Footnotes: the Play

Previous

G. and S. omit Officers, and add those roles which are enclosed in brackets.

They add explanations of each character, also changing the order. For Gaoler, S. reads Gaolers.

Baumont—M., f spell Beaumont.

C. & M. add after the list of Dramatis Personae: The Scene, Dijon in Burgundy.

10 As—That (C., M.

12, 16, etc. then—modernized to than throughout by all later eds.

13, end s.d. Gives him his purse (G., S.

19 your—him (G., S.

33 This such—This is such (S.

34 .—? (C., f.

45 summes—sum (C., M.

46 and 47 Dare ... oportunity?—printed as one line in Q.

47, end s.d.: They salute him as they pass by (G., S.

56, after No—, (C., f.

56 ’em—them (G., S.

70 and in that—and, in that, (C., f.

71 where—whereas (C, M.

90 great men—men great (C., f.

92 and 93 And ... suytor?—printed as one line in Q.

103 ’Tis well.—G. & S. assign to Char. and follow with s.d.: Tenders his petition. The change is uncalled for.

103 s.d., after Nouall—G. & S. insert Advocates.

103 and 104 You ... againe.—printed as one line in Q.

104 Offer’t—Offer it (M., f.

110 end s.d. Aside to Cred. (G., S.

114 I pray heare em.—Pray hear them. (G.—I pray hear them. (S.

114 Tis—It is (G.

116 ;—M., f. omit.

123 Armors—Armour (C., M., G.

127 banquerout—here and elsewhere by later eds. always bankrupt.

133 Sir—assigned to Char. by G., who adds s.d.: Tenders his petition.

136 and 137 Yes ... hereby—printed as one line in Q.

137 hereby—whereby (M., G.

139 You are—You’re (C., M.

139, after so.—? (C., M.—! (G., S.

139 s.d.—The exit of Novall is placed earlier, at l.136, by G. & S.

145 G. & S. omit s.d.

149, after this,—s.d.; Beats him (G.—Kicks him (S.

154 and 155 Are ... then—printed as one line in Q.

155, after then.—s.d.: Kicks them (C., f.

157 haue—hear (M.

159 from—omitted by C., f.

162, after Cuckolds—, (C., M—; (G., S.

162 ne’er—never (M.

162 prayd—pray (G.

166 To—T’ (M.

168 forhead—foreheads (G.

171 then—this form retained in C.

171 s.d. Creditor—Creditors (G., S.

195 you are—you’re (C., M.

first s.d., 3 Presidents—Presidents,... three Creditors (G., S.

1 Lordship’s seated. May—lordships seated, may (G., S.

2 and 3 prosperous ... Burgundy.—printed as a line in Q.

7, after resigne—; (M., f.

13 President—precedent (C., f.

13 President they—precedent that they (C., M.

15 we are—we’re (C., M.

35 the—th’ (C., M.

50 And—I (G., S.

51, end —s.d.: To Nov. sen. (G., S.

60 With—Which (C., M., G.

64 taske—tax (M.

66 become—became (M., f.

76 find—finds (G., S.

82 and 83 How ... Court?—printed as one line in Q.

85 and 86 I hope ... Lord——printed as one line in Q.

91, after you —G. & S. insert, sir,

93, after Why —, (C., f.

106 tell you—tell thee (G.

107 I am—I’m (C., M.

115 ere—ever (C., M., G.

125 purpose—purposes (G., S.

145, end —s.d.: Aside to Charalois (G., S.

146 C., f. insert , after counsayle and omit , after it.

180 proud—S. omits.

185 enemies—enemy’s (C., f.

186–’8 Lines in Q. are: In ... prison. " Twas ... prodigall. " He ... Army.

187 frÔ—from (C., f.

189 Sufficent? My Lord,—Sufficient, my Lord? (C., f. G. & S. have lords.

194 They are—They’re (M., f.

195 ’Tis—It is (G., S.

201 right—See Notes; after or —G. inserts wish in brackets, which S. accepts in text.

217 th’ incounter—the incounter (C., f.

217, after cold—, (G., S.—a plausible but unnecessary emendation.

223 not be—be or not (G.—or not be (S.

234 Lords—cords (C., f.

234 a—in (G., S.

234 ’em—them (G., S.

243 n in tongue inverted in Q.

