Selina, holding the letter in her hand, imagined.

It was in the third year of Selina’s marriage that she first went into the fields to work. Pervus had protested miserably, though the vegetables were spoiling in the ground.

“Let them rot,” he said. “Better the stuff rots in the ground. DeJong women folks they never worked in the fields. Not even in Holland. Not my mother or my grandmother. It isn’t for women.”

Selina had regained health and vigour after two years of wretchedness. She felt steel-strong and even hopeful again, sure sign of physical well-being. Long before now she had realized that this time must inevitably come. So she answered briskly, “Nonsense, Pervus. Working in the field’s no harder than washing or ironing or scrubbing or standing over a hot stove in August. Women’s work! Housework’s the hardest work in the world. That’s why men won’t do it.”

She would often take the boy Dirk with her into the fields, placing him on a heap of empty sacks in the shade. He invariably crawled off this lowly throne to dig and burrow in the warm black dirt. He even made as though to help his mother, pulling at the rooted things with futile fingers, and sitting back with a bump when a shallow root did unexpectedly yield to his tugging.

“Look! He’s a farmer already,” Pervus would say.

But within Selina something would cry, “No! No!”

During May, June, and July Pervus worked not only from morning until night, but by moonlight as well, and Selina worked with him. Often their sleep was a matter of three hours only, or four.

So two years went—three years—four. In the fourth year of Selina’s marriage she suffered the loss of her one woman friend in all High Prairie. Maartje Pool died in childbirth, as was so often the case in this region where a Gampish midwife acted as obstetrician. The child, too, had not lived. Death had not been kind to Maartje Pool. It had brought neither peace nor youth to her face, as it so often does. Selina, looking down at the strangely still figure that had been so active, so bustling, realized that for the first time in the years she had known her she was seeing Maartje Pool at rest. It seemed incredible that she could lie there, the infant in her arms, while the house was filled with people and there were chairs to be handed, space to be cleared, food to be cooked and served. Sitting there with the other High Prairie women Selina had a hideous feeling that Maartje would suddenly rise up and take things in charge; rub and scratch with capable fingers the spatters of dried mud on Klaas Pool’s black trousers (he had been in the yard to see to the horses); quiet the loud wailing of Geertje and Jozina; pass her gnarled hand over Roelf’s wide-staring tearless eyes; wipe the film of dust from the parlour table that had never known a speck during her rÉgime.

“You can’t run far enough,” Maartje had said. “Except you stop living you can’t run away from life.”

Well, she had run far enough this time.

Roelf was sixteen now, Geertje twelve, Jozina eleven. What would this household do now, Selina wondered, without the woman who had been so faithful a slave to it? Who would keep the pigtails—no longer giggling—in clean ginghams and decent square-toed shoes? Who, when Klaas broke out in rumbling Dutch wrath against what he termed Roelf’s “dumb” ways, would say, “Og, Pool, leave the boy alone once. He does nothing.” Who would keep Klaas himself in order; cook his meals, wash his clothes, iron his shirts, take pride in the great ruddy childlike giant?

Klaas answered these questions just nine months later by marrying the Widow Paarlenberg. High Prairie was rocked with surprise. For months this marriage was the talk of the district. They had gone to Niagara Falls on a wedding trip; Pool’s place was going to have this improvement and that; no, they were going to move to the Widow Paarlenberg’s large farmhouse (they would always call her that); no, Pool was putting in a bathroom with a bathtub and running water; no, they were going to buy the Stikker place between Pool’s and Paarlenberg’s and make one farm of it, the largest in all High Prairie, Low Prairie, or New Haarlem. Well, no fool like an old fool.

So insatiable was High Prairie’s curiosity that every scrap of fresh news was swallowed at a gulp. When the word went round of Roelf’s flight from the farm, no one knew where, it served only as sauce to the great dish of gossip.

Selina had known. Pervus was away at the market when Roelf had knocked at the farmhouse door one night at eight, had turned the knob and entered, as usual. But there was nothing of the usual about his appearance. He wore his best suit—his first suit of store clothes, bought at the time of his mother’s funeral. It never had fitted him; now was grotesquely small for him. He had shot up amazingly in the last eight or nine months. Yet there was nothing of the ridiculous about him as he stood before her now, tall, lean, dark. He put down his cheap yellow suitcase.

“Well, Roelf.”

“I am going away. I couldn’t stay.”

She nodded. “Where?”

“Away. Chicago maybe.” He was terribly moved, so he made his tone casual. “They came home last night. I have got some books that belong to you.” He made as though to open the suitcase.

“No, no! Keep them.”

“Good-bye.”

“Good-bye, Roelf.” She took the boy’s dark head in her two hands and, standing on tiptoe, kissed him. He turned to go. “Wait a minute. Wait a minute.” She had a few dollars—in quarters, dimes, half dollars—perhaps ten dollars in all—hidden away in a canister on the shelf. She reached for it. But when she came back with the box in her hand he was gone.

Dirk was eight; Little Sobig DeJong, in a suit made of bean-sacking sewed together by his mother. A brown blond boy with mosquito bites on his legs and his legs never still. Nothing of the dreamer about this lad. The one-room schoolhouse of Selina’s day had been replaced by a two-story brick structure, very fine, of which High Prairie was vastly proud. The rusty iron stove had been dethroned by a central heater. Dirk went to school from October until June. Pervus protested that this was foolish. The boy could be of great help in the fields from the beginning of April to the first of November, but Selina fought savagely for his schooling, and won.

“Reading and writing and figgering is what a farmer is got to know,” Pervus argued. “The rest is all foolishness. Constantinople is the capital of Turkey he studies last night and uses good oil in the lamp. What good does it do a truck farmer when he knows Constantinople is the capital of Turkey? That don’t help him raise turnips.”

“Sobig isn’t a truck farmer.”

“Well, he will be pretty soon. Time I was fifteen I was running our place.”

Verbally Selina did not combat this. But within her every force was gathering to fight it when the time should come. Her Sobig a truck farmer, a slave to the soil, bent by it, beaten by it, blasted by it, so that he, in time, like the other men of High Prairie, would take on the very look of the rocks and earth among which they toiled!

Dirk, at eight, was a none too handsome child, considering his father and mother—or his father and mother as they had been. He had, though, a “different” look. His eyelashes were too long for a boy. Wasted, Selina said as she touched them with a fond forefinger, when a girl would have been so glad of them. He had developed, too, a slightly aquiline nose, probably a long-jump inheritance from some Cromwellian rapscallion of the English Peakes of a past century. It was not until he was seventeen or eighteen that he was to metamorphose suddenly into a graceful and aristocratic youngster with an indefinable look about him of distinction and actual elegance. It was when Dirk was thirty that Peter Peel the English tailor (of Michigan Avenue north) said he was the only man in Chicago who could wear English clothes without having them look like Halsted Street. Dirk probably appeared a little startled at that, as well he might, west Halsted Street having loomed up so large in his background.

Selina was a farm woman now, nearing thirty. The work rode her as it had ridden Maartje Pool. In the DeJong yard there was always a dado of washing, identical with the one that had greeted Selina’s eye when first she drove into the Pool yard years before. Faded overalls, a shirt, socks, a boy’s drawers grotesquely patched and mended, towels of rough sacking. She, too, rose at four, snatched up shapeless garments, invested herself with them, seized her great coil of fine cloudy hair, twisted it into a utilitarian knob and skewered it with a hairpin from which the varnish had long departed, leaving it a dull gray; thrust her slim feet into shapeless shoes, dabbed her face with cold water, hurried to the kitchen stove. The work was always at her heels, its breath hot on her neck. Baskets of mending piled up, threatened to overwhelm her. Overalls, woollen shirts, drawers, socks. Socks! They lay coiled and twisted in an old market basket. Sometimes as she sat late at night mending them, in and out, in and out, with quick fierce stabs of the needle in her work-scarred hand, they seemed to writhe and squirm and wriggle horribly, like snakes. One of her bad dreams was that in which she saw herself overwhelmed, drowned, swallowed up by a huge welter and boiling of undarned, unmended nightshirts, drawers, socks, aprons, overalls.

Seeing her thus one would have thought that the Selina Peake of the wine-red cashmere, the fun-loving disposition, the high-spirited courage, had departed forever. But these things still persisted. For that matter, even the wine-red cashmere clung to existence. So hopelessly old-fashioned now as to be almost picturesque, it hung in Selina’s closet like a rosy memory. Sometimes when she came upon it in an orgy of cleaning she would pass her rough hands over its soft folds and by that magic process Mrs. Pervus DeJong vanished in a pouf and in her place was the girl Selina Peake perched a-tiptoe on a soap-box in Adam Ooms’s hall while all High Prairie, open-mouthed, looked on as the impecunious Pervus DeJong threw ten hard-earned dollars at her feet. In thrifty moments she had often thought of cutting the wine-red cashmere into rag-rug strips; of dyeing it a sedate brown or black and remodelling it for a much-needed best dress; of fashioning it into shirts for Dirk. But she never did.

It would be gratifying to be able to record that in these eight or nine years Selina had been able to work wonders on the DeJong farm; that the house glittered, the crops thrived richly, the barn housed sleek cattle. But it could not be truthfully said. True, she had achieved some changes, but at the cost of terrific effort. A less indomitable woman would have sunk into apathy years before. The house had a coat of paint—lead-gray, because it was cheapest. There were two horses—the second a broken-down old mare, blind in one eye, that they had picked up for five dollars after it had been turned out to pasture for future sale as horse-carcass. Piet Pon, the mare’s owner who drove a milk route, had hoped to get three dollars for the animal, dead. A month of rest and pasturage restored the mare to usefulness. Selina had made the bargain, and Pervus had scolded her roundly for it. Now he drove the mare to market, saw that she pulled more sturdily than the other horse, but had never retracted. It was no quality of meanness in him. Pervus merely was like that.

But the west sixteen! That had been Selina’s most heroic achievement. Her plan, spoken of to Pervus in the first month of her marriage, had taken years to mature; even now was but a partial triumph. She had even descended to nagging.

“Why don’t we put in asparagus?”

“Asparagus!” considered something of a luxury, and rarely included in the High Prairie truck farmer’s products. “And wait three years for a crop!”

“Yes, but then we’d have it. And a plantation’s good for ten years, once it’s started.”

“Plantation! What is that? An asparagus plantation? Asparagus I’ve always heard of in beds.”

“That’s the old idea. I’ve been reading up on it. The new way is to plant asparagus in rows, the way you would rhubarb or corn. Plant six feet apart, and four acres anyway.”

