To RALPH ALLEN, ESQ.

SIR,—The following book is sincerely designed to promote the cause of virtue, and to expose some of the most glaring evils, as well public as private, which at present infest the country; though there is scarce, as I remember, a single stroke of satire aimed at any one person throughout the whole.

The best man is the properest patron of such an attempt. This, I believe, will be readily granted; nor will the public voice, I think, be more divided to whom they shall give that appellation. Should a letter, indeed, be thus inscribed, DETUR OPTIMO, there are few persons who would think it wanted any other direction.

I will not trouble you with a preface concerning the work, nor endeavour to obviate any criticisms which can be made on it. The good- natured reader, if his heart should be here affected, will be inclined to pardon many faults for the pleasure he will receive from a tender sensation: and for readers of a different stamp, the more faults they can discover, the more, I am convinced, they will be pleased.

Nor will I assume the fulsome stile of common dedicators. I have not their usual design in this epistle, nor will I borrow their language. Long, very long may it be before a most dreadful circumstance shall make it possible for any pen to draw a just and true character of yourself without incurring a suspicion of flattery in the bosoms of the malignant. This task, therefore, I shall defer till that day (if I should be so unfortunate as ever to see it) when every good man shall pay a tear for the satisfaction of his curiosity; a day which, at present, I believe, there is but one good man in the world who can think of it with unconcern.

Accept then, sir, this small token of that love, that gratitude, and that respect, with which I shall always esteem it my GREATEST HONOUR to be,

Sir,
Your most obliged,
and most obedient
humble servant,
HENRY FIELDING.

Bow Street, Dec. 2, 1751.

[Illustration.]

AMELIA.

BOOK I.

Chapter i.

Containing the exordium, &c.

The various accidents which befel a very worthy couple after their uniting in the state of matrimony will be the subject of the following history. The distresses which they waded through were some of them so exquisite, and the incidents which produced these so extraordinary, that they seemed to require not only the utmost malice, but the utmost invention, which superstition hath ever attributed to Fortune: though whether any such being interfered in the case, or, indeed, whether there be any such being in the universe, is a matter which I by no means presume to determine in the affirmative. To speak a bold truth, I am, after much mature deliberation, inclined to suspect that the public voice hath, in all ages, done much injustice to Fortune, and hath convicted her of many facts in which she had not the least concern. I question much whether we may not, by natural means, account for the success of knaves, the calamities of fools, with all the miseries in which men of sense sometimes involve themselves, by quitting the directions of Prudence, and following the blind guidance of a predominant passion; in short, for all the ordinary phenomena which are imputed to Fortune; whom, perhaps, men accuse with no less absurdity in life, than a bad player complains of ill luck at the game of chess.

But if men are sometimes guilty of laying improper blame on this imaginary being, they are altogether as apt to make her amends by ascribing to her honours which she as little deserves. To retrieve the ill consequences of a foolish conduct, and by struggling manfully with distress to subdue it, is one of the noblest efforts of wisdom and virtue. Whoever, therefore, calls such a man fortunate, is guilty of no less impropriety in speech than he would be who should call the statuary or the poet fortunate who carved a Venus or who writ an Iliad.

Life may as properly be called an art as any other; and the great incidents in it are no more to be considered as mere accidents than the several members of a fine statue or a noble poem. The critics in all these are not content with seeing anything to be great without knowing why and how it came to be so. By examining carefully the several gradations which conduce to bring every model to perfection, we learn truly to know that science in which the model is formed: as histories of this kind, therefore, may properly be called models of human life, so, by observing minutely the several incidents which tend to the catastrophe or completion of the whole, and the minute causes whence those incidents are produced, we shall best be instructed in this most useful of all arts, which I call the art of life.