Do you call this a church? Well, I heard a prima-donna here a few nights ago: and bright eyes sparkled, and waving ringlets kept time to moving fans; and opera glasses and ogling, and fashion and folly reigned for the nonce triumphant. I can’t forget it; I can’t get up any devotion here, under these latticed balconies, with their fashionable freight. If it were a good old country church, with a cracked bell and unhewn rafters, a pine pulpit, with the honest sun staring in through the windows, a pitch-pipe in the gallery, and a few hob-nailed rustics scattered round in the uncushioned seats, I should feel all right; but my soul is in fetters here; it won’t soar—its wings are earth-clipped. Things are all too fine! Nobody can come in at that door, whose hat and coat and bonnet are not fashionably cut. The poor man (minus a Sunday suit) might lean on his staff; in the porch, a long while, before he’d dare venture in, to pick up his crumb of the Bread of Life. But, thank God, the unspoken prayer of penitence may wing its way to the Eternal Throne, though our mocking church spires point only with aristocratic fingers to the rich man’s heaven.

—That hymn was beautifully read; there’s poetry in the preacher’s soul. Now he takes his seat by the reading-desk; now he crosses the platform, and offers his hymn-book to a female who has just entered. What right has he to know there is a woman in the house? ’Tisn’t clerical! Let the bonnets find their own hymns.

Well, I take a listening attitude, and try to believe I am in church. I hear a great many original, a great many startling things said. I see the gauntlet thrown at the dear old orthodox sentiments which I nursed in with my mother’s milk, and which (please God) I’ll cling to till I die. I see the polished blade of satire glittering in the air, followed by curious, eager, youthful eyes, which gladly see the searching “Sword of the Spirit” parried. Meaning glances, smothered smiles and approving nods follow the witty clerical sally. The orator pauses to mark the effect, and his face says, That stroke tells! and so it did, for “the Athenians” are not all dead, who “love to see and hear some new thing.” But he has another arrow in his quiver. Now his features soften—his voice is low and thrilling, his imagery beautiful and touching. He speaks of human love; he touches skilfully a chord to which every heart vibrates; and stern manhood is struggling with his tears, ere his smiles are chased away.

Oh, there’s intellect there—there’s poetry there—there’s genius there; but I remember Gethsemane—I forget not Calvary! I know the “rocks were rent,” and the “heavens darkened,” and “the stone rolled away;” and a cold chill strikes to my heart when I hear “Jesus of Nazareth” lightly mentioned.

Oh, what are intellect, and poetry, and genius, when with Jewish voice they cry, “Away with Him!”

With “Mary,” let me “bathe his feet with my tears, and wipe them with the hairs of my head.”

And so, I “went away sorrowful,” that this human preacher, with such great intellectual possessions, should yet “lack the one thing needful.”