He was not even sufficiently interested to be amused. “Yeh, four acres where? In the clay land, maybe.” He did laugh then, if the short bitter sound he made could be construed as indicating mirth. “Out of a book.”

“In the clay land,” Selina urged, crisply. “And out of a book. Every farmer in High Prairie raises cabbage, turnips, carrots, beets, beans, onions, and they’re better quality than ours. That west sixteen isn’t bringing you anything, so what difference does it make if I am wrong! Let me put my own money into it, I’ve thought it all out, Pervus. Please. We’ll under-drain the clay soil. Just five or six acres, to start. We’ll manure it heavily—as much as we can afford—and then for two years we’ll plant potatoes there. We’ll put in our asparagus plants the third spring—one-year-old seedlings. I’ll promise to keep it weeded—Dirk and I. He’ll be a big boy by that time.”

“How much manure?”

“Oh, twenty to forty tons to the acre——”

He shook his head in slow Dutch opposition.

“—but if you’ll let me use humus I won’t need that much. Let me try it, Pervus. Let me try.”

In the end she had her way, partly because Pervus was too occupied with his own endless work to oppose her; and partly because he was, in his undemonstrative way, still in love with his vivacious, nimble-witted, high-spirited wife, though to her frantic goadings and proddings he was as phlegmatically oblivious as an elephant to a pin prick. Year in, year out, he maintained his slow-plodding gait, content to do as his father had done before him; content to let the rest of High Prairie pass him on the road. He rarely showed temper. Selina often wished he would. Sometimes, in a sort of hysteria of hopelessness, she would rush at him, ruffle up his thick coarse hair, now beginning to be threaded with gray; shake his great impassive shoulders.

“Pervus! Pervus! if you’d only get mad—real mad! Fly into a rage. Break things! Beat me! Sell the farm! Run away!” She didn’t mean it, of course. It was the vital and constructive force in her resenting his apathy, his acceptance of things as they were.

“What is that for dumb talk?” He would regard her solemnly through a haze of smoke, his pipe making a maddening putt-putt of sleepy content.

Though she worked as hard as any woman in High Prairie, had as little, dressed as badly, he still regarded her as a luxury; an exquisite toy which, in a moment of madness, he had taken for himself. “Little Lina”—tolerantly, fondly. You would have thought that he spoiled her, pampered her. Perhaps he even thought he did.

When she spoke of modern farming, of books on vegetable gardening, he came very near to angry impatience, though his amusement at the idea saved him from it. College agricultural courses he designated as foolishness. Of LinnÆus he had never heard. Burbank was, for him, non-existent, and he thought head-lettuce a silly fad. Selina sometimes talked of raising this last named green as a salad, with marketing value. Everyone knew that regular lettuce was leaf lettuce which you ate with vinegar and a sprinkling of sugar, or with hot bacon and fat sopping its wilted leaves.

He said, too, she spoiled the boy. Back of this may have been a lurking jealousy. “Always the boy; always the boy,” he would mutter when Selina planned for the child; shielded him; took his part (sometimes unjustly). “You will make a softy of him with your always babying.” So from time to time he undertook to harden Dirk. The result was generally disastrous. In one case the process terminated in what was perilously near to tragedy. It was during the midsummer school vacation. Dirk was eight. The woody slopes about High Prairie and the sand hills beyond were covered with the rich blue of huckleberries. They were dead ripe. One shower would spoil them. Geertje and Jozina Pool were going huckleberrying and had consented to take Dirk—a concession, for he was only eight and considered, at their advanced age, a tagger. But the last of the tomatoes on the DeJong place were also ripe and ready for picking. They hung, firm, juicy scarlet globes, prime for the Chicago market. Pervus meant to haul them to town that day. And this was work in which the boy could help. To Dirk’s, “Can I go berrying? The huckleberries are ripe. Geert and Jozina are going,” his father shook a negative head.

“Yes, well tomatoes are ripe, too, and that comes before huckleberries. There’s the whole patch to clean up this afternoon by four.”

Selina looked up, glanced at Pervus’s face, at the boy’s, said nothing. The look said, “He’s a child. Let him go, Pervus.”

Dirk flushed with disappointment. They were at breakfast. It was barely daybreak. He looked down at his plate, his lip quivered, his long lashes lay heavy on his cheeks. Pervus got up, wiped his mouth with the back of his hand. There was a hard day ahead of him. “Time I was your age, Sobig, I would think it was an easy day when all I had to do was pick a tomato patch clean.”

Dirk looked up then, quickly. “If I get it all picked can I go?”

“It’s a day’s job.”

“But if I do pick the patch—if I get through early enough—can I go?”

In his mind’s eye Pervus saw the tomato patch, more scarlet than green, so thick hung the fruit upon the bushes. He smiled. “Yes. You pick them tomatoes and you can go. But no throwing into the baskets and getting ’em all softed up.”

Secretly Selina resolved to help him, but she knew that this could not be until afternoon. The berry patches were fully three miles from the DeJong farm. Dirk would have to finish by three o’clock, at the latest, to get there. Selina had her morning full with the housework.

He was in the patch before six; fell to work, feverishly. He picked, heaped the fruit into hillocks. The scarlet patches glowed, blood-red, in the sun. The child worked like a machine, with an economy of gesture calculated to the fraction of an inch. He picked, stooped, heaped the mounds in the sultry heat of the August morning. The sweat stood out on his forehead, darkened his blond hair, slid down his cheeks that were pink, then red, then tinged with a purplish tone beneath the summer tan. When dinner time came he gulped a dozen alarming mouthfuls and was out again in the broiling noonday glare. Selina left her dinner dishes unwashed on the table to help him, but Pervus intervened. “The boy’s got to do it alone,” he insisted.

“He’ll never do it, Pervus. He’s only eight.”

“Time I was eight——”

He actually had cleared the patch by three. He went to the well and took a huge draught of water; drank two great dippersful, lipping it down thirstily, like a colt. It was cool and delicious beyond belief. Then he sloshed a third and a fourth dipperful over his hot head and neck, took an empty lard pail for berries and was off down the dusty road and across the fields, running fleetly in spite of the quivering heat waves that seemed to dance between fiery heaven and parched earth. Selina stood in the kitchen doorway a moment, watching him. He looked very small and determined.

He found Geertje and Jozina, surfeited with fruit, berry stained and bramble torn, lolling languidly in Kuyper’s woods. He began to pick the plump blue balls but he ate them listlessly, though thriftily, because that was what he had come for and his father was Dutch. When Geertje and Jozina prepared to leave not an hour after he had come he was ready to go, yet curiously loath to move. His lard pail was half filled. He trotted home laboriously through the late afternoon, feeling giddy and sick, with horrid pains in his head. That night he tossed in delirium, begged not to be made lie down, came perilously near to death.

Selina’s heart was an engine pumping terror, hate, agony through her veins. Hate for her husband who had done this to the boy.

“You did it! You did it! He’s a baby and you made him work like a man. If anything happens to him! If anything happens to him!——”

“Well, I didn’t think the kid would go for to do it. I didn’t ask him to pick and then go berrying. He said could he and I said yes. If I had said no it would have been wrong, too, maybe.”

“You’re all alike. Look at Roelf Pool! They tried to make a farmer of him, too. And ruined him.”

“What’s the matter with farming? What’s the matter with a farmer? You said farm work was grand work, once.”

“Oh, I did. It is. It could be. It—— Oh, what’s the use of talking like that now! Look at him! Don’t, Sobig! Don’t, baby. How hot his head is! Listen! Is that Jan with the doctor? No. No, it isn’t. Mustard plasters. Are you sure that’s the right thing?”

It was before the day of the omnipresent farmhouse telephone and the farmhouse Ford. Jan’s trip to High Prairie village for the doctor and back to the farm meant a delay of hours. But within two days the boy was again about, rather pale, but otherwise seeming none the worse for his experience.

That was Pervus. Thrifty, like his kind, but unlike them in shrewdness. Penny wise, pound foolish; a characteristic that brought him his death. September, usually a succession of golden days and hazy opalescent evenings on the Illinois prairie land, was disastrously cold and rainy that year. Pervus’s great frame was racked by rheumatism. He was forty now, and over, still of magnificent physique, so that to see him suffering gave Selina the pangs of pity that one has at sight of the very strong or the very weak in pain. He drove the weary miles to market three times a week, for September was the last big month of the truck farmer’s season. After that only the hardier plants survived the frosts—the cabbages, beets, turnips, carrots, pumpkins, squash. The roads in places were morasses of mud into which the wheels were likely to sink to the hubs. Once stuck you had often to wait for a friendly passing team to haul you out. Pervus would start early, detour for miles in order to avoid the worst places. Jan was too stupid, too old, too inexpert to be trusted with the Haymarket trading. Selina would watch Pervus drive off down the road in the creaking old market wagon, the green stuff protected by canvas, but Pervus wet before ever he climbed into the seat. There never seemed to be enough waterproof canvas for both.

“Pervus, take it off those sacks and put it over your shoulders.”

“That’s them white globe onions. The last of ’em. I can get a fancy price for them but not if they’re all wetted down.”

“Don’t sleep on the wagon to-night, Pervus. Sleep in. Be sure. It saves in the end. You know the last time you were laid up for a week.”

“It’ll clear. Breaking now over there in the west.”

The clouds did break late in the afternoon; the false sun came out hot and bright. Pervus slept out in the Haymarket, for the night was close and humid. At midnight the lake wind sprang up, cold and treacherous, and with it came the rain again. Pervus was drenched by morning, chilled, thoroughly miserable. A hot cup of coffee at four and another at ten when the rush of trading was over stimulated him but little. When he reached home it was mid-afternoon. Beneath the bronze wrought by the wind and sun of many years the gray-white of sickness shone dully, like silver under enamel. Selina put him to bed against his half-hearted protests. Banked him with hot water jars, a hot iron wrapped in flannel at his feet. But later came fever instead of the expected relief of perspiration. Ill though he was he looked more ruddy and hale than most men in health; but suddenly Selina, startled, saw black lines like gashes etched under his eyes, about his mouth, in his cheeks.

In a day when pneumonia was known as lung fever and in a locality that advised closed windows and hot air as a remedy, Pervus’s battle was lost before the doctor’s hooded buggy was seen standing in the yard for long hours through the night. Toward morning the doctor had Jan Steen stable the horse. It was a sultry night, with flashes of heat lightning in the west.

“I should think if you opened the windows,” Selina said to the old High Prairie doctor over and over, emboldened by terror, “it would help him to breathe. He—he’s breathing so—he’s breathing so——” She could not bring herself to say so terribly. The sound of the words wrung her as did the sound of his terrible breathing.

