By COLEMAN E. BISHOP. I.—THE SAILOR, PEDDLER, FARMER, PREACHER.In mechanics, an eccentric is a wheel that can start all the rest of the machinery with a jerk and a kick, and keep it going. It was the little eccentrics that enabled ten thousand Chautauquans to scatter to every part of the land in a few hours. The cam-motion in human nature starts its machinery and scatters its thought. We ought to thank God for the minds that wabble. Every originator has been counted eccentric—many of them have been pronounced insane. The little Festuses sitting in judgment are always crying to the inspired apostles of truth, “Thou art beside thyself.” It is finite mechanism and finite thought that invent geometry and theology. Men hang, cunningly and truly, their long counter-shafts of creed, of behavior, of thought, of dress, of consistency, of loyalty; they bolt and key thereto immovably all human characters which are round, “line them up” all true and uniform, lubricate with lucre, put on the steam and away they all go beautifully and all alike. Woe be to one who wabbles in this machine-shop of society! But God uses no plumb-lines, right-angles, levels or true circles. “Nature’s geometrician,” the bee, never made a true hexagon. The old planets go “spinning through the grooves of change” in eccentrics, and never collide. Erratic comets dash through and among them, and never crash. I suppose the most eccentric character that ever walked this earth was that strange boy from Nazareth who confounded the doctors with his unprecedented outgivings. His teachings were indeed so strange that after the world has been for one thousand nine hundred years trying to work its standard up to them, a perfect Christian would to-day be accounted non compos mentis by the rest of Christendom. So it is not a bad idea to study eccentric characters, especially if they are strangely good and oddly useful. One such, at least, we have at hand for the first study of this series—Rev. Edward T. Taylor, “Father Taylor,” “The Sailor-Preacher,” of Boston and the world. Born in Virginia, reared on the sea, and adopted by New England. Born a religionist, he preached “play” sermons when a child; born again a Christian, he preached the gospel in the Methodist Episcopal Church until all humanity claimed him. Born a poet, for ten years he studied nature in her tragic and her melting moods upon the sea; studied man in the forecastle, in the prison, upon the farm, in the market. Nature was his university; humanity his text-book; hard experience his tutor. At the age of twenty he had traveled the world over, had sounded the depths of human fortune, passion, misery, and sin; was profoundly learned in his great text-book, and the most inspired interpreter of its unuttered wants—and did not know the alphabet! He had become celebrated throughout New England as a marvelous prodigy in the despised sect of “shouting Methodists” years before he could read a text or “line” a hymn. And to the day of his death his preaching knew no method, his eloquence no logic, his conduct no consistency, and his power no limit or restraint. To this day no one has succeeded in analyzing his genius. He could not himself account for his power, nor could he control it. He seemed to play upon his audiences at will as a master plays upon the harp; yet some unseen, mysterious force played upon him in turn. His brethren in the ministry, who accounted for his strange power by attributing it to the Holy Spirit, were confounded by the rudeness, jocoseness, and at times almost profanity of his speech at its highest flights; and they who undertook to resolve his efforts into the accepted elements of human power were astounded by the more than human resources of a mind uncultured and a nature as wild, as uncontrollable, as bright and as sad as the sea he loved. Surely, if ever man was inspired, Father Taylor was. His career, like his methods, answered to all the terms that can define eccentricity. Deeply religious as the child was by nature, he ran away to sea at the age of seven. His conversion was characteristic. Putting into port at Boston, he strolled to a meeting-house where a revival was in progress; instead of going in by the door, he listened outside, and when stricken under conviction, with characteristic impulsiveness he climbed in through the window. To use his own sailor words: “I was dragged in through the ‘lubber hole,’ brought down by a broadside from the seventy-four, Bishop Hedding, and fell into the arms of Thomas W. Tucker.” This was at the age of nineteen. Then off to sea as a privateersman in the war of 1812, he was captured and imprisoned at Halifax, and here his preaching of the gospel strangely began. A fellow-prisoner read texts to him till one flashed upon his conception as the cue to his discourse. “Stop!” the boy would cry; “read that again.” “That will do;” and he was ready to pour forth a fervid hour of pathos, wit, brilliant imagery, all supported by perfect acting. Out of prison at last, he returns to Boston, leaves his seafaring forever, and takes to the road with a tin peddler’s cart: clad