CHAPTER SEVENTEEN

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Laugh, and the world laughs with you;
Weep, and you weep alone;
For this brave old earth must borrow its mirth,
It has trouble enough of its own.

The world does not require the same attainments from all; it is well it is so ordered. Some persons are well taught, some are ill taught, some are not taught at all. Some have naturally good dispositions and absorb learning readily. Some are deficient in mechanical ingenuity and yet can analyze difficult mental problems.

It is no crime to fail in any pursuit or vocation, if failure is not due to idleness or deliberate preference of evil to good. There comes a time in the life of every reasoning person that they must take themselves for better or for worse, that they must take themselves more seriously.

Captain Abrams had unintentionally contributed to Alfred's discontent. He had remarked that to putty up holes, paint a board or smear a hurricane deck was not much of a trade or calling, but to be an artist like Alfred's father was a profession that would bring success.

Alfred could not drive a nail straight; he could not saw a board straight; he was such an awkward writer, the school teacher made fun of his copy book. She advised Alfred that she did this hoping that by publicly reprimanding him he would learn to write a more legible hand. "You excel in spelling, reading, geography and other studies; you should be ashamed of your writing."

The grandfather, the father, the teacher, all liked Alfred. None intended to injure his feelings, yet the taunts, the censure, just and unjust, sunk into Alfred's soul, and, he advised Captain Abrams it was only the duty he owed his father that kept him there a day.Alfred was low in mind. He sought his father and endeavored to reason with him, but was dismissed with the argument: "You don't want to learn anything useful; if it was something connected with a show, you'd master it mighty quick."

"But father, I have no skill or sleight to work with tools."

The father interrupted with a peremptory: "Do as I did—learn."

"I can't learn," pleaded the boy, "try as I may, I'm not cut out for a mechanic. If I could work like you it would be a pleasure to me to keep at it. I'm out of all heart with my work."

The father evidently felt for the boy as he spoke in a more kindly tone: "You are not lazy; the things that you can do, you do well. Now you painted around that hull quicker than any man at work on the boat. Be a little more patient, take more pains and you'll make a good workman. I will pay you wages, try to make something useful out of yourself. You'll never amount to a hill of beans if you follow up your show notions," pleaded the father.

"Pap, I'm satisfied with what you give, it ain't that. I don't like the work. Of course, I painted the hull of the boat quickly but that's all I can do and Captain Abrams says there's nothing in puttying up nail holes and painting hulls; anybody can learn that in six months."

The father became cross again, and, in a threatening tone, said: "I am your father and it is my duty to do my best for you; I firmly believe I am fulfilling my duty as a parent in ordering you to give up all other notions as to the future and get down to business and learn this trade. Now make up your mind; go at your work with the feeling that you are determined to succeed. If you go at your work in a half-hearted way you are certain to fail.""Well, that's the way I feel about this work; I can't learn it, I don't want to. There's a dozen other things I'd rather do and I can make more money out of them."

This stubborn talk exasperated the father, and pointing his finger at the boy to emphasize his words, he said: "First, it was circus, then it was minstrels. You tried the newspaper business, you were not satisfied."

"Why, you made me quit newspaper work," interrupted Alfred.

"Don't interrupt me again," cautioned the father, "then it was that infernal panorama. That panorama was the worst of all, it gave you the habit of roving; you've never been satisfied a day since you went off with that panorama."

"But father, you and all your family were willing I should go. You wanted me to go; I didn't want to go, I only wanted to get back the money Palmer cheated you out of."

The father thundered: "Don't you try to saddle your roving onto me. You're not satisfied in any place and never will be. Don't you ever tell me to my face again that I even hinted that you go with the panorama and I don't want you to ever mention that anybody cheated me. I'd like to see the man who can cheat me. Now you go to your work, you're not your own man yet. I am going to send you to the Merrittstown Academy this winter and I want you to settle down. You've had it too easy. When I was a boy I had to get up at 4 o'clock in the morning, make all the fires, milk four cows and feed a pen full of hogs and I had to be done by daylight. You've had it too easy, your mother is the one that's spoiled you. From this day on it's hands off with her; I'll be your boss. Now, don't let me hear more of this roving talk."

"Why, Pap, I haven't said one word about roving. Can't I do other work right here at home if I quit this, I don't have to rove, do I?""No, but that's the upshot of all this talk," persisted the father. "Now get down to your work; learn it."