Perhaps the most poignant and touching feature of the days that followed was not the sight of this stricken giant, lying majestic and aloof in his unwonted black; nor of the boy Dirk, mystified but elated, too, with the unaccustomed stir and excitement; nor of the shabby little farm that seemed to shrink and dwindle into further insignificance beneath the sudden publicity turned upon it. No; it was the sight of Selina, widowed, but having no time for decent tears. The farm was there; it must be tended. Illness, death, sorrow—the garden must be tended, the vegetables pulled, hauled to market, sold. Upon the garden depended the boy’s future, and hers.

For the first few days following the funeral one or another of the neighbouring farmers drove the DeJong team to market, aided the blundering Jan in the fields. But each had his hands full with his own farm work. On the fifth day Jan Steen had to take the garden truck to Chicago, though not without many misgivings on Selina’s part, all of which were realized when he returned late next day with half the load still on his wagon and a sum of money representing exactly zero in profits. The wilted left-over vegetables were dumped behind the barn to be used later as fertilizer.

“I didn’t do so good this time,” Jan explained, “on account I didn’t get no right place in the market.”

“You started early enough.”

“Well, they kind of crowded me out, like. They see I was a new hand and time I got the animals stabled and come back they had the wagon crowded out, like.”

Selina was standing in the kitchen doorway, Jan in the yard with the team. She turned her face toward the fields. An observant person (Jan Steen was not one of these) would have noted the singularly determined and clear-cut jaw-line of this drably calicoed farm woman.

“I’ll go myself Monday.”

Jan stared. “Go? Go where, Monday?”

“To market.”

At this seeming pleasantry Jan Steen smiled uncertainly, shrugged his shoulders, and was off to the barn. She was always saying things that didn’t make sense. His horror and unbelief were shared by the rest of High Prairie when on Monday Selina literally took the reins in her own slim work-scarred hands.

“To market!” argued Jan as excitedly as his phlegmatic nature would permit. “A woman she don’t go to market. A woman——”

“This woman does.” Selina had risen at three in the morning. Not only that, she had got Jan up, grumbling. Dirk had joined them in the fields at five. Together the three of them had pulled and bunched a wagon load. “Size them,” Selina ordered, as they started to bunch radishes, beets, turnips, carrots. “And don’t leave them loose like that. Tie them tight at the heads, like this. Twice around with the string, and through. Make bouquets of them, not bunches. And we’re going to scrub them.”

High Prairie washed its vegetables desultorily; sometimes not at all. Higgledy piggledy, large and small, they were bunched and sold as vegetables, not objets d’art. Generally there was a tan crust of good earth coating them which the housewife could scrub off at her own kitchen sink. What else had housewives to do!

Selina, scrubbing the carrots vigorously under the pump, thought they emerged from their unaccustomed bath looking like clustered spears of pure gold. She knew better, though, than to say this in Jan’s hearing. Jan, by now, was sullen with bewilderment. He refused to believe that she actually intended to carry out her plan. A woman—a High Prairie farmer’s wife—driving to market like a man! Alone at night in the market place—or at best in one of the cheap rooming houses! By Sunday somehow, mysteriously, the news had filtered through the district. High Prairie attended the Dutch Reformed church with a question hot on its tongue and Selina did not attend the morning services. A fine state of things, and she a widow of a week! High Prairie called at the DeJong farm on Sunday afternoon and was told that the widow was over in the wet west sixteen, poking about with the boy Dirk at her heels.

The Reverend Dekker appeared late Sunday afternoon on his way to evening service. A dour dominie, the Reverend Dekker, and one whose talents were anachronistic. He would have been invaluable in the days when New York was New Amsterdam. But the second and third generations of High Prairie Dutch were beginning to chafe under his old-world rÉgime. A hard blue eye, had the Reverend Dekker, and a fanatic one.

“What is this talk I hear, Mrs. DeJong, that you are going to the Haymarket with the garden stuff, a woman alone?”

“Dirk goes with me.”

“You don’t know what you are doing, Mrs. DeJong. The Haymarket is no place for a decent woman. As for the boy! There is card-playing, drinking—all manner of wickedness—daughters of Jezebel on the street, going among the wagons.”

“Really!” said Selina. It sounded thrilling, after twelve years on the farm.

“You must not go.”

“The vegetables are rotting in the ground. And Dirk and I must live.”

“Remember the two sparrows. ‘One of them shall not fall on the ground without’—Matthew X-29.”

“I don’t see,” replied Selina, simply, “what good that does the sparrow, once it’s fallen.”

By Monday afternoon the parlour curtains of every High Prairie farmhouse that faced the Halsted road were agitated as though by a brisk wind between the hours of three and five, when the market wagons were to be seen moving toward Chicago. Klaas Pool at dinner that noon had spoken of Selina’s contemplated trip with a mingling of pity and disapproval.

“It ain’t decent a woman should drive to market.”

Mrs. Klaas Pool (they still spoke of her as the Widow Paarlenberg) smiled her slippery crooked smile. “What could you expect! Look how she’s always acted.”

Klaas did not follow this. He was busy with his own train of thought. “It don’t seem hardly possible. Time she come here school teacher I drove her out and she was like a little robin or what, set up on the seat. She says, I remember like yesterday, cabbages was beautiful. I bet she learned different by this time.”

But she hadn’t. So little had Selina learned in these past eleven years that now, having loaded the wagon in the yard she surveyed it with more sparkle in her eye than High Prairie would have approved in a widow of little more than a week. They had picked and bunched only the best of the late crop—the firmest reddest radishes, the roundest juiciest beets; the carrots that tapered a good seven inches from base to tip; kraut cabbages of the drumhead variety that were flawless green balls; firm juicy spears of cucumber; cauliflower (of her own planting; Pervus had opposed it) that looked like a bride’s bouquet. Selina stepped back now and regarded this riot of crimson and green, of white and gold and purple.

“Aren’t they beautiful! Dirk, aren’t they beautiful!”

Dirk, capering in his excitement at the prospect of the trip before him, shook his head impatiently. “What? I don’t see anything beautiful. What’s beautiful?”

Selina flung out her arms. “The—the whole wagon load. The cabbages.”

“I don’t know what you mean,” said Dirk. “Let’s go, Mother. Aren’t we going now? You said as soon as the load was on.”

“Oh, Sobig, you’re just exactly like your——” She stopped.

“Like my what?”

“We’ll go now, son. There’s cold meat for your supper, Jan, and potatoes all sliced for frying and half an apple pie left from noon. Wash your dishes—don’t leave them cluttering around the kitchen. You ought to get in the rest of the squash and pumpkins by evening. Maybe I can sell the lot instead of taking them in by the load. I’ll see a commission man. Take less, if I have to.”

She had dressed the boy in his home-made suit cut down from one of his father’s. He wore a wide-brimmed straw hat which he hated. Selina had made him an overcoat of stout bean-sacking and this she tucked under the wagon seat, together with an old black fascinator, for though the September afternoon was white-hot she knew that the evenings were likely to be chilly, once the sun, a great crimson Chinese balloon, had burned itself out in a blaze of flame across the prairie horizon. Selina herself, in a full-skirted black-stuff dress, mounted the wagon agilely, took up the reins, looked down at the boy seated beside her, clucked to the horses. Jan Steen gave vent to a final outraged bellow.

“Never in my life did I hear of such a thing!”

Selina turned the horses’ heads toward the city. “You’d be surprised, Jan, to know of all the things you’re going to hear of some day that you’ve never heard of before.” Still, when twenty years had passed and the Ford, the phonograph, the radio, and the rural mail delivery had dumped the world at Jan’s plodding feet he liked to tell of that momentous day when Selina DeJong had driven off to market like a man with a wagon load of hand-scrubbed garden truck and the boy Dirk perched beside her on the seat.

If, then, you had been travelling the Halsted road, you would have seen a decrepit wagon, vegetable-laden, driven by a too-thin woman, sallow, bright-eyed, in a shapeless black dress, a battered black felt hat that looked like a man’s old “fedora” and probably was. Her hair was unbecomingly strained away from the face with its high cheek bones, so that unless you were really observant you failed to notice the exquisite little nose or the really fine eyes so unnaturally large now in the anxious face. On the seat beside her you would have seen a farm boy of nine or thereabouts—a brown freckle-faced lad in a comically home-made suit of clothes and a straw hat with a broken and flopping brim which he was forever jerking off only to have it set firmly on again by the woman who seemed to fear the effects of the hot afternoon sun on his close-cropped head. But in the brief intervals when the hat was off you must have noted how the boy’s eyes were shining.

At their feet was the dog Pom, a mongrel whose tail bore no relation to his head, whose ill-assorted legs appeared wholly at variance with his sturdy barrel of a body. He dozed now, for it had been his duty to watch the wagon load at night, while Pervus slept.

A shabby enough little outfit, but magnificent, too. Here was Selina DeJong driving up the Halsted road toward the city instead of sitting, black-robed, in the farm parlour while High Prairie came to condole. In Selina, as they jogged along the hot dusty way, there welled up a feeling very like elation. Conscious of this, the New England strain in her took her to task. “Selina Peake, aren’t you ashamed of yourself! You’re a wicked woman! Feeling almost gay when you ought to be sad. . . . Poor Pervus . . . the farm . . . Dirk . . . and you can feel almost gay! You ought to be ashamed of yourself!”

But she wasn’t, and knew it. For even as she thought this the little wave of elation came flooding over her again. More than ten years ago she had driven with Klaas Pool up that same road for the first time, and in spite of the recent tragedy of her father’s death, her youth, her loneliness, the terrifying thought of the new home to which she was going, a stranger among strangers, she had been conscious of a warm little thrill of elation, of excitement—of adventure! That was it. “The whole thing’s just a grand adventure,” her father, Simeon Peake, had said. And now the sensations of that day were repeating themselves. Now, as then, she was doing what was considered a revolutionary and daring thing; a thing that High Prairie regarded with horror. And now, as then, she took stock. Youth was gone, but she had health, courage; a boy of nine; twenty-five acres of wornout farm land; dwelling and out-houses in a bad state of repair; and a gay adventuresome spirit that was never to die, though it led her into curious places and she often found, at the end, only a trackless waste from which she had to retrace her steps painfully. But always, to her, red and green cabbages were to be jade and burgundy, chrysoprase and porphyry. Life has no weapons against a woman like that.

And the wine-red cashmere. She laughed aloud.

“What are you laughing at, Mom?”

