II The Woman of Abomination

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When young Zuan Gradenigo came once more to his senses after the fall in the dark, it was like a peaceful awakening from sweet sleep. Indeed, literally it was just that, for from the unconsciousness following upon the injury to his head he had drifted easily into slumber, so that when he waked he had, by way of souvenir of his mishap, scarcely even a headache.

That his eyes opened upon blue sky instead of upon painted or carved ceiling roused in him no astonishment. In service against the Turks and against the Genoese he had often slept in the open, waking when the morning light became strong enough to force its way through his eyelids. He lay awhile, conscious of great comfort and bodily well-being, coming slowly and lazily into full possession of his faculties. The air was fresh and warm, with a scent of thyme in it, and from somewhere in the near distance sea-birds mewed plaintively, after their kind. He dropped his eyes from the pale-blue sky and saw that though he lay upon turf—a hill it would seem, or the crest of a cliff—there was a stretch of tranquil sea before him, a narrow stretch, and beyond this a mountain range looming sheer and barren from the water's edge. The sun must be rising behind it, he said to himself, for the tips of the serrated peaks glowed golden, momentarily brighter, so that it hurt his eyes to watch them. He wondered what mountains these could be, and then, all in a flash, it came upon him where he was—that this was Arbe, and that ridge the Velebic mountains of the main-land.

"HE LAY AWHILE CONSCIOUS OF GREAT COMFORT"

His mind raced swiftly back to the preceding evening—to the scene in the fisherman's hut, to his dash through the window in an attempt to join his fighting-men, and—there he stopped. He had a confused recollection of falling in the dark, falling a long way, but he was not fully awake yet, and the effort to remember tired him. He turned upon his side—he had been lying on his back, with his head pillowed upon something soft and comfortable—and, childlike, put up an open hand under his cheek. But when his hand touched that upon which his head had been resting he cried out suddenly and struggled forthright to his feet.

The woman who had saved his life half knelt, half sat behind him, and upon her knees his head had lain. At this moment she was leaning back a little, with her head and shoulders against a small tree which stood there, and her eyes were closed as if she were asleep.

Young Zuan saw that she was very white, and that her closed eyelids were blue and had blue circles under them. The lids stirred after a moment and she opened her eyes—blank and wondering at first, a child's eyes, then swiftly intelligent.

"Lord!" she said, in a whisper, looking up to him—"lord, I must have—slept! I did not know. I am sorry—lord." She sat forward again and made as though she would rise to her feet, but with the first effort a spasm of agony went over her white face, and she gave a little scream and fell forward, prone, and so fainted quite away.

For a moment young Zuan did not understand. Then, as comprehension came to him, he dropped upon his knees beside the woman with an exclamation of pity.

"The child has come near to killing herself that I might sleep!" he cried. Then, before she should wake to further pain, he set skilfully to work. He straightened the bent and cramped knees and, with his strong hands, rubbed and chafed the stiffened muscles. They were cold as stone, he found, save where his head had lain; all feeling must long since have gone out of them. Then at last, just as he had the blood once more flowing redly under the skin, the woman stirred, moving her hands on the turf beside her, and presently came to her senses.

Her eyes opened—they were not black, as he had thought the night before, but curiously dark blue, almost purple—and she looked up into young Zuan's face as he knelt above her.

"I would not—have you think me, lord—a weakling," she said, whispering. "It was a—moment's pain. My knees were a little cramped. Will you forgive me, lord?"

"Forgive you?" said he. "You have saved my life. Whether that was worth the saving or not I do not know, but you have saved it, and you have borne great suffering that I might sleep in comfort. Forgive you?"

She lay quite still on the turf, looking up at him, and the old, paralyzing weakness began to creep upon Zuan's limbs, the old, strange shaking came to his heart.

"I would do it, lord," said she, "many, many times over for your sake." A warm flush spread up into her throat and over her cheeks.

"I do not understand," said Zuan, stammering, and dully he thought how beautiful she was, lying there still before him, how young and slender and exquisite, this woman of abomination. "We are enemies," said he, "the bitterest of enemies. I came here to cleanse Arbe of you, to set your head on a spear before the count's castle for men to revile and spit upon."

"Yes, lord," said the woman of abomination, whispering, and that rosy flush died away from cheeks and neck, leaving her pale again.

