The arena of his activities is, however, that of Venus and not Mars. Petronius is fond of figurative language, and in several other passages, he has made use of the slang of the arena: (chap. 61 ), “I used to fence with my mistress herself, until even the master grew Suspicious”; and again, in chapter 19, he says: “then, too, we were girded higher, and I had so arranged matters that if we came to close quarters, I myself would engage Quartilla, Ascyltos the maid, and Giton the girl.”

Dufour, in commentating upon this expression, Histoire de la Prostitution, vol. III, pp. 92 and 93, remarks: It is necessary to see in Petronius the abominable role which the “obscene gladiator” played; but the Latin itself is clear enough to describe all the secrets of the Roman debauch. “For some women,” says Petronius, in another passage, “will only kindle for canaille and cannot work up an appetite unless they see some slave or runner with his clothing girded up: a gladiator arouses one, or a mule driver, all covered with dust, or some actor posturing in some exhibition on the stage. My mistress belongs to this class, she jumps the fourteen rows from the stage to the gallery and looks for a lover among the gallery gods at the back.”

On “cum fortiter faceres,” compare line 25 of the Oxford fragment of the sixth satire of Juvenal; “hic erit in lecto fortissimus,” which Housman has rendered “he is a valiant mattress-knight.”