Post-Office in Spain—Travelling with post-horses—Riding post—Mails and Diligences, Galeras, Coches de Colleras, Drivers, and Manner of Driving, and Oaths. A SYSTEM of post, both for the despatch of letters and the conveyance of couriers, was introduced into Spain under Philip and Juana, that is, towards the end of the reign of our Henry VII.; whereas it was scarcely organised in England before the government of Cromwell. Spain, which in these matters, as well as in many others, was once so much in advance, is now compelled to borrow her improvements from those nations of which she formerly was the instructress: among these may be reckoned all travelling in carriages, whether public or private. The post-office for letters is arranged on the plan common to most countries on the Continent: the delivery is pretty regular, but seldom daily—twice or three times a-week. Small scruple is made by the authorities in opening private letters, whenever they suspect the character of the correspondence. It is as well, therefore, for the traveller to avoid expressing the whole of his opinions of the powers that be. The minds of men have been long troubled in Spain; civil war has rendered them very distrustful and guarded in their written correspondence—“carta canta,” “a letter speaks.” There is the usual continental bother in obtaining post-horses, which results from their being a monopoly of government. There must be a passport, an official order, notice of departure, &c.; next ensue vexatious regulations in regard to the number of passengers, horses, luggage, style of carriage, and so forth. These, and other spokes put into the wheel, appear to have been invented by clerks who sit at home devising how to impede rather than facilitate posting at all. PUBLIC CONVEYANCES. Post-horses and mules are paid at the rate of seven reals each Another mode of travelling is by riding post, accompanied by a mounted postilion, who is changed with the cattle at each relay. It is an expeditious but fatiguing plan; yet one which, like the Tartar courier of the East, has long prevailed in Spain. Thus our Charles I. rode to Madrid under the name of John Smith, by which he was not likely to be identified. The delight of Philip II., who boasted that he governed the world from the Escorial, was to receive frequent and early intelligence; and this desire to hear something new is still characteristic of the Spanish government. The cabinet-couriers have the preference of horses at every relay. The particular distances they have to perform are all timed, and so many leagues are required to be done in a fixed time; and, in order to encourage despatch, for every hour gained on the allowed time, an additional sum was paid to them: hence the common expression “ganando horas” gaining hours—equivalent to our old “post haste—haste for your life.” DILIGENCES. EXPENSES ON THE ROAD. The usual mode of travelling for the affluent is in the public conveyances, which are the fashion from being novelties and only introduced under Ferdinand VII.; previously to their being allowed at all, serious objections were started, similar to those raised by his late Holiness to the introduction of railways into the papal states; it was said that these tramontane facilities would bring in foreigners, and with them philosophy, heresy, and innovations, by which the wisdom of Spain’s ancestors might be upset. These scruples were ingeniously got over by bribing the monarch with a large share of the profits. Now that the royal monopoly is broken down, many new and competing companies have sprung up; this mode of travelling is the cheapest The whole of this garrisoned Noah’s ark is placed under the command of the Mayoral or conductor, who like all Spanish men in authority is a despot, and yet, like them, is open to the conciliatory influences of a bribe. He regulates the hours of toil and sleep, which latter—blessings, says Sancho, on the man who invented it!—is uncertain, and depends on the early or late arrival of the diligence and the state of the roads, for all that is lost of the fixed time on the road is made up for by curtailing the time allowed for repose. One of the many good effects of setting up diligences is the bettering the inns on the road; and it is a safe and general rule to travellers in Spain, whatever be their vehicle, always to inquire in every town which is the posada that the diligence stops at. Persons were dispatched from Madrid to the different stations on the great lines, to fit up houses, bed-rooms, and kitchens, and provide everything for table, service; cooks were sent round to teach the innkeepers to set out and prepare a proper dinner and supper. Thus, in villages in which a few years before the use of a fork was scarcely known, a table was laid out, clean, well served, and abundant. The example set by the diligence inns has produced a beneficial effect, since they offer a model, create competition, and suggest the existence of many comforts, which were hitherto unknown among Spaniards, whose abnegation of material enjoyments at home, and praiseworthy endurance of privations of all kinds on journeys, are quite Oriental. In some