"I can't," doggedly answered the boy. "Didn't you tell me yesterday my fingers were all thumbs? Didn't you tell me in front of all the hands that you were ashamed of me and that you didn't think it possible that a child of yours could be so ignorant and awkward."

The father stammered and colored. He was a most affectionate parent, he was truly sorry that he had humbled the pride of the boy. "Why, my son, the men all know I was only teasing you; they all know you are most intelligent. You can learn anything you set your hand to. Why, when you went to Dr. Playford to learn to be a doctor he informed me as did Bob, that they never knew anyone to learn Latin as quickly as you. You could tell us all the names for medicines. Why, Uncle Jake, Steve Gadd and Joe Gibbons told me the time they took you to Washington County to the turkey shoot, that they'd all been down sick if it hadn't been for you. They say it rained a cold rain and you all got wet. Uncle Jake is subject to the quinsy and he was on the verge of it. They tried the drug store and everywhere and they couldn't get nothing. Steve said you went to the drug store and got all they wanted, only you didn't ask for whiskey; you called it fermenting spirits. Steve said the druggist told him confidentially you ought to be a druggist, you told him things he didn't know before. Now, go at your work as you did at doctoring and you'll learn. It has been the regret of your mother's life that you did not learn to be a doctor. I've sometimes thought old Hare just pretended your medicine made him sick to get out of paying the bill. I don't think Dr. Playford cared one thing about it so far as you was concerned but the other doctors talked so about it he just had to let you go. I've always felt sorry about it because, if any of our family is taken down with a fever, Playford is the only fever doctor in town."Arguments of this character occurred almost daily. Alfred grew more and more dissatisfied, the father more insistent. Alfred kept up his minstrel work, appearing ever and anon in amateur exhibitions. Folks kept pouring it into his ears: "Well, if I had your talent this town wouldn't hold me fifteen minutes; I'd take the boat for Pittsburg tonight. What does your father mean by holding you down in this way? Does your mother favor it? Why, your folks are standing in their own light. If I had a boy like you I'd hire him out and travel with him," was Shuban Lee's comment.

All this was not calculated to cool the ardor of an ambitious amateur. Alfred read the New York Clipper weekly. He wrote many letters to many minstrel managers to which he did not receive replies.

Charles Duprez, of Duprez and Benedict, answered one of Alfred's letters thusly:

Dear Sir:

In answer to your letter—do you double in brass?

Charles Duprez.

Alfred read and re-read the letter and finally answered:

Mr. Charles Duprez:

Respected Sir: I do not double in brass or anything else. I'm a minstrel, not a contortionist.

Alfred Griffith Hatfield.

No reply ever came. Alfred concluded the minstrel field was overcrowded or managers would not have permitted him to remain idle, especially in view of the fact that he had offered to give their full performance, for as low as twenty dollars a month, washing and mending. To one manager he added a confidential P. S.: "If you are not doing very well I can put you on to a good thing, a panorama. I'm a panoramist."

Alfred turned his attention to acrobatics. Every spare hour was spent on the tan bark pile with Lint Dutton, James Todd Livingston, Tom White and Lash Hyatt. Lint Dutton was determined to learn bare-back riding. Sneaking his father's horse from the barn, he would endeavor to stand alone on the back of the animal, Alfred playing clown and Bindley Livingston ringmaster. Mr. Dutton, after Lint had fallen and nearly broken his back, locked up the horse. Lint determined to give up bare-back riding and practice the Indian style of horsemanship. Many are the persons who had narrow escapes from being run over by Lint as his horse galloped up and down the back streets of the town, wearing the old feather head-dress that Node wore in his attempts to fly.

Alfred and Bindley Livingston constructed a trapeze. Completed, it was suspended to the roof of the cow stable; the boys spent many hours practicing. The climax of the act, Livingston, the stronger of the two, hung by his knees on the little horizontal bar above, holding Alfred by the ankles both hanging head downwards, swinging to and fro, as does the pendulum of a clock; the limitations of the stable would not permit the swinging part of the performance. A large locust tree in Bowman's pasture lot, near Alfred's home, was selected as the best possible place to try out the double trapeze act.

