THE ALTAR

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It was late in the evening before the other guests had left the Hall, and our four friends sat down together in the library, without fear of interruption, to continue the conversation of the afternoon.

"I should like you to tell me, Mr. Ambrose," said Sir John, "whether you consider that the word altar is properly applied to a table made of wood."

"Oh, most certainly it is. The term is equally applicable, whether the altar be made of wood or stone. No doubt stone was the material first used[148], yet at so early a period as the building of the tabernacle, we read that God commanded Moses to make an altar of wood[149]. In the earliest days of the Christian Church the altars were, probably without exception, made of wood; but afterwards it became the practice to erect them of stone, and from the sixth[150] to the sixteenth century this rule was all but universal."

"How is the change to be accounted for?"

"During the persecutions of the early Christians under the heathen Emperors of Rome, they resorted, as you are aware, to the subterranean catacombs there, as the only places where they could, in comparative safety, hold their religious services. Here the stone altar-tombs of those who had suffered martyrdom offered the most convenient and fitting altars for the celebration of the Holy Eucharist. In after times, when the Church was prosperous and at peace, the remembrance of these altar-tombs not only suggested the material for the Christian altar, but also the custom of erecting it over the relics of saints and martyrs. This custom of building the altar over the bones of martyrs (which is still continued in the Roman Church, but which has for many years ceased to be the practice in our own), is, moreover, supposed to have reference to that mysterious vision in the Revelation of St. John, which you will remember he thus describes: 'When the Lamb had opened the fifth seal, I saw under the altar the souls of them that were slain for the Word of God, and for the testimony which they held[151].'

"The use of stone instead of wood was, no doubt, adopted also for other reasons than the one I have stated. Stone altars were less liable to desecration; they possess, too, a symbolism of their own, representing both the incarnation and entombment of our Blessed Lord[152]. The scriptural symbol of a Rock[153], as representing our Lord, might appear to be more evidently connected with the stone than the wooden altar, but this symbol must always be associated with the idea of altar, of whatever material it is made. The wooden altar, on the other hand, may seem to refer more directly to the institution of the Lord's Supper; and the altar candlesticks have, of course, a peculiar and very manifest appropriateness when the altar is so considered."

"But surely, my friend, the word table seems to be here exactly applicable."

"Yes, so it is; but you must not try to separate things which are inseparable. Every altar is a table, though every table is not an altar. Both terms are correct, but the one must not be supposed to exclude the other; and it would be strange indeed if, having a priest and an oblation[154], the church should be without an altar. The top slab of the altar is the table[155], whether it is made of wood or stone. Where this slab is of stone, it has from early times been considered to represent the stone rolled to the mouth of the sepulchre of our Lord. In the Greek Church the seal that was set on the stone[156] is represented by the consecrated wafer; in the Roman Church this seal is represented by the small square stone let into the centre of the altar table[157]. In the primitive Church there was but one altar in each church, but afterwards it became a custom to erect many others, dedicated to as many saints and martyrs. This was the custom in our own Church—just as it is still in the Roman Church—before Queen Elizabeth ordered all altars to be removed in every church, except the high altar, which is the only one we now retain; and, for my part, I certainly wish for no other. But at the same time all stone altars were ordered to be removed, and then altars of wood were once more placed in almost every church. I am sorry to say the old stone altars were broken up and desecrated. Some few, however, of them escaped[158], and many more have since that time been erected. There are probably hundreds of stone altars to be found in our cathedrals, college chapels, and parish churches, and I don't suppose (though some seem to do so) that people attach more superstitious meaning to them than to the most modern oaken Communion table. But, as I said before, to my mind it is indifferent whether the altar be of wood or stone."

"I should like your opinion about the proper furniture for the altar."

"First, with regard to its covering: the canon directs that the altar shall be covered with 'a carpet of silk, or other decent stuff' on ordinary occasions, and with 'a fair linen cloth' at the time of the celebration of Holy Communion. This order allows considerable liberty as to colour and pattern; but it appears to imply that it should be as rich as the circumstances of each case will allow[159]. Where cloths of more than one colour are used, these five—in accordance with very ancient practice—are commonly employed as specially adapted to the different seasons of the Christian year: white, at Christmas and certain other festivals, as emblematical of purity; red, as representing the blood of martyrs, and at Pentecost, as emblematic of the fiery tongues; green, for general use, as the prevailing colour of nature, and a sort of middle colour between the rest in use; violet and black as colours of mourning."

