Adult analysis of children’s problems, 143, 147, 154. Animal training different from child training, 155. Apparatus: Big stair, 72, 100. Broad stair, 100. Buttoning-frames, 13, 15, 55, 134. Color spools, 73. Explanation of, 99 ff. Geometric insets, flat, 76. Geometric insets, solid, 70. How to use, 67 ff., 91, 92, 99. Long stair, 100, 192. The Tower, 71, 100. Age of children in Montessori schools, 8. Apathetic child, the, 41 ff. Arithmetic, beginnings of, 16, 100. “Bad child,” the, treatment of, 32. Big stair, the. See Apparatus. Buttoning-frames. See Apparatus. Democracy, basis of Montessori system, 118, 187. Discipline, 31, 141 ff. Exercises, gymnastic, 146, 148; for legs, 112; for balance, 113, 115, 149. Exercises, sensory: Baric, 65, 101. Blindfolded, 17. Color games, 74. Color matching, 73. Hearth-side seed-game, 110. In dimension, 16. In folding up, 107 ff. Instinctive desire for, 52-54. Not entire occupation of children, 68. Simplicity of, 54. In smelling, 64. Tactile, 59, 60, 100, 115. In tasting, 64. By use of water, 150, 151. By use of weights, 65, 101. Family life, how affected by Montessori system, 121. Freedom, 31, 103, 118, 119, 123, 131. Gardens, value of, in child-training, 201, 204. Geometric insets. See Apparatus. Individuality, respect for, of Montessori system, 40, 93. Interest, a prerequisite to education, 30, 94 ff., 190. Kindergarten compared with Montessori system, 20, 173, 179; as to self-annihilation of teacher, 180; as to absence of supervision, 180; as to social life of children, 184; as to overstimulation, 188, 189. Lesson of silence, 43 ff. Long stair. See Apparatus. Mental concentration, 143, 145. Music, 19. New pupils, 37 ff. Number of pupils in Montessori school, 8. Obedience, 155, 159, 161. Observation of children, necessity for, 92. Overstimulation, 188, 189. Patience of children, 137, 138, 190. Plants, care of, for children, 202, 204. Reading, 89. Responsibility, inculcation of, 34, 35, 69, 70, 136, 201. School day, length of, 37. School-equipment, 8, 59. Self-control of children, 142, 144, 145. Self-dependence of children, 23, 102, 110, 133, 137, 156, 186. Slowness of children, 21, 135. Social life of children, 184, 206, 207. Supervision, absence of, 10, 102, 103, 180, 191, 193. Theoretic basis of Montessori system, vi, 49, 56, 103, 120, 123,—see also under Democracy, Freedom, Interest, Individuality, Responsibility, Self-dependence. Touch, sense of, 57, 58; exercises for,—see Exercises, Sensory. Tower, the. See Apparatus. Writing, training for, beginnings of, 59; theory underlying, 79 ff.; alphabet, 82; spontaneous writing, 84; time required to learn, 87. FOOTNOTES: DOROTHY CANFIELD’S THE SQUIRREL-CAGE Illustrated by J. A. Williams. 4th printing. $1.35 net. This is, first of all, an unusually personal and real story of American family life. “One has no hesitation in classing ‘The Squirrel-Cage’ with the best American fiction of this or any season. Regarded merely as a realistic story of social ambitions in a typical Ohio town, it has all the elements of diversity, feeling, style, characterization and plot to captivate almost any member of that large and growing public which knows vital fiction from brummagem. The author has a moving story to tell, and with a calm, sure art she tells it by stirring our sympathies for the singularly appealing heroine. The characters are all alive, well contrasted, wonderfully grouped.”—Chicago Record-Herald. “She brings her chief indictment against the restless ambition of the American business man, and the purposeless and empty life of the American wife.... The story of a young girl’s powerlessness to resist the steady pressure of convention.”—Bookman. “A remarkable story of American life to-day, worth reading and worth pondering.... Her book is, first of all, a story, and a good one throughout.”—New York Tribune. BEULAH MARIE DIX’S THE FIGHTING BLADE By the author of “The Making of Christopher Ferringham,” “Allison’s Lad,” etc. With frontispiece by George Varian. 3rd printing. $1.30 net. The “fighting blade” is a quiet, boyish German soldier serving Cromwell, who, though a deadly duelist, is at bottom heroic and self-sacrificing. He loves a little tomboy Royalist heiress. New York Tribune.—“Lovers of this kind of fiction will find here all that they can desire of plot and danger and daring, of desperate encounters, capture and hiding and escape, and of nascent love amid the alarums of war, and it is all of excellent quality.” Chicago Inter-Ocean.