From a limb of the tree, Hen Ragor, the assistant in the performance, suspended the trapeze. The news spread that there would be some wonderful acting in the old pasture lot, Saturday afternoon, always a holiday to every boy and girl in old Brownsville to go fishing, swimming, nutting or berrying. On this particular Saturday all the boys and girls hied themselves to the old pasture lot; nor was the gathering confined to the younger set; a few of the adults were attracted. They stood at a distance, viewing the doings; however, not one of them but had a vantage position.

As the exercises went along, Danny Gummert, George Pee, Denbow Simpson and Alf McCormick, drew nearer. Caroline Baldwin, seated on the fence, yelled: "Come in and look out, you can see better." This brought a laugh and a few of the elders outside of the pasture sauntered a little ways off only to come nearer as the applause and laughter grew louder.

Alfred had covered himself with all sorts of glory in the numerous numbers in which he had participated. Caroline Baldwin, who, with her brothers Clarke and Charley, occupied two entire private boxes, (two panels of fence), proclaimed during an intermission that Alfred was the greatest actor in the country; "it was just shameful he was held down when people all over the country were pantin' to see him do his showin'."

Lin declared: "Nobody in eny show thet's ben yere in years kin hol' a candul tu him; they can't tech him. He kin walk ontu his hans better en some peepul kin on thar feet." Here Lin cast a withering glance at Jack Beckley that would have sobered one less saturated.

Jack returned Lin's look with a vague grin, saying: "I'm drunk and glad of it."

Lin gave him a smart push as she ordered him to keep his distance: "I smell licker on yer close."

"Excuse me—I didn't—no—I hed—spilled eny—of hit." Jack seated himself on the grass, unheeding the jibes of the little boys and girls. He was a good natured tippler. In fact, he seemed pleased that his condition was furnishing fun for the crowd.

No blare of trumpet or beat of drum announced the coming of the death-defying gladiators; no eloquent orator was there to describe their deeds. Unheralded, unannounced, without applause or acclamation Alfred and Bindley emerged from their dressing room, Baldwin's barn. Crossing the narrow alley, climbing the fence they stood under the shade of the trapeze tree, the open-mouthed, craned neck cynosure of all eyes, excepting Jack Beckley's—he had gone to sleep.The silence that greeted the duo was broken only by sotto voce remarks of Lin, taking a mental inventory of Alfred, or rather, his costume. He was attired in a red waist trimmed with beads, white tights, long, bright green, silk stockings tied with broad yellow ribbon garters, a big, double bow knot on the outside of each limb; a bright red nubia or neck comforter wound about his middle; no pumps, shoes or other covering on his feet.

The Aerialist's Debut

The Aerialist's Debut

The silence that greeted the appearance of Alfred was broken. Jack Beckley lying on the ground too listless and drunk to raise his eyes higher than Alfred's green stockings, noticed the great expanse of feet in them, seemingly larger by the spread of the loose stockings. He remarked to those near him: "Thar's a heap uf thet one doubled down on the groun'."

Lin spoke as if to herself: "Well, I'll be tee-to-tully durned. Ef thet harum scarum devul hain't got my nit drawurs on fur tites, an' they fit him like sassage guts that's too big fur the fillin'. An', an'," Lin craned her neck towards Alfred, "an', an', by jiggurs, ef he ain't a wearin' Mary's (the mother's) green silk stockin's she used tu dance an' frolik in when she was a gal; an' Aunt Lib's worked, beaded Jenny Lind waist; an' Lizzie's new red nubby woun' roun' his shad belly. Ef he ain't stole the yaller ribbon offen Sal Whitmire's weddin' bonnit, I'm blind. Well, jus' wate, jus wate. Ef thar ain't a nuther circus to home tonite it'll be bekase his daddy ain't well."Alfred and Bindley bowed low, right and left, kissing their hands to the audience, then saluting the trapeze in turn. (This pantomime introduction they had copied from Mathews and Hunting, noted trapezists in those days.) However, the same salutes have been employed by all aerialists these many years, therefore Alfred and Bindley should not be charged with stealing the business of others.

Preparatory to ascending to the trapeze Alfred unwound the nubia from his waist, casting it on the ground. Lin grabbed it up with a look that seemed to say: "Thank Gawd, I'll get that anyhow."

