The New York woman doteth on rainbow hats and dresses, confectionery, the theater, the opera, and flirtation. She stareth gentlemen in the street out of countenance, in a way that puzzleth a stranger to decide the question of her respectability. The New York woman thinketh it well-bred to criticise in an audible tone the dress and appearance of every chance lady near her, in the street, shop, ferry-boat, car, or omnibus. If doubtful of the material of which her dress is composed, she draweth near, examineth it microscopically, and pronounceth it—“after all—silk.” The New York woman never appeareth without a dress-hat and flounces, though the time be nine o’clock in the morning, and her destination the grocer’s, to order some superfine tea. She delighteth in embroidered petticoats, which she liberally displayeth to curious bipeds of the opposite sex. She turneth up her nose at a delaine, wipeth up the pavement with a thousand-dollar silk, and believeth point-lace collars and handkerchiefs essential to salvation. She scorneth to ride in an omni At the opera, the New York woman taketh the most conspicuous box, spreadeth out her flounces to their fullest circumference, and betrayeth a constant and vulgar consciousness that she is in her go-to-meetin-fixins, by arranging her bracelets and shawl, settling her rings, and fiddling at her coiffure, and the lace kerchief on her neck. She also talketh incessantly during the opera, to show that she is not a novice to be amused by it; and leaveth with much bustle, just before the last act, for the same reason, and also to display her toilette. On Sunday morning, the New York woman taketh all the jewelry she can collect, and in her flashiest silk and bonnet, taketh her velvet-bound, gilt-clasped prayer-book out for an airing. Arrived at Dives’ church, she straightway kneeleth and boweth her head; not, as the uninitiated may suppose, to pray, but privately to arrange her curls; this done, and raising her head, she sayeth, “we beseech thee |