As Mr. Robert hangs up the desk 'phone and turns to me I catches him smotherin' a smile. "Torchy," says he, "are you a patron of the plastic art?" "Corns, or backache?" says I. "Not plasters," says he; "plastic; in short, sculpture." "Never sculped a sculpin," says I. "What's the joke?" "On the contrary," says he, "it's quite serious,—a sculptor in distress; a noble young Belgian at that, one Djickyns, in whose cause, it seems, I was rash enough to enlist at a recent dinner party. And now——" Mr. Robert waves towards his piled-up desk. "I'd be a hot substitute along that line, wouldn't I?" says I. "As I understand the situation," goes on Mr. Robert, "it is not a matter of giving artistic advice, but of—er—financing the said Djickyns." "Oh!" says I. "Slippin' him a check?" Mr. Robert shakes his head. "Nothing so simple," says he. "One doesn't slip checks to noble young sculptors. In this instance I am supposed to assist in outlining a plan whereby certain alleged objects of art may be—er——" "Wished onto suckers in exchange for real money, eh?" says I. "Ain't that it?" Mr. Robert nods. "With so many dividends bein' passed," says I, "that's goin' to take some strategy." "Hence this appeal to us," says he. "And I might add, Torchy, that one of those most interested is a near relative of a certain young lady who——" "Aunty?" says I. It was. So I grins and grabs my hat. "That bein' the case, Mr. Robert," says I, "we'll finance this Djickyns party if we have to bull the sculpture market till it hits the rafters." With that I takes the address of the scene of trouble and breezes uptown to a third-rate studio buildin'; where I finds Aunty and Vee and Sister Marjorie all grouped around a stepladder on top of which is balanced a pallid youth with long black hair and a fair white brow projectin' out like a double dormer on a cement bungalow. He seems to be tryin' to drape a fish net across the top of an alcove accordin' to You'd hardly guess I'd been sent for, either. "Humph!" remarks Aunty, after I've announced how sorry Mr. Robert was he couldn't come himself and that he's detailed me instead. "How perfectly absurd!" "But, Aunty," protests Vee, "you know Torchy is a private secretary now and understands all about such things. Besides, he knows such heaps of important business men who——" "If he can bring them here Wednesday afternoon, very well," says Aunty; "but I have my doubts that he can." "What's the game?" says I. "It is not a game at all, young man," says Aunty. "Our project, if that is what you mean, is to have a studio tea for Mr. Djickyns and to secure the attendance of as many purchasers for his works as possible. Have you any suggestions?" "Why," says I, "not right off the bat. Maybe if I could chew over the proposition awhile, I might——" "Oh, I say," breaks in the noble young gent on the stepladder, "I—I'm getting dizzy up here, you know. I—I'm feeling rather——" "Mercy!" squeals Marjorie. "He's fainting!" I ain't a second too soon, either; for as I reaches up he topples toward me, as limp as a sack of flour. I was fieldin' my position well for an amateur; for I gathers him in on the fly, slides him down head first with only a bump or two, and stretches him out on the rug. It's only a near-faint, though, and after a drink of water and a sniff at Aunty's smellin' salts he's able to be helped onto a couch and propped up with cushions. "Awfully sorry," says he, smilin' mushy, "but I fear I can't go on with the decorating to-day." "Never mind," says Aunty, comfortin'. "This young man will help us." "Please do, Torchy," adds Marjorie. "You will, won't you?" says Vee, shootin' over a glance from them gray eyes that makes me feel all rosy and tingly. "That's my job in life," says I, pickin' up the fish net. "Now how does this go?" And for the next hour or so, when I wa'n't clingin' to the ceilin' with my eyelids, tackin' things up, I was down on all-fours arrangin' rugs, or executin' other merry little stunts. Aunty had collected a whole truckload of fancy junk,—wall tapestries, old armor, Russian tea machines, and such,—with the idea of transformin' "There!" says she. "With a few flowers I believe it will do. Now, young man, have you thought how we can get the right people here? Of course we shall advertise in all the papers." "As an open show?" says I. "Say, that's nutty! Don't you do it. You'd only get in a bunch of suburban shoppers and cheap-skate art students. My tip is, make it exclusive,—admission by card only. Then if it's done right you can graft a lot of free press agent stuff by playin' up the Belgian part of it strong. See? Lets you ring in on this fund for Belgian sufferers. I take it you want to unload as much of this plaster junk as you can? Well, all you got to do is mark it up twenty per cent. and announce that you'll chip in that much towards the fund. Get me?" She never bats an eye, Aunty don't. "To be sure," says she. "I think that is precisely what we had in mind all the time; only we—er——" "I know," says I. "You hadn't been playin' the relief act strong enough. But that's what'll get you into the headlines. 