Trapeze performers usually ascend to their rigging on a net webbing, hand over hand sailor fashion. Alfred and Bindley, after their bows and salutes, climbed up the trunk of the tree to the limb on which their trapeze was suspended. Coon like, they crawled out on the limb and lowered themselves to the trapeze.

They kissed their hands to the uplifted faces below. At an agreed signal they bent backward, beginning with the feats performed by all trapezists. After every trick the aerialists would come up smiling, seated on the lower bar, side by side. Turning themselves upside down—which is the clearest explanation that can be written—they hooked their feet over the short bar in the small swing above and hung motionless head downward with folded arms.

As they thus clung one of the yellow ribbons or garters on Alfred's limb became loosened. The long ribbon fluttered in the air, furling and unfurling it gracefully descended.

Lin reached up her hands to catch it, muttering through her set teeth: "I wonder ef he'll shed the rest uf his borryed plumes. I wish he wud. Stretchin' an' crawlin' about he'll bust 'em sure." And Lin looked at Alfred's limbs with an anxious expression: "Ef he does you kan't sew 'em an' I ain't got no yarn thet'll match tu darn 'em."The last feat was the hanging head downward by Bindley, clasping Alfred by the ankles. Hen Ragor, with the aid of a rope cast over the lower bar, pulled the performers, backwards and forwards. When the proper momentum was gained Alfred released his hand hold on the bar. Henry was to hold the bar away from the swing of the human pendulum until Alfred clapped his hands. He was then supposed to slacken the rope in his hands permitting the bar to swing within the grasp of Alfred.

This was the rehearsed procedure to carry the thrilling feat to the proper climax. Henry swung the trapeze too forcibly, one end of the rope slipped out of his hands and pulled loose from the trapeze bar. The lower bar fouled in the branches of the tree.

Alfred was clapping his hands violently for the trapeze. Henry was endeavoring to cast the rope over the bar, his efforts resulting in failure after failure. Finally in his excitement he endeavored to cast the rope up to Alfred. The pendulum had nearly stopped swinging, and Alfred was waving his arms, clapping his hands and begging piteously for the big trapeze swing.

Bindley above was holding on to the boy below. He implored Alfred to climb up to him. Effort after effort was made by Alfred to do so, but he hung limp and helpless. He could not command sufficient strength to pull his body up. He clutched at Lin's unmentionables as he hung head downward. The earth seemed a long way from him and things on it upside down.

The boys below were yelling in their excitement, the girls had covered their faces, the grown folks, who had stood afar, rushed to the scene.

Never will Alfred forget the few moments he was suspended thus, nor will he fail to remember to his dying day the first message he received from the man above. There was a splash, an incipient shower of warmish liquid falling on Alfred's upturned chin. Alfred wiped it off with his hand; fearing it was blood he scanned it closely. He was greatly relieved when he discovered that it was tobacco juice. (Bindley always chewed when acting).

Following the juice came this message: "I can't hold you all day, come up here or I'll come down there."

Alfred made frantic grabs, clutches and wiggles to climb up, only to fall back, more helpless. Hen was making an effort to throw the rope to Alfred. Lin grabbed him. Snatching the rope from him, she shouted: "Clim' the tree, clim' the tree, loose the swing, ye dam fool." Hen had started up the tree. A flood of hot juice rained down on Alfred's upturned chin, flowing into his mouth.

Bindley, with clinched teeth, muttered: "If you get killed it's your own fault, I can't hold you any longer."

Alfred could see old Mrs. Wagner at an upstairs window waving a book at Kenney Shoup urging to the rescue. He could hear voices as if in the distance. He felt a lowering of his body. He felt himself rushing through space. He made an effort to look up, and then all was blank.

He had a numb feeling in his whole body. "Stan' back, stan' back, gin him air, wash thet tobakker juice off his face, hit luks like blud," were the first words he caught. His eyes were wide open.

"Pour water on his head; Lor' don't pour hit down his bosum, you'll ruin Lib's worked waist. Open the gate an' we'll carry him hum an' fetch a doctur, ef thar's no bones broke he may be hurt innerdly."

Alfred raised himself up. He looked up into the faces about him. "Where's Bindley?" were the first words he uttered.

"Oh, I'm all right," Alfred assured him, "we'll do it all right tomorrow, won't we Bindley?"

