Thumb. Where is my princess? where's my Huncamunca? Where are those eyes, those cardmatches of Jove, That[1] light up all with love my waxen soul? Where is that face which artful nature made [2] In the same moulds where Venus' self was cast? [Footnote 1: This image, too, very often occurs: —Bright as when thy eye 'Tis not a crown alone lights up my name.—Busiris. [Footnote 2: There is great dissension among the poets concerning the method of making man. One tells his mistress that the mould she was made in being lost, Heaven cannot form such another. Lucifer, in Dryden, gives a merry description of his own formation: Whom heaven, neglecting, made and scarce design'd, In one place the same poet supposes man to be made of metal: I was form'd In another of dough: When the gods moulded up the paste of man, In another of clay: —Rubbish of remaining clay.—Sebastian. One makes the soul of wax: Her waxen soul begins to melt apace.—Anna Bullen. Another of flint: Sure our two souls have somewhere been acquainted To omit the great quantities of iron, brazen, and leaden souls, which are so plenty in modern authors—I cannot omit the dress of a soul as we find it in Dryden: Souls shirted but with air.—King Arthur. Nor can I pass by a particular sort of soul in a particular sort of description in the New Sophonisba: Ye mysterious powers, Hunc. [1]Oh! what is music to the ear that's deaf, [Footnote 1: This line Mr Banks has plunder'd entire in his Anna Thumb. Ha! promised? Hunc. Too sure; 'tis written in the book of fate. Thumb. [1]Then I will tear away the leaf [Footnote 1: |