in a sailor’s jacket and tarpaulin, talking “sea lingo,” religion and poetry in equal proportions, he traveled over New England as attractive a sight as Don Quixote would have been. He came across an old lady who taught him to read (age 21), and he paid her by gratefully holding meetings in her big kitchen, and exhorting wondering crowds of rustics and weeping crowds of penitents. Next he undertook to learn shoemaking, and then worked a farm for a living—all the time concentrating his intense nature on his grand passion for playing upon the human heart; earning little bread for himself, and breaking the bread of life abundantly to farmers, shoemakers, fishermen; in farm houses, school houses, barns, camp-meetings; over a circuit of his own organization. “He was a youthful rustic Whitefield,” says Bishop Haven, “thrilling rustic audiences with his winged words and fiery inspiration.” He loved to preach from the text, “How knoweth this man letters, having never learned?” Taylor did not know letters, and his speech was rude and coarse, his blunders innumerable: if words failed him out of his limited vocabulary, he manufactured them. Once, completely at fault in his struggle to express the burning thoughts that crowded his brain he cried, with a perplexed but irradiated face: “I have lost my nominative case, but I am on my way to glory!” A few smiled; all wept. His earnestness atoned for many defects; his imagery was even now beautiful, and his magnetism irresistible. Thus young Taylor preached, unlicensed, for five years. It was the breaking-up and seed-time of New England Methodism. Between the Puritans and Quakers, with their mutual antagonism, the shouting Methodists were as corn between the millstones, a despised and persecuted sect. About the age of twenty-five occurred three notable events in his life. He was licensed by the Methodist Conference to preach. He attended school a short time and began his education. He married one of God’s noble-women to complete his education. For ten years he continued the life of a circuit preacher, growing in culture, power, spirit, and fame, under that wise and gentle nurture. No one can say how far short of its fullness Father Taylor’s life might have fallen without Deborah Taylor. All these seventeen years of his ministry he had, as far as possible, kept near to the coast and the haunts of sailors; praying in the forecastle and preaching on the decks of ships about to sail, wherever he could reach them. The salt air was incense to him, and the music of the surf seemed ever dwelling in the nautilus-chambers of his heart. At last his life-work came in the direction of his longings. At the age of thirty-fire he was called to preach to the sailors of Boston. The meetings were a success from the first, and Mr. Taylor went South and solicited the money ($2,100) to buy a house for their Bethel. (More bread cast on the waters to return after many days to the South.) The The first place of a returning sailor’s thoughts became the Bethel, instead of the groggery. Two of them, seeking it for the first time, spelled out the name on the flag floating above it: “B-e-t, beat, H-e-l, hell; beat-hell! This is Father Taylor’s place,” and they cast anchor. “There he is, Bill,” said an old tar to another, as they entered the Bethel; “there’s the old man walking the deck. He’s got his guns double-shotted and will give it to us right and left. See how fast he travels—fifteen knots on a taut bowline. When he walks that way he’s ready for action.” There were strange scenes in that vast audience room. The body of the church was reserved for sailors always, while the side slips and galleries were for the general public. When the seats were all filled, he would order the sailors forward like a sea captain, and crowd the altar rail, the pulpit stairs, the pulpit, and the pulpit sofas with the weather-beaten mariners, while the grandest in the land stood and listened in the aisles. “Now,” he would say, with a beaming face, “we have got the hold full and a deck load, and we’ll up anchor and start.” Many of the best critics and reporters have tried to describe and analyze a service after such a “start”—Dickens, Harriet Martineau, Fredricka Bremer, Horace Mann, Ralph Waldo Emerson, and others—but all fail to give us much comprehension of the method of the man; I suspect because they were all so absorbed they forgot to take notes, mental or otherwise. But they recall the effects of the preaching vividly, each in his own way. So much of the power of Father Taylor was in his presence and action, that no report of one of his sermons has been made and preserved. He said himself, “You might as well try to report chain lightning.” Dr. Bellows said, twelve years ago, “Alas! nothing remains of him but his memory and his influence. He will be an incredible myth in another generation.” Why need this be so? He has left a wealth of original sayings behind him unequaled by the utterances of few save Abraham Lincoln; and he may furnish the material for many rare studies in character. We may be forgiven the presumption of attempting to