244 u in reuenge inverted in Q.

246 never—ever (C., M.

247 n in answer inverted in Q.

After 255, s.d.: C. & M. substitute Charalois for Charmi; G. & S. insert Charalois before Charmi.

264 and 265 You ... fit—printed as one line in Q.

266 ’tas—’t has (C., M., S.; ’t’as (G.

279 and 280 Am ... request?—printed as one line in Q.

288 and 289 I follow you—Baumont—printed as one line in Q.

290 th’—the (G., S.

295 and 296 Fie ... I?—printed as one line in Q.

296 There is—There’s (G., S.

2 m in iudgement inverted in Q.

13 sits—sit (C., f.

13 and 14 Twenty eight ... old—printed as one line in Q.

18 then’s—than his (M.

25 he—they (C., M., G.

28 their—the (G., S.

28 was—were (G., S.

40 G. & S. insert The at beginning of line.

43, after funerall.—? (G., S.

44 and 45 G. & S. punctuate with . at end of 44 and , at end of 45. The emendation is plausible, even probable, but not warranted by necessity.

45 and 46 G. & S. omit s.d., Recorders Musique,

46 interd—interr’d (M.—enter’d (G., S. See Notes.

After 47, s.d.—G. & S. render: Solemn music. Enter the Funeral Procession. The Coffin borne by four, preceeded by a Priest. Captains, Lieutenants, Ensigns, and Soldiers; Mourners, Scutcheons &c., and very good order. Romont and Charalois, followed by the Gaolers and Officers, with Creditors, meet it.

After 53 G. & S. insert s.d.: To the Bearers, who set down the Coffin.

After 64 G. & S. insert s.d.: To the Soldiers.

75, after What —! (C., f.

93 Would they not so?—Would they so? (C., M., G.—Would they? Not so. (S. See Notes.

94, 95, and 96 Lines in Q.: Wee’ll ... then: " No ... Rogues. " Till ... damn’d. " Damn’d ... ha.

94 ’em—them (G., S.

95 Rogues—rogue (S.

97 weel’d—we would (M., f.

98 Y’are—Ye’re (C., M.—You are (G., S.

100 shee—ye (M., f. The emendation is probably correct.

100, after rogues.—? (G., S.

104 yee, ye’are—you, you’re (C., M., G.

105 2 Cred.—1 Cred. (M., probably misprint.

106 They have—They’ve (C., M.

106 We have—We’ve (C., f.

108 We haue—we’ve (M.

111 rights—right (M.

132 both heere—here both (M.

134 s.d.: Song. Musicke.—i.e. the First Song, on page 145.—introduced here in text by all editors save Gifford and Coleridge.

135 ’em—them (G., S.

137, after were —at inserted by C., f.

137 Saylor—misprint for Iaylor,—emended by C., f.

143 Turnes—Turn (M., f.

6 eene—even (G., S.

12 eene—even (G., S.

17 serue—served (G., S. See Notes.

18 Peepe—pip (M., f.

20 ith’—in the (G., S.

22 em—them G., S.

37 Vd’d—Uds—(M., f.

40 can’t—can it (M., f.

48 ith’—in the (G., S.

49 please—pleases (C., M., G.

55 Ile—I will (G., S.

55 i’th—in the (M., f.

59 your—you (M. (in corrigenda at end of vol.4), f. A correct emendation.

60 loue? the lesse neare you.—love the less near you? (M., f.

63 Humpe—Hum (C., M.; Humph (G., S.

64, after shoulder, —C. & M. insert and.

67 Nou.—C., f. affix Junior throughout.

71 turn’d—trimm’d (G., S. Emend. sug. by M.

78 discipline falne) out—discipline, fallen out (C., f.

81 Lord: Per se, Lord—lord per se, lord! (G., S.

94 ’em—them (G., S.

95 taught—caught (M., f.

98 ’em—them (G., S.

99 i’th—in the (G., S.

100 Quirpo—thus C. & G.; M. & S. read Querpo.

104 skip—See Notes.

105 liue to eate—for liue, G. reads flatters; S reads lie, which is probably right.

112 Mrs.—Must (C., M.

122 i’th—in the (G., S.

125 end—s.d.: Nov. jun. kisses her hand. (G., S.

128 after recant,—s.d.: Kisses her (G,. S.