"Last night," said he, "you had me in your power. Your men could have taken me alive or slain me very easily. Yet you would not let me face them. Even when I threatened to kill you you would not stand out of my way."

"You had had me in your power first, lord," said she. "But you were kind to me. You saved me from great shame, and covered me with your cloak."

"That was nothing," said young Zuan. "I did not know that you were the princess Yaga. But you knew that I was leader of the force which had come to recover Arbe from you. Why did you save me, princess? Why are you here with me now in hiding? Why are you not in the castle where you should be?"

The flush came again, and for the first time her eyes fell away from his with a sort of timidity.

"I could not—leave you, lord," she said, whispering again. "I could not see you hurt or slain or a prisoner. And then when, through accident, you lay hurt, after all, I could not leave you so."

"But why? Why?" he persisted, staring down upon her with troubled eyes. "Arbe was in the hollow of your hand! You are the head of those barbarians who hold the city. Yet you desert them to succor me. Why?"

"If you cannot see, lord," she said, hiding her face with her hands, "then I cannot tell you."

Young Zuan gave a sudden cry.

"O God of Miracles!" said he, under his breath. His heart was racing very madly and the veins at his temples throbbed until he thought that they must burst.

He put out faltering hands and took the woman's hands from her face.

"What is it," he said, "that—has come to me to rob me of strength and thought when I am near you? What is it that came to me last night when you first crept into the fisherman's hut and I saw your eyes?"

"Lord," she said, very low, "I think it is love."

Her hands slipped from between his lax palms, and young Zuan got to his feet blindly and moved a few paces away. He put his arms up against the trunk of a tree and laid his face upon them. Through the whirl of things which beset him he had a dull consciousness that his cherished world—all his sane, ordered life, his duty, his ambitions, his pride of race—was slipping from him, receding into a misty background, leaving him face to face with something that was immeasurably, unthinkably great—something for which he had been begotten and born—something which drew him towards itself with a might that no puny strength of his could combat.

He turned, still blindly, and the woman of abomination, slim, girlish, virginal, with burning eyes, stood before him, her hands at her breast.

"Lord, I think it is—love," she said again.

"And you," said Zuan—"you what—you are!" But it was not really he who said that. It was a last faint protest from the man he once had been.

"Does that matter?" she pleaded, in an agony, her hands going out to him.

Young Zuan took a great breath. "God knows it should matter!" he groaned, "but I cannot make it weigh with me. Your spell is over my heart and soul, and I am sick for helpless love of you. When you touch me I tremble. When I see your eyes the world drops from me and I ride upon the stars breathless in some strange ecstasy. I have drunk madness before you and I am mad. No! It does not matter to me that you are what you are—the woman of abomination. I love you. You and I are bound together with chains. We cannot live apart."

Then for a time an odd little awkward silence fell upon them. Once Zuan put out his arms towards the woman as if he would take her into them, but as if moved by a sudden panic at what she had roused she shrank back, crying something under her breath that sounded like, "No, no!" And presently he moved past her a few steps down the slope of turf on which they stood, and straightway found himself at the brink of the westward cliff which rose from the water's edge. He knew where they were—some three or four miles north of the city and on the opposite side of the narrow island to where the fight of the night before had taken place.

"Will you tell me," he said at last, turning—it was a certain relief to break the strain they had been under—"will you tell me how we came here? We are a long way from the fisherman's hut and the cove where my galley lay."

"A lad helped me with you, lord," she said—"a vine-grower's lad whom I befriended two days ago. When you had fallen into the little ravine I found you there at its bottom, and at first I—thought you were dead. You lay so still! Then I felt your heart beat and knew you were only stunned. I tore a strip from my shift and bound your head with it, for your head was bleeding." Young Zuan raised a hand and for the first time discovered that a bandage was wrapped about his brows. "Then I waited there with you. I waited for a long time, climbing the bank once or twice to see how the fight above was waging. Not many of your men were killed, I think—ten or twelve perhaps—those who fought as rear-guard while the others were swimming and rowing in skiffs out to the ship—"

"Then they got away?" cried young Zuan, eagerly. "The galley got safe away?"

"Yes, lord," she said, "the galley sailed away, and after a time the Huns—my Huns—went away too towards the city. When I came out of the ravine at last there was only one man left there—the vine-grower's lad, who had crept from the wood to see the fighting. I called to him, and between us we raised you and brought you here. You fell asleep without waking from your swoon."