'Social Leader to the Rescue,'—all that dope. I'll send some of the boys up to see you to-night. Don't let your butler frost 'em, though. Give 'em a clear Aunty shudders a couple of times, and once she starts to crash in with the sharp reproof; but she swallows it. Some little old diplomat, Aunty is! She was gettin' the picture. Havin' planned that part of the campaign, she switches the debate as to who should go on the list of invited guests. "Leave it to me," says I. "You just pick out about a dozen patronesses. Pick 'em from the top, the ones that are featured oftenest in the society notes. And me, I'll sift out a couple of hundred sound propositions from the corporation lists,—parties that have stayed on the right side of the market and still have cash to spend." Aunty nods approvin'. She even hands over some names she'd jotted down herself and asks me to put 'em in if they're all right. "Most of 'em are fine," says I, glancin' over the slip; "but who's this W. T. Wiggins with no address?" "I particularly want to reach him," says she. "I'll look him up," says I, "and see that he gets an invite—registered." "Of course," goes on Aunty, "he doesn't belong socially, you understand; but in this instance——" "Uh-huh!" says I. "You'll be pleased to meet his checkbook. And, by the way, what schedule are you runnin' this on,—doors open at when?" "The cards will read, 'From half after four until seven,'" says Aunty. "I see," says I. "Then if I drift in before six a frock coat will pass me." And for the first time durin' the session she inspects me insultin' through her lorgnette. "Really," says she, "I had not considered that it would be necessary——" "Eh?" I gasps. "Ah, have a heart! Think how handy I'd be if someone did another flop, or if Miss Vee wanted——" "Verona will be fully occupied in serving tea," breaks in Aunty. "Besides, we shall try to give this affair the appearance, at least, of a genuine social function. I imagine that the presence of such persons as Mr. Wiggins will make the task sufficiently difficult. Don't you see?" "I ought to," says I. "You ain't left much to the imagination. Sort of a blot on the landscape I'd be, would I?" Aunty shrugs her shoulders. "Please remember," says she, "that I am not making social distinctions. I merely recognize those which exist. You must not hold me responsible for——" "Oh, Aunty," breaks in Vee, trippin' into our corner impulsive, "we've forgotten the tea things. I must go out and find a store and get them at once. Mayn't Torchy come to carry the bundles?" "Yes," says Aunty; "but I think I will go also, to be sure you order the right things." Think of carryin' round a disposition like that! She trails right along with us too, and just to make the trip int'restin' for her I strikes for Eighth-ave. through one of them messy cross streets where last week's snow piles and garbage cans was mixed careless along the curb. "What a wretched district!" complains Aunty. "I thought you wanted to get to the nearest grocery," says I. "Hello! Here's one of the Wiggins chain. How about patronizin' this?" It's one of them cheap, cut-rate joints, you know, with the windows plastered all over with daily bargain hints,—"Three pounds of Wiggins's At that out from behind a stack of Wiggins's breakfast food boxes appears a middle-aged gent strugglin' into a blue jumper three sizes too small for him. He's kind of heavy built and slow movin' for an average grocery clerk, and he's wearin' gold-rimmed specs; but when Aunty proceeds to cross-examine him about his stock of tea he sure showed he was onto his job. He seems to know about every kind of tea ever grown, and produces samples of the best he has in the shop. Aunty was watchin' him casual as he weighs out a couple of pounds, when all of a sudden she unlimbers her long-handled glasses and takes a closer look. "My good man," says she, "haven't I seen you somewhere before?" "Oh, yes," says he, scoopin' a pinch off the scales so they'd register exactly to the quarter ounce. "In some other store, perhaps?" says she. "I think not," says he. "Then where?" asks Aunty. "Cooperstown," says he, reachin' for a paper bag and shootin' the tea in skillful. "Anything more, Madam?" "Cooperstown!" echoes Aunty. "Why, I haven't been there since I was a girl." "Yes, I know," says he. "You didn't even finish