131 Cant.—i.e. the Second Song, on page 145.—introduced here in text by all editors save Gifford and Coleridge.

144 Th’ art—Thou art (G., S.

153 teares—thus C. & M.;—G. & S. read fears, which seems a fitter word here.

153 s.d.—G. & S. read, Aside and exit.

159 affected—affectedly (S.

159, after you—C., M., & G. insert will.

161 yee—you (C., f.

164 opportunity—opportunely (M., f. The emendation is probably correct.

165 Hum hum—omitted by C., M., & G.

172, after me —C. & M. insert to.

174 bile—boil (C., f. See Notes.

179 breath—breath’d (M., f.

193 graue—brave (M., f.

194 and 195 My Lord ... see,—printed as one line in Q.

198, after issues—M., f. omit ,. A correct emendation.

205 lsoule-esse—misprint for soul-less—corrected by C., f.

211 ’em—them (G., S.

215 friends—friend (M., f.

219 is—it (C., f.

219 s.d., Seruant—Beaumont (G., S.

228 man—Men (C., M.

242 ha’—have (C., f.

250 s.d.: Drawes a Curtayne.—G. & S. add, and discovers a table with money and jewels upon it.

266 not—no (G.

269 s.d.—G. & S. omit loaden with mony.

270 Enfranchist—Enfranchise (C.

270, after him—G. & S. insert to.

277 and 278 Lines in Q.: That ... for. " One ... pleaders. " Honord Rochfort.

279 bushes, cal’d—blushes, scald (C., G., S.—blushes scald (M.

281, end . —, (G., S.

282, before assure—C., M., & G. insert I.

284 s.d. placed by G. & S. before instead of after line.

285, after see—: (M., f.

285 her education,—her education. Beaumelle (C.; & for education Beaumelle (M., these editors taking Beau. in Q. s.d. to be in text!

286 First l in Followes almost invisible in Q.

289 take her—take her, take (G.

296 participate—precipitate (C., f.

301 I—me (C., f.

303 know—its n is broken in the Q.

308, end—G. & S. s.d.: Aside.

309 met—meet (G., S.

310. Beau. This might be either Beaumelle or Beaumont. The Q. generally spells the latter Baumont, but the present speech, none the less, probably belongs to him, and is so assigned by C., f.

315 yet these eares—yet these tears (C.—let these tears (M., f. The latter emendation is correct.

319 —M., f. punctuate: Breath marry breath, and kisses mingle souls.

330 Mistresse—G. & S. insert s.d.: As Beaumelle is going out.

336 1st. Ile—I will (G., S.

346 you haue—you’ve (C., M.

349 ’em—them (G., S.

350 G. & S. omit the third ha.

After 354 G. omits s.d., Hoboyes.

3 spoke—spoken (G., S.

3 and 4 Good ... onely.—printed as one line in Q.

9, end —; (C., f.

13, end . —omitted by M., f.

19, end —. (C., M.—, (G., S. The latter emendation seems preferable.

22, end —: (C., f.

24 old—M. omits.

37 and 38 But ... Bellapert.—printed as one line in Q.

49, after onely——(C., f.

53 and 54 Hows ... woman?—printed as one line in Q.

56, after qu—C., f. insert s.d.: Going.

61 know—now (C., f. A correct emendation.

66, after couch —G. suggests to insert there in brackets,—accepted by S.

74 reuerence to this likening—reference to his liking (M., f. The emendation appears necessary.

88, after to—G. inserts s.d.: They court.

88 Enter Romont and Florimell—Enter Romont and Florimell behind (G., S

88 tis—it is (G., S.

91 but due—but the due (G., S.

99, after opportunity .—? (G., S.

99 and 100 The three speeches composing these two lines are printed in Q. severally in three lines.

101, after Rom.—G. & S. insert s.d.: Comes forward.

111 makes—make (G., S.

116 [thee]—so all later editors. The word in the Q. is illegible,—possibly yee.

117 Thou wouldst—Thou’dst (C., f.

123 on—i.e., one; c.f. line 118. But C. keeps on.

124 and 125 Vse ... other.—printed as one line in Q.

127 for—as (M. in Corrigenda, vol.4, p.379, where are supplied ll. 126–130, which are omitted in his text.

139 is—G. & S. omit. See Notes.

150 and 151 They ... otherwise.—printed as one line in Q.

