and his successor found the affairs of the Empire in perfect order.

Secondly, each province was now for the first time given a kind of corporate existence, and became something more than the military command of a Roman magistrate. A council of the province met once a year at its chief town, and transacted a certain amount of business. True, this did not give the province any measure of real self-government, but it had some useful results, and it is not impossible that Augustus may have intended that more should eventually follow. This meeting of a provincial council brought each province into direct touch with the home government, and in particular enabled it to make complaint of its governor if he had been unpopular and oppressive. And one most interesting feature of these councils was that they had a worship of their own, meant, no doubt, to dim the lustre of local and tribal worships, and to keep the idea of Rome and her rulers constantly before the minds of the provincials. For the divine objects of worship were Augustus himself or his Genius, in combination with the new goddess Roma. The most famous example of this worship is found at Lugdunum, now Lyons, where there was an altar dedicated to Rome and Augustus, at the junction of Rhone and Saone, which served as a religious centre for the three provinces into which Augustus now divided the great area of the Gallic conquests of Julius.

Though his object was undoubtedly peace, Augustus could not, of course, entirely escape war on his frontiers. He could not have finally settled the frontier on the line of the Danube, which was far the most valuable military work of his time, without wars which were both long and dangerous. It was absolutely necessary to cover Italy on the northeast, where the passes over the Alps are low and comparatively easy, and also to shield the Greek peninsula from attack by the wild tribes to the north of it. I have already alluded to the great work of Tiberius (the stepson of Augustus) in this quarter, which marks him as the third of the great generals who saved the civilisation of the Mediterranean for us. At one time Augustus thought of advancing the frontier from the Rhine to the Elbe, and so of connecting Elbe and Danube in one continuous line of defence. But this plan made it necessary to enclose all Germany west of the Elbe in the Roman Empire, and it was soon found that the Germans were not to be made into Roman provincials without a prolonged struggle for which Augustus had neither money nor inclination. So the frontier came back to the Rhine, and the Rhine and the sea marked the Roman frontier on north and west, until Claudius, the third successor of Augustus, added our island, or rather the southern part of it, to the Empire, in A.D. 43.

In the East Augustus contrived to do without war, trusting, and rightly trusting, to the enormous prestige he had won by overcoming Antony and Cleopatra, and annexing the ancient kingdom of Egypt. His fame spread to India, and probably even to China, with the caravans of merchants who then as now passed along fixed routes from Syria and Egypt to the Far East. We Britons know what prestige can do among Orientals; it is a word that has often been in disfavour, but it means that there are ways of avoiding war without withdrawing just claims to influence. Augustus contrived on the strength of his prestige to keep an honourable peace with the Parthians and Armenians who bordered on the Empire along the line of the Euphrates, and his successors would have kept it too had they always followed out his policy. Tiberius, his faithful pupil and successor, did follow out that policy, and showed consummate skill in handling it.

The mention of Tiberius, who succeeded to the position of Augustus at the end of his long life, suggests a few words about a weak point in the new system, which was to give some trouble in the future. How was the succession to be effected? Augustus had not made a new constitution; he had only engrafted his own position of authority on the old republican constitution. So at least he wished his position to be understood, and so he was careful to describe it in the record of his deeds which he left behind him, engraved on the walls of the great tomb which he built for himself and his family. In dignity and consequence he wished to be considered the first citizen; and this he expressed by the word Princeps, i.e. the first man in the State: by the name Augustus, which suggested to a Roman ear something in the nature of religious sanctity: by the honorary title pater patriÆ (father of his country), and in other ways. The real power in his hands had its basis and guarantee in the army, of which his imperium made him (as we should say) commander-in-chief; but the army was on the frontiers doing duty for the Empire, all but invisible to the Roman and Italian. Thus his imperium, though it might be legally used in Italy, was primarily a military power indispensable for the guardian of the frontiers. To the Italians it might well seem that the Free State was still maintained, and that no new permanent power had been established; though Greeks and foreigners might be, and indeed were, more discerning as to what had really happened.

But when Augustus died, in A.D. 14, how was a succession to be effected? Or was there to be a succession at all—would it not be better to let the State pass back again into the hands of the Senate and people? This last was the only logical way, and it was the plan actually adopted in form. A position like that of Augustus could not pass to a successor, unless the State in its old constitutional form chose to appoint such a successor with the same authority as that of Augustus. To this, however, we must add (and it well shows the real change that had been effected by the long revolution) that no choice of Senate and people could hold good unless the consent of the army could be had.

Of course, Augustus had considered all this, and had made his own plans. He would choose a member of his own family, one, that is, who inherited the name and fame of CÆsar by blood or adoption, would adopt him as a son (for he had no son of his own), make him his heir, associate him as far as possible in his own dignity and authority, and thus mark him out as the natural heir to the principate. This would make it difficult for Senate or army to refuse him; beyond that Augustus knew that he could not go. He was unlucky in losing one after another the youths whom he thus destined to succeed him, and eventually had to fall back on his stepson Tiberius: a great soldier, as we have seen, and a man of integrity and ability, but of reserved and even morose temper, and one with whom the shrewd and genial Augustus had little in common.

When Augustus died there was an anxious moment. There was no reason why the principate should be confined to the family of the CÆsars, nor any reason but expediency for having a princeps at all. But, after all, the will of the dead ruler prevailed, and Tiberius slipped into his place without opposition; the Senate accepted him as plainly marked out by Augustus, and the army raised no difficulty, though his nephew Germanicus CÆsar was young, popular, and in actual command of the army on the Rhine. Some mocking voices were heard, and throughout his principate of twenty-three years Tiberius had to endure continual annoyance from the old republican families, but there was no real attempt to quarrel with the principate as an institution of the Roman State.

I have dwelt on this point at some length in order to show what a singular creation this principate of Augustus was. To proclaim monarchy outright would probably have been fatal; to take the whole work on himself would be to leave the old governing families idle and discontented; on the other hand, to do the necessary work as a yearly elected magistrate, according to the old practice, was plainly impossible. Election by the people of the Roman city would have little force in the eyes of the Empire, and it was this Empire as a whole that Augustus wished to represent. The course he took shows him a shrewd, observant, tactical diplomatist, if ever there was one. He is not a man on whose character we dwell with sympathy or enthusiasm; he does not kindle our admiration like C. Gracchus or CÆsar; but he was essentially the man for the hour.

To him we owe in large measure the glories of “the Augustan age,” with its poets, historians, and artists; it was the “Augustan peace,” and the encouragement and patronage of Augustus, that enable Horace to write his perfect lyrics and his good-natured comments on human life, Ovid to pour forth his abundant stream of beautiful versification, Tibullus and Propertius to sing of the Italian country and its deities and festivals, and Livy, the greatest of Roman historians, to do in noble prose what Virgil had done in noble verse—to inspire Romans and Italians with enthusiasm for the great deeds of their ancestors. But the world owes Augustus a still greater debt than this; for he laid securely the foundations of an imperial system strong enough to save for us, through centuries of danger, the priceless treasures of GrÆco-Roman civilisation.

                                                                                                                                                                                                                                                                                                           

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