Napoleon arranged his return with the utmost skill. His prolonged stay at Munich kept alive the impatience of the Parisians for his return, and meanwhile there was a constant stream of flattery and enthusiasm. January 1, 1806, had just put an end to the Republican calendar, which had existed for thirteen years, three months, and a few days. The Year XIV. found itself suddenly interrupted by the return to the Gregorian calendar. Thus vanished the last trace of the Republic. The same day the new year was inaugurated with a patriotic ceremony. The Tribune carried with great solemnity to the Senate the forty-four Russian and Austrian flags which the hero of Austerlitz had entrusted to its care. All the houses in the streets through which the procession was to pass were decorated. In front of many of them were to be seen the Emperor's bust crowned with laurels. The ever lyrical Moniteur said: "At the sight of these noble spoils, these startling proofs of the heroism of the French army, all hearts seemed to meet in a common feeling of admiration and gratitude which was but faintly expressed by the shouts issuing from the crowd and from every window, of 'Long live the Emperor!' 'Hurrah for the Grand Army!' 'Victory, victory!' 'Long live the Emperor!' It was in this way that the people of Paris, of all classes, of both sexes, of all ages, manifested in the most vivid and unanimous way their devotion and gratitude to His Majesty and his victorious armies."

One Tribune, M. Joubert, exclaimed: "Is not Napoleon the man of history, the man of all ages? May we not say that there is something supernatural in him, since it is true that God disposes of the fate of empires, and that Napoleon the Great gladly submits everything to Providence and ascribes everything to religion?" In their official enthusiasm the Tribunes, as accomplished courtiers, made one motion after another. One proposed that the Emperor on his return should receive triumphal honors, like those of ancient Rome, and the city of Paris should go to meet him. Another suggested that the sword which he wore at the battle of Austerlitz should be solemnly consecrated and placed in some public monument. Another expressed a desire that on one of the principal places in the city a column should be set up, bearing the Emperor's statue, with this inscription: "To Napoleon the Great, the grateful country." The Senate, with similar zeal, hastened to carry out the plan by a decree.

The Parisians, who always worship success of monarches, generals, or artists, then felt the wildest admiration for the victorious Napoleon. The Moniteur was full of dithyrambic eulogies, in prose and verse. Flattery appeared as it had never appeared before. Bishops became conspicuous for their ardent praise; some phrases from their charges may be quoted. Thus the Bishop of Versailles said: "God says: 'No one shall resist him, whom I have clothed with a special mission to re-establish my worship, to lead my chosen people; no one will resist him because I am with him, and he is with me. Dem cum eo.'"

The Bishop of Bayonne; "Behold our enemies ones more defeated. Let incredulity be silent and the atheist confounded. Our annals will be the story of the wonders of Providence… Widows, cease to bemoan the loss of a loved husband; you are not left alone; you belong to the country. Orphans, you have found another father; Napoleon has adopted you."

The Bishop of Rennes: "Did not those kings know, or did they forget in their delirium, that the French nation is now the first nation in the world? Did they not know that the man who governs it is the most astounding man in the world, and the greatest warrior history has ever known?"

The Bishop of Coutances: "The Almighty wishes Napoleon to attain this new glory and hence impresses upon him a sort of divine character. He wishes him to attain it on the day and at the same hour that the Sovereign Pontiff, one year ago, poured on his brow the holy oil."

The Bishop of Montpellier: "Let the earth be shaken, and the mountains cast into the bosom of the seas; our God blesses the views, the wisdom, the talents, and the courage of our august monarch."

The Emperor, in dividing the flags which he had captured from Russia and Austria, had given fifty-four to the Senate, eight to the Tribunes, eight to the city of Paris, and fifty to the church of Notre Dame, which he wished to adorn with his trophies as the Marshal of Luxembourg had done in the reign of Louis XIV. The day when these fifty flags were given to the Cathedral the Cardinal Archbishop of France said, "O Posterity, when you read our history you will imagine that you are reading anew the fall of the walls of Jericho, and listening to the miraculous deeds of Joshua, David, and Judas Maccabaeus. Benedictus Dominus qui facit mirabilia solus…. God of Marengo, you declare yourself the God of Austerlitz; and the German eagle, the Russian eagle, abandoned by you, became the prey of the French eagle, which you never cease to protect." A singular piece of flattery this, to call the Creator of the universe—of which this earth is not a millionth part—the God of a village, because near this village a man has wrought the death of many other men!

Paris seemed to have recovered its ardor of the first days of the Revolution in order to salute the triumphant hero. The day of his arrival, January 27, 1806, the managers of the bank, anxious that his presence should be the signal for public prosperity, ordered the resumption of specie payments. The Opera celebrated his return and that of the Empress by a grand performance which took place February 4. The bills announced the PrÉtendus and a divertisement, The public knew that this divertisement was to be a sort of apotheosis in honor of the Imperial glories. The house was crowded, and the passages themselves were crammed by the enthusiastic crowd. During the second act of the PrÉtendus there was great excitement over the arrival of Napoleon and Josephine. Applause resounded from every side. Ladies distributed laurel branches, which all the spectators waved, shouting, "Long live the Emperor!" Musicians played the chorus of the Caravan. Meanwhile, the scenery of the PrÉtendus disappeared, and applause began over the magnificent decorations that took its place. It was a semicircular enclosure with trophies forming a colonnade showing the course of the Seine from the Pont Neuf to the western limit of Paris, showing the Louvre, which Napoleon had promised to complete, the Pont des Arts, the Palais de la Monnaie, the Tuileries, and in the misty distance the Champs ElysÉes overlooking this fine view. The interior of the enclosure was adorned with garlands and crowded with people, awaiting the return of the Grand Army. This appeared with a military march: the sappers in front with their axes and white aprons; the grenadiers of the Guard with their high fur caps; the artillerymen with their black caps; the dragoons with their double armor; the Mamelukes with their scimetars. Then came the Bavarians, worthy comrades of Napoleon's soldiers. The people applauded their defenders. Pupils of the military schools sprang into the ranks to welcome their fathers, while old men embraced their children. A general chorus was heard. Then a warrior came to the front of the stage and celebrated in a hymn the marvels of the campaign of Austerlitz. This was followed by a ballet of foreign nations, in which joined French peasants and girls in the dress of their provinces, from Caux and Alsace, Provence, BÉarn, Auvergne, and the Alps. After the dances came songs,—the words by EsmÉnard, author of the Navigation, the music by Stobelt. The marches, evolutions, and ballet were arranged by Gardel. The principal stanzas were sung by the most distinguished artists, Lainez, LaÏs, Madame Armand, Madame Branchu. When it was all over, the Emperor and the Empress withdrew amid applause, and there was sung the Vivat of AbbÉ Rose which had made such a success at Notre Dame on Coronation Day, and was as warmly applauded at the Opera as it had been in the Cathedral.