Bindley nodded his head, doubtfully. Alfred attempted to walk but would have fallen had not helping hands been stretched out, easing him down until he rested on all fours. He commanded all to release him: "Let me alone, I'm all right. Come on home with me, Bindley." Painfully, slowly he started, crawling toward the opened gate, over the spot where he had collected the ammunition that disbanded the torch-light parade; nor did he turn aside for anything. Not unlike a four-footed animal he made his way to the middle of the street. He attempted to arise. Again weakness, or pain, bore him down. Hands that were willing to assist him before he crawled through the cow pasture, were now held aloof.

Lin, as she saw him fall in the dust, said: "Well, ef he ain't a sight on airth. Kum on James Todd, help him hum; an' you boys strip him while I heat a kittle uf water, till we git him so the doctur kin handle him."

Alfred staggered to his feet again, Bindley and Charley Brashear supporting him on either side. Thus, the limping procession slowly moved homeward, the young ones and a few grown-up ones bringing up the rear. These latter were re-telling the story of the accident for the twentieth time, usually concluding with: "Bindley is a fool; he had further to fall than Alfred; he didn't have to fall, he could have just flopped Alfred over and turned him so he would have lit on his feet and let him go. No, dam if he didn't hold on 'til he petered out and down they both come like two bags of salt. Alfred hit full length, it's a wonder it hadn't busted him. Bindley lit sort of half standing, but he got right up and limped a little and it was all over with him, but tother one was knocked colder than a wedge."

Alfred had been feverish, hot. The great amount of water poured over him to revive him had run down his body, and the many pads in the maiden Aunt's garment absorbed the water. Alfred complained of feeling cold.Someone whispered behind him: "That's a bad sign. When that Jones boy got throwed off a horse, nobody thought he wus hurt much but he turned cold just afore he died."

Aaron Todd stood at his gate with a cynical smile spreading over the small expanse of face not hidden by whiskers. He viewed the plight of the boy with evident pleasure. As Alfred, with the assistance of his companions, entered the gate leading to his home, Todd elevated his nose, and turning about as though to enter his house, sneeringly muttered: "Dad-burn him; he got a dose of his own medicine. Ho, ho, ho; chickens comes home to roost, don't they?"

Lin led the way, as she commanded. "Kum on in through the kitchen, it won't du fur ye tu track over the front room carpet."

With bowed head, leaning on his companions, Alfred limped to the kitchen door. Bindley and Charley disrobed him. Placing a big, tin vessel in the middle of the kitchen floor, they soused Alfred into it.

There was not a bath room, private or public, in Brownsville in those days. Wash tubs were used in winter, the creek and river in summer. Once there came an oldish, high-toned lady from Richmond. She lodged with Isaac Vance at the Marshall House. He bought a new carpet and other fine furnishings for her room. It was an unusually warm summer. One day Vance noticed the colored porter carrying a tub to the lady's room: "Yer, yer, where yer goin' with thet tub?" demanded the proprietor of the hotel. "I'se jes carryin' it up tu Mrs. So and So's room," answered the colored man. "What's she goin' to do with thet tub this hot weather" inquired the landlord. "I reckon she's gwine to wash herself; she sed she's gwine to take a bath, I ges dat's washin' herself." "Huh!" snorted Vance, "not in this house in this weather. Ef it wus winter I wouldn't mind it, but I won't have her floppin' aroun' up thar like a dam ole goose, splashin' water all over thet new carpet. Take thet tub back to the cellar, an' you go up an' tell her ef she needs a wash to go to the crik like I do."

Alfred was put to bed. The doctor, after careful examination, declared no bones were broken, there were bad bruises and might be internal injuries. However, it would require several days to fully determine, meanwhile the patient must be kept very quiet.

Lin advised the doctor: "He lit mos' settin'; ef he'd hed a littul further tu fall he'd lit flat on his settin' down attitudes."

A bottle of liniment was ordered, and Alfred rubbed often with the preparation. John Barnhardt and Cousin Charley volunteered to sit up with Alfred the first night. Alfred regained his good humor, laughed and jested over the termination of the trapeze act until all agreed he was in no danger whatever. "Why, he's jes carryin' on same es he allus does; hit nevur fazed him," Lin assured the mother.

However, when the doctor called the following morning and Lin confidentially advised him that the boy was all right and he needn't lay abed another minute, the doctor dissented, insisting that the patient remain quiet, at least another twenty-four hours.