"They got away!" said young Zuan, staring with wide, bright eyes across the strait to where the Velebic cliffs rose gray and fierce. "They got away! They'll meet Il Lupo and the other galleys! They—" A little restless movement from the woman made him turn his head quickly, and the light faded from his eyes.

"That—doesn't matter," he said, in a different tone. "Nothing matters—now." He watched her for a long time under his brows, bitterly at first, but she was such as no man could look coldly upon, and she had saved his life and gone from triumph into hiding with him. As he looked at her, Il Lupo and the galleys dimmed from his mind.

"What," said he at last, very gently, "is to become of you and me?"

"I do not know, lord," she said. "Oh, lord, a woman, when she loves, does not think of such things or care for them. She does not look ahead. A woman, lord, when she loves, has space in her mind and soul for nothing but love. You—do not know women."

"No," said young Zuan, shaking his head, "I do not know them. That is true. They—have never come into my way."

"I am glad," she said.

"Princess," said he, after a little silence, "it is true, what men say of you?"

"Does it matter?" she asked again. "No, lord, it is not true—at least much of it is not. But you have said it did not matter—you have said so!"

He turned his eyes from the pitifulness of her face.

"It matters," he said, "only in what is to become of us. If it is true, we can never go back to Venice. I must be an outcast from my city and from my people."

She crept nearer to him, where they sat on the cliff's edge, nearer, on her knees, looking eagerly into his face.

"And, lord," she said, watching him, "if it is true—sufficiently true—would you suffer that for my sake? Would you give up all that to go with me?"

"How could I do otherwise?" said young Zuan, simply, and at that the woman broke into a little sobbing laugh of joy and triumph and tenderness.

"Oh, lord!" she cried, "that were love indeed! Oh, lord, I did not know that there were men so faithful and so good.

"And yet," she said, presently, as if in argument with herself—"yet noble lords of Venice and of Genoa and of Naples and of many Italian cities have married queens and princesses no better than the Princess Yaga."

"It is not that only," said young Zuan. "There are many evil women in high places—fawned before, bowed down to—in Italy; but you have done one very terrible and shameful thing, princess, which alone must make you hated in Venice forever, and must make marriage between you and me impossible there."

"I—do not understand," she said, wondering.

"You or your brigands," he said, "carried off from Ragusa Natalia Volutich. I was to have married her."

The woman screamed, dragging herself backward over the turf away from him.

"You—you," she cried, in a breathless whisper, her hands at her mouth,—"you are—Zuan—Gradenigo?"

"Why—yes!" said he. "I thought you knew."

She stumbled to her feet, staring and sobbing.

"Oh, what have I done? What have I done?" she cried, over and over again, and she moved still farther away, staring at him as if he were a ghost risen against her.

"What have I done?" she whispered. Then all at once she began a sobbing, hysterical laugh—a laugh that shook all her slim body, like weeping, and it seemed that she would never have done with it. She covered her face with her hands, leaning against a tree which grew near by, and the fit of endless laughter swept her like a storm. Young Zuan watched her under his brows with a sort of gloomy resentment. Women, he had been told by those of experience, were creatures of strange and incomprehensible moods, ruled, like a horse, by divers vagaries and not at all by reason. This mad fit of hysteria was, he took it, therefore to be endured as patiently as might be, but he had small store of patience.

"Oh, lord," said the woman, presently, gasping between her fits of laughter, tears in her eyes—"lord, there is a thing which I must tell you—an amazing thing. I do not know whether you will be glad or angry of it. In any case I must tell you at once—"

"Wait!" said Zuan, and held up a hand. "I must know first about this maid, Natalia Volutich, whom you stole away. What have you done with her, princess?" His tone was very grave and stern.

"The maid Natalia," said she, "has been well treated, lord. She has come to no harm. If this war had not arisen she would have been sent back safely to her father before now."

"Unharmed?" said Zuan Gradenigo, watching the woman's eyes.

"Unharmed, lord," she said. "A maid, as she came. Indeed"—there seemed to be a glimmer of a smile at the woman's lips—"indeed, I think she has not been unhappy, this Natalia of Ragusa. I think she has learned to feel a certain fondness for her mistress. I think she would serve her in any way she could." The smile was a wry smile now. "Even so vile a thing as I, lord," said the woman of abomination, "can be tender and—faithful. Even so vile a thing as I is sometimes loved. An evil woman, Messer Zuan, is not all evil. There is something of good in the very lowest."