That sobered her. “Oh, nothing, Sobig. I didn’t know I was laughing. I was just thinking about a red dress I had when I first came to High Prairie a girl. I’ve got it yet.”

“What’s that to laugh at?” He was following a yellow-hammer with his eyes.

“Nothing. Mother said it was nothing.”

“Wisht I’d brought my sling-shot.” The yellow-hammer was perched on the fence by the roadside not ten feet away.

“Sobig, you promised me you wouldn’t throw at any more birds, ever.”

“Oh, I wouldn’t hit it. I would just like to aim at it.”

Down the hot dusty country road. She was serious enough now. The cost of the funeral to be paid. The doctor’s bills. Jan’s wage. All the expenses, large and small, of the poor little farm holding. Nothing to laugh at, certainly. The boy was wiser than she.

“There’s Mrs. Pool on her porch, Mom. Rocking.”

There, indeed, was the erstwhile Widow Paarlenberg on her porch, rocking. A pleasant place to be in mid-afternoon of a hot September day. She stared at the creaking farm wagon, vegetable laden; at the boy perched on the high seat; at the sallow shabby woman who was charioteer for the whole crazy outfit. Mrs. Klaas Pool’s pink face creased in a smile. She sat forward in her chair and ceased to rock.

“Where you going this hot day, Mis’ DeJong?”

Selina sat up very straight. “To Bagdad, Mrs. Pool.”

“To—Where’s that? What for?”

“To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.”

Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag—How do you get there?”

Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.”

Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious.

The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really——”

She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? How can you tell! All kind of things can happen. All kinds of people. People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.”

“In the Haymarket! That Pop went to all the time! That is just dumb talk.”

Within Selina something cried out, “Don’t say that, Sobig! Don’t say that!”

On down the road. Here a head at a front room window. There a woman’s calicoed figure standing in the doorway. Mrs. Vander Sijde on the porch, fanning her flushed face with her apron; Cornelia Snip in the yard pretending to tie up the drooping stalks of the golden-glow and eyeing the approaching team with the avid gossip’s gaze. To these Selina waved, bowed, called.

“How d’you do, Mrs. Vander Sijde!”

A prim reply to this salutation. Disapproval writ large on the farm-wife’s flushed face.

“Hello, Cornelia!”

A pretended start, notable for its bad acting. “Oh, is it you, Mrs. DeJong! Sun’s in my eyes. I couldn’t think it was you like that.”

Women’s eyes, hostile, cold, peering.

Five o’clock. Six. The boy climbed over the wheel, filled a tin pail with water at a farmhouse well. They ate and drank as they rode along, for there was no time to lose. Bread and meat and pickles and pie. There were vegetables in the wagon, ripe for eating. There were other varieties that Selina might have cooked at home in preparation for this meal—German celery root boiled tender and soaked in vinegar; red beets, pickled; onions; coleslaw; beans. They would have regarded these with an apathetic eye all too familiar with the sight of them. Selina knew now why the Pools’ table, in her school-teacher days, had been so lacking in the green stuff she had craved. The thought of cooking the spinach which she had planted, weeded, spaded, tended, picked, washed, bunched, filled her with a nausea of distaste such as she might have experienced at the contemplation of cannibalism.

The boy had started out bravely enough in the heat of the day, sitting up very straight beside his mother, calling to the horses, shrieking and waving his arms at chickens that flew squawking across the road. Now he began to droop. Evening was coming on. A cool blanket of air from the lake on the east enveloped them with the suddenness characteristic of the region, and the mist began to drift across the prairie, softening the autumn stubble, cooling the dusty road, misting the parched willows by the roadside, hazing the shabby squat farmhouses.

She brushed away the crumbs, packed the remaining bread and meat thriftily into the basket and covered it with a napkin against the boy’s future hunger should he waken in the night.

“Sleepy, Sobig?”

“No. Should say not.” His lids were heavy. His face and body, relaxed, took on the soft baby contours that come with weariness. The sun was low. Sunset gloried the west in a final flare of orange and crimson. Dusk. The boy drooped against her heavy, sagging. She wrapped the old black fascinator about him. He opened his eyes, tugged at the wrapping about his shoulders. “Don’t want the old thing . . . fas’nator . . . like a girl . . .” drooped again with a sigh and found the soft curve where her side just cushioned his head. In the twilight the dust gleamed white on weeds, and brush, and grass. The far-off mellow sonance of a cowbell. Horses’ hoofs clopping up behind them, a wagon passing in a cloud of dust, a curious backward glance, or a greeting exchanged.

One of the Ooms boys, or Jakob Boomsma. “You’re never going to market, Mis’ DeJong!” staring with china-blue eyes at her load.

“Yes, I am, Mr. Boomsma.”

“That ain’t work for a woman, Mis’ DeJong. You better stay home and let the men folks go.”

Selina’s men folks looked up at her—one with the asking eyes of a child, one with the trusting eyes of a dog. “My men folks are going,” answered Selina. But then, they had always thought her a little queer, so it didn’t matter much.

She urged the horses on, refusing to confess to herself her dread of the destination which they were approaching. Lights now, in the houses along the way, and those houses closer together. She wrapped the reins around the whip, and holding the sleeping boy with one hand reached beneath the seat with the other for the coat of sacking. This she placed around him snugly, folded an empty sack for a pillow, and lifting the boy in her arms laid him gently on the lumpy bed formed by the bags of potatoes piled up just behind the seat in the back of the wagon. So the boy slept. Night had come on.

The figure of the woman drooped a little now as the old wagon creaked on toward Chicago. A very small figure in the black dress and a shawl over her shoulders. She had taken off her old black felt hat. The breeze ruffled her hair that was fine and soft, and it made a little halo about the white face that gleamed almost luminously in the darkness as she turned it up toward the sky.

“I’ll sleep out with Sobig in the wagon. It won’t hurt either of us. It will be warm in town, there in the Haymarket. Twenty-five cents—maybe fifty for the two of us, in the rooming house. Fifty cents just to sleep. It takes hours of work in the fields to make fifty cents.”

She was sleepy now. The night air was deliciously soft and soothing. In her nostrils was the smell of the fields, of grass dew-wet, of damp dust, of cattle; the pungent prick of goldenrod, and occasionally a scented wave that meant wild phlox in a near-by ditch. She sniffed all this gratefully, her mind and body curiously alert to sounds, scents, forms even, in the darkness. She had suffered much in the past week; had eaten and slept but little. Had known terror, bewilderment, agony, shock. Now she was relaxed, receptive, a little light-headed perhaps, what with under-feeding and tears and over-work. The racking process had cleared brain and bowels; had washed her spiritually clean; had quickened her perceptions abnormally. Now she was like a delicate and sensitive electric instrument keyed to receive and register; vibrating to every ether wave.

She drove along in the dark, a dowdy farm woman in shapeless garments; just a bundle on the rickety seat of a decrepit truck wagon. The boy slept on his hard lumpy bed like the little vegetable that he was. The farm lights went out. The houses were blurs in the black. The lights of the city came nearer. She was thinking clearly, if disconnectedly, without bitterness, without reproach.

“My father was wrong. He said that life was a great adventure—a fine show. He said the more things that happen to you the richer you are, even if they’re not pleasant things. That’s living, he said. No matter what happens to you, good or bad, it’s just so much—what was that word he used?—so much—oh, yes—‘velvet.’ Just so much velvet. Well, it isn’t true. He had brains, and charm, and knowledge and he died in a gambling house, shot while looking on at some one else who was to have been killed. . . . Now we’re on the cobblestones. Will Dirk wake up? My little So Big. . . . No, he’s asleep. Asleep on a pile of potato sacks because his mother thought that life was a grand adventure—a fine show—and that you took it as it came. A lie! I’ve taken it as it came and made the best of it. That isn’t the way. You take the best, and make the most of it . . . Thirty-fifth Street, that was. Another hour and a half to reach the Haymarket. . . . I’m not afraid. After all, you just sell your vegetables for what you can get. . . . Well, it’s going to be different with him. I mustn’t call him Sobig any more. He doesn’t like it. Dirk. That’s a fine name. Dirk DeJong. . . . No drifting along for him. I’ll see that he starts with a plan, and follows it. He’ll have every chance. Every chance. Too late for me, now, but he’ll be different. . . . Twenty-second Street . . . Twelfth . . . Look at all the people! . . . I’m enjoying this. No use denying it. I’m enjoying this. Just as I enjoyed driving along with Klaas Pool that evening, years and years ago. Scared, but enjoying it. Perhaps I oughtn’t to be—but that’s hypocritical and sneaking. Why not, if I really do enjoy it! I’ll wake him. . . . Dirk! Dirk, we’re almost there. Look at all the people, and the lights. We’re almost there.”

The boy awoke, raised himself from his bed of sacking, looked about, blinked, sank back again and curled into a ball. “Don’t want to see the lights . . . people . . .”

He was asleep again. Selina guided the horses skilfully through the downtown streets. She looked about with wide ambient eyes. Other wagons passed her. There was a line of them ahead of her. The men looked at her curiously. They called to one another, and jerked a thumb in her direction, but she paid no heed. She decided, though, to have the boy on the seat beside her. They were within two blocks of the Haymarket, on Randolph Street.

“Dirk! Come, now. Come up here with mother.” Grumbling, he climbed to the seat, yawned, smacked his lips, rubbed his knuckles into his eyes.

“What are we here for?”

“So we can sell the garden truck and earn money.”

“What for?”

“To send you to school to learn things.”

“That’s funny. I go to school already.”

“A different school. A big school.”

He was fully awake now, and looking about him interestedly. They turned into the Haymarket. It was a tangle of horses, carts, men. The wagons were streaming in from the German truck farms that lay to the north of Chicago as well as from the Dutch farms that lay to the southwest, whence Selina came. Fruits and vegetables—tons of it—acres of it—piled in the wagons that blocked the historic square. An unarmed army bringing food to feed a great city. Through this little section, and South Water Street that lay to the east, passed all the verdant growing things that fed Chicago’s millions. Something of this came to Selina as she manoeuvred her way through the throng. She felt a little thrill of significance, of achievement. She knew the spot she wanted for her own. Since that first trip to Chicago with Pervus in the early days of her marriage she had made the journey into town perhaps not more than a dozen times, but she had seen, and heard, and remembered. A place near the corner of Des Plaines, not at the curb, but rather in the double line of wagons that extended down the middle of the road. Here the purchasing pedlers and grocers had easy access to the wagons. Here Selina could display her wares to the best advantage. It was just across the way from Chris Spanknoebel’s restaurant, rooming house, and saloon. Chris knew her; had known Pervus for years and his father before him; would be kind to her and the boy in case of need.