Jim Mann agreed to sit up the next night. The father requested Jim to get someone to sit up with him for company. It was getting late, Lin was dozing, Alfred urging her to go to bed. There was a knock on the door; both felt sure it was Jim. Lin opened the door; there stood Jack Beckley and in about the same condition as the day before.

Lin hesitated to admit him. Jack explained that Jim had invited him to sit up with Alfred. He said: "Jim and Dave Adams had a quarrel and Jim threw a pot of white paint on Adams, covering him from head to foot. Jim don't know whether he will be arrested or not; he does not want to be arrested and locked up at night when he can't give bail, so he sent me to look after Alfred."Lin, when Jack's attention was elsewhere, whispered to Alfred: "Don't close a eye tunite, sleep tumorrer; ye can't tell what a whusky drinkin' man'll du, thar's no dependence in 'em."

Jack was a most attentive nurse, in the early hours of the night at least. He hovered over the bed at the slightest move of the patient. He insisted on using the liniment almost constantly, declaring he would rub all the soreness out of Alfred's bruises before morning. Alfred, half asleep, remembered Jack saying something about looking for more liniment.

Jack left the house ere any of the family arose. Alfred was loud in his praise of Jack's kindness and declared him the best hand in the sick room he had ever seen. The mother was sorry he went off without breakfast. The father said he would hand him a piece of money when he met him.

Alfred insisted that he had entirely recovered; Jack had rubbed all the soreness out of his hurts and he would not lie longer in bed. The father and mother commanded he lie until the doctor assured them danger had passed. The doctor called, and Alfred assured him he was all well and wanted to get up and go to work that very day. The doctor said: "Well, you ought to know how you feel. Have you any soreness in your joints or muscles?"

"No, sir; Jack Beckley rubbed all the soreness out of me last night."

"Turn over, let me see if there is any evidence of bruises." The doctor seemed deeply interested. Alfred could not see his face but he seemed to be critically examining him. He would tap various places on the bruised part of Alfred's anatomy. "Does that hurt? Does that pain you?" would be the question after each tap, to which Alfred would invariably answer: "No, sir; no, sir."

After studying a few moments the doctor passed into another part of the house; he was evidently conferring with the mother. Returning he again took Alfred's temperature, examining the tongue even more carefully than previously. The doctor remarked, as if to himself: "It's curious. Did you sleep; have you no pain?" Again he turned Alfred over and gazed long at the parts of the body supposed to be bruised.

Alfred began to get interested: "What's the matter, Doc; have you found any bones broken?"

"No, no, nothing of that kind. But the bruises; have you no soreness."

Alfred assured him that he had not.

"I will be back in an hour," was the conclusion of the doctor's instructions to Lin.

When Lin entered the room Alfred's first anxious query was: "What's the matter with the doctor, he wants to make you sick whether you are or not. I'm going to get out of this bed this day; I'll not lay here any longer."

Here the mother entered cautioning Alfred to remain entirely quiet. "I'm going over to see grandmother; she is not well. I will bring your father home with me; the doctor will return by that time and we will know what to do for you."

Later Mrs. Wagner came, a good-natured, motherly, old German woman, a near neighbor. Among her neighbors, she was esteemed as one whose knowledge was invaluable in the sick room. She insisted upon examining Alfred's condition. Although he insisted he was all right the old lady was permitted to examine his bruises. She left the room, returning soon with a large, hot poultice, applying it. Alfred grew rapidly worse.

The doctor soon returned. At every pressure of his fingers he found a new sore spot. "Does that hurt?" "Yes, sir," would be the answer from Alfred. Warm teas were administered, cold towels were placed on his head, and hot poultices on other parts of his anatomy. Alfred feebly acknowledged he was feeling very badly.

The father and mother came and with them the grandmother. When alone, the father advised Alfred that his body was a solid mass of bruises, that the flesh had turned black and blue. Alfred heard Lin whisper something about "mortification hed set in an' the doctor feared blood pizen."

The family were at dinner—Alfred had been placed upon a diet of squab broth, none of the flesh, just the broth—Alfred quietly arose and, with the aid of the big looking glass, (mirrors had not been discovered as yet, in Brownsville), and a contortion feat such as he had never attempted previously, he scanned the bruised parts. Lin's worst fears seemed confirmed; all his person reflected in the looking glass was black as ink, as he expressed it.

