We have just studied the civil and the military household of the Emperor in 1805; let us now study the Empress's household at the same period. The Empress's First Almoner was a bishop, a great lord, Ferdinand de Rohan. Her Maid of Honor was a relative of her first husband, the Duchess de La Rochefoucauld, called in the Imperial Almanack of 1805 simply Madame ChastulÉ de La Rochefoucauld. She was short and deformed, but distinguished, for her intelligence, tact, and wit, void of ambition, with no taste for intrigue, who only reluctantly accepted the position of Maid of Honor, and often wanted to hand in her resignation. The Lady of the Bedchamber was Madame de Lavalette, a Beauharnais, an able and affectionate woman, who immortalized herself, in the early days of the Restoration, by saving her husband's life by her heroism. To the four Ladies of the Palace at the beginning of the Empire, Madame de LuÇay, Madame de RÉmusat, Madame de TalhouËt, Madame de Lauriston, were added thirteen other ladies: Madame DuchÂtel, Madame de SÉran, Madame de Colbert, Madame Savary, Madame Octave de SÉgur, Madame de Turenne, Madame de Montalivet, Madame de BouillÉ, Madame de Vaux, Madame de Marescot. The Maid of Honor was for the Empress what the Grand Chamberlain was for the Emperor. The Lady of the Bedchamber's duties corresponded to those of the Keeper of the Wardrobe. The Ladies of the Palace were, so to speak, female chamberlains. "We were all," said the Duchess of AbrantÈs, "at that time radiant with a sort of glory which women seek as eagerly as men do theirs, that of elegance and beauty. Among the young women composing the court of the Empress and that of the Princesses it would have been hard to find a single ill-favored woman, and there were very many whose beauty made, with no exaggeration, the greatest ornament of the festivities held every day in that fairy-like time." All the Ladies of the Palace were young, and almost all were remarkable for their beauty. Among the most conspicuous was Madame Ney, a niece of Madame Campan; Madame Lannes, whose face recalled the most charming pictures of Raphael, and above all, the wife of an already aged Councillor of State, Madame DuchÂtel (whose son was Minister of the Interior in the reign of Louis Philippe, and whose grandson was Ambassador of the Republic at Vienna). The Duchess of AbrantÈs thus describes this famous beauty: "There is one woman in the Imperial court who made her appearance in society shortly before the coronation, whose portrait is drawn in all the contemporary memoirs, especially in those written by a woman, and that is Madame DuchÂtel. Madame DuchÂtel would not serve as a model for a sculptor, because her features lack the regularity which his art requires. The indefinable charm of her face, a charm which words are unable to convey, lay in dark blue eyes, with long, silken, lashes, in a delicate, gracious, refined smile, which, disclosed teeth of ivory whiteness, and, moreover, beautiful light hair, small hands and feet, a general elegance which matched a really remarkable mind. All these things formed a combination which first attracted and then attached every one to her." Josephine's First Chamberlain, in 1805, was the General of Division The Lady of the Bedchamber had under her orders a first woman of the bedchamber, Madame Aubert, who had whole charge of the wardrobe. Madame Saint-Hilaire held this place under Josephine, as Madame Campan had done under Marie Antoinette. Madame Saint-Hilaire's duties consisted in supervising the chamberwork, in receiving the Empress's orders about the hours of her rising, and of her morning and evening toilet. The first woman of the Bedchamber had what were called the honors of the service when the Maid of Honor and the Lady of the Bedchamber were absent. The Empress had also ushers and women who discharged the same duties, six ordinary chambermaids, a reader, the beautiful Madame Gazani; four ordinary valets de chambre, and two footmen, trusted men always in the ante-chamber. The ushers, who remained without the drawing-room where the Empress was, never opened both the doors to their full width except for the Princes and Princesses of the Imperial family; and they could not leave their posts except to ask the Maid of Honor the names of those who were waiting to be presented. There were two pages in the Empress's service; the older carried the train of her dress when she left her apartments, and got in or out of a carriage; the other walked before her. The Empress's apartment consisted of an apartment of honor and an inner apartment. The first consisted of an ante-chamber, the first drawing-room, the second drawing-room, the dining-room, the music-room, the other, of the bedroom, the library, dressing-room, boudoir, bath-room. The entrance to the Empress's apartment was controlled by etiquette like that to the Emperor's. Josephine