of the new companies every expense is calculated in the fare, to wit, journey, postilions, inns, &c., which is very convenient to the stranger, and prevents the loss of much money and temper. A chapter on the dilly is as much a standing dish in every Peninsular tour as a bullfight or a bandit adventure, for which there is a continual demand in the home-market; and THE GALERA. At nightfall after supper, a few hours are allowed on your part to steal whatever rest the mayoral and certain voltigeurs, creeping and winged, will permit; the beds are plain and clean; sometimes the mattresses may be compared to sacks of walnuts, but there is no pillow so soft as fatigue; the beds are generally arranged in twos, threes, and fours, according to the size of the room. The traveller should immediately on arriving secure his, and see that it is comfortable, for those who neglect to get a good one must sleep in a bad. Generally speaking, by a little management, he may get a room to himself, or at least select his companions. There is, moreover, a real civility and politeness shown by all classes of Spaniards, on all occasions, towards strangers and ladies; and that even failing, a small tip, “una gratificacioncita,” given beforehand to the maid, or the waiter, seldom fails to smooth all difficulties. On these, as on all occa Means of conveyance for those who cannot afford the diligence are provided by vehicles of more genuine Spanish nature and discomfort; they may be compared to the neat accommodation for man and beast which is doled out to third-class passengers by our monopolist railway kings, who have usurped her Majesty’s highway, and fleece her lieges by virtue of act of Parliament. First and foremost comes the galera, which fully justifies its name; and even those who have no value for their time or bones will, after a short trial of the rack and dislocation, exclaim,—“que diable allais-je faire dans cette galÈre?” These machines travel periodically from town to town, and form the chief public and carrier communication between most provincial cities; they are not much changed from that classical cart, the rheda, into which, as we read in Juvenal, the whole family of Fabricius was conveyed. In Spain these primitive locomotives have stood still in the general advance of this age of progress, and carry us back to our James I., and Fynes Moryson’s accounts of “carryers who have long covered waggons, in which they carry passengers from city to city; but this kind of journeying is so tedious, by reason they must take waggons very early and come very late to their innes, none but women and people of inferior condition used to travel in this sort.” So it is now in Spain. CARRIAGES AND CARTS. This galera is a long cart without springs; the sides are lined with matting, while beneath hangs a loose open net, as under the calesinas of Naples, in which lies and barks a horrid dog, who keeps a Cerberus watch over iron pots and sieves, and such like gipsey utensils, and who is never to be conciliated. These The packing and departure of the galera, when hired by a family who remove their goods, is a thing of Spain; the heavy luggage is stowed in first, and beds and mattresses spread on the top, on which the family repose in admired disorder. The galera is much used by the “poor students” of Spain, a class unique of its kind, and full of rags and impudence; their adventures have the credit of being rich and picturesque, and recall some of the accounts of “waggon incidents” in ‘Roderick Random,’ and Smollett’s novels. Civilization, as connected with the wheel, is still at a low ebb in Spain, notwithstanding the numerous political revolutions. Except in a few great towns, the quiz vehicles remind us of those caricatures at which one laughed so heartily in Paris in 1814; and in Madrid, even down to Ferdinand VII.’s decease, the Prado—its rotten row—was filled with antediluvian carriages—grotesque coachmen and footmen to match, which with us would be put into the British Museum; they are now, alas for painters and authors! worn out, and replaced by poor French imitations of good English originals. THE COCHE DE COLLERAS. As the genuine older Spanish ones were built in remote ages, and before the invention of folding steps, the ascent and descent were facilitated by a three-legged footstool, which dangled, strapped up near the door, as appears in the hieroglyphics of Egypt 4000 years ago; a pair of long-eared fat mules, with hides and tails fantastically cut, was driven by a superannuated postilion in formidable jackboots, and not less formidable cocked hat of oil-cloth. In these, how often have we seen Spanish grandees with pedigrees as old-fashioned, gravely taking the air and dust! These slow coaches of old Spain have been rapidly sketched by the clever young American; such are the ups and downs of nations and vehicles. Spain for having discovered America has in return become her butt; she cannot go a-head; so the great dust of Alexander may stop a bung-hole, and we too join in the laugh and forget that our ancestors—see Beaumont and Fletche While on these wheel subjects it may be observed that the carts and