Dirk was wide awake now; eager, excited. The lights, the men, the horses, the sound of talk, and laughter, and clinking glasses from the eating houses along the street were bewilderingly strange to his country-bred eyes and ears. He called to the horses; stood up in the wagon; but clung closer to her as they found themselves in the thick of the mÊlÉe.

On the street corners where the lights were brightest there were stands at which men sold chocolate, cigars, collar buttons, suspenders, shoe strings, patent contrivances. It was like a fair. Farther down the men’s faces loomed mysteriously out of the half light. Stolid, sunburned faces now looked dark, terrifying, the whites of the eyes very white, the mustaches very black, their shoulders enormous. Here was a crap game beneath the street light. There stood two girls laughing and chatting with a policeman.

“Here’s a good place, Mother. Here! There’s a dog on that wagon like Pom.”

Pom, hearing his name, stood up, looked into the boy’s face, quivered, wagged a nervous tail, barked sharply. The Haymarket night life was an old story to Pom, but it never failed to stimulate him. Often he had guarded the wagon when Pervus was absent for a short time. He would stand on the seat ready to growl at any one who so much as fingered a radish in Pervus’s absence.

“Down, Pom! Quiet, Pom!” She did not want to attract attention to herself and the boy. It was still early. She had made excellent time. Pervus had often slept in snatches as he drove into town and the horses had lagged, but Selina had urged them on to-night. They had gained a good half hour over the usual time. Halfway down the block Selina espied the place she wanted. From the opposite direction came a truck farmer’s cart obviously making for the same stand. For the first time that night Selina drew the whip out of its socket and clipped sharply her surprised nags. With a start and a shuffle they broke into an awkward lope. Ten seconds too late the German farmer perceived her intention, whipped up his own tired team, arrived at the spot just as Selina, blocking the way, prepared to back into the vacant space.

“Heh, get out of there you——” he roared; then, for the first time, perceived in the dim light of the street that his rival was a woman. He faltered, stared open-mouthed, tried other tactics. “You can’t go in there, missus.”

“Oh, yes, I can.” She backed her team dexterously.

“Yes, we can!” shouted Dirk in an attitude of fierce belligerence.

From the wagons on either side heads were lifted. “Where’s your man?” demanded the defeated driver, glaring.

“Here,” replied Selina; put her hand on Dirk’s head.

The other, preparing to drive on, received this with incredulity. He assumed the existence of a husband in the neighbourhood—at Chris Spanknoebel’s probably, or talking prices with a friend at another wagon when he should be here attending to his own. In the absence of this, her natural protector, he relieved his disgruntled feelings as he gathered up the reins. “Woman ain’t got no business here in Haymarket, anyway. Better you’re home night time in your kitchen where you belong.”

This admonition, so glibly mouthed by so many people in the past few days, now was uttered once too often. Selina’s nerves snapped. A surprised German truck farmer found himself being harangued from the driver’s seat of a vegetable wagon by an irate and fluent woman in a mashed black hat.

“Don’t talk to me like that, you great stupid! What good does it do a woman to stay home in her kitchen if she’s going to starve there, and her boy with her! Staying home in my kitchen won’t earn me any money. I’m here to sell the vegetables I helped raise and I’m going to do it. Get out of my way, you. Go along about your business or I’ll report you to Mike, the street policeman.”

Now she clambered over the wagon wheel to unhitch the tired horses. It is impossible to tell what interpretation the dumfounded north-sider put upon her movements. Certainly he had nothing to fear from this small gaunt creature with the blazing eyes. Nevertheless as he gathered up his reins terror was writ large on his rubicund face.

“Teufel! What a woman!” Was off in a clatter of wheels and hoofs on the cobblestones.

Selina unharnessed swiftly. “You stay here, Dirk, with Pom. Mother’ll be back in a minute.” She marched down the street driving the horses to the barns where, for twenty-five cents, the animals were to be housed in more comfort than their owner. She returned to find Dirk deep in conversation with two young women in red shirtwaists, plaid skirts that swept the ground, and sailor hats tipped at a saucy angle over pyramidal pompadours.

“I can’t make any sense out of it, can you, Elsie? Sounds like Dirt to me, but nobody’s going to name a kid that, are they? Stands to reason.”

“Oh, come on. Your name’ll be mud first thing you know. Here it’s after nine already and not a——” she turned and saw Selina’s white face.

“There’s my mother,” said Dirk, triumphantly, pointing. The three women looked at each other. Two saw the pathetic hat and the dowdy clothes, and knew. One saw the red shirtwaists and the loose red lips, and knew.

“We was just talking to the kid,” said the girl who had been puzzled by Dirk’s name. Her tone was defensive. “Just asking him his name, and like that.”

“His name is Dirk,” said Selina, mildly. “It’s a Dutch name—Holland, you know. We’re from out High Prairie way, south. Dirk DeJong. I’m Mrs. DeJong.”

“Yeh?” said the other girl. “I’m Elsie. Elsie from Chelsea, that’s me. Come on, Mabel. Stand gabbin’ all night.” She was blonde and shrill. The other was older, dark-haired. There was about her a paradoxical wholesomeness.

Mabel, the older one, looked at Selina sharply. From the next wagon came loud snores issuing from beneath the seat. From down the line where a lantern swung from the tailboard of a cart came the rattle of dice. “What you doing down here, anyway?”

“I’m here to sell my stuff to-morrow morning. Vegetables. From the farm.”

Mabel looked around. Hers was not a quick mind. “Where’s your man?”

“My husband died a week ago.” Selina was making up their bed for the night. From beneath the seat she took a sack of hay, tight-packed, shook out its contents, spread them evenly on the floor of the wagon, at the front, first having unhinged the seat and clapped it against the wagon side as a headboard. Over the hay she spread empty sacking. She shook out her shawl, which would serve as cover. The girl Mabel beheld these preparations. Her dull eyes showed a gleam of interest which deepened to horror.

“Say, you ain’t never going to sleep out here, are you? You and the kid. Like that!”

“Yes.”

“Well, for——” She stared, turned to go, came back. From her belt that dipped so stylishly in the front hung an arsenal of jangling metal articles—purse, pencil, mirror, comb—a chatelaine, they called it. She opened the purse now and took from it a silver dollar. This she tendered Selina, almost roughly. “Here. Get the kid a decent roost for the night. You and the kid, see.”

Selina stared at the shining round dollar; at Mabel’s face. The quick sting of tears came to her eyes. She shook her head, smiled. “We don’t mind sleeping out here. Thank you just the same—Mabel.”

The girl put her dollar plumply back into her purse. “Well, takes all kinds, I always say. I thought I had a bum deal but, say, alongside of what you got I ain’t got it so worse. Place to sleep in, anyways, even if it is—well, good-night. Listen to that Elsie, hollering for me. I’m comin’! Shut up!”

You heard the two on their way up the street, arm in arm, laughing.

“Come Dirk.”

“Are we going to sleep here!” He was delighted.

“Right here, all snug in the hay, like campers.”

The boy lay down, wriggling, laughing. “Like gypsies. Ain’t it, Mom?”

“ ‘Isn’t it,’ Dirk—not ‘ain’t it’.” The school teacher.

She lay down beside him. The boy seemed terribly wide awake. “I liked the Mabel one best, didn’t you? She was the nicest, h’m?”

“Oh, much the nicest,” said Selina, and put one arm around him and drew him to her, close. And suddenly he was asleep, deeply. The street became quieter. The talking and laughter ceased. The lights were dim at Chris Spanknoebel’s. Now and then the clatter of wheels and horses’ hoofs proclaimed a late comer seeking a place, but the sound was not near by, for this block and those to east and west were filled by now. These men had been up at four that morning, must be up before four the next.

The night was cool, but not cold. Overhead you saw the wide strip of sky between the brick buildings on either side of the street. Two men came along singing. “Shut up!” growled a voice from a wagon along the curb. The singers subsided. It must be ten o’clock and after, Selina thought. She had with her Pervus’s nickel watch, but it was too dark to see its face, and she did not want to risk a match. Measured footsteps that passed and repassed at regular intervals. The night policeman.

She lay looking up at the sky. There were no tears in her eyes. She was past tears. She thought, “Here I am, Selina Peake, sleeping in a wagon, in the straw, like a bitch with my puppy snuggled beside me. I was going to be like Jo in Louisa Alcott’s book. On my feet are boots and on my body a dyed dress. How terribly long it is going to be until morning . . . I must try to sleep. . . . I must try to sleep . . .”

She did sleep, miraculously. The September stars twinkled brightly down on them. As she lay there, the child in her arms, asleep, peace came to the haggard face, relaxed the tired limbs. Much like another woman who had lain in the straw with her child in her arms almost two thousand years before.

It would be enchanting to be able to record that Selina, next day, had phenomenal success, disposing of her carefully bunched wares to great advantage, driving smartly off up Halsted Street toward High Prairie with a goodly profit jingling in her scuffed leather purse. The truth is that she had a day so devastating, so catastrophic, as would have discouraged most men and certainly any woman less desperate and determined.

She had awakened, not to daylight, but to the three o’clock blackness. The street was already astir. Selina brushed her skirt to rid it of the clinging hay, tidied herself as best she could. Leaving Dirk still asleep, she called Pom from beneath the wagon to act as sentinel at the dashboard, and crossed the street to Chris Spanknoebel’s. She knew Chris, and he her. He would let her wash at the faucet at the rear of the eating house. She would buy hot coffee for herself and Dirk to warm and revivify them. They would eat the sandwiches left from the night before.

Chris himself, a pot-paunched Austrian, blond, benevolent, was standing behind his bar, wiping the slab with a large moist cloth. With the other hand he swept the surface with a rubber-tipped board about the size of a shingle. This contrivance gathered up such beads of moisture as might be left by the cloth. Two sweeps of it rendered the counter dry and shining. Later Chris allowed Dirk to wield this rubber-tipped contrivance—a most satisfactory thing to do, leaving one with a feeling of perfect achievement.

Spanknoebel seemed never to sleep, yet his colour was ruddy, his blue eyes clear. The last truckster coming in at night for a beer or a cup of coffee and a sandwich was greeted by Chris, white-aproned, pink-cheeked, wide awake, swabbing the bar’s shining surface with the thirsty cloth, swishing it with the sly rubber-tipped board. “Well, how goes it all the while?” said Chris. The earliest morning trader found Chris in a fresh white apron crackling with starch and ironing. He would swab the bar with a gesture of welcome, of greeting. “Well, how goes it all the while?”

