When the rumor that M. DantÈs had been taken seriously ill was first circulated throughout Paris, it caused excitement in every quarter of the city, filling the Communists and workmen with dismay and greatly elating their opponents.

In the midst of the excitement a strange lady, very plainly attired, but whose language and bearing gave unmistakable evidence of refinement and aristocratic associations, made her appearance one morning at the office of Dr. Orfila and humbly asked permission to nurse his distinguished patient. The physician, somewhat surprised at such a request from such a woman, immediately grew suspicious and demanded an explanation, when the lady informed him that she had known the sick man in his youth and was still deeply interested in his welfare. She refused to give her name, but solemnly assured the doctor that, should he grant her petition, M. DantÈs on his recovery would be ready to thank him on bended knees.

Convinced at length that no harm was intended, the physician gave his permission and the unknown lady was duly installed as nurse. She discharged her duties with unflagging devotion and energy, satisfying even the exacting Nubian, with whom she divided the watch at the bedside of the unconscious deputy. Dr. Orfila was delighted, while EspÉrance and Zuleika were overjoyed.

On—on—the sleeper still slumbered on! One—two—three—four quarters after eleven tinkled in silvery numbers upon the delicate bell of the clock, yet the closed eyelids and fixed lips moved not, gave no sign; but for the light, though regular undulation of the chest, life itself might seem to have fled forever. Yet life was still there!

How strange the bond which connects vitality with consciousness—the body with the soul! And yet more strange is that phase of existence in which the one moves on without the other. The mind sometimes is all life when the body is dead, and oftener still is the body all life when the mind seems gone. Mind, too, may frequently act independently, not only of the body, as in dreams, but, also, of consciousness and of the heart; while the body, as in somnambulism, may act altogether alone.

On—on—the slumberer breathed on, but he thought not, felt not, perceived not. A revolution, an earthquake might heave around him, but the convulsive throes of man or of nature would have been as nothing to him. The brow would have remained as calm and as cold, and the cheek as pale and as still, while, in all human probability, the faithful Nubian would have sat as immovable upon his rug at the bedside of his beloved master, and have gazed upon him as untiringly with his dark and sleepless eye.

As the last quarter after eleven sounded, followed immediately by the hour of midnight, a small door beside the bed noiselessly opened, and a female figure in white silently entered the room; but not so noiselessly was the entrance effected as to escape the ear of the vigilant Ali. He glanced hurriedly around; then, as if familiar with the apparition, and anticipating its approach, he rose, and, taking his rug to the further extremity of the chamber, again laid himself down, like a faithful dog, though not now to watch.

Meanwhile the lady, quietly approaching the bed, gazed long and mournfully at the slumberer's pale yet noble visage; then, kneeling, she buried her face in her hands amid the coverings.

She was, probably, forty; yet, in the full and faultless perfection of her form—in her graceful and yielding motions—in her statuesque bust, rounded cheek and night-black hair, she would, to the casual observer, have indicated hardly the half of that age. Her figure was tall and dignified, yet mobile as a willow; her eyes were dark and luminous, and, in their profound depths, slept a world of melancholy meaning. Her hair was simply parted on a broad forehead, and was gathered in heavy masses low on the neck. Her lips were full and red, and, when parted, exhibited teeth of dazzling whiteness, while her complexion, which was very dark, was yet clear and pure as the hue of the magnolia's petal. But that face was pale, very pale, almost as colorless as that of the quiet sleeper at its side, and upon it rested an expression of love unutterable, mingled with the sadness of death.

Such was the unknown nurse, the Countess de Morcerf, as she again was an inmate of that apartment of which she had once, under circumstances how different, been mistress; such was MercÉdÈs, the Catalane of Marseilles, again at the side of the man whom all her life she had loved, with none to gainsay or forbid!