at high school. Cut sugar, did you say, Madam?" "A box," says Aunty, starin' puzzled. "Perhaps you attended the same school?" He nods. "Oh, I seem to remember now," says she. "Aren't you the one they called—er—— What was it you were called?" "Woodie," says he. "Will you have lemons too? Fresh Floridas." "Two dozen," says Aunty. "Well, well! You used to ask me to skate with you on the lake, didn't you?" "When my courage was running high," says he. "Sometimes you would; but more often you wouldn't. I lived at the wrong end of town, you know." "In the Hollow, wasn't it?" says she. "And there was something queer about—about your family, wasn't there?" He looks her straight in the eye at that, Woodie does. "Yes," says he. "Mother went out sewing. She was a widow." "Oh!" says Aunty. "I recall your skates—those funny old wooden-topped ones, weren't they?" "I was lucky to have those," says he. "Hm-m-m!" muses Aunty. "But you could skate very well. You taught me the Dutch roll. I remember now. Then there was the night we had the big bonfire on the ice." Woodie lets on not to hear this last, but grabs a sales slip and gets busy jottin' down items. I nudges Vee, and she smothers a snicker. We was enjoyin' this little peek into their past. Could you have guessed it? Aunty! She orders six loaves of sandwich bread and asks to see the canned caviar. "You've never found anything better to do," she goes on, "than—than this?" "No," says Woodie, on his way down from the top shelf. Once more Aunty levels her lorgnette and gives him the cold, curious look over. "Hm-m-mff!" says she through her aristocratic nose. "I must say that as a boy you were presuming enough." "I got over that," says he. "So I should hope," says she. "You manage to make a living at this sort of thing, I suppose?" "In a way," says he. "You've no family, I trust?" says Aunty. "There are six of us all told," admits Woodie humble. "Good heavens!" she gasps. "But I presume some of them are able to help you?" "A little," says Woodie. "Think of it!" says Aunty. "Six! And on such wages! Are any of them girls?" "Two," says he. "I must send you some of my niece's discarded gowns," says Aunty impulsive. "You are not a drinking man, are you?" "Not to excess, Madam," says Woodie. "How you can afford to drink at all is beyond me," says she. "Or even eat! Yet you are rather stout. I've no doubt, though, that plain food is best. But you show your age." "I know," says he, smoothin' one hand over his bald spot. "Anything else to-day?" There's just a hint of an amused flicker behind the glasses that makes Aunty glare at him suspicious for a second. "No," says she. "Put all those things in two stout bags and tie them carefully." "Yes, Madam," says Woodie. He was doin' it too, when the other clerk steps up, salutes him polite, and says: "You're wanted at the telephone, Sir." "Tell them to hold the wire," says Woodie. We was still tryin' to dope that out when a "From the office, Sir," says he. "Wait," says Woodie, wavin' him one side. Now was them any proper motions for a grocery clerk to be goin' through? I leave it to you. Vee is watchin' with her nose wrinkled up, like she always does when anything stumps her; and me, I was just starin' open-faced and foolish. I couldn't get the connection at all. But Aunty ain't one to stand gaspin' over a mystery while her tongue's still workin'. "Whose car is that?" she demands. Woodie slips the string from between his front teeth, puts a double knot scientific on the end of the package, and peers over his glasses out through the door. "That?" says he. "Oh, that's mine." "Yours!" comes back Aunty. "And—and this store too?" "Oh, yes," says he. "Then—then your name is Wiggins?" she goes on. "Yes," says he. "Don't you remember,—Woodie Wiggins?" "I'd forgotten," says Aunty. "And all the other stores like this—how many of them have you?" "Something less than a hundred," says he. "Ninety-six or seven, I think." Most got Aunty's breath, that did; but in a jiffy she's recovered. "Perhaps," says she, "you don't mind telling me the reason for this masquerade?" "It's not quite that," says Wiggins. "I try to keep in touch with all my places. In making my rounds to-day I found my local manager here too ill to be at work. Bad case of grip. So I sent him home, telephoned for a substitute, and while waiting took off my coat and filled in. Fortunate coincidence, wasn't it?