Samuel Pepys, Secretary to the Admiralty in the reigns of King Charles II. and King James II., was born either at London or Brampton in Huntingdonshire on the 23rd of February 1633.

His father, John Pepys, was a citizen of London, where he followed the trade of a tailor, but in 1661 retired to Brampton, at which place he had inherited a property of eighty pounds a year from his eldest brother Robert Pepys. He died there in 1680. Samuel Pepys received his early education at Huntingdon, and afterwards at St. Paul's School, London, where he continued until 1650, in which year he was admitted at Trinity Hall, Cambridge. On the 5th of March 1651 he migrated as a sizar to Magdalene College, Cambridge, where he is entered in the books of the College as 'Samuel Peapys,' and where, two years later, he was elected to a scholarship founded by John Smith. He graduated B.A. in 1653 and M.A. in 1660. In 1659 he accompanied his relative, Sir Edward Montagu, afterwards Earl of Sandwich, on his expedition to the Sound, and on his return became a clerk in the office of Sir G. Downing, one of the Tellers of the Exchequer. In 1660 he was appointed Clerk of the Acts of the Navy, which post he held until 1673, when he was made Secretary for the Affairs of the Navy, and in 1684 he became Secretary of the Admiralty, an office he retained until the accession of William and Mary, when he lost his public appointments, and retired into private life. Pepys was elected a Fellow of the Royal Society in 1665, and in 1684 became President. He died at Clapham on the 26th of May 1703, and was buried in the church of St. Olave, Hart Street, London.

Pepys collected a very interesting library, which is now preserved in a fireproof room in Magdalene College, Cambridge. It consists of about three thousand volumes arranged in eleven mahogany cases in the precise order in which Pepys left them. The cases are the identical ones mentioned in his Diary, August 24, 1666:—'Up and dispatched several businesses at home in the morning, and then comes Sympson to set up my other new presses for my books, and so he and I fell in to the furnishing of my new closett, and taking out the things out of my old, and I kept him with me all day, and he dined with me, and so all the afternoon till it was quite dark hanging things, that is my maps and pictures and draughts, and setting up my books, and as much as we could do, to my most extraordinary satisfaction; so I think it will be as noble a closet as any man hath, and light enough—though indeed it would be better to have a little more light.'

This room, Mr. Wheatley tells us in his excellent account of the library in vol. i. of Bibliographica, 'was at the Navy Office in Crutched Friars, and the illustration in the ordinary editions of the Diary shows the position of the cases when they were transferred to the house in York Buildings (now Buckingham Street, Strand).' 'The presses,' he adds, 'are handsomely carved, and have handles fixed at each end; the doors are formed of little panes of glass, and in the lower divisions the glass windows are made to lift up. The books are all arranged in double rows; but by the ingenious plan of placing small books in front of large ones, the letterings of all can be seen. Neatness was a mania with Pepys, and the volumes were evened on all the shelves; in one instance some short volumes have been raised to the required height by help of wooden stilts, gilt in front.'

The library consists principally of ordinary books, but it also comprises some valuable manuscripts, and many volumes from the presses of the early English printers. It contains as many as nine Caxtons, eight Pynsons, and nineteen Wynkyn de Wordes, several of the last being unique. The books printed by Caxton are the Game of the Chesse, Polychronicon, Chronicles of England, Description of Britain, Mirrour of the World, Book of the Order of Chivalry, the first and second editions of the Canterbury Tales, and the Chastising of God's Children. Among the most interesting collections is one of eighteen hundred ballads in five folio volumes; and another of four duodecimo volumes of garlands and other popular publications, printed for the most part in black letter. The volumes are lettered: Vol. 1 Penny Merriments, Vol. 2 Penny Witticisms, Vol. 3 Penny Compliments, and Vol. 4 Penny Godlinesses. In the first volume of the ballads Pepys has written:—'My collection of ballads, begun by Mr. Selden, improv'd by the addition of many pieces elder thereto in time; and the whole continued to the year 1700.' The library also possesses collections of old novels, pieces of wit, chivalry, etc, plays, books on shorthand, tracts on the Popish Plot, liturgical controversies, sea tracts, news-pamphlets, etc.

The most interesting manuscripts are the famous Diary in six volumes, the papers collected by Pepys for his proposed Navalia, and a collection of Scottish poetry, formed by Sir Richard Maitland of Lethington, Lord Privy Seal and Judge in the Court of Session, who died in 1586. The drawings and prints in the library are numerous and valuable. Among them are portraits of Pepys's friends, and prints and drawings illustrating the city of London; one of the rarest of these is the large plan of London attributed to Agas, of which only one other copy is known. The library also contains some volumes of music with the title, Songs and other Compositions, Light, Grave and Sacred, for a single voice adjusted to the particular compass of mine; with a thorough base on y^e ghitarr by Cesare Morelli. Several songs composed by Pepys are in this collection, one of which, entitled Beauty Retire, was a great success, and the composer was very proud of it. All the books in the library are in excellent condition, and, with the exception of a few in morocco or vellum, are bound in calf. Almost all of them bear Pepys's arms on the lower cover; while on the upper is found a shield with the inscription, Sam. Pepys Car. et Iac. Angl. Regib. a Secretis AdmiraliÆ. This shield is surmounted with his helmet and crest, and is surrounded by mantling, in which are introduced two anchors, indicating his office. He also used three bookplates—one with his arms, quartering Talbot of Cottenham; a second with his portrait by Robert White, with his motto, Mens cujusque is est Quisque, from the Somnium Scipionis of Cicero; and a third bearing his initials, with two anchors crossed, together with his motto.

Pepys left his library, together with his other property, to his nephew, John Jackson; but in a paper of directions respecting it, preserved among the Harleian Manuscripts in the British Museum, he expresses a desire that at his nephew's death it should be placed in either Trinity or Magdalene College, Cambridge, preferably 'in the latter, for the sake of my own and my nephew's education therein.' In addition to Pepys' collection at Magdalene College, the Bodleian Library contains a series of his miscellaneous papers in twenty-five volumes, together with numerous other volumes which belonged to him, including many curious dockyard account-books of the times of King Henry VIII. and Queen Elizabeth.[48] These were bequeathed to the library by Dr. Richard Rawlinson, the nonjuring bishop. Mr. John Eliot Hodgkin, F.S.A., of Childwall, Weybridge, Surrey, also possesses some papers which once belonged to Pepys.

Pepys published Memoirs relating to the State of the Royal Navy of England for ten years determined December 1688, in 1690; and a work entitled The Portugal History: or a Relation of the Troubles that happened in the Court of Portugal in the years 1667 and 1668 ... by S.P., Esq., printed at London in 1677, is also attributed to him. His well-known Diary, the manuscript of which fills six small volumes of closely written shorthand, was first deciphered by the Rev. John Smith, Rector of Baldock, Hertfordshire, and was published, with a selection from his private correspondence, by Lord Braybrooke, in two volumes in 1825. It has since been several times reprinted. The last edition, edited by Mr. H.B. Wheatley, F.S.A., published in eight volumes octavo in 1893-96, contains the whole of the Diary, with the exception of passages which cannot possibly be printed.