"Princess! Princess!" cried the man.

"And now," she said, "I must tell you what must be told; but, lord, before I tell it will you say to me once more what you have said—that for my sake, to be with me alone, you stand willing—nay, glad—to give up your city and your rank and your friends? Will you say to me that I, woman of infamy though men call me, am dearer to you than everything else in the world?" She came close to him, putting out her two hands upon his breast, and her great eyes burned up into his, and her face seemed for the instant to sharpen, to pale, and her lips trembled.

"Will you tell me once again?" she said, pleading.

"I could not—live without you—child," he said, and she cried out with joy at the name. He had called her "child" on the night before when he did not know who she was.

She stood away from him at arm's-length.

"Now then, at last," she said, "I will tell you what you must know. Lord, I—" Her voice failed suddenly as if she had been stricken ill, and all the rosy color which had risen to her cheeks began to die slowly away. She seemed to be staring over young Zuan's shoulder towards the north. She raised her hand a little way, but it dropped again weakly by her side. "The—ships!" she said, in a strained whisper. "The—ships!" Zuan turned to look.

Round a little wooded point of the island, scarcely more than a mile to the north of where they stood, came, before the wind, three great Venetian galleys, looming high and stately in that narrow strait.

Zuan gave a great shout. "My ships!" he cried. "My galleys!" His voice ran up into an odd falsetto note which was almost a scream. "Trapani has found Il Lupo, and they are going to attack the city by sea!" He sprang for his cloak, which lay near, as if he would wave it to attract the attention of those on the galleys, but the woman caught him by the arm, white-faced and breathless.

"No, no!" she cried, swiftly. "No! You—must not go. They must not attack—now. The city could be taken in an hour. Those men—fools! fools!—of ours have destroyed the—engines of defence. They did not know how to use them. And they have—sunk the ships in the harbor. Lord, you must not let your ships attack. We must not lose the city. Oh, it would be cruel, cruel!" She clung to his arms, sobbing, panic-stricken, stumbling desperately over her words.

"Lord, they must not take Arbe!" she wailed. "All we have done—all I have done—gone for nothing—nothing! It is not to be borne. Stop them, lord! You would not be so cruel as to allow this. You do not know—Oh, stop them! Stop them!" She was quite beside herself with terror, but Zuan put her out away from him at arm's-length and held her there.

"Listen!" he said, sharply. "Listen to me!"

And her wild incoherence checked itself—dropped into breathless sobbing.

"I cannot stop those galleys," he said. "They have come here to retake Arbe, which you seized from us, and if what you say is true they will take it easily. Remember, nothing I can do will save the city for you. The city is lost to you already. You must let me signal to the galleys and go on board. You must let me lead this force in the attack, as I was to have done when I left Venice."

The woman cried out upon him again in a panic, but he quieted her sharply as before, speaking in quick, emphatic words as one speaks to a terrified child.

"You must let me go!" he said. "Surely you see that my honor is in this. Whether I go or stay here in hiding, the result will be the same for the city, but if I do not go I am dishonored for life. You would be hurt by that as much as I, so let me go. If I retake the city, the council in Venice will perhaps allow me to marry you without banishment. At any rate, there is the bare chance of it. Let me go!"

She stood away from him, drooping, downcast eyes averted, and she made an odd little despairing gesture—as it were of defeat. Arbe went from her hands in that gesture. Triumph was renounced that her lover's honor might rest unstained.

"Yes," she said—"yes, you must go, lord. I will not dishonor you. But oh, if there is a God who hears lovers' prayers, I pray that he will not let you come to harm. If you are killed this day I shall not live."

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The ships were drawing nearer, down the coast of the island.

"I shall be," said the woman of abomination, "in the city, lord, when you take it." She smiled again her wry smile, as if something grimly amused her.

"No!" said he. "Wait here or in the wood north of the Land Gate. I will come for you. You must not put yourself in danger."

"I shall be in the city, lord," she said again, "but not in danger. Oh, I pray God to keep you safe!"

"I must go," said he, looking over his shoulder at the three high galleys. "I must go, but oh, my dear, never doubt me! I shall come to you if I have to crawl on hands and knees!" He took her into his arms and kissed her mouth. It was the first time. Then he caught up his mantle and stood, sharply outlined on the brink of the cliff, waving it about his head, until through the still morning air he heard cries from the men of the nearest ship and saw that he had attracted their attention.