—“The best historical romance the man who writes these lines has read in half a dozen years.... The heroine is a dear maid and innocent, yet nowise sweetish or tamely conventional.... The story’s hero ... is certainly as fine a specimen of fighting manhood (with a gentle heart) as ever has been put before us.... He lives, mind you, he’s wholly natural.... Oliver Cromwell makes a brief appearance, but a striking one.... Some of the minor characters ... are as well drawn.... From the beginning ... until the very end the story holds the reader’s glad, intimate interest.” HENRY HOLT AND COMPANY PUBLISHERS NEW YORK NEW POPULAR EDITION, WITH APPENDIX Containing tables, etc., of the Opera Season 1908-11. “The most complete and authoritative ... pre-eminently the man to write the book ... full of the spirit of discerning criticism.... Delightfully engaging manner, with humor, allusiveness and an abundance of the personal note.”—Richard Aldrich in New York Times Review. (Complete notice on application.) CHAPTERS OF OPERA Being historical and critical observations and records concerning the Lyric Drama in New York from its earliest days down to the present time. By Henry Edward Krehbiel, musical critic of the New York Tribune, author of “Music and Manners in the Classical Period,” “Studies in the Wagnerian Drama,” “How to Listen to Music,” etc. With over 70 portraits and pictures of Opera Houses. 450 pp. 12mo. $2.50 net; by mail, $2.68. Illustrated circular on application. This is perhaps Mr. Krehbiel’s most important book. The first seven chapters deal with the earliest operatic performances in New York. Then follows a brilliant account of the first quarter-century of the Metropolitan, 1883-1908. He tells how Abbey’s first disastrous Italian season was followed by seven seasons of German Opera under Leopold Damrosch and Stanton, how this was temporarily eclipsed by French and Italian, and then returned to dwell with them in harmony, thanks to Walter Damrosch’s brilliant crusade,—also of the burning of the opera house, the vicissitudes of the American Opera Company, the coming and passing of Grau and Conried, and finally the opening of Oscar Hammerstein’s Manhattan Opera House and the first two seasons therein, 1906-08. “Presented not only in a readable manner but without bias ... extremely interesting and valuable.”—Nation. “The illustrations are a true embellishment ... Mr. Krehbiel’s style was never more charming. It is a delight.”—Philip Hale in Boston Herald. “Invaluable for purpose of reference ... rich in critical passages ... all the great singers of the world have been heard here. Most of the great conductors have come to our shores.... Memories of them which serve to humanize, as it were, his analyses of their work.”—New York Tribune. ?If the reader will send his name and address, the publishers will send, from time to time, information regarding their new books. HENRY HOLT AND COMPANY PUBLISHERS NEW YORK THE CHILD ITS CARE, DIET AND COMMON ILLS By E. MATHER SILL, M.D. Lecturer in Diseases of Children at the New York Polyclinic Medical School and Hospital; Attending Physician at the Good Samaritan Dispensary and Assistant Attending at the New York Polyclinic Hospital With 34 illustrations. $1.00 net; by mail $1.08 CONTAINS just the information a young mother ought to have, about the feeding, clothing, airing, and exercise of infants and young children. It is written in very simple language. It teaches how to distinguish the different diseases of children. It gives a carefully prepared list of antidotes for poisons. It aims to give the kind of help a mother needs before a physician can arrive, with suggestions when a physician is needed. It is written on the assumption that the young mother of to-day is not satisfied with the knowledge handed down to her from mother and grandmother, but wishes a more thorough up-to-date acquaintance with the modern methods of child care. HENRY HOLT AND COMPANY 34 West 33d St. New York NEW BOOKS PRIMARILY FOR WOMEN Buy of your bookseller. Postage is 8% additional A MONTESSORI MOTHER. By Dorothy Canfield Fisher A thoroly competent author who has been most closely associated with Dr. Montessori tells just what American mothers want to know about this new system of child training. (Helpfully illustrated. $1.25 net.) THE CHILD; Its Care, Diet, and Common Ills. By Dr. E. Mather Sill Lecturer in New York Polyclinic, Attending Physician at Good Samaritan Dispensary, New York, etc. With 34 illustrations. 207 pp.; 16mo. ($1.00 net.) 