—for it gave me the pleasure of serving you." "You mean," cuts in Aunty, "that it gave you the opportunity of making me appear absurd. Those gowns I promised to send!" Wiggins grins good natured. "Is this the niece you mentioned?" says he. Aunty admits that it is, and introduces Vee. Then Wiggins looks inquirin' at me. "Your son?" he asks. And you should have seen Aunty's face pink up at that. "Certainly not!" says she. "Oh!" says Woodie, screwin' up one corner of his mouth and tippin' me the wink. I knew if I got a look at Vee I'd have to haw-haw; so I backs around with one hand behind me and we swaps a finger squeeze. Then Aunty jumps in with the quick shift. "How odd!" says Aunty. "But I presume that you hope to retire very soon?" "Eh?" says he. "Quit the one thing I can do best? Why?" "But surely," she goes on, "you can hardly find such a business congenial. It is so—so—well, so petty and sordid?" "Is it, though?" says Wiggins. "With more than five thousand employees on my payroll and a daily expense bill running well over thirty thousand, I find it far from petty. Anyway, it keeps me hustling. I used to think I was a hard worker too, when I had my one little general store at Smiths Corners." "And now you've nearly a hundred stores!" says Aunty. "How did you do it?" "I was kicked into doing it, I guess," says Wiggins, smilin' grim. "The manufacturers and jobbers, you know. They weren't willing to allow me a fair profit. So I had to go under or spread out. Well, I've spread,—flour mills in Minnesota, canning factories from Portland, Oregon, to Bridgeton, Maine, potato farms in Michigan and the Aroostook, cracker and bread bakeries, creameries, raisin and prune plantations,—all that sort of thing,—until gradually I've weeded out most of the greedy middlemen who stood between me and my customers. "If they all knew what was best for them, the Wiggins stores would soon become a national institution, and I could hand it over to the federal government; but they don't. If they did, I suppose they wouldn't be working for wages. So my chain grows slowly, at the rate of two or three stores a year. But every Wiggins store is a center for economic and scientific distribution of pure food products. That's my job, and I find it neither petty nor sordid. I can even get a certain satisfaction and pride from it. Incidentally there is my five per cent. profit to be made, which makes the game fascinating. Retire? Not until I've found something better to do, and up to date I haven't." Havin' got this off his mind and the parcels done up, Mr. Wiggins walks back to answer the 'phone. When he comes out again, in a minute or so, he's shucked the jumper and is buttonin' himself into a mink-lined overcoat. "As a rule," says he, "we do not deliver goods; but in this instance I beg leave to make an exception. Permit me," and he waves toward the limousine. It's the first time too that I ever saw Aunty stunned for more than a second or two at a stretch. She acts sort of dazed as he leads her out to the car and helps stow Vee and me and the bundles before gettin' in himself. Only when we pulls up in front of the studio buildin' does she come to. She revives enough to tell Wiggins all about this noble young Belgian sculptor and his wonderful work. "Sculpture!" says Wiggins. "I'd like to see it." And inside of three minutes Woodruff T. Wiggins, the chain grocery magnate, is right where we'd been schemin' to get him. He inspects the various groups of plaster stuff ranged around the studio, squintin' at 'em critical like he was a judge of such junk, and now and then he makes notes on the back of an envelope. Meanwhile Aunty explains all about the tea, namin' over some of the swell dowagers that was goin' to act as patronesses, and invites him cordial to drop around on the big day. "Thanks," says he; "but I guess I'd better not. I'm still from the wrong end of the town, you know. But here's a memorandum of four pieces I should like done in bronze for my country house. And suppose I leave Mr. Djickyns a check for five thousand on account. Will that do?" Would it? Say, Aunty almost pats him fond on the cheek as she follows him to the door. Must have been something romantic about that bonfire episode back in Cooperstown too; for she mellows up a lot durin' the next few minutes, and when I fin'lly calls a taxi and tucks 'em all in she comes near beamin' on me. "Remember, young man," says she, "promptly at five on Wednesday." "Wha-a-at?" says I. "And be sure to wear your best frock coat," she adds as a partin' shot. Do you wonder I stands gaspin' on the curb until after they've turned the corner? Think of that from Aunty! "Well?" says Mr. Robert, as I blows in about quittin' time. "Any new quotations in sculpture?" "If you think that's a merry jest," says I, "call up Aunty. Why, say, before we get through with this tea stunt of hers that Djickyns party will be runnin' his studio works day and night shifts and rebuildin' Belgium! We're a great team, me and dear old Aunty. We've just found it out." |