CRITICS.

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“Bilious wretches, who abuse you because you write better than they.”

Slander and detraction! Even I, Fanny, know better than that. I never knew an editor to nib his pen with a knife as sharp as his temper, and write a scathing criticism on a book, because the authoress had declined contributing to his paper. I never knew a man who had fitted himself to a promiscuous coat, cut out in merry mood by taper fingers, to seize his porcupine quill, under the agony of too tight a self-inflicted fit, to annihilate the offender. I never saw the bottled-up hatred of years, concentrated in a single venomous paragraph. I never heard of an unsuccessful masculine author, whose books were drugs in the literary market, speak with a sneer of successful literary feminity, and insinuate that it was by accident, not genius, that they hit the popular favor!

By the memory of “seventy-six,” No! Do you suppose a man’s opinions are in the market—to be bought and sold to the highest bidder? Do you suppose he would laud a vapid book, because the fashionable authoress once laved his toadying temples with the baptism of upper-tendom? or, do you suppose he’d lash a poor, but self-reliant wretch, who had presumed to climb to the topmost round of Fame’s ladder, without his royal permission or assistance, and in despite of his repeated attempts to discourage her? No—no—bless your simple soul; a man never stoops to a meanness. There never was a criticism yet, born of envy, or malice, or repulsed love, or disappointed ambition. No—no. Thank the gods, I have a more exalted opinion of masculinity.


                                                                                                                                                                                                                                                                                                           

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