159 pointed—painted (C., f. See Notes.

172, after And—G. suggests to insert then in brackets; accepted by S.

175 League—Leaguer (M., f.

180 Deceyued—Delivered (C., f.

184 thy—this (C., f. See Notes.

185 twill—it will (G., S.

186 You are—You’re (C., M.

203 that—this (G., S.

204 You haue—You’ve (C., M.

221 so indeed—C. & M. omit so; so—indeed, (G., S.—The Q. reading is preferable.

222 and 223 Women ... world.—printed as one line in Q.

223, after world.—G. & S. s.d.: Aside.

231, after inclin’d—, (C., f.

235 s.d.—in G. & S.: Enter Rochfort, speaking to a servant within.

241 and 242 Your ... me?—printed as one line in Q.

250 s.d.—in G. & S.: Enter Beaumelle and Bellapert, behind.

254 turne—turn’d (M.

259, end .—? (S., probably misprint for !

260 This in my daughter?—S. reads: This is my daughter!

260 and 261. Lines in Q.: This ... her. " Now begin. " The ... distance.

262 Before Beaumelle’s speech G. & S. insert s.d.: Comes forward.

267 Rom. A weak excuse.—G. & S. assign to Beau. with the lines which follow. The change is without warrant and makes no improvement on Q reading.

272, after sport—C. & M. insert s.d.: Aside.

272 Reproue—Reproved (M., f.

278 and 279 Does ... this?—printed as one line in Q.

300 the—his (S.

316 you are—you’re (C., M.

318 s.d.—G. & S. read: Aside to them, and exit.

322 Now the fashion—The fashion now (G., S.

324 Rogues in Q. begins the succeeding line.

328 shall—should (G., S.

334 grown—grow (G., S.

334 and 335 Take ... you.—printed as one line in Q.

335 Gods—Gads (C., M., G.

339 and 340 Will ... disgrace?—printed as one line in Q.

342 I am—I’m (C., f.

350 reflects—reflect (G., S.

352 ’em—them (C., f.

352 beate—bait (M.

354 ,—omitted by C., f.,—a probably correct emendation.

356 detect—defect (C., f.,—a correct emendation.

356 right—rightly (M., f.,—an unnecessary emendation for the sense, but probably correct, as it improves the metre.

357 and 358 —the ()’s are omitted by M., f.

372 a—C. & M. omit.

373 They are—They’re (C., M.

395, end—. (C., f.

396 Ile—I will (G.

398 Hump—Hum (C., f.

403 you—C., f. make obvious correction to your.

405 whatsoeuer—whatsoe’er (M., f.

409, after with . —? (G., S.

410 heare—G. & S. read heard. The final e is blurred in Q., but certainly e, not d.

412 and 413 Why ... possibility—printed as one line in Q.

416 u in your inverted in Q.

417 my—G. & S. omit.

419 Tye—tied (G.

432 ’em—him (M., f. See Notes.

434 yee—you (C., f.

434 eene—even (G., S.

436 ha—have (M., f.

460 my—thy (C., f.—The emendation is probably correct.

461 I administer—I did administer (M., f. The Ms. reading may have been: administer’d.

464 Praecipuce—precipice (C., f.

467 liue—lived (G., S. See Notes.

471 Puffe—Phoh (C., M., G.

473 Bleed—Blood (C., M.

482 this: sir,—this, sir! (C., G., S.—this, sir? (M.

483 Thou art—Thou’rt (C., M.

484 thou art—thou’rt (C., M.

Enter Nouall, etc.—G. & S. introduce the scene with the following variant s.d., also omitting s.d. of lines 5–8 of Q.: Noval junior discovered seated before a looking-glass, with a Barber and Perfumer dressing his hair, while a Tailor adjusts a new suit which he wears. Liladam, Aymer, and a Page attending.

13 Cell—See Notes.

14 will—wit (C., f. The emendation is probably correct.

19, end—G. & S. insert s.d.: Aside, as also after the speeches of Page ending lines, 25, 36, 40, 62, 66, and 70.

26 haire breadth’s—hair’s breadth’s (C., M., G.—hair’s breadth (S.

29 ’em—them (G., S.

30, after Lordship; (C., f.

34 t’ee—t’ye (C., f.

36 ’em—them (G., S.