other machines of Spanish rural locomotion and husbandry have not escaped better; when not Oriental they are Roman; rude in form and material, they are always odd, picturesque, and inconvenient. The peasant, for the most part, scratches the earth with a plough modelled after that invented by Triptolemus, beats out his corn as described by Homer, and carries his harvest home in strict obedience to the rules in the Georgics. The iron work is iniquitous, but both sides of the Pyrenees are centuries behind England; there, absurd tariffs prohibit the importation of our cheap and good work in order to encourage their own bad and dear wares—thus poverty and ignorance are perpetuated. The carts in the north-west provinces are the unchanged plaustra, with solid wheels, the Roman tympana which consist of mere circles of wood, without spokes or axles, much like mill-stones or Parmesan cheeses, and precisely such as the old Egyptians used, as is seen in hieroglyphics, and no doubt much resembling those sent by Joseph for his father, which are still used by the Affghans and other unadvanced coachmakers. The whole wheel turns round together with a piteous creaking; the drivers, whose leathern ears are as blunt as their edgeless teeth, delight in this excruciating Chirrio, ArabicÈ charrar, to make a noise, which they call music, and delight in, because it is cheap and plays to them of itself; they, moreover, think it frightens wolves, bears, and the devil himself, as Don Quixote says, which it well may, for the wheel of Ixion, although damned in hell, never whined more piteously. The doleful sounds, however, serve like our waggoners’ lively bells, as warnings to other drivers, who, in narrow paths and gorges of rocks, where two carriages cannot pass, have this notice given them, and draw aside until the coast is clear. We have reserved some details and the mode of driving for the coche de colleras, the caroche of horse-collars, which is the real coach of Spain, and in which we have made many a pleasant trip; it too is doomed to be scheduled away, for Spaniards are descending from these coaches and six to a chariot and pair, and by degrees beautifully less, to a fly. THE COCHE DE COLLERAS. Mails and diligences, we have said, are only established on the THE MAYORAL. The Spanish vetturino, or “Calesero,” is to be found, as in Italy, standing for hire in particular and well-known places in every principal town. There is not much necessity for hunting for him; he has the Italian instinctive perception of a stranger and traveller, and the same importunity in volunteering himself, his cattle, and carriage, for any part of Spain. The man, however, and his equipage are peculiarly Spanish; his carriage and his team have undergone little change during the last two centuries, and are the representatives of the former ones of Europe; they resemble those vehicles once used in England, which may still be seen in the old prints of country-houses by Kip; or, as regards France, in the pictures of Louis XIV.’s journeys and campaigns by Vandermeulen. They are the remnant of the once universal “coach and six,” in which according to Pope, who was not infallible, British fair were to delight for ever. The “coche de colleras” is a huge cumbrous machine, built after the fashion of a reduced lord mayor’s coach, or some of the equipages of the old cardinals at Rome. It is ornamented with rude sculpture, gilding, and painting of glaring colour, but the modern pea-jacket and round hat spoil the picture which requires passengers dressed in brocade and full-bottomed wigs; the fore-wheels are very low, the hind ones very high, and both remarkably narrow in the tire; remember when they stick in the mud, and the drivers call upon Santiago, to push the vehicle out backwards, as the more you draw it forwards the deeper you get into THE ZAGAL. DRIVING IN SPAIN. The luggage is piled up behind, or stowed away in a front boot. The management of driving this vehicle is conducted by two persons. The master is called the “mayoral;” his helper or cad the “mozo,” or, more properly, “el zagal,” from the Arabic, “a strong active youth.” The costume is peculiar, and is based on that of Andalucia, which sets the fashion all over the Peninsula, in all matters regarding bull-fighting, horse-dealing, robbing, smuggling, and so forth. He wears on his head a gay-coloured silk handkerchief, tied in such a manner that the tails hang down behind; over this remnant of the Moorish turban he places a high-peaked sugarloaf-shaped hat with broad brims; his jaunty jacket is made either of black sheepskin, studded with silver tags and filigree buttons, or of brown cloth, with the back, arms, and particularly the elbows, welted and tricked out with flowers and vases, cut in patches of different-coloured cloth and much embroidered. When the jacket is not worn, it is usually hung over the left shoulder, after the hussar fashion. The waistcoat is made of rich fancy silk; the breeches of blue or green velvet plush, ornamented with stripes and filigree buttons, and tied at the knee with silken cords and tassels; the neck is left open, and the shirt collar turned