help rescue Father Taylor from vanishing into oblivion. What, then, were the characteristics that lay at the foundations of this remarkable character? I would classify them under four heads: 1. Intensity. This gave him concentration of thought, earnestness of belief, courage and aggressiveness in action. He went into everything with an irresistible impulse. His training on the sea and in the circuit gave free growth to this trait. He was never placed where he needed to be politic or conservative; and his combativeness always had free play. He was the champion of his despised sect, but he fought with the polished weapons of a wit, and the impressive presence of a will which the foes of his cause more dreaded than force. And then his spirit was so lovable that there is no instance on record of any one ever having laid hands on him, fierce disputant as he was. He was a man born to command. His will was imperious. The last conscious act of his life was to shake his fist at his nurse, who refused to let him rise from bed. Peter Cartwright said there were two cataracts in this country—Niagara and Father Taylor. His brethren called him “the breaking-up plow of the Church.” Miss Martineau spoke of “the prodigious force which he carries in his magnificent intellect and earnest heart.” Another English writer said, “He goes on as energetically as any ‘Praise-God Barebones’ of the old Covenanter times.” I think one thing all his biographers lost sight of was the fact that his belief became a vital part of him, the very breath of his nostrils. There is a mighty difference between truly believing, and simply accepting a belief second-hand, which latter passes for belief with most people. It is the men who genuinely believe who make others accept and adopt their belief. In the pulpit his action is tremendous. He always comes down wet through with perspiration, and a complete change of wardrobe is necessary with every effort. 2. Imagination. To this quality is to be referred his profound religious nature, his poetry, dramatic power, eloquence, and (in conjunction with his earnestness) even his faults. One called him a poet; another, a born actor. James Freeman Clarke said he was the only man he ever heard to whom the much-abused word, “eloquence,” could be truly applied. But I think none of these terms so accurately classify his genius as to call him a painter. His earnestness made everything his quick imagination conjured up seem realistic to him; and his dramatic power enabled him to make these images realistic to his hearers. His thoughts were entities to him, and they always took the form of objects real and visible. This differs from the poetic imagination, the essence of which is unsubstantiality. The poet sees visions, the artist creates forms. Taylor was an artist, with words for his colors, action for his pencil. One who heard him said: “While he preached the ocean rolled and sparkled, the ship spread her sails, the tempest lowered, the forked lightnings blazed, the vessel struck, her disjointed timbers floated upon the waves. It was all pictured to the eye as positive reality. You could hardly believe afterward you had not actually witnessed the scene.” He describes a shipwreck, and at the climax, as the ship is slowly settling in the water, and every face in the audience is livid with fear, he roars, “Man the life boat!” and every sailor in the house springs to his feet. Now sailors, under the influence of drink, have killed their captain. He describes the deed. They start up before the audience, creeping down the stairs and into the cabin; he raises the imaginary knife, and half the men in the house jump forward to arrest the blow, while women shriek in horror. Once, however, a matter-of-fact, though possessed sailor, confused Father Taylor. He had depicted the impenitent sinner, under the figure of a storm-tossed ship, with her sails split, and driven by the gale toward the rock-bound coast of Cape Ann. “Oh, how,” he exclaimed, in tones of despair, “shall this poor sin-tossed sinner be saved?” “Put his helm hard down, and bear away for Squam!” bellowed the old salt, springing excitedly to his feet. So he painted the Mosaic miracles, “till the brethren saw the snakes squirm, heard the frogs croak, felt the lice bite, brushed One of his last sermons, when he was old and feeble, ended thus: “My work is almost done. Where are all my old shipmates—they who lay in hammocks beside me and who have fought at the same guns? Gone, gone—all gone! No, blessed be God! not all; there’s one left. [Here he made the picture realistic by pointing to an old salt, gray, bent, and knotty-faced.] Yes, there’s old Timberhead. He and I have weathered many a storm together. It is only a little farther we have to sail. Look, look ahead there! It is only to beat just around that point yonder. Now—now! there is the peaceful, blessful haven and home full in view.” By this time the audience was weeping, radiant with hope. Even his isolated sentences are full of this imaginary realism. “Sailors ignorant!” he cried indignantly when one depreciated them; “sailors