By JOHN LOCKE. John Locke, the author from whose writings we quote the article below, made his reputation chiefly by his famous essay on the “Human Understanding.” The article on “Practice and Habit,” together with “Thoughts and Aphorisms,” by Jonathan Swift, constitute the “Required Readings” from English History for the month of March. Swift was famous alike for his wit, his genius, his love affairs, his political warfare, “Tale of a Tub,” and other works. PRACTICE AND HABIT.We are born with faculties and powers capable almost of anything, such at least as would carry us farther than can be easily imagined: but it is only the exercise of those powers which gives us ability and skill in anything, and leads us toward perfection. A middle-aged ploughman will scarce ever be brought to the carriage and language of a gentleman, though his body be as well proportioned, and his joints as supple, and his natural parts not any way inferior. The legs of a dancing-master, and the fingers of a musician, fall, as it were, naturally without thought or pains, into regular and admirable motions. Bid them change their parts, and they will in vain endeavor to produce like motions in the members not used to them, and it will require length of time and long practice to attain but some degrees of a like ability. What incredible and astonishing actions do we find rope-dancers and tumblers bring their bodies to! not but that sundry in almost all manual arts are as wonderful; but I name those which the world takes notice of for such, because, on that very account, they give money to see them. All these admired motions, beyond the reach and almost the conception of unpractised spectators, are nothing but the mere effects of use and industry in men whose bodies have nothing peculiar in them from those of the amazed lookers-on. As it is in the body, so it is in the mind; practice makes it what it is; and most even of those excellencies which are looked on as natural endowments, will be found, when examined into more narrowly, to be the product of exercise, and to be raised to that pitch only by repeated actions. Some men are remarked for pleasantness in raillery, others for apologues and apposite diverting stories. This is apt to be taken for the effect of pure nature, and that the rather, because it is not got by rules, and those who excel in either of them never purposely set themselves to the study of it as an art to be learnt. But yet it is true, that at first some lucky hit which took with somebody, and gained him commendation, encouraged him to try again, inclined his thoughts and endeavors that way, till at last he insensibly To what purpose all this, but to show that the difference so observable in men’s understandings and parts does not arise so much from the natural faculties as acquired habits? He would be laughed at that should go about to make a fine dancer out of a country hedger at past fifty. And he will not have much better success who shall endeavor at that age to make a man reason well, or speak handsomely, who has never been used to it, though you should lay before him a collection of all the best precepts of logic or oratory. Nobody is made anything by hearing of rules, or laying them up in his memory; practice must settle the habit of doing without reflecting on the rule; and you may as well hope to make a good painter, or musician, extempore, by a lecture and instruction in the arts of music and painting, as a coherent thinker, or strict reasoner, by a set of rules, showing him wherein right reasoning consists. This being so, that defects and weakness in men’s understandings, as well as other faculties, come from want of a right use of their own minds, I am apt to think the fault is generally mislaid upon nature, and there is often a complaint of want of parts, when the fault lies in want of a due improvement of them. We see men frequently dexterous and sharp enough in making a bargain, who if you reason with them about matters of religion appear perfectly stupid. decorative line
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