"But, surely, this variety is unnecessary?"

"Most assuredly. Nevertheless, where they can conveniently be had, they are appropriate, and teach their own lesson. It was not necessary to put a cloth of black on the altar at Droneworth when your father died two years since; and I am doubtful whether Mr. Beeland was quite right in doing so. But surely if you thought it was right for him to do this at the funeral of a mere mortal man, you cannot say that it is wrong to use a black altar-cloth on Good Friday; and, of course, the same argument applies to all the rest. With regard to the custom in some places of covering half the church with black for a month, because some rich man has died in the parish—I say plainly that I regard that as next to impiety and profanation."

"I see the justness of your words. What do you say to cushions on the altar?"

"Say! they ought never to be there. I can imagine nothing more out of place. I have often wondered for what purpose they could originally have been put there. They are certainly not required, nor yet convenient as a rest for the Altar Service Book. It is too shocking to suppose they were intended to enable the priest to rest his arms and head softly on God's altar! I have sometimes fancied I see their origin in an old custom observed in the Roman Church of placing the two lambs, whose wool was used for making the palls[160] with which the Bishop of Rome invests his archbishops with their archiepiscopal authority, on two richly embroidered cushions, one of which was placed on the north, the other on the south side of the altar; but I know not. A desk of brass or oak is convenient to support the office-book, and two candles are ordered to be placed on the altar."

"But, my dear sir, I am told that is a very Romish custom."

"Well, Sir John, and so it is a very Romish custom to say the Lord's Prayer, and it is a very Hindoo custom for a wife to love her husband with a special devotion; but we shall not, for either reason, be disposed to blame either custom. The thing with us, like every thing else, is either right or wrong in itself, independent of the use of any other Church. But it so happens that this is the very reverse to a Romish custom, for these two candles were ordered to be placed on the altar in direct opposition to the custom of the Roman Catholic Church[161]. Nothing can be more expressive, and utterly unobjectionable, than the symbolism of these two candles (of course, it is not necessary that they should be lighted in order to preserve their emblematic meaning), and I should be very sorry to see this simple symbolism broken into by the introduction of more than two lights upon the altar[162]. I have not by any means mentioned all that is required for the service of the altar; I have only spoken of its ordinary furniture. That which is specially required for the Eucharistic services is, doubtless, already provided in your church."

"Before we say good-night," said Mr. Acres, "let me ask you one question indirectly connected with this subject. I notice that many of my neighbours receive the consecrated bread on the palm of the hand, some holding both hands in the form of a cross. I suppose this is in accordance with your instruction: I should like to know the reason for it. Where there are high altar-rails—which I much object to, and which, of course, are altogether unnecessary when the chancel screen is properly arranged, as with us—this custom would be very inconvenient."

"The short rail, north and south, for the use of the aged and infirm, is certainly all that is required. As regards the manner of receiving the sacred element, to which you refer, I certainly have recommended it, and for these reasons: it is much more convenient both for the priest and the communicant; it avoids all danger of any portion of the bread falling on the floor; and it is most in accordance with the rubric, which directs that the minister shall deliver the communion into the hands of the recipients."

"Thank you. I consider your reasons as amply sufficient, and I see no possible objection to the custom."

CHAPTER XXV


THE ORGAN-CHAMBER

"Samuel ministered before the Lord, being a child, girded with a linen ephod."

1 Sam. ii. 18.

"But let my due feet never fail
To walk the studious cloisters pale,
And love the high embowÈd roof,
With antique pillars, massy proof,
And storied windows, richly dight,
Casting a dim religious light.
There let the pealing organ blow,
To the full-voiced quire below,
In service high, and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heaven before mine eyes."
Il Penseroso.
Icklesham Church


                                                                                                                                                                                                                                                                                                           

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