know everything; they grasp the world in their hand like an orange!” The boldness of this language is wonderful. Of superannuated ministers he said: “They are like camels bearing precious spices and browsing on bitter herbs. They were moral giants. When God made them he rolled his sleeves up to the arm-pits.” It was the activity of his brain, the realism of his imagery and the homely naturalness of his language that made some of his transitions abrupt to grotesqueness and some of his speech border startlingly on impropriety. He really thought aloud—which many a matter-of-fact, heavy speaker would find it unsafe to do. Dissociated from their context and from the earnestness and devout spirit of the man, they sound much worse than when uttered. It was the combination of these two qualities also which made him extravagant in speech, erratic in sentiment, and inconsistent with himself. He was whatever he thought or imagined for the moment; his genius possessed and controlled him. Thus he was a radical temperance reformer, but he denounced prohibitory legislation and hurled ridicule at those who proposed the use of an unfermented wine in the sacrament; he called it “raisin water.” Of rum-sellers he said: “I wonder that the angels in heaven do not tear up the golden pavements and throw them on their heads;” but he conjured those who should succeed him to “Cast out from this church, in my name, any man that comes up to the altar with his glue-pot and dye-stuff.” Dr. Jewett says: “I have heard him at times when I have been amazed at the utter inconsistency of his views, not only with any standard of doctrine recognized as sound by other men, but with his own public utterances of perhaps the week previous. His imagination, once fairly excited, could furnish in thirty minutes material for half-a-dozen speeches of an hour each; and, unfortunately, it frequently happened that different parts of the same speech could be used on opposite sides of the same question.” So he denounced the abolitionists and slavery in the same breath. “Before I would assist one of those Southern devils to catch a nigger,” he shouted, after reading “Uncle Tom’s Cabin,” “I would see them all in hell, and I would shout hallelujah on to the end of it!” “You talk like a rabid abolitionist,” said his interlocutor. “No,” he cried, with even more vengeance; “no, I despise them. They have cursed the land!” He called Foster, the abolitionist orator, “a devil on the platform.” His reverence for the church led him to consign summarily to a hotter climate those who came out on the anti-slavery issue; and he was a vehement advocate of church authority, and evangelical orthodoxy, yet the most of his life he preached for Unitarians; and he openly defied the mandate of the conference regarding Masonry, being a member of the fraternity, and he submitted to church discipline for his contumacy, but refused to withdraw from the order, and prayed in public for the anti-Masons, “O, Lord, make their hearts as soft as their heads are.” Plainly, there was no managing such a tempestuous soul, and he was left to go his own way. Honor be to the church that had the magnanimity and broad charity to let him do his own grand work in his own grand way. It was herein as grand and eccentric as an organization as he was among men. His sarcasm, wit, terseness, and vigor of speech were the outcome of an energetic and picturesque mind, struggling with a limited vocabulary for its expression. His sentences were explosive. “This fast age,” he said, “would be glad to put spurs to lightning, and blow a trumpet in the ears of thunder.” Again, “Some people think they are saints. If they could see themselves as the just in glory see them they wouldn’t dare to look a decent devil in the face.” “If I owed the devil a hypocrite, and he wouldn’t take that man for pay, I’d repudiate the debt.” He called another minister, who had preceded him, and infringed on his allotted time, “As selfish as a whale who takes in a ton of herring before breakfast.” Again, “It is a great mistake to think of converting the world without the help of sailors. You might as well think of melting a mountain of ice with a moonbeam, or of heating an oven with snow-balls.” He called morality, without religion, “Starting a man to heaven with an icicle in his pocket.” “I am not two inches off heaven!” he exclaimed, in a moment of religious exaltation. He said to Channing, the Unitarian: “When you die angels will fight for the honor of carrying you to heaven on their shoulders.” “Sailors’ hearts are big as an ox’s; open like a sunflower, and they carry them in their right hands ready to give them away.” One of his converts, gifted in prayer, he always called “Salvation-set-to-music.” A colored brother, speaking with the simple pathos of his race, drew from Father Taylor the ejaculation, “There is rain in that cloud.” But, whether homely or lofty, whether pathetic or witty, he always talked in dead earnest out of his warm heart, out of his seething brain, and everything was gilded by the magic touch of imagination. “A man,” says Stevens, “who