down, and a gaudy neck-handkerchief is worn, oftener passed through a ring than tied in a knot; his waist is girt with a red sash, or with one of a bright yellow. This “faja," Whenever a particularly bad bit of road occurs, notice is given to the team by calling over their names, and by crying out “arrÉ, arrÉ,” gee-up, which is varied with “firmÉ, firmÉ,” steady, boy, steady! The names of the animals are always fine-sounding and polysyllabic; the accent is laid on the last syllable, which is always dwelt on and lengthened out with a particular emphasis—Capitana-a—Bandolera-a—Generala-a—Valerosa-a. All this vocal driving is performed at the top of the voice, and, indeed, next to scaring away crows in a field, must be considered the best possible practice for the lungs. The team often exceeds six in number, and never is less; the proportion of females predominates: there is generally one male mule making the seventh, who is called “el macho,” the male par excellence, like the Grand Turk, or a substantive in a speech in Cortes, which seldom has less than half a dozen epithets: he invariably comes in for the largest share of abuse and ill usage, which, indeed, he deserves the most, as the male mule is infinitely more stubborn and viciously inclined than the female. Sometimes there is a horse of the Rosinante breed; he is called “el cavallo,” or rather, as it is pronounced, “el caval yo-o.” The horse is always the best used of the team; to be a rider, “caballero,” is the Spaniard’s synonym for gentleman; and it is their correct mode of addressing each other, and is banded gravely among the lower orders, who never have crossed any quadruped save a mule or a jackass. SWEARING. The driving a coche de colleras is quite a science of itself, and is observed in conducting diligences; it amuses the Spanish “majo” or fancy-man as much as coach-driving does the fancy-man of England; the great art lies not in handling the ribbons, but in the proper modulation of the voice, since the cattle are always addressed individually by their names; the first syllables are pronounced very rapidly; the “macho,” the male mule, who is the most abused, is the only one who is not addressed by any names beyond that of his sex: the word is repeated with a voluble iteration; in order to make the two syllables longer, they are strung together thus, macho—macho—macho—macho-o: SPANISH OATHS. HINTS FOR HIRING. Among the many commandments that are always broken in Spain, that of “swear not at all” is not the least. “Our army swore lustily in Flanders,” said Uncle Toby. But few nations can surpass the Spaniards in the language of vituperation: it is limited only by the extent of their anatomical, geographical, astronomical, and religious knowledge; it is so plentifully bestowed on their animals—“un muletier À ce jeu vaut trois rois”—that oaths and imprecations seem to be considered as the only language the mute creation can comprehend; and as actions are Thus these imprecatory vegetables retain in Spain their old Egyptian flavour and mystical charm; as on the Nile, according to Pliny, onions and garlic were worshipped as adjuratory divinities. The Spaniards have also added most of the gloomy northern Gothic oaths, which are imprecatory, to the Oriental, which are grossly sensual. Enough of this. The traveller who has much to do with Spanish mules and asses, biped or quadruped, will need no hand-book to teach him the sixty-five or more “serments espaignols” on which Mons. de Brantome wrote a treatise. More becoming will it be to the English gentleman to swear not at all; a reasonable indulgence in Caramba is all that can be permitted; the custom is more honoured in the breach than in the observance, and bad luck seldom deserts the house of the imprecator. “En la casa del que jura, no falta desaventura.” HINTS FOR HIRING. Previously to hiring one of these “coaches of collars,” which is rather an expensive amusement, every possible precaution should be taken in clearly and minutely specifying everything to be done, and the price; the Spanish “caleseros” rival their Italian colleagues in that untruth, roguery, and dishonesty, which seem everywhere to combine readily with jockeyship, and distinguishes those who handle the whip, “do jobbings,” and conduct mortals by horses; the fee to be given to the drivers should never be included in the bargain, as the keeping this important item open and dependent on the good behaviour of the future recipients offers a sure check over master and man, and other road-classes. In justice, however, to this class of Spaniards, it may be said that on the whole they are civil, good-humoured, and hard-working, and, from not having been accustomed to either the screw bargaining or alternate extravagance of the English travellers in Italy, are as tolerably fair in their transactions as can be expected from human nature brought in constant contact with four-legged and four-wheeled temptations. They offer to the artist an endless subject of the picturesque; everything connected with them is full of form, colour, and originality. They THE ANDALUCIAN HORSE.
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