INDEX

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files@47512@47512-h@47512-h-5.htm.html#Page_315" class="pginternal">315
  • E
  • Edridge, Henry, A.R.A., 268;
  • his copies of Reynolds and drawings, ibid.
  • Edward VI., by Hilliard, 286
  • Enamels, early use of, 65;
  • cloisonnÉ, 66;
  • champlevÉ, 69;
  • Limoges, 70
  • Engleheart, George, 32;
  • his origin, 255;
  • characteristics of his style, 255;
  • number of his works, 255;
  • their rarity in our public collections, 256
  • Engleheart, J. C. D., 37
  • Essex, William, 32, 93, 315
  • Essex, William B., 32
  • Ethelwald, Benedictional of, 56
  • F
  • Felu, C. F., 35
  • Ferrier, F., 32
  • Ferrier, L., 32
  • Ferrand, J. P., imitator of Petitot, 202
  • Fitzherbert, Mrs., by R. Cosway, 309
  • Flatman, T., example of, in Dyce Collection, 316
  • Foldsome, Miss, see Mee
  • Forster, Thomas, portraits of Duke and Duchess of Marlborough, 314
  • Fragonard, J. H., examples of, 310, 339
  • Fragonard, Madame, works by, 310
  • French School, as shown at Hertford House, 307;
  • its excellence, 327
  • G
  • Gardiner Collection, 79
  • Geddes, portrait of A. Plimer by, 246
  • George III., patronises Humphrey, 252;
  • patronises Engleheart, 255
  • George IV., miniature of, 245
  • Gibson, Richard, 32
  • Gibson, Penelope, 32
  • Gibson, William, 32
  • Goupey, Louis, 32
  • Goupey, Joseph, 32
  • Goupey, Bernard, 32
  • Green, Mrs. Mary, 32
  • Green, Robert, 32
  • Gribelin, Isaac, 74
  • Grimaldi, W., copy by, 309
  • GuÉrin, J., 355;
  • his career, 355;
  • his portrait of KlÉber, 355
  • Gunning, Elizabeth, Duchess of Hamilton, 222
  • Gunning, Maria, Countess of Coventry, 222
  • H
  • Hall, P. A., 110, 143, 287
  • MassÉ, J. B., 337
  • Mayerne, Sir T. de, 75, 194
  • Medici, Catherine de, 332
  • Mee, Mrs., 268
  • Meyer, Jeremiah, R.A., 87, 88, 315
  • Milton, John, by S. Cooper, 297
  • Miniatures, on the collecting of, 22;
  • forgeries of, 27, 237;
  • on the care and preservation of, 36-42;
  • painted on several pieces of ivory, 41;
  • origin of the art, 45-57;
  • and of the term, 49;
  • method of painting, 58-62
  • Miniature painters, early, 97
  • Miniature painting, its long history, 363;
  • importance of perpetuating it, 364,
  • Monck, George, by Cooper, 183, 291
  • Monmouth, Duke of, by Cooper, 183, 291;
  • by Dixon, 297
  • More, Sir A., 105
  • Moser, G. M., R.A., 33, 87
  • Moser, Joseph, 33
  • Moser, Mary, 33, 88
  • Mosnier, J. L., 344
  • Muss, Charles, 84
  • N
  • Napoleonic period illustrated at Hertford House, 307
  • Netscher, Gaspar, 218
  • Newton, Richard, 33
  • Newton, Sir William J., 32, 41, 271;
  • the number of his works, ibid.;
  • example at Victoria and Albert Museum, 315
  • Nixon, James, 221
  • O
  • O'Keefe, Daniel, 33
  • O'Keefe, John, 33
  • Oliver, Isaac, 33;
  • the Oliver family, 147;
  • examples of Isaac Oliver's work, 149-160
  • Oliver, Peter, 33;
  • his parentage and family, 161;
  • his copies ofold masters, 165;
  • his death, W
  • Waddesdon Collection, 73, 74
  • Wallace Collection, miniatures in, 304-313;
  • snuff-boxes, 79
  • Walpole, Horace, his criticisms, 183, 299
  • Welbeck Collection, 297
  • West, Benjamin, P.R.A., a patron of Robertson, 264;
  • his influence at Court, 264
  • Windsor, collection at, its extent, 282, 291;
  • Olivers at, 149, 150, 165, 288
  • Wood, William, 267
  • Wright, Mrs., see Biffin
  • Z
  • Zincke, C. F., 83, 300
  • [1] So called in the Royal Acad. Winter Exhibition Catalogues.

    [2] These illustrations in facsimile, and the size of the originals, will be found figured in the author's work, "Concerning the True Portraiture of Mary Stuart."

    [3] Thomas Flatman was a briefless barrister and poet, who imitated but never equalled Cooper's work, although Vertue pronounces him equal to Hoskins. His portrait by Lely is in the National Portrait Gallery.

    [4] In my larger works on miniature painting I have given lists of his sitters, compiled from information kindly afforded by Mrs. Thorburn.

    [5] "Concerning the True Portraiture of Mary Stuart." Dickinsons, 1905.

    [6] No. 183, in Gallery XI.


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