could scarcely speak three sentences, in the pulpit or out of it, without presenting a striking poetic image, a phrase of rare beauty, or a sententious sarcasm, whose discourses presented the strangest, the most brilliant exhibition of sense, epigrammatic thought, pathos, and humor, spangled over by an exhaustless variety of the finest images and pervaded by a spiritual earnestness that subdued all listeners.” “His splendid thoughts come faster than he can speak them,” said Harriet Martineau, “and at times he could be totally overwhelmed by them if a burst of tears, of which he was wholly unconscious, did not aid in his relief.” “I have seen a diamond shining,” said Dr. Bartol, “but he was a diamond on fire.” 3. Sympathy. Here was the secret of his power over men. His emotional nature constantly overflowed all else. With a marvelous intuition in reading character, a free-masonry with all phases of human emotions, a magnetism that put him inside of every heart, he became the better self, the ideal longing of each listener. It made no difference how learned or stoical the man was; Father Taylor got hold of him and stirred his heart from the bottom. A man of wit said, “I am always afraid when I am laughing at Father Taylor’s wit, for I know he will make me cry before he has done with me.” People cry and laugh alternately, and sometimes both together. Laughter is the best preparation for tears. “Man, thou pendulum betwixt a smile and tear.” [Are we not all inconsistent, eccentric, at the bottom of our natures, i. e., at our very best?] A New York comedian came to study the method of one of whose acting he had heard much report; he was so affected by the unlearned art of this master of the soul that he fairly blubbered behind his handkerchief. Dr. Wentworth, of another occasion said: “The immense audience swayed in the wealth of his eloquence like a forest of willows. We laughed, we wept, we shouted in turns; and finally, finding myself getting utterly unmanned, and rapidly dissolving into tears and brine, I fled the pulpit and hid myself out of earshot of this extraordinary scene.” Dr. Wakely, of New York, describes the effects of a prayer by Father Taylor, at the New York Conference: “The ministers wept all over the house like little children. Dr. Capers and Dr. Pitman were in the pulpit with me. Dr. Capers wept and trembled exceedingly; and Dr. Pitman laughed and cried alternately—smiles and tears strangely blended.” “His pathos is the most awful of his powers,” said Miss Martineau, terrified at his control over her emotions; “I have seen a single clause of a short sentence call up an instantaneous flush on hundreds of hard faces.” Many would not expose their hearts to hear him a second time; they could not bear the overmastering power. Dr. Bartol very finely said: “What was the secret but a sympathy, raised to the highest power, so as to exceed all that we conceive under that name, so that he saw out of people as well as into them! He put on their eyes for his eyeglasses, looking at the world as they did, and they found and felt him in them at the core and center.” “He was a master of pathos,” said Dr. Bellows; “rough sailors and beautiful and cultivated Boston girls, and men like Webster and Emerson, and shop boys and Cambridge students, and Jenny Lind and Charles Dickens, and Harriet Martineau, and everybody of taste or curiosity who visited Boston were seen weeping together with Father Taylor. Ah, the human heart, down at the bottom, is one.” He loved all little children with all his Master’s passion. The baptism of infants was always a baptism of joy and tears with him. He would gather one to his breast and kiss and croon over it like a mother. Taking a beautiful little girl in his arms, he raised her before the whole audience, and said, with streaming eyes, “Look at the sweet lamb! Her mother has brought her to Christ’s fold. A baptism of heaven be on thee, my pretty dove.” All children recognized him at sight for one of their guild. A ragged little girl walked into the church at his funeral, laid a buttonhole bouquet on the coffin, and said timidly and sweetly, “He was my friend,” and so departed. Once when he had been called to several children’s funerals in succession, he said to a friend whom he met in the street, “There is something wrong somewhere. There are storms brewing when so many doves are flying aloft.” At funerals he was a refuge of consolation. He so entered into the hearts bereaved that he felt their hurt. “Father, look upon us,” he once implored, with mighty and tender supplication, “we are a widow!” “It is no wonder to me,” said Harriet Martineau, “that the widow and orphan are cherished by those who hear his prayers for them.” Drunken sailors or abandoned women, none were left out of reach of his infinite sympathy; and it reached the uttermost parts of the earth. A sailor boy has died and been buried in South America, and he prays that the Comforter may be near the bereaved father “when his aged heart goes forth from his bosom to flutter around the far southern grave of his boy!” Is Shakspere more dramatic, Shelly