Good Mrs. Wagner, with the doctor's permission, continued applying the hot poultices. Alfred's misery increased near night when the nurses advised him to calm himself as the bruised blood was rapidly disappearing. Alfred urged the good woman on by declaring the poultices were getting cold, although they had been applied but a moment or so.

Uncle Ned came to sit up. He greatly increased Alfred's nervousness by his attempts at consolation. He showed Alfred the error of his ways, assuring him he might have been killed outright and that his foolish ambitions to become an actor would probably lay him up for weeks, that it would cost his father a lot of money and possibly leave Alfred with his health impaired for a year to come.

Alfred, to get relief, implored the uncle to bring in more poultices. He kept the good uncle so busy his lecture was greatly interrupted.

In answer to the doctor's first question: "How do you feel this morning?" Alfred replied: "Very weak; I had no sleep last night."The doctor examined the patient carefully. "Does that hurt?" "No, sir," answered the sufferer. "Well, you're coming around all right; the blood is circulating and the bruises are much better, your flesh is assuming its natural color."

"Doctor, I think that liniment had something to do with my trouble, don't you? It nearly burned me up and the turpentine in it smelled so I could hardly stand it. I told Jack when he was rubbing me it felt like he was raising blisters."

The doctor interrupted the patient by hastily correcting him as to there being any turpentine in the liniment.

"I know there was, I've worked with turpentine too long not to know the smell of it," persisted Alfred.

Lin also declared the whole house smelled so of turpentine she was compelled to change the bed clothes. "Ye kan't tell what a man thet drinks licker like water mought take intu his hed to rub ontu a body. I wanted tu hist him when he fust kum, but no, Jim Mann sent him an' he mus' stay."

"Where's that bottle of liniment I sent here," demanded the doctor.

Lin opened the closet door and handed out two bottles. One of them contained a few drops of an amber colored fluid. "This is the lotion I prescribed," said the doctor, and he poured a few drops of the liquid in the hollow of his hand. Rubbing his hands briskly he held both palms over his nostrils. Sniffing it he drew his hands back, his eyes watering. "There's no turpentine in that mixture." He held his hands over Lin's nostrils and triumphantly asked if she could detect the odor of turpentine. Lin admitted that it had no scent of turpentine. The doctor held his hands over Alfred's face: "Where's your turpentine? You're a good judge of turpentine and you work in it every day and cannot detect the odor of it from alcohol, wintergreen and chloroform." The doctor laughed as he seldom laughed.

Calling the mother the doctor laughingly poked a great deal of fun at Lin: "I wouldn't want Alfred or Lin to buy turpentine for me." He kept the fun going by reminding Alfred that Jeffries (the father's competitor) was probably correct when he spread the report that the father used benzine in his paint instead of turpentine. This was a center shot at Alfred. The report had been circulated that his father used benzine to mix his paint with. During the war the price of turpentine was almost prohibitive and benzine was used by many painters. It was not a good substitute and it was a common thing for one contractor to injure another by circulating the report that his competitor used benzine.

Raising himself up in bed Alfred stoutly reiterated that it was turpentine he smelled in the liniment.

Lin said: "Durned ef ye kin fool me in the smell uf enything; my snoot nevur lies. I not only smelt hit but ye kud taste hit."

The mother added her observations to Alfred's and Lin's insisting the room smelled as strongly of turpentine as though it had just been painted. "I was compelled to open the windows," she said.

The doctor could not combat the new evidence, it was too direct. "Well, if there was turpentine rubbed on this boy, Jack Beckley brought it here. Have you any turpentine in the house he could have gotten at?"

The mother and Lin both declared there was not a drop of turpentine in the house.

The doctor left with orders to continue the poultices.

Bindley called with his coat pockets full of green apples. Emptying the unmatured fruit on the bed, he cautioned Alfred to eat salt on them and they wouldn't hurt him. Bindley was insulted when the green apples were thrown out by Lin, with the remark: "Huh! He's got enough pizen in his sistum without loadin' him up with worms."

The turpentine story was detailed to the father with the benzine reflection, and he was hot under the collar. He sent Bindley forthwith to locate Jack Beckley and bring him to the house: "But don't say one word to him about what we want him for."