As Selina entered the long room now there was something heartening, reassuring about Chris’s clean white apron, his ruddy colour, the very sweep of his shirt-sleeved arm as it encompassed the bar-slab. From the kitchen at the rear came the sounds of sizzling and frying, and the gracious scent of coffee and of frying pork and potatoes. Already the market men were seated at the tables eating huge and hurried breakfasts: hunks of ham; eggs in pairs; potatoes cut in great cubes; cups of steaming coffee and chunks of bread that they plastered liberally with butter.

Selina approached Chris. His round face loomed out through the smoke like the sun in a fog. “Well, how goes it all the while?” Then he recognized her. “Um Gottes!—why, it’s Mis’ DeJong!” He wiped his great hand on a convenient towel, extended it in sympathy to the widow. “I heerd,” he said, “I heerd.” His inarticulateness made his words doubly effective.

“I’ve come in with the load, Mr. Spanknoebel. The boy and I. He’s still asleep in the wagon. May I bring him over here to clean him up a little before breakfast?”

“Sure! Sure!” A sudden suspicion struck him. “You ain’t slept in the wagon, Mis’ DeJong! Um Gottes!——”

“Yes. It wasn’t bad. The boy slept the night through. I slept, too, quite a little.”

“Why you didn’t come here! Why——” At the look in Selina’s face he knew then. “For nothing you and the boy could sleep here.”

“I knew that! That’s why.”

“Don’t talk dumb, Mrs. DeJong. Half the time the rooms is vacant. You and the boy chust as well—twenty cents, then, and pay me when you got it. But any way you don’t come in reg’lar with the load, do you? That ain’t for womans.”

“There’s no one to do it for me, except Jan. And he’s worse than nobody. Just through September and October. After that, maybe——” Her voice trailed off. It is hard to be hopeful at three in the morning, before breakfast.

She went to the little wash room at the rear, felt better immediately she had washed vigorously, combed her hair. She returned to the wagon to find a panic-stricken Dirk sure of nothing but that he had been deserted by his mother. Fifteen minutes later the two were seated at a table on which was spread what Chris Spanknoebel considered an adequate breakfast. A heartening enough beginning for the day, and a deceptive.

The Haymarket buyers did not want to purchase its vegetables from Selina DeJong. It wasn’t used to buying of women, but to selling to them. Pedlers and small grocers swarmed in at four—Greeks, Italians, Jews. They bought shrewdly, craftily, often dishonestly. They sold their wares to the housewives. Their tricks were many. They would change a box of tomatoes while your back was turned; filch a head of cauliflower. There was little system or organization.

Take Luigi. Luigi peddled on the north side. He called his wares through the alleys and side streets of Chicago, adding his raucous voice to the din of an inchoate city. A swarthy face had Luigi, a swift brilliant smile, a crafty eye. The Haymarket called him Loogy. When prices did not please Luigi he pretended not to understand. Then the Haymarket would yell, undeceived, “Heh, Loogy, what de mattah! Spika da Engleesh!” They knew him.

Selina had taken the covers off her vegetables. They were revealed crisp, fresh, colourful. But Selina knew they must be sold now, quickly. When the leaves began to wilt, when the edges of the cauliflower heads curled ever so slightly, turned brown and limp, their value decreased by half, even though the heads themselves remained white and firm.

Down the street came the buyers—little black-eyed swarthy men; plump, shirt-sleeved, greasy men; shrewd, tobacco-chewing men in overalls. Stolid red Dutch faces, sunburned. Lean dark foreign faces. Shouting, clatter, turmoil.

“Heh! Get your horse outta here! What the hell!”

“How much for the whole barrel?”

“Got any beans? No, don’t want no cauliflower. Beans!”

“Tough!”

“Well, keep ’em. I don’t want ’em.”

“Quarter for the sack.”

“G’wan, them ain’t five-pound heads. Bet they don’t come four pounds to the head.”

“Who says they don’t!”

“Gimme five bushels them.”

Food for Chicago’s millions. In and out of the wagons. Under horses’ hoofs. Bare-footed children, baskets on their arms, snatching bits of fallen vegetables from the cobbles. Gutter Annie, a shawl pinned across her pendulous breasts, scavengering a potato there, an onion fallen to the street, scraps of fruit and green stuff in the ditch. Big Kate buying carrots, parsley, turnips, beets, all slightly wilted and cheap, which she would tie into bunches with her bit of string and sell to the real grocers for soup greens.

The day broke warm. The sun rose red. It would be a humid September day such as frequently came in the autumn to this lake region. Garden stuff would have to move quickly this morning. Afternoon would find it worthless.

Selina stationed herself by her wagon. She saw the familiar faces of a half dozen or more High Prairie neighbours. These called to her, or came over briefly to her wagon, eyeing her wares with a calculating glance. “How you making out, Mis’ DeJong? Well, you got a good load there. Move it along quick this morning. It’s going to be hot I betcha.” Their tone was kindly, but disapproving, too. Their look said, “No place for a woman. No place for a woman.”

The pedlers looked at her bunched bouquets, glanced at her, passed her by. It was not unkindness that prompted them, but a certain shyness, a fear of the unaccustomed. They saw her pale fine face with its great sombre eyes; the slight figure in the decent black dress; the slim brown hands clasped so anxiously together. Her wares were tempting but they passed her by with the instinct that the ignorant have against that which is unusual.

By nine o’clock trading began to fall off. In a panic Selina realized that the sales she had made amounted to little more than two dollars. If she stayed there until noon she might double that, but no more. In desperation she harnessed the horses, threaded her way out of the swarming street, and made for South Water Street farther east. Here were the commission houses. The district was jammed with laden carts and wagons exactly as the Haymarket had been, but trading was done on a different scale. She knew that Pervus had sometimes left his entire load with an established dealer here, to be sold on commission. She remembered the name—Talcott—though she did not know the exact location.

“Where we going now, Mom?” The boy had been almost incredibly patient and good. He had accepted his bewildering new surroundings with the adaptability of childhood. He had revelled richly in Chris Spanknoebel’s generous breakfast. He had thought the four dusty artificial palms that graced Chris’s back room luxuriantly tropical. He had been fascinated by the kitchen with its long glowing range, its great tables for slicing, paring, cutting. He liked the ruddy cheer of it, the bustle, the mouth-watering smells. At the wagon he had stood sturdily next his mother, had busied himself vastly assisting her in her few pitiful sales; had plucked wilted leaves, brought forward the freshest and crispest vegetables. But now she saw that he was drooping a little as were her wares, with the heat and the absence from accustomed soil. “Where we going now, Mom?”

“To another street, Sobig——”

“Dirk!”

“—Dirk, where there’s a man who’ll buy all our stuff at once—maybe. Won’t that be fine! Then we’ll go home. You help mother find his name over the store. Talcott—T-a-l-c-o-double t.”

South Water Street was changing with the city’s growth. Yankee names they used to be—Flint—Keen—Rusk—Lane. Now you saw Cuneo—Meleges—Garibaldi—Campagna. There it was: William Talcott. Fruits and Vegetables.

William Talcott, standing in the cool doorway of his great deep shed-like store, was the antithesis of the feverish crowded street which he so calmly surveyed. He had dealt for forty years in provender. His was the unruffled demeanour of a man who knows the world must have what he has to sell. Every week-day morning at six his dim shaded cavern of a store was packed with sacks, crates, boxes, barrels from which peeped ruffles and sprigs of green; flashes of scarlet, plum-colour, orange. He bought the best only; sold at high prices. He had known Pervus, and Pervus’s father before him, and had adjudged them honest, admirable men. But of their garden truck he had small opinion. The Great Lakes boats brought him choice Michigan peaches and grapes; refrigerator cars brought him the products of California’s soil in a day when out-of-season food was a rare luxury. He wore neat pepper-and-salt pants and vest; shirt sleeves a startling white in that blue-shirted overalled world; a massive gold watch chain spanning his middle; square-toed boots; a straw fedora set well back; a pretty good cigar, unlighted, in his mouth. Shrewd blue eyes he had; sparse hair much the colour of his suit. Like a lean laconic god he stood in his doorway niche while toilers offered for his inspection the fruits of the earth.

“Nope. Can’t use that lot, Jake. Runty. H’m. Wa-a-al, guess you’d better take them farther up the street, Tunis. Edges look kind of brown. Wilty.”

Stewards from the best Chicago hotels of that day—the Sherman House, the Auditorium, the Palmer House, the Wellington, the Stratford—came to Will Talcott for their daily supplies. The grocers who catered to the well-to-do north-side families and those in the neighbourhood of fashionable Prairie Avenue on the south bought of him.

Now, in his doorway, he eyed the spare little figure that appeared before him all in rusty black, with its strained anxious face, its great deep-sunk eyes.

“DeJong, eh? Sorry to hear about your loss, ma’am. Pervus was a fine lad. No great shakes at truck farming, though. His widow, h’m? Hm.” Here, he saw, was no dull-witted farm woman; no stolid Dutch woman truckster. He went out to her wagon, tweaked the boy’s brown cheek. “Wa-al now, Mis’ DeJong, you got a right smart lot of garden stuff here and it looks pretty good. Yessir, pretty good. But you’re too late. Ten, pret’ near.”

“Oh, no!” cried Selina. “Oh, no! Not too late!” And at the agony in her voice he looked at her sharply.

“Tell you what, mebbe I can move half of ’em along for you. But stuff don’t keep this weather. Turns wilty and my trade won’t touch it . . . First trip in?”

She wiped her face that was damp and yet cold to the touch. “First—trip in.” Suddenly she was finding it absurdly hard to breathe.

He called from the sidewalk to the men within: “George! Ben! Hustle this stuff in. Half of it. The best. Send you check to-morrow, Mis’ DeJong. Picked a bad day, didn’t you, for your first day?”

“Hot, you mean?”

“Wa-al, hot, yes. But I mean a holiday like this pedlers mostly ain’t buying.”

“Holiday?”

“You knew it was a Jew holiday, didn’t you? Didn’t!—Wa-al, my sakes! Worst day in the year. Jew pedlers all at church to-day and all the others not pedlers bought in Saturday for two days. Chicken men down the street got empty coops and will have till to-morrow. Yessir. Biggest chicken eaters, Jews are, in the world . . . Hm . . . Better just drive along home and just dump the rest that stuff, my good woman.”

One hand on the seat she prepared to climb up again—did step to the hub. You saw her shabby, absurd side-boots that were so much too big for the slim little feet. “If you’re just buying my stuff because you’re sorry for me——” The Peake pride.