more imaginative, Longfellow more pathetic than this? Out of this fathomless love he preached his gospel of happiness and purity and love; for it was doubtless true, as he declared, that “he never knew the time when he did not love God.” Out of it came his sweet charity and tolerance. His lovers were of all denominations and of none—Catholics, Universalists, Unitarians—for he was “altogether lovely.” When one at a camp-meeting excluded from salvation all these sects, all men who used tobacco and all women who wore jewelry, Father Taylor broke in indignantly, “If that’s true, Christ’s mission was a failure. It’s a pity he came.” “How far apart are heaven and hell?” he was asked. “I tell you,” said he, “they are so near that myriads of souls to-day don’t know which they are in.” “Blessed Jesus,” he prayed, “give us common sense, and let no man put blinkers on us, that we can only see in a certain direction; for we want to look all around the horizon—yea, to the highest heavens and to the lowest depths of the ocean.” “When Bigotry is buried I hope I shall be at the funeral,” he said. His intimacy with the Unitarians, and his remarkable tribute to Channing have been cited. Of Emerson he said: “He has the sweetest soul God ever put into a man. If the devil gets him he will never know what to do with him.” A theologian asked him what he was going to do with the Unitarians; “I don’t know,” he said, confidentially; “if they go to hell they’ll change the atmosphere.” “Is your son-in-law a Christian?” asked a solicitous brother. “Not exactly,” replied Father Taylor, “but he’s a very sweet sinner.” 4. His humor. This kept all cheerful, healthy and bright. He was a “laughing Christian.” I do not think he ever used humor merely to make people laugh, but always with an earnest purpose back of it. He was no joker, and rarely thought his own keen thrusts subjects for merriment. Of his manliness, his good sense, his improvidence, his sweet and beautiful home life, space does not suffice to speak. If to be an original character among men is to be eccentric, Father Taylor was indeed odd. “He was in all things himself and not any one else; in this generation there has been but one Father Taylor,” said Dr. Waterstone; and Dr. Bartol declared that, “No American citizen—Webster, Clay, Everett, Lincoln, Choate—has a reputation more impressive and unique.” No one understood his singularity better than himself. “I will not wear a straight-jacket or Chinese shoes,” he declared. Having been invited to lecture, he said: “I can’t lecture; I would not lecture if I could. Your lectures are all macadamized; they are entertainments where those go who dare not visit the theater. I must cross-plow your fine paths. I am no man’s model, no man’s copyist, no man’s agent; go on my own hook; say what I please, and you may help yourselves.” Like all greatly-eccentric souls, I presume, he felt his own isolation and want of comprehension of himself by others. One who sat far into the night in communion of soul with him, said: “You are a strange mortal!” “Well,” said he, pathetically, “I have made up my mind there never was but one E. T. Taylor and, so far as I have anything to do with it, there never shall be another.” When we think of his birth, training, and surroundings—the child of the plantation and the graduate of the forecastle—and contrast this with his peculiar powers, his strange career, and above all in rarity his wonderful world-wide mission, it is not too much to say that Father Taylor is without a parallel in American history. “An impulsive, untrained, and erratic genius;” there was a fixed purpose and a continuity of effort, such as is seen in few lives. If extravagant in speech and inconsistent in views, his intensity, vividness, and realism, make all sound like plain common-sense. Haughty and tender, imperious and democratic, grand and simple, splendidly uncultured; a strange, terrible power among men always used for leading, driving, persuading to righteousness. He deserves a paraphrase of a higher tribute than Phillips, the Irish barrister, gave to Napoleon. Such a medley of contradictions and at the same time such individual consistency for right were never before united in the same character. In the solitude of his originality, he was always the same mysterious, incomprehensible self—a man without a model and without a shadow. “When I am dead,” he pleaded, “I do not want to be buried in dirt. But bury me rather in the deep salt sea, where the coral rocks shall be my pillow, and the seaweeds shall be my winding-sheet, and the waves shall sing my requiem forever.” And it was not done. Conventionality triumphed in death over the old eccentric, who had defied it as long as he lived. decorative line Observe, the fates of men are balanced with wonderfully nice adjustments. The scale of this life, if it sinks, rises there, while if it rises here, it will sink to the ground there. What was here temporary affliction, will be there eternal triumph; what was here temporary triumph, will be there eternal and ever-enduring despair.—Schiller. decorative line |