Upon that pale and motionless countenance she gazed long and deeply, and, oh! the world of memory that passed through her mind!—the world of thought and feeling that centred in that fixed gaze! At length, clasping her hands upon her forehead, her eyes streaming with tears, she bowed her face upon the bed, from which she had just raised it, and long seemed absorbed in prayer.

Roused from this position by some movement of the slumberer, she started up and watched him.

The shaded rays of the dim and distant lamp threw a faint glimmering of light upon the pale countenance, but the quick eye of love instantaneously detected a change. A slight flush was mounting the cheek, and gentle perspiration was distilling upon the brow, while a smile played on the mouth. Suddenly, as she gazed, those pallid lips moved. Astonished, she listened.

"Marseilles! beautiful Marseilles!" said the sleeper. "Home of my boyhood, home of my heart. I come!" Then quickly and sternly came the order, "Let go the anchor—furl the sails—mate, take charge of the ship!" Then the tones changed, and a joyful light shot over the face as the lips exclaimed, "Now for my father! now for my love! MercÉdÈs! MercÉdÈs!"

Amazed, the fair watcher retained her position, and gazed and listened so silently and breathlessly that the quick and audible beatings of her heart might have been numbered.

"Mine—mine at last!" continued the dreamer. "The marriage-feast—the marriage-feast!" But instantly the expression of the voice and the countenance altered. The light of joy was shrouded in clouds. "Arrest—arrest me?" was the exclamation—"me! at my marriage-feast! A dungeon for me! MercÉdÈs! MercÉdÈs! My love—my wife! Oh! God! it is the ChÂteau d'If! Despair—despair!"

Shocked, terrified at the terrible energy of these words, and the expression of unutterable woe that rested on the countenance of the sleeper, the affrighted woman, who comprehended but too well the fearful significance of the abrupt and disjointed syllables, hastily arose as if to rouse the slumberer from his dream or to call on the Nubian for aid.

But, before she could carry the purpose into execution, the aspect of the Deputy's visage again had changed. A dark frown settled on the brow, a spirit of fixed resolve contracted the firm lip and dilated the nostril, and the word, "Vengeance—vengeance!" in whispers scarcely audible, but repeatedly and rapidly pronounced, was heard.

A longer silence than before succeeded. At length another change swept over the face, and the words, "Free—free—I am free!" burst from the lips; then they murmured, "Treasure untold! wondrous wealth!—diamonds—pearls—rubies—ingots of gold! The mad abbÉ's dream was reality!" Again the countenance darkened. "Fourteen years in a dungeon for no crime!—a father dead of starvation!—a bride the bride of the fiend who has done all this—and he a peer of France—and his friends a millionaire of Paris and the Procureur du Roi! Vengeance—vengeance—vengeance!" There was a pause, and the dreamer exultingly continued, "It is done! The peer of France is a disgraced suicide! The Procureur du Roi is a madman! The banker is a bankrupt!" The dreamer again paused, and his countenance once more changed. "Alas! alas! man is not God! 'Vengeance is mine, I will repay, saith the Lord!' The innocent suffer with the guilty. To avenge a wrong has been sacrificed a life, and only misery has been the recompense! No more—no more—no more of this! Man and man's happiness be henceforth the aim! To that be devoted wealth untold!"

The lips ceased to move. Gradually the high excitement of the features passed away and was succeeded by an expression of sadness and love. "HaydÉe—gone—gone to a better world. MercÉdÈs—MercÉdÈs—oh! does she love me yet? The long lost idol of my heart!—the adored angel of my life!—come! come! come!"

As the dreamer spoke, he spread wide his arms; when his eyes opened, and his long slumbering senses returned, MercÉdÈs, his own MercÉdÈs, was, indeed, clasped to his breast.

"MercÉdÈs! MercÉdÈs?" he faintly whispered. "Ah! it was no dream, for you are, indeed, beside me and mine—mine forever!"

"Thine—thine—forever!" was the reply, and she clasped his feeble form to her heart as she would have clasped that of a child.