39 I—Ay (G., S.

41 misters—mistress’s (C., M.—mistress’ (G., S.

48 a—O (C., M.—o’ (G., S.

59 after then—a inserted by C., f.

66 a—the (G.

67 a—o (G., S.

71, after Flatters,—! (G., S.

72 should—shouldst (G., S.

74 forme—form (C., f.

76 shouldst—should (C., f. See Note on l.72.

77 oth’—o’ the (G., S.

80 i’th—in the (G., S.

84 pown’d—pounded (M.

86 w’ee—with you (C., M.—wi’ ye (G., S.

86 not take it well—take it not well (C., M.

88 d’ee—d’ye (C., f.

90 ne’re—never (M., f.

91 and 92 Art ... Surgeon?—printed as one line in Q.

94 Humph—Hum (G., S.

95 ’em—them (G., S.

96 ouer throwne—overflown (M., f. See Notes.

100 Thou’ idst—Thou’ldst (C., f.

102, end .—omitted by C., f.

103 G. makes Trim last word of line 102, and lengthens ’twere to It were.

110 towne talkes—Town-Talk (C., M.

110, after beleeue—G. & S. insert it.

111 you are—you’re C., M.

116 Sent—i.e. Scent; so all later editors.

123 ha’—have (G., S.

125 I am—I’m (C., M.

131 and 132 Farewell ... you.—printed as one line in Q.

133 louing—living (G., S.

137 d’ee—d’ye (C., f.

138 D’ee—D’ye (C., M.—Do you (G., S.

139 In Q., For is last word of line 138.

139 ya’re—you’re (G., S.

145 of—o’ (C., f.

147 arme—aim (M., f.

150, end—G. & S. insert s.d.: Going.

158 ’em—them (G., S.

161 And doore’s—And your door’s (G., S.

162–164 —printed as two lines in Q.: But ... do " Beseach ... circumstance.

163 —this line is omitted in M.

168 Tell you why sir—Tell you? why sir? (C., M.—Tell you! why, sir. G., S.

171. s.d. dag.—dagger (C., M.

174 I am—I’m (C., M.

178 wrongs—wooing (M., f. Perhaps the Ms. reading was wooings.

180 and 181 But ... assurance?—printed as one line in Q.

188, after see ,—omitted by G. & S.

189, end G. & S. insert s.d.: Reading.

194, after So—, (C., M.—! (G., S.

198 blabbers, ruine—blabber’s ruin (M., f. The emendation is plausible, but not absolutely required.

202, s.d. Exit—C., f. place at end of line 200, its obviously correct position, as would undoubtedly Q., but for insufficient margin in the page at this point.

203 G. & S. give s.d.: Enter Bellapert, hastily.

204 Coach—caroch (G., S.

205 D’ee—D’ye (C., M.—Do you (G., S.

211 loue—Jove (C., f.

6 on—omitted by C., M.

9 , following something transferred to follow else by C., f.

31 of it—of’t (G., S.

32 and 33 He ... him.—printed as one line in Q.

33, s.d.—G. & S. read: Enter Aymer, speaking to one within.

45, after ayre.—G. & S. insert s.d.: To the Musicians within.

48 consent—content (C., f—a correct emendation.

48 Y’are—You are (G., S.

48, end—G. & S. insert s.d.: To the Musicians.

Before 49 —S. inserts s.d.: Aside.

After 50, s.d.: Song—i.e. the Cittizens Song of the Courtier, on page 146.—introduced here in text by Cunningham and S.

52, end—C. & M. punctuate with—; G. & S. with ..

54, after thanks—G. & S. insert s.d.: Aside.

58, end—G. & S. insert s.d.: Aside.

62 Pray sing—Pray you sing (G.

s.d. after 62, Song below—Song by Aymer (G., S.; it is the Courtiers Song of the Citizen, page 146.—introduced here in text by Cunningham and S.

63 and 64 Doe ... doubtfull?—printed as one line in Q.

66 they are—they’re (C., f.

67, s.d.—Enter Nouall Iu. Charaloys,—Enter Charalois, with his sword drawn, pursuing Novall junior, etc. (G., S.

68 Vndone foreuer—Undone, undone, forever! (G.—C. & M. give this speech to Bellapert.

74 th’—the (G., S.

82 M., f. omit ,’s after honest and valiant.

86 daring looke—daring. Look (C., f.

