Resonance in Singing and Speaking

BOOKS CONSULTED

Title	Author	Published
An Essay on the History and Theory of Music, and of the Qualities and Capacity of the Human Voice	Isaac Nathan	London, 1823.
Elements of Vocal Science	Richard Mackenzie Bacon	London, 1824.
Orthophony; or the Cultivation of the Voice in Elocution	William Russell	Boston, 1859.
Vocal Physiology	Charles Alex. Guilmette	New York, 1860.
Die Lehre von den Tonempfindungen als physiologische Grundlage fÜr die theorie der Musik	H.L.F. Helmholtz	Brunswick, 1863.
The Sensations of Tone as a Physiological Basis for the Theory of Music (Translation of above)	H.L.F. Helmholtz (Translated by A.J. Ellis)	London, 1875.
Sound	John Tyndall	London, 1867.
Principles of Elocution and Voice Culture	Benj. W. Atwell	Providence, 1868.
The Voice, Its Artistic Production, Development and Preservation	George J. Lee	London, 1870.
The Cultivation of the Speaking Voice	John Pyke Hullah	Oxford, 1870.
Voice Building	Horace R. Streeter	Boston, 1871.
Principles of Elocution and Voice Culture	Benjamin Atwell	Boston, 1872.
Hints for Pronunciation in Singing	Georgiana Weldon	London, 1872.
The Voice in Singing	Emma Seiler	Philadelphia, 1872.
The Voice as an Instrument	Ange A. Pattou	New York, 1878.
The Vocal Process	John Howard	New York, 1878.
Speech in Song	Alexander J. Ellis	London, 1878.
Voice and Vocalization	Wm. P. Robert	London, 1879.
The Human Voice and Connected Parts	Joseph Montgomery Farrar	London, 1881.
The Mechanism of the Human Voice	Emil Behnke	London, 1882.
Gymnastics of the Voice	Oskar Guttmann	Albany, 1882.
The Art of Voice Production with Special Reference to the Methods of Correct Breathing	Ange A. Pattou	New York, 1882.
The Old Italian School of Singing	Leo Kofler	Albany, 1882.
The Secrets of the Voice in Singing	Emilio Belari	New York, 1883.
Deep Breathing	Sophia A. Ciccolina	New York, 1883.
Artistic Voice in Speech and Song	Charles Lunn	London, 1884.
Voice, Song and Speech	Lennox Browne and Emil Behnke	London, 1884.
Modern Singing Methods, Their Use and Abuse	John Franklin Botume	Boston, 1885.
The Diaphragm and Its Functions	J.M.W. Kitchen	Albany, 1885.
The Voice from a Practical Standpoint	Edmund J. Meyer	New York, 1886.
The Hygiene of the Vocal Organs	Morrell Mackenzie, M.D.	London, 1886.
How to Sing	Wm. Henry Daniell	New York, 1887.
The Art of Breathing as the Basis for Tone Production	Leo Kofler	New York, 1887.
The Voice. How to Train It	Edward Barrett Warman	Boston, 1890.
Scientific Voice. Artistic Singing and Effective Singing	Thomas Chater	London, 1890.
Voice Figures	Mrs. Margaret Watts Hughes	London, 1891.
The Human Voice; Its Cultivation	W.H. Griffiths	London, 1892.
The Philosophy of Singing	Clara Kathleen Rogers	New York, 1893.
The What and How of Vocal Culture	F. Rowena Medini	New York, 1893.
Exercises in Vocal Technique	John Franklin Botume	Boston, 1894.
Text-Book on the Natural Use of the Voice	George E. Thorp and William Nicholl	London, 1895.
Respiration for Advanced Singers	John Franklin Botume	Boston, 1897.
Voice Building and Tone Placing	Henry Holbrook Curtis, M.D.	New York, 1896.
Twenty Lessons on the Development of the Voice	George E. Thorp	London, 1896.
Voxometric Revelation (The Problem Surrounding the Production of the Human Voice Finally Discovered)	Alfred Augustus North	London, 1896.
The Art of Singing	Wm. Shakespeare	London and Boston, 1898.
The Rightly-Produced Voice	Edward Davidson Palmer	London, 1898.
How to Train Children's Voices	T. Maskell Hardy	London, 1899.
How to Sing (Meine Gesangskunst)	Lilli Lehmann	New York, 1902.
Scientific Tone Production	Mary Ingles James	Boston, 1903.
English Diction for Singers and Speakers	Louis Arthur Russell	Boston, 1905.
The Training of Boys' Voices	Clarke Ellsworth Johnson	Boston, 1906.
Voice Production in Singing and Speaking	Wesley Mills, M.D.	Philadelphia, 1906.
The Art of the Singer	W.J. Henderson	New York, 1906.
The Commonplaces of Vocal Art	Louis Arthur Russell	Boston, 1907.
The Singing of the Future	David Ffrangcon-Davies	London, 1908.
The Art of Singing and Vocal Declamation	Sir Charles Santley	London, 1908.

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