Near where he stood a fissure rent the wall of rock—a watercourse half filled with earth and shale and grown up with low shrubs. Down this he made his way, plunging recklessly among bowlders, and so reached the tiny strip of beach at the cliff's foot. The first galley was already hove to, and from it a skiff put out to take him aboard. In ten minutes more the three ships bore away again southward, and Zuan Gradenigo was in command.

And, after all, they had very little fighting for their pains—too little to please them. For it seems that an hour before the three ships came into sight of the city the Venetians and Arbesani of the garrison, too carelessly guarded by their barbarian captors, rose, in street and market-place and improvised prison—rose at a preconcerted signal—and fell upon the Huns tooth and nail. Some of them had weapons, some sticks or stones, one—an Arbesan called Spalatini, and his name deserves to go down in history along with Messer Samson's—the thigh-bone of an ox which the Huns had killed and roasted whole in the Via Venezia.

When, therefore, the three galleys under Zuan Gradenigo drew into the harbor and hurriedly made fast to the landing-place, a running hand-to-hand fight was in progress from one end of the city to the other. It was not a battle, for it had no organization whatever. It was a disgraceful mÊlÉe. Naturally enough the Venetian reinforcements incontinently decided the day. Something over three hundred of the ban's barbarians—Huns, Slavs, and Croats—gave themselves up. Nearly two hundred killed themselves by leaping over the high westward sea-wall, and a hundred more were killed in fight or escaped by water. It was an inglorious ending to a matter which had promised so fine a struggle.

An hour after the landing, as soon as ever his duties gave him a moment's breathing space, young Zuan made up the Via Venezia—that single long street which runs north and south through the city—to the castle which sits at the street's northern end, and under which is the Land Gate, the only means of entering the town except by sea.

In the loggia of the castle he came upon the count—Jacopo Corner—a round old man with a red face, gouty, so that he went upon crutches. At this moment he was surrounded by a group of gentlemen—Arbesani for the most part, heads of the city's great families—De Dominis, Galzigna, Nemira, Zudeneghi, and such; but he turned from them to greet young Gradenigo.

"Ah, Zuan, my lad!" he cried out, "you come in the nick of time—you and your archers! You've saved the day, for those dogs were just getting the better of us. Another hour and—St. Mark!—our heads would have been on pike-staves!"

Young Zuan struggled to preserve a face of civil sympathy, but his eyes were upon the open doors beyond. Old Jacopo seemed to read his thought.

"Ay, we have the queen bee in there! She's in my private audience-chamber, bound to a chair. Queen bee, say I? Hussy! Strumpet! Daughter of abomination! Mother of sins!" He shook a crutch at the bronze doors. "Ay, she's there!" he said. "But the wench has cheated us, for all that. She has robbed me of the pleasure of tearing her evil bones apart—alive, that is."

Gradenigo, one hand on the door, turned slowly backward a masklike face. He felt that he was shaking and swaying like a drunken man.

"What do you—mean?" he said, in a flat voice.

Old Jacopo hobbled nearer and touched the younger man's arm. "Eh, lad!" he croaked. "Come! come! You're not yourself. The sun has got to you. You've a bound-up head, I see. Better have a rest!"

"What was it you said?" asked young Gradenigo, looking down at the ground, which swung slowly back and forth under him.

"Yaga?" said old Jacopo. "Oh, she's dead. The wanton's dead. She got a serving-maid to stab her while she sat bound in her—"

"Out of my way!" said young Zuan, in a great voice of agony, and he dashed the old man aside and sprang through the half-open doors of the castle.

He knew where the private audience-room was, and ran there at speed. No soldier stood on guard at the door—all had been engaged in that hand-to-hand street-fight through the city. He tore the door open and reeled into the room, then closed it behind him and stood with his back against it.

The room was oddly like that room in the doge's palace where he had sat with his uncle two days since in Venice. The same great, carved table stood near the centre. The same high-set windows let in bars of colored light, which slanted down through the dimness and lay across floor and furniture in billets and lozenges of gules and vert and azure.