“Don’t do business that way. Can’t afford to, ma’am. My da’ter she’s studying to be a singer. In Italy now, Car’line is, and costs like all get-out. Takes all the money I can scrape together, just about.”

There was a little colour in Selina’s face now. “Italy! Oh, Mr. Talcott!” You’d have thought she had seen it, from her face. She began to thank him, gravely.

“Now, that’s all right, Mis’ DeJong. I notice your stuff’s bunched kind of extry, and all of a size. Fixin’ to do that way right along?”

“Yes. I thought—they looked prettier that way—of course vegetables aren’t supposed to look pretty, I expect——” she stammered, stopped.

“You fix ’em pretty like that and bring ’em in to me first thing, or send ’em. My trade, they like their stuff kind of special. Yessir.”

As she gathered up the reins he stood again in his doorway, cool, remote, his unlighted cigar in his mouth, while hand-trucks rattled past him, barrels and boxes thumped to the sidewalk in front of him, wheels and hoofs and shouts made a great clamour all about him.

“We going home now?” demanded Dirk. “We going home now? I’m hungry.”

“Yes, lamb.” Two dollars in her pocket. All yesterday’s grim toil, and all to-day’s, and months of labour behind those two days. Two dollars in the pocket of her black calico petticoat. “We’ll get something to eat when we drive out a ways. Some milk and bread and cheese.”

The sun was very hot. She took the boy’s hat off, passed her tender work-calloused hand over the damp hair that clung to his forehead. “It’s been fun, hasn’t it?” she said. “Like an adventure. Look at all the kind people we’ve met. Mr. Spanknoebel, and Mr. Talcott——”

“And Mabel.”

Startled, “And Mabel.”

She wanted suddenly to kiss him, knew he would hate it with all the boy and all the Holland Dutch in him, and did not.

She made up her mind to drive east and then south. Pervus had sometimes achieved a late sale to outlying grocers. Jan’s face if she came home with half the load still on the wagon! And what of the unpaid bills? She had, perhaps, thirty dollars, all told. She owed four hundred. More than that. There were seedlings that Pervus had bought in April to be paid for at the end of the growing season, in the fall. And now fall was here.

Fear shook her. She told herself she was tired, nervous. That terrible week. And now this. The heat. Soon they’d be home, she and Dirk. How cool and quiet the house would seem. The squares of the kitchen tablecloth. Her own neat bedroom with the black walnut bed and dresser. The sofa in the parlour with the ruffled calico cover. The old chair on the porch with the cane seat sagging where warp and woof had become loosened with much use and stuck out in ragged tufts. It seemed years since she had seen all this. The comfort of it, the peace of it. Safe, desirable, suddenly dear. No work for a woman, this. Well, perhaps they were right.

Down Wabash Avenue, with the L trains thundering overhead and her horses, frightened and uneasy with the unaccustomed roar and clangour of traffic, stepping high and swerving stiffly, grotesque and angular in their movements. A dowdy farm woman and a sunburned boy in a rickety vegetable wagon absurdly out of place in this canyon of cobblestones, shops, street-cars, drays, carriages, bicycles, pedestrians. It was terribly hot.

The boy’s eyes popped with excitement and bewilderment.

“Pretty soon,” Selina said. The muscles showed white beneath the skin of her jaw. “Pretty soon. Prairie Avenue. Great big houses, and lawns, all quiet.” She even managed a smile.

“I like it better home.”

Prairie Avenue at last, turning in at Sixteenth Street. It was like calm after a storm. Selina felt battered, spent.

There were groceries near Eighteenth, and at the other cross-streets—Twenty-second, Twenty-sixth, Thirty-first, Thirty-fifth. They were passing the great stone houses of Prairie Avenue of the ’90s. Turrets and towers, cornices and cupolas, humpbacked conservatories, porte-cochÈres, bow windows—here lived Chicago’s rich that had made their riches in pork and wheat and dry goods; the selling of necessities to a city that clamoured for them.

“Just like me,” Selina thought, humorously. Then another thought came to her. Her vegetables, canvas covered, were fresher than those in the near-by markets. Why not try to sell some of them here, in these big houses? In an hour she might earn a few dollars this way at retail prices slightly less than those asked by the grocers of the neighbourhood.

She stopped her wagon in the middle of the block on Twenty-fourth Street. Agilely she stepped down the wheel, gave the reins to Dirk. The horses were no more minded to run than the wooden steeds on a carrousel. She filled a large market basket with the finest and freshest of her stock and with this on her arm looked up a moment at the house in front of which she had stopped. It was a four-story brownstone, with a hideous high stoop. Beneath the steps were a little vestibule and a door that was the tradesmen’s entrance. The kitchen entrance, she knew, was by way of the alley at the back, but this she would not take. Across the sidewalk, down a little flight of stone steps, into the vestibule under the porch. She looked at the bell—a brass knob. You pulled it out, shoved it in, and there sounded a jangling down the dim hallway beyond. Simple enough. Her hand was on the bell. “Pull it!” said the desperate Selina. “I can’t! I can’t!” cried all the prim dim Vermont Peakes, in chorus. “All right. Starve to death and let them take the farm and Dirk, then.”

At that she pulled the knob hard. Jangle went the bell in the hall. Again. Again.

Footsteps up the hall. The door opened to disclose a large woman, high cheek-boned, in a work apron; a cook, apparently.

“Good morning,” said Selina. “Would you like some fresh country vegetables?”

“No.” She half shut the door, opening it again to ask, “Got any fresh eggs or butter?” At Selina’s negative she closed the door, bolted it. Selina, standing there, basket on arm, could hear her heavy tread down the passageway toward the kitchen. Well, that was all right. Nothing so terrible about that, Selina told herself. Simply hadn’t wanted any vegetables. The next house. The next house, and the next, and the next. Up one side of the street, and down the other. Four times she refilled her basket. At one house she sold a quarter’s worth. Fifteen at another. Twenty cents here. Almost fifty there. “Good morning,” she always said at the door in her clear, distinct way. They stared, usually. But they were curious, too, and did not often shut the door in her face.

“Do you know of a good place?” one kitchen maid said. “This place ain’t so good. She only pays me three dollars. You can get four now. Maybe you know a lady wants a good girl.”

“No,” Selina answered. “No.”

At another house the cook had offered her a cup of coffee, noting the white face, the look of weariness. Selina refused it, politely. Twenty-first Street—Twenty-fifth—Twenty-eighth. She had over four dollars in her purse. Dirk was weary now and hungry to the point of tears. “The last house,” Selina promised him, “the very last one. After this one we’ll go home.” She filled her basket again. “We’ll have something to eat on the way, and maybe you’ll go to sleep with the canvas over you, high, fastened to the seat like a tent. And we’ll be home in a jiffy.”

The last house was a new gray stone one, already beginning to turn dingy from the smoke of the Illinois Central suburban trains that puffed along the lake front a block to the east. The house had large bow windows, plump and shining. There was a lawn, with statues, and a conservatory in the rear. Real lace curtains at the downstairs windows with plush hangings behind them. A high iron grille ran all about the property giving it an air of aloofness, of security. Selina glanced at this wrought-iron fence. And it seemed to bar her out. There was something forbidding about it—menacing. She was tired, that was it. The last house. She had almost five dollars, earned in the last hour. “Just five minutes,” she said to Dirk, trying to make her tone bright, her voice gay. Her arms full of vegetables which she was about to place in the basket at her feet she heard at her elbow:

“Now, then, where’s your license?”

She turned. A policeman at her side. She stared up at him. How enormously tall, she thought; and how red his face. “License?”

“Yeh, you heard me. License. Where’s your pedler’s license? You got one, I s’pose.”

“Why, no. No.” She stared at him, still.

His face grew redder. Selina was a little worried about him. She thought, stupidly, that if it grew any redder——

“Well, say, where d’ye think you are, peddlin’ without a license! A good mind to run you in. Get along out of here, you and the kid. Leave me ketch you around here again!”

“What’s the trouble, Officer?” said a woman’s voice. A smart open carriage of the type known as a victoria, with two chestnut horses whose harness shone with metal. Spanking, was the word that came to Selina’s mind, which was acting perversely certainly; crazily. A spanking team. The spankers disdainfully faced Selina’s comic bony nags which were grazing the close-cropped grass that grew in the neat little lawn-squares between curb and sidewalk. “What’s the trouble, Reilly?”

The woman stepped out of the victoria. She wore a black silk Eton suit, very modish, and a black hat with a plume.

“Woman peddling without a license, Mrs. Arnold. You got to watch ’em like a hawk. . . . Get along wid you, then.” He put a hand on Selina’s shoulder and gave her a gentle push.

There shook Selina from head to foot such a passion, such a storm of outraged sensibilities, as to cause street, victoria, silk-clad woman, horses, and policeman to swim and shiver in a haze before her eyes. The rage of a fastidious woman who had had an alien male hand put upon her. Her face was white. Her eyes glowed black, enormous. She seemed tall, majestic even.

“Take your hand off me!” Her speech was clipped, vibrant. “How dare you touch me! How dare you! Take your hand!——” The blazing eyes in the white mask. He took his hand from her shoulder. The red surged into her face. A tanned weather-beaten toil-worn woman, her abundant hair skewered into a knob and held by a long gray-black hairpin, her full skirt grimed with the mud of the wagon wheel, a pair of old side-boots on her slim feet, a grotesquely battered old felt hat (her husband’s) on her head, her arms full of ears of sweet corn, and carrots, and radishes and bunches of beets; a woman with bad teeth, flat breasts—even then Julie had known her by her eyes. And she had stared and then run to her in her silk dress and her plumed hat, crying, “Oh, Selina! My dear! My dear!” with a sob of horror and pity. “My dear!” And had taken Selina, carrots, beets, corn, and radishes in her arms. The vegetables lay scattered all about them on the sidewalk in front of Julie Hempel Arnold’s great stone house on Prairie Avenue. But strangely enough it had been Selina who had done the comforting, patting Julie’s plump silken shoulder and saying, over and over, soothingly, as to a child, “There, there! It’s all right, Julie. It’s all right. Don’t cry. What’s there to cry for! Sh-sh! It’s all right.”

Julie lifted her head in its modish black plumed hat, wiped her eyes, blew her nose. “Get along with you, do,” she said to Reilly, the policeman, using his very words to Selina. “I’m going to report you to Mr. Arnold, see if I don’t. And you know what that means.”

