PREFACE

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This Work was begun many Years ago, though altered in some Places by the Author, before his Death; as will appear by the modern Instances introduced in it. Many of which being so applicable to the present Time, is the Occasion of it being now published.

As to any Exception which may be made to the Impurity of this Work, we shall transcribe what was written long ago in its Defence, from the Preface prefixed to Mr. Dryden's Translation of this Poem.

'A great many People are mistaken in these Books; and tho' they were made use of as a Pretence to drive the Author from the Court of Augustus, and confine him to Tomos on the Frontiers of the Getae and Sarmatae, yet they were not the true Cause of his Confinement. They are very far from being so licentious as the Writings of several other Poets, both Greek and Latin. However we must own he might have been a little more discreet, especially in some Places[A].

[Note A: He means in the other two Books.]

'That which offended the Romans most in this Work, cannot touch us. It has always been more dangerous in Italy to converse with Women of Honour, and frequent their Houses, than 'tis with us; where there is more Liberty, and what in that Country may be an Occasion of Debauchery, would not at all be so in ours.

'Notwithstanding all that has been said against these Books of the Art of Love, by some over-scrupulous Persons, whose Discretion has too much of Affectation in it: they are not only necessary for the Knowledge of the Latin Tongue, and the Roman History, concerning which they contain several Things very particular; but for the noble Sentiments we find in them, which the Gravest and Learnedest Writers have thought worthy to be quoted for Authorities.

'In a Word, there's nothing in them that comes near the Licence of some Epigrams of Catullus, Martial, and Ausonius, of some Satires of Horace and Juvenal, and several other Pieces of Ancient and Modern Authors, which are read and commented upon; and about which even celebrated Jesuits and other religious Persons, as eminent for their Piety as their Erudition, have employed their Studies. Yet who has condemn'd or complain'd of them? We must confess, such Things should be managed with Address; and those of them who have meddled with any of the Authors I have named, have shewn that it may be done so, by their succeeding so happily in it.

'As for this Treatise of the Art of Love, for which the Author has also prescrib'd a Remedy, as it is liable to be ill interpreted by those whose Pens poison every Thing they touch; so it may bear a good Construction, by such as know how to turn every Thing to Advantage.

'I will yet say, this Art may be apply'd to those that intend to marry. There is nothing sure against Decency in all that. I agree, if you will have it so, that it extends so far as to direct one to the Means to gain a Mistress. If this was not lawful heretofore in Italy, on account of the jealous Humour of the Italians, we cannot, for the same Reason only, say it ought to be forbidden in our Country, any more than in several others, provided we could be sure the Ladies Modesty would not be offended, before whom Youth should be always careful not to exceed the Bounds of the Respect that's due to them.'

To this I may add, that if the Objection of Impurity lies against any Part of this Work, it is only against the two latter Books, for in that which we have here paraphrased, there is nothing capable of offending the nicest Ear.

With regard to the Merit of this Paraphrase, which is entirely a new Undertaking, and might perhaps, if properly encouraged, be carried on with other Latin Poets, we shall only observe, that the utmost Care hath been taken to preserve the Spirit and true Sense of the Author, and where we have been obliged to deviate, we have given the literal Translation in the Notes.

Upon the whole, we cannot suppress, what one of the most learned Men of this Age, said upon persuing the Paraphrase, viz. That he thought it would serve better to explain the Meaning of Ovid to a Learner, than any other Translation, or all his numerous Commentators.


                                                                                                                                                                                                                                                                                                           

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