played her part as sovereign as easily as if she had been born on the steps of the throne. "One of her charms," says the Duchess of AbrantÈs, "was not merely her graceful figure, but the way she held her head, and the gracious dignity with which she walked and turned. I have had the honor of being presented to many real princesses, as they are called, in the Faubourg Saint Germain, and I can truly say that I have never seen one more imposing than Josephine. She combined elegance and majesty. Never did any queen so grace a throne without having been trained to it." Josephine had all the qualities that are attractive in a sovereign: affability, gentleness, kindliness, generosity. She had a way of convincing every one of her personal interest. She had an excellent memory, and surprised those with whom she talked by the exactness with which she recalled the past, even to details they had themselves nearly forgotten. The sound of her gentle, penetrating, and sympathetic voice added to the courtesy and charm of her words. Every one listened to her with pleasure; she spoke with grace and listened courteously. She wanted no one to go away from her annoyed. She always appeared to be doing a kindness, and thus inspired affection and gratitude. Her courtiers and her suite were her friends. Madame de RÉmusat, who was never too favorable, was forced to recognize the charm which Josephine exercised over the court by her tact, intelligence, and dignity. "The Empress," she says, "is enchanted to be surrounded by a large suite, and it gratifies her vanity. Her success in attaching Madame de La Rochefoucauld to her person, her pleasure in counting MM. d'Aubusson, de Lafeuillade among her chamberlains, Madame d'Arbry, Madame de SÉgur, and the wives of the marshals among the ladies of the palace, turned her head a little, but even this feminine joy did not lessen her usual graciousness; she always succeeded in maintaining her rank, even when most deferential to those men and women who lent it a new lustre by their brilliant names." She was very kind, extremely soft-hearted, and always overwhelming her companions with attentions and regards. Mademoiselle Avrillon, her reader, says: "I do not believe that there ever lived a woman with a better character, or with a less changeable disposition." She never dared to utter a word of blame or reproach. "If one of her ladies," said Constant, the Emperor's valet de chambre, "ever gave her cause for dissatisfaction, the only punishment she inflicted was to maintain absolute silence for one, two, three days, a week, more or less, according to the seriousness of the case. Well! this punishment, apparently so slight, was for most of them very severe. The Empress knew so well how to make herself beloved!" Her only fault was extravagance. She had an unbounded love of luxury and dress. The jewel-case which had belonged to Marie Antoinette was too small for Josephine. One day when she wanted to show some ladies all her jewels, a great table had to be arranged to hold the cases, and, since that was not enough, much more of the furniture was covered by them. Josephine had the fault that accompanies this quality, for generous persons are commonly lavish. Her extravagant expenditures came from her kindliness. She had not the heart to dismiss a tradesman without buying something of him, and it never entered her head to try to beat him down. Often she bought for vast sums things she did not want, simply to oblige the dealers. There was no limit to her liberality. She would have liked to own all the treasures of the earth in order to give them all away. She sought for opportunities for alms-giving. Many of the ÉmigrÉs lived entirely on her bounty. She was always in active correspondence with the sisters of charity. She was the Providence of the poor, and did good with delicacy, tact, and discretion. Giving is not all; the art lies in knowing how to give. She seemed to be the debtor of those to whom she made gifts. Naturally, with this disposition, she got into debt. But Napoleon was there to help her; and since he was economical by nature, he grew angry and scolded his extravagant wife, and ended by paying. In fact, Napoleon could refuse Josephine nothing, and she was really the only woman who had any influence over him. If he opposed her, she had an infallible resource in her tears. She knew thoroughly her husband's character. She knew how to speak to that mind and heart. She busied herself with seeking what could please, with divining his wishes, with anticipating his slightest desires. If he was the least ailing or annoyed she was literally at his feet, and then he could not live without her. He felt that when misfortune came Josephine alone would be able to console him. She had brought him happiness with her gentleness, her tenderness, her devotion; she had well deserved to receive the crown from his hands. |