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Times Review. (With diagrams, 3rd printing. $2.00 net.) THE GLEAM. By Helen R. Albee A frank spiritual autobiography. (4th printing. $1.35 net.) HENRY HOLT AND COMPANY PUBLISHERS NEW YORK THE HOME BOOK OF VERSE American and English (1580-1912) Compiled by Burton E. Stevenson. Collects the best short poetry of the English language—not only the poetry everybody says is good, but also the verses that everybody reads. (3742 pages; India paper, 1 vol., 8vo, complete author, title and first line indices, $7.50 net; carriage 40 cents extra.) The most comprehensive and representative collection of American and English poetry ever published, including 3,120 unabridged poems from some 1,100 authors. It brings together in one volume the best short poetry of the English language from the time of Spencer, with especial attention to American verse. The copyright deadline has been passed, and some three hundred recent authors are included, very few of whom appear in any other general anthology, such as Lionel Johnson, Noyes, Housman, Mrs. Meynell, Yeats, Dobson, Lang, Watson, Wilde, Francis Thompson, Gilder, Le Gallienne, Van Dyke, Woodberry, Riley, etc., etc. The poems as arranged by subject, and the classification is unusually close and searching. Some of the most comprehensive sections are: Children’s rhymes (300 pages); love poems (800 pages); nature poetry (400 pages); humorous verse (500 pages); patriotic and historical poems (600 pages); reflective and descriptive poetry (400 pages). No other collection contains so many popular favorites and fugitive verses. DELIGHTFUL POCKET ANTHOLOGIES The following books are uniform, with full gilt flexible covers and pictured cover linings. 16mo. Each, cloth, $1.50; leather, $2.50. THE GARLAND OF CHILDHOOD A little book for all lovers of children. Compiled by Percy Withers. 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CONTENTS: The Theory of the Theatre.—What is a Play?—The Psychology of Theatre Audiences.—The Actor and the Dramatist.—Stage Conventions in Modern Times.—Economy of Attention in Theatrical Performances.—Emphasis in the Drama.—The Four Leading Types of Drama: Tragedy and Melodrama; Comedy and Farce.—The Modern Social Drama. Other Principles of Dramatic Criticism.—The Public and the Dramatist.—Dramatic Art and the Theatre Business.—The Happy Endings in the Theatre.—The Boundaries of Approbation.—Imitation and Suggestion in the Drama.—Holding the Mirror up to Nature.—Blank Verse on the Contemporary Stage.—Dramatic Literature and Theatric Journalism.—The Intention of Performance.—The Quality of New Endeavor.—The Effect of Plays upon the Public.—Pleasant and Unpleasant Plays.—Themes in the Theatre.—The Function of Imagination. DRAMATISTS OF TO-DAY Rostand, Hauptmann, Sudermann, Pinero, Shaw, Phillips, Maeterlinck By Prof. Edward Everett Hale, Jr., of Union College. With gilt top, $1.50 net. (By mail, $1.60.) An informal discussion of their principal plays and of the performances of some of them. The volume opens with a paper “On Standards of Criticism,” and concludes with “Our Idea of Tragedy,” and an appendix of all the plays of each author, with dates of their first performance or publication. New York Evening Post: “It is not often nowadays that a theatrical book can be met with so free from gush and mere eulogy, or so weighted by common sense ... an excellent chronological appendix and full index ... uncommonly useful for reference.” Dial: “Noteworthy example of literary criticism in one of the most interesting of literary fields.... Well worth reading a second time.” THE GERMAN DRAMA OF THE NINETEENTH CENTURY By Georg Witkowski. Translated by Prof. L. E. Horning. 12mo. $1.00. Kleist, Grillparzer, Hebbel, Ludwig, Wildenbruch, Sudermann, Hauptmann, and minor dramatists receive attention. 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Translated by Thomas Seltzer. 130 pp. 16mo. $1.00 net.[C] The Contents include: War as an End in Itself—One-Sided Reasoning—War a Solution—Physiological Effects—Economic Effects—Political Effects—Intellectual Effects—Moral Effects—Survivals, Routine Ideas, and Sophistries—The Psychology of War—War Considered as the Sole Form of Struggle—The Theorist of Brute Force—Antagonism and Solidarity. “A small volume with a large purpose.... A large number of the arguments of war as a beneficial agent are considered and vigorously and clearly refuted.... Very simple and clear, bristling with crisp, epigrammatic sentences.... The author has accomplished a marvelous lot in a very small compass; there is no wilderness of words here; instead, facts sent out with gatling gun briskness.”—Chicago Tribune. HENRY HOLT AND COMPANY 34 West 33d Street New York NEW BOOKS ON THE LIVING ISSUES BY LIVING MEN AND WOMEN The Home University Library Cloth Bound 50c per volume net; by mail 56c. 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