89 and 90 No ... flesh—printed as one line in Q.

93 of—its f is almost invisible in Q.

95 haue—its e is almost invisible in Q.

96 :? (G.

96, after shall G. & S. insert s.d.: Exeunt Beaumont and Bellapert, with the body of Nouall; followed by Beaumelle.

97 Y’are—you are (G., S.

97, end G. & S. insert s.d.: Re-enter Beaumont.

3 not—nor (C.

8 .—? (C., f.

4 and 5 Nor ... but— —printed as one line in Q.

6, end—C., f. insert s.d.: Exit Beaumont.

7, end—C., f. insert s.d.: Beaumelle kneels.

8 worthy—worth (G., S.

30 th’—the (G., S.

33 variously emended for defective metre: That you have done but what’s warranted, (C., M.; That you have done but what is warranted, (G.; You have done merely but what’s warranted, (S.

36 of me in—in me of (C., M., S. The emendation is unnecessary.

38 now they—they now (G.

50 thou wert—you were (G., S.

60, after was—; (C., f.

61 Within—Which in (M., f.

77, post—The three s.d.’s are made by C., f. to follow respectively lines 76, 77, and 78.

89 be for—before (C., M.

90 destruction—induction (G., S., following the suggestion of M.

91, s.d.—G. & S. omit phrase with Nouals body. and affix to s.d. with Servants bearing the Body of Novall junior.

92, after seate,—G. & S. insert s.d.: Exeunt Servants.

93 me—the e is obliterated in Q.

93 ?—,(C., f.

96, end—C. & M. insert s.d.: He hoodwinks Rochfort. G. & S. place a similar s.d. at the end of the following line.

101 and 102 It ... iustice—printed as one line in Q.

121, end—G. & S. insert s.d.: Charalois unbinds his eyes.

131 With—Which (M., f.

131, after thy—G. says a monosyllable has been lost here. S. inserts foul. But an acceptable rhythm is secured by the natural stress of the voice, which emphasizes and dwells upon thy, and again stresses kept.

133 owne—one (M., f.

140, after her .—? (C., f.

141 liue no—liue. No (C., M.—liue: no (G., S.

143 on—one (C., f.

147, end—G. & S. insert out, changing first word of l.148 to Of. C. & M. make Off of l.148 conclude 147, and insert From to begin l.148. It is preferable to let the line stand as it is, letting the voice, in reading, dwell and pause upon are.

148 s.d., He kils her. transferred to end of line by C., f.

149 I am. Sure—I am sure (M.—I’m sure (G., S.

154, after nourished. —C., f. inserts s.d.: Dies.

156 and 157 True ... doome—printed as one line in Q.

158 and friend—and a friend (C., f.

175 Flinty- — Flint- (G., S.

175 and 176 Nature ... vertue.—printed as one line in Q.

177, after of—C., f. insert your. But the change is not required by the sense; nor by the metre, if the voice be allowed to dwell on heart.

184 s.d.: Enter Nouall, etc.—G. & S. place after doors in next line.

185, before Force —G. & S. insert s.d.: Within.

190 and 191 Call ... blood.—printed as one line in Q.

Enter, etc. Officers—two Bailiffs. (G., S.

2 T’arrest—To arrest (G., S.

4 for me—for form (M., f.

16 you haue—you’ve (C., M.

22 them—him (C., f. The Q. reading is preferable in every way.

24 so—M. omits.

26 You are—You’re (C., M.

32, after and—G. & S. insert the.

33 are these—or thief (M.—and thief (G., S., which seems slightly the more probable correction.

34 Synonima—synonymous (C., M.

36, end s.d.—C., f. place s.d. after selfe.

39 I will—I’ll (C., m.

47 reueng’d—un-revenged (C., f.,—an obviously correct emendation.

57, end .—, (C., f.

61 ’Tas—It has (M., f.

68 obiect—abject (C., f.

70 and 71 Away ... deadly:—printed as one line in Q.

71, after know—G. & S. insert thee, which secures a smoother metre, but is not warranted.

79 I am—I’m (C., f.

84 sits—M. reads fits, the first letter in Q. not being certainly distinguishable as s or f.

85 cape—cap (C., f.

86 sate.—sat, (C., f.