A single red beam rested upon the bared shoulder of the woman who hung drooping from her bonds, in the count's great chair of state; but lower, from between the woman's breasts, a darker red had coursed a downward trickling stream, and, still lower, made a red pool in the woman's lap. Her head, bent, with chin on breast, was in shadow, but out of the shadow two eyes, still half-open, gleamed with the shallow, dull opacity of death.

SHE HUNG DROOPING IN THE GREAT CHAIR OF STATE

Young Zuan, shaking against his closed door, gave a dry sob.

"Child! Child!" he mourned, bitterly. Then, all at once, his eyes narrowed in an alert frown. There was something strange here.

He crossed the room with swift steps and dropped upon one knee before the chair of state, staring close through the half-darkness.

This was a woman, beautiful indubitably, but no longer young. Her bared shoulders were thick and mature, the breast under them mature, too. On her bent face lust and hatred and cupidity and all evil passions had graven marks that not even death could erase.

Ay! something strange here. Young Zuan's foot struck against a yielding body which lay under the heavy shadow of the table. It was another woman, and dead also, lying upon her face. Gradenigo turned the body over with panic in his heart. A squat, broad-jowled, peasant face—the serving-maid, it would seem, who had done her mistress that last service and straightway followed to serve elsewhere.

Zuan rose to his feet frowning. The matter was quite beyond him. Then one stirred in the shadows at the far end of the room, and very slowly his princess came to him through those bars of colored light.

"Child! Child!" he cried again, and tears rolled down over his cheeks. He put out shaking arms to her, but she held him away with one hand, saying only:

"Wait, lord!"

Young Zuan swung about towards the dead woman who drooped so heavily in her bonds.

"Who is—that who sits there dead?" he asked. "Corner told me it was the Princess Yaga. Some one has lied to him. Who is it?"

She gave a quick sob.

"Lord, it is the Princess Yaga," she said.

"But," said he, dropping his voice to a whisper—he did not know why—"but you—you?"

"Natalia Volutich, lord!" she said, whispering, too.

Young Zuan put up a hand to his bandaged head, and he drew the hand across his eyes. His eyes were bewildered, hurt—like a child's eyes before some great mystery.

"I do not understand," he said, just as a child would say it.

"Lord," cried the maid, with little sobs between her words, "I—did it first—I pretended to be Yaga first, for—duty's sake—the duty I owed to her. She had been good to me, lord, kind and loving. When your lieutenant thought I was Yaga and begged you to set sail with me, leaving Arbe, I saw that it would give her time—time to strengthen the—defences. So I lied. I did not—care what became of me if only she was—safe. Then—then you were in—danger and—oh, lord, I had looked into your eyes! I had—There was never man like you. I—loved you from the first moment—the very first moment. I could not bear that you should die. So I—saved you. Lord, do you not understand? What I did I did for love's sake. This morning when I found who you were I tried to tell you the truth. I tried, lord, did I not? Did I not? Oh!" she cried, turning from him with wringing hands, "I have done everything ill and you will never forgive me; and yet, lord, I did it all for love's sake!"

She looked towards Zuan Gradenigo, but he stood silent and helpless in his place, his eyes staring, his lips apart. The thing had been too swift and too amazing for him. His mind, unused to indirections, labored blindly at sea. And so, after a moment, she turned away again and crossed the room to where the dead woman hung, lax and heavy, in the carven chair. Sobbing, she dropped upon her knees before the chair and laid her forehead against the dead woman's arm, into whose soft flesh the leathern thongs had cut so cruelly.

"And I was away when they bound you!" she wept. "I was not with you when you died!"

Zuan Gradenigo awoke from his daze.

"Child!" he cried. "Child! Come away from that vile body. It pollutes you!"

But the maid turned fiercely upon him.

"She loved me!" cried the maid. "She was kind to me, gentle and pitiful—and I let her die alone! Whatever she may have been to others, to me, lord, she was like the mother who died when I was a little babe. She loved me, and I let her die miserably, alone here! Oh, lord, have you nothing but curses for a woman who is dead and cannot answer you?"

Zuan bent his head. "Child," said he, gravely, "I ask your forgiveness, and hers, and God's. She was kind to you, wherefore I shall never speak ill of her again. But oh, my dear, come to me! She is dead and you cannot comfort her now. Come to me, child, who am alive and cannot live without you."

"Oh, lord," said she, "I would not have you try!"

THE END


                                                                                                                                                                                                                                                                                                           

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