There is a sort of a garden—or rather an estate, of park and fallow and waste—nay, perhaps we may call it a kingdom, albeit a noman’s-land and an everyman’s land—which lies so close to the frontier of our work-a-day world that a step will take us therein. Indeed, some will have it that we are there all the time, that it is the real fourth dimension, and that at any moment—if we did but know the trick—we might find ourselves trotting along its pleasant alleys, without once quitting our arm-chair. Nonsense-Land is one of the names painted up on the board at the frontier-station; and there the custom-house officers are very strict. You may take as much tobacco as you please, any quantity of spirits, and fripperies of every sort, new and old; but all common-sense, all logic, all serious argument, must strictly be declared, and is promptly confiscated. Once safely across the border, it is with no surprise at all that you greet the Lead Soldier strutting somewhat stiffly to meet you, the Dog with eyes as big as mill-wheels following affably at his heel; on the banks of the streams little Johnny-head-in-air is perpetually being hauled out of the water; while the plaintive voice of the Gryphon is borne inland from the margin of the sea.

Most people, at one time or another, have travelled in this delectable country, if only in young and irresponsible days. Certain unfortunates, unequipped by nature for a voyage in such latitudes, have never visited it at all, and assuredly never will. A happy few never quit it entirely at any time. Domiciled in that pleasant atmosphere, they peep into the world of facts but fitfully, at moments; and decline to sacrifice their high privilege of citizenship at any summons to a low conformity.

Of this fortunate band was Eugene Field. He knew the country thoroughly, its highways and its byways alike. Its language was the one he was fondest of talking; and he always refused to emigrate and to settle down anywhere else. As soon as he set himself to narrate the goings-on there, those of us who had been tourists in bygone days, but had lost our return-tickets, pricked up our ears, and listened, and remembered, and knew. The Dinkey-Bird, we recollected at once, had been singing, the day we left, in the amfalula-tree; and there, of course, he must have been singing ever since, only we had forgotten the way to listen. Eugene Field gently reminded us, and the Dinkey-Bird was vocal once more, to be silent never again. Shut-Eye Train had been starting every night with the utmost punctuality; it was we who had long ago lost our way to the booking-office (I really do not know the American for booking-office). Now we can hurry up the platform whenever we please, and hear the doors slam and the whistle toot as we sink back on those first-class cushions! And the Chocolate Cat,—why, of course the cats were all chocolate then! And how pleasantly brittle their tails were, and how swiftly, though culled and sucked each day, they sprouted afresh!

It is an engaging theory, that we are all of us just as well informed as the great philosophers, poets, wits, who are getting all the glory; only unfortunately our memories are not equally good—we forget, we forget so terribly! Those belauded gentlemen, termed by our fathers “makers”—creators, to wit—they are only reminders after all: flappers, Gulliver would have called them. The parched peas in their gaily-painted bladders rattle with reminiscences as they flap us on the ears; and at once we recall what we are rightly abashed beyond measure to have for one instant forgotten. At any rate, it is only when the writer comes along who strikes a new clear note, who does a thing both true and fresh, that we say to ourselves, not only “How I wish I had done that myself!”—but also “And I would have done it, too—if only I had remembered it in time!” Perhaps this is one of the tests of originality.

Of course I am touching upon but one side of Eugene Field the writer. An American of Americans, much of his verse was devoted to the celebration of what we may call the minor joys which go to make social happiness in the life he lived with so frank and rounded a completion—a celebration which appealed to his countrymen no less keenly, that the joys were of a sort which, perhaps from some false sense of what makes fitness in subject, had hitherto lacked their poet—on that side at least. This, of course, was the fault of the poets. And though I spoke just now of minor joys, there are really no such things as minor joys—or minor thrushes and blackbirds. Fortunately this other aspect does not need to be considered here. I say fortunately, because it is not given to a writer to know more than one Land—to know it intimately, that is to say, so as to dare to write about it. This is the Law and the Prophets. Even that most native utterance, which sings of “the clink of the ice in the pitcher that the boy brings up the hall,” appeals to us but faintly, at second-hand. That pitcher does not clink in England.

In this spheral existence all straight lines, sufficiently prolonged, prove to be circles: and a line of thought is no exception. We are back at the point we started from—the consideration of Eugene Field as a citizen; of a sort of a cloud-country, to start with; and later, of a land more elemental. In either capacity we find the same note, of the joy of life. We find the same honest resolve, to accept the rules and to play out the game accordingly; the same conviction, that the game is in itself a good one, well worth the playing. And so, with no misgiving, he takes his America with just the same heartiness as his Nonsense-land.

The little boy who should by rights have been lost in the forest, by the white pebbles he had warily dropped found his way back safely to sunlight and to home; and to keep in touch with earth is at least to ensure progression in temperate and sweet-breathed atmosphere, as well as in a certain zone, and that no narrow one, of appreciation; the appreciation of our fellows, the world over; those who, whatever their hemisphere, daily find themselves pricked by a common sun, with the same stimulus for every cuticle, towards pleasures surprisingly similar.

KENNETH GRAHAME.