The report had spread that Alfred was in a serious condition. Many were the callers and many the comments on the accident. Mrs. Todd said: "Well, I can't understand why it was that the Livingston boy, who was the higher up and fell the farthest, escaped injury, and Alfred was hurt so badly. They say Livingston could have saved himself the fall. They say he risked his life to save Alfred. I can't just understand how Alfred got hurt so badly; it seems like a visitation of Providence; you know Alfred has been so forward in his devilment with other folks."

Lin flared up as she answered: "An' I kan't fur the life uf me figger out how Bindley fell so much higher down then Alfurd an' didn't break his back. But judgin' by the terbakker juce he spilled on Alfurd afore he fell he mus' dropped his quid an' then fell on hit an' thet broke his fall."

There is no denying the fact that the accident made Bindley the hero and Alfred the goat. Peter Hunt said: "Bindley was prompted by that sense of duty one boy feels toward another. He held Alfred until he could hold no longer, and when strength gave out, he fell with Alfred. It was an act of heroism."

Peter said there were two bodies falling with equal velocity; if one had fallen on top of the other the concussion would not have been great.

Johnny Tunstall said of Alfred: "Huh! The munkey devil; ye kudn't kill him with a hax."

George Fee expressed his sorrow thusly: "It's a great pity they fell; I tole Susan so, for when they wus up in them swings they wus nearer Heavun un they'll ever git again."

Aaron Todd pushed his whiskers over the garden fence, inquiring of Lin as to Alfred's condition: "He's purty badly hurt I fear," he began, and, with a tone that betokened anything but sympathy: "Hurt internally I reckon. He'll hardly pull through ef he hes blood pizening; I never knowed anybody thet hed hit internally thet evur got up again."

"Oh, my!" and Lin pretended to be greatly surprised, "Oh, my, Alfurd's all right. Why he's up an' about. Ef you're goin' out on a torch-lite percession soon ye'll hear from him." Todd's face clouded, pulling his whiskers over the fence into his own yard, muttered: "The luck of sum peepul beats hell."

The doctor and Jack arrived. "What kind of liniment did you apply to Alfred's bruises?" sternly demanded the doctor.

"I dunno," quietly answered Jack, "your liniment I reckon."

"And Thar's the Very Bottle"

"Was there turpentine in the liniment you used?" continued the doctor, not regarding Jack's reply.

"Well I should say; hit nearly burnt my han' off, hit tuk all the skin off twixt the fingers; my han' wus jus' like when I hed the itch. I've been greasin' hit with hog's lard an' elder bark ever since," and Jack pulled his hand out of his pocket and held it up to the doctor's view.The doctor bent over the hand; it was discolored with small blackish spots. "Where did you get the liniment; did you bring it with you?" more sternly demanded the doctor.

"No, sir, I didn't bring hit with me," somewhat impudently answered Jack, "I'm no hopathekary; I got the liniment right thar," pointing to the closet door, "an' thar's the very bottle," continued Jack as he opened the closet door.

Taking the large bottle off the shelf with both hands he passed it to the doctor who shook and uncorked it. As he was in the act of smelling it the father entered the room. Turning toward him the doctor, with his nose still at the neck of the bottle, inquired: "John, where did you get this stuff, this liniment?"

"Liniment?" the father repeated, as he reached for the bottle. "Liniment? Why, doc, that's not liniment. Who said it was? Why, I've been experimenting with that stuff nearly a year. That's not liniment, thet's walnut stain; I can stain anything to resemble walnut. We—"

The remainder of the father's recommendation was lost in the laugh. Alfred kicked the bedclothes over the headboard; the women-folks ran, the doctor did not remain to see Jack remove the mortification from Alfred's body.

When Jack had scrubbed, rinsed and dried the supposedly affected portion of Alfred's anatomy, he assured him the black and blue color had been supplanted by a redness of the skin that was remarkable. "Hit's es red es scarlet," was Jack's comparison.

"Well for Heavens' sake, Jack, keep it quiet or they'll be doctoring me for scarlet fever," cautioned Alfred.

As the doctor walked up the path toward the front gate Lin shouted after him: "Doctur, ye kin tell ole Jeffres thet John uses turpentine in his liniment ef he don't in his paints."


                                                                                                                                                                                                                                                                                                           

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