93 Offi.—1 Bail. (G., S.

97 Hath—Have (M., G.

105 ones—one (C., f.

106 Additions—Addition (C., f.

2 thou thinkst—you think (G., S.

7 new—now (M.

15, after Nouall .—? (G., S.

18 grieue—grieved (M., f., a correct emendation.

23, after haue—C., f. insert , .

23 promis’d—promise (C., f.

26 heires—i.e., of course, hairs;—so modernized by C., f.

33 worrhy—Q. misprint for worthy;—corrected by C., f.

39, after people—C., f. insert ,.

42, after knowing—M., f. insert too.

55, after cause—.—(C., M.—?—(G., S., which is right.

67 I am—I’m (C., M.

68, after man—M. inserts , , and G. & S. ;—.

76, end G. & S. omit , .

77, after But—G. & S. insert , .

80 and 81 You ... cause.—printed as one line in Q.

88 chalenge—challenged (G., S.—a correct emendation.

91 Tygre—tigress (C., M.

104 breed—bread (C., f. The Q. reading is perfectly satisfactory.

117 You haue—You’ve (C., M.

Scaena 3—omitted by G. & S.,—and correctly so, for there is no change in place from the preceding, and the action is uninterrupted.

18, after that—M., f. insert when. See Notes.

30 fain’d— -famed (M., f.

32 —, after neyghbour-hood in Q. is placed after ill by C., f.

35 by—my (C., f.

44, after pray—G. & S. insert you.

47 dis-become—mis-become (C., M.

50 —u in accuser is inverted in Q.

51 or—nor (C., f.

59 motion—motion’s (C., f.

60 —n in confesse is inverted in Q.

68 freed—feed (M., f.

68, end—? (C., f.

73 courtesie—courtesies (C., f. Q. reading is preferable. See Glossary.

77 that—they (S.

88 dowry—dower (G., S.

91 could preserue—could not preserve (C., f. The emendation is clearly required.

137, after truth ,—. (M., f.

138, after begin .—, (G., S.—C. & M. inclose For ... begin in ()’s.

139 n in French is inverted in Q.

150 appou’d—i.e., approu’d; in Q. the r is wanting as above. Later editors correct.

166 more—mere (C., f. See Notes.

168 fall—fail (M.

169 like—omitted by G. & S.

170 signe—signs (S.

180 against—’gainst (G., S.

184 had—omitted by G.

190 bands—bawds (C., f.

190 s.d. Enter Aymer, etc.—Enter Officers with Aymer, etc. (G., S.

190, tooke—ta’en (G.

201 iniurie:—C., f. read injuries, the colon in the Q. being blurred to appear like a broken s.

205, end. —C., f. insert s.d.: Stabs him.

206 I am—I’m (C., M.

207, end—C., f. insert s.d.: Stabs Pontalier. See Notes.

215 after mee.—C., f. insert s.d.: Dies.

215–217 —lines in Q. are: I ... loue " Not ... of.

217 worthy, worthy of—worthy of (C., M.

217, after of.—C., f. insert s.d.: Dies.

217 We are—We’re (C., M.

220 We are—We’re (C., M.

227 As—A (M., misprint.

228 Be set—Or be set (C., M., G.—Be or set (S.

These songs are printed thus in an Appendix at the end of the play in Q., G., and the edition of Hartley Coleridge. The First Song is inserted at its proper point in the text—II, i, after line 134—by C., M., Cunningham, and S.;—so, too, the Second Song, after line 131 of II, ii. The other two songs were omitted in C., and appear in an appendix of vol.4 of M.,—there wrongly assigned (by D.) to the “passage over the stage” which closes Act II. Gifford correctly assigns them to follow respectively IV, ii, 50; and IV, ii, 62;—where they are printed in the text of Cunningham and S.

First Song—A DIRGE (G., S.

Second Song—A SONG BY AYMER (G., S.

A ... Nouall, and Beaumelle.—A ... a Man and a Woman. (C., f.

2–4 —lines in Q.: From ... begat’st. " I dare ... line, " Each word ... hooke,.

7 doest—dost (C., f.

8 Come strangled—Come, strangle (M., f.

(Citizens Song) 3 and 4: If ... state,—printed as one line in Q.

7 seruants—its u is inverted in Q.

(Courtiers Song) 16: Tradesmen—tradesman (M.


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page