“Well, now, Mrs. Arnold, ma’am, I was only doing my duty. How cud I know the lady was a friend of yours. Sure, I——” He surveyed Selina, cart, jaded horses, wilted vegetables. “Well, how cud I, now, Mrs. Arnold, ma’am!”

“And why not!” demanded Julie with superb unreasonableness. “Why not, I’d like to know. Do get along with you.”

He got along, a defeated officer of the law, and a bitter. And now it was Julie who surveyed Selina, cart, Dirk, jaded horses, wilted left-over vegetables. “Selina, whatever in the world! What are you doing with——” She caught sight of Selina’s absurd boots then and she began to cry again. At that Selina’s overwrought nerves snapped and she began to laugh, hysterically. It frightened Julie, that laughter. “Selina, don’t! Come in the house with me. What are you laughing at! Selina!”

With shaking finger Selina was pointing at the vegetables that lay tumbled at her feet. “Do you see that cabbage, Julie? Do you remember how I used to despise Mrs. Tebbitt’s because she used to have boiled cabbage on Monday nights?”

“That’s nothing to laugh at, is it? Stop laughing this minute, Selina Peake!”

“I’ll stop. I’ve stopped now. I was just laughing at my ignorance. Sweat and blood and health and youth go into every cabbage. Did you know that, Julie? One doesn’t despise them as food, knowing that. . . . Come, climb down, Dirk. Here’s a lady mother used to know—oh, years and years ago, when she was a girl. Thousands of years ago.”

The best thing for Dirk. The best thing for Dirk. It was the phrase that repeated itself over and over in Selina’s speech during the days that followed. Julie Arnold was all for taking him into her gray stone house, dressing him like Lord Fauntleroy and sending him to the north-side private school attended by Eugene, her boy, and Pauline, her girl. In this period of bewilderment and fatigue Julie had attempted to take charge of Selina much as she had done a dozen years before at the time of Simeon Peake’s dramatic death. And now, as then, she pressed into service her wonder-working father and bounden slave, August Hempel. Her husband she dismissed with affectionate disregard.

“Michael’s all right,” she had said on that day of their first meeting, “if you tell him what’s to be done. He’ll always do it. But Pa’s the one that thinks of things. He’s like a general, and Michael’s the captain. Well, now, Pa’ll be out to-morrow and I’ll probably come with him. I’ve got a committee meeting, but I can easily——”

“You said—did you say your father would be out to-morrow! Out where?”

“To your place. Farm.”

“But why should he? It’s a little twenty-five-acre truck farm, and half of it under water a good deal of the time.”

“Pa’ll find a use for it, never fear. He won’t say much, but he’ll think of things. And then everything will be all right.”

“It’s miles. Miles. Way out in High Prairie.”

“Well, if you could make it with those horses, Selina, I guess we can with Pa’s two grays that hold a record for a mile in three minutes or three miles in a minute, I forget which. Or in the auto, though Pa hates it. Michael is the only one in the family who likes it.”

A species of ugly pride now possessed Selina. “I don’t need help. Really I don’t, Julie dear. It’s never been like to-day. Never before. We were getting on very well, Pervus and I. Then after Pervus’s death so suddenly like that I was frightened. Terribly frightened. About Dirk. I wanted him to have everything. Beautiful things. I wanted his life to be beautiful. Life can be so ugly, Julie. You don’t know. You don’t know.”

“Well, now, that’s why I say. We’ll be out to-morrow, Pa and I. Dirk’s going to have everything beautiful. We’ll see to that.”

It was then that Selina had said, “But that’s just it. I want to do it myself, for him. I can. I want to give him all these things myself.”

“But that’s selfish.”

“I don’t mean to be. I just want to do the best thing for Dirk.”

It was shortly after noon that High Prairie, hearing the unaccustomed chug of a motor, rushed to its windows or porches to behold Selina DeJong in her mashed black felt hat and Dirk waving his battered straw wildly, riding up the Halsted road toward the DeJong farm in a bright red automobile that had shattered the nerves of every farmer’s team it had met on the way. Of the DeJong team and the DeJong dog Pom, and the DeJong vegetable wagon there was absolutely no sign. High Prairie was rendered unfit for work throughout the next twenty-four hours.

The idea had been Julie’s, and Selina had submitted rather than acquiesced, for by now she was too tired to combat anything or any one. If Julie had proposed her entering High Prairie on the back of an elephant with a mahout perched between his ears Selina would have agreed—rather, would have been unable to object.

“It’ll get you home in no time,” Julie had said, energetically. “You look like a ghost and the boy’s half asleep. I’ll telephone Pa and he’ll have one of the men from the barns drive your team out so it’ll be there by six. Just you leave it all to me. Haven’t you ever ridden in one! Why, there’s nothing to be scared of. I like the horses best, myself. I’m like Pa. He says if you use horses you get there.”

Dirk had accepted the new conveyance with the adaptability of childhood, had even predicted, grandly, “I’m going to have one when I grow up that’ll go faster ’n this, even.”

“Oh, you wouldn’t want to go faster than this, Dirk,” Selina had protested breathlessly as they chugged along at the alarming rate of almost fifteen miles an hour.

Jan Snip had been rendered speechless. Until the actual arrival of the team and wagon at six he counted them as mysteriously lost and DeJong’s widow clearly gone mad. August Hempel’s arrival next day with Julie seated beside him in the light spider-phaeton drawn by two slim wild-eyed quivering grays made little tumult in Jan’s stunned mind by now incapable of absorbing any fresh surprises.

In the twelve years’ transition from butcher to packer Aug Hempel had taken on a certain authority and distinction. Now, at fifty-five, his hair was gray, relieving the too-ruddy colour of his face. He talked almost without an accent; used the idiomatic American speech he heard about the yards, where the Hempel packing plant was situated. Only his d’s were likely to sound like t’s. The letter j had a slightly ch sound. In the last few years he had grown very deaf in one ear, so that when you spoke to him he looked at you intently. This had given him a reputation for keenness and great character insight, when it was merely the protective trick of a man who does not want to confess that he is hard of hearing. He wore square-toed shoes with soft tips and square-cut gray clothes and a large gray hat with a chronically inadequate sweat-band. The square-cut boots were expensive, and the square-cut gray clothes and the large gray hat, but in them he always gave the effect of being dressed in the discarded garments of a much larger man.

Selina’s domain he surveyed with a keen and comprehensive eye.

“You want to sell?”

“No.”

“That’s good.” (It was nearly goot as he said it.) “Few years from now this land will be worth money.” He had spent a bare fifteen minutes taking shrewd valuation of the property from fields to barn, from barn to house. “Well, what do you want to do, heh, Selina?”

They were seated in the cool and unexpectedly pleasing little parlour, with its old Dutch lustre set gleaming softly in the cabinet, its three rows of books, its air of comfort and usage.

Dirk was in the yard with one of the Van Ruys boys, surveying the grays proprietorially. Jan was rooting in the fields. Selina clasped her hands tightly in her lap—those hands that, from much grubbing in the soil, had taken on something of the look of the gnarled things they tended. The nails were short, discoloured, broken. The palms rough, calloused. The whole story of the last twelve years of Selina’s life was written in her two hands.

“I want to stay here, and work the farm, and make it pay. I can. By next spring my asparagus is going to begin to bring in money. I’m not going to grow just the common garden stuff any more—not much, anyway. I’m going to specialize in the fine things—the kind the South Water Street commission men want. I want to drain the low land. Tile it. That land hasn’t been used for years. It ought to be rich growing land by now, if once it’s properly drained. And I want Dirk to go to school. Good schools. I never want my son to go to the Haymarket. Never. Never.”

Julie stirred with a little rustle and click of silk and beads. Her gentle amiability was vaguely alarmed by the iron quality of determination in the other’s tone.

“Yes, but what about you, Selina?”

“Me?”

“Yes, of course. You talk as though you didn’t count. Your life. Things to make you happy.”

“My life doesn’t count, except as something for Dirk to use. I’m done with anything else. Oh, I don’t mean that I’m discouraged, or disappointed in life, or anything like that. I mean I started out with the wrong idea. I know better now. I’m here to keep Dirk from making the mistakes I made.”

Here Aug Hempel, lounging largely in his chair and eyeing Selina intently, turned his gaze absently through the window to where the grays, a living equine statue, stood before the house. His tone was one of meditation, not of argument. “It don’t work out that way, seems. About mistakes it’s funny. You got to make your own; and not only that, if you try to keep people from making theirs they get mad.” He whistled softly through his teeth following this utterance and tapped the chair seat with his finger nails.

“It’s beauty!” Selina said then, almost passionately. Aug Hempel and Julie plainly could make nothing of this remark so she went on, eager, explanatory. “I used to think that if you wanted beauty—if you wanted it hard enough and hopefully enough—it came to you. You just waited, and lived your life as best you could, knowing that beauty might be just around the corner. You just waited, and then it came.”

“Beauty!” exclaimed Julie, weakly. She stared at Selina in the evident belief that this work-worn haggard woman was bemoaning her lack of personal pulchritude.

“Yes. All the worth-while things in life. All mixed up. Rooms in candle-light. Leisure. Colour. Travel. Books. Music. Pictures. People—all kinds of people. Work that you love. And growth—growth and watching people grow. Feeling very strongly about things and then developing that feeling to—to make something fine come of it.” The word self-expression was not in cant use then, and Selina hadn’t it to offer them. They would not have known what she meant if she had. She threw out her hands now in a futile gesture. “That’s what I mean by beauty. I want Dirk to have it.”

Julie blinked and nodded with the wise amiable look of comprehension assumed by one who has understood no single word of what has been said. August Hempel cleared his throat.

“I guess I know what you’re driving at Selina, maybe. About Julie I felt just like that. She should have everything fine. I wanted her to have everything. And she did, too. Cried for the moon she had it.”

“I never did have it Pa, any such thing!”

“Never cried for it, I know of.”

“For pity’s sake!” pleaded Julie, the literal, “let’s stop talking and do something. My goodness, anybody with a little money can have books and candles and travel around and look at pictures, if that’s all. So let’s do something. Pa, you’ve probably got it all fixed in your mind long ago. It’s time we heard it. Here Selina was one of the most popular girls in Miss Fister’s school, and lots of people thought the prettiest. And now just look at her!”

A flicker of the old flame leaped up in Selina. “Flatterer!” she murmured.

Aug Hempel stood up. “If you think giving your whole life to making the boy happy is going to make him happy you ain’t so smart as I took you for. You go trying to live somebody else’s life for them.”

“I’m not going to live his life for him. I want to show him how to live it so that he’ll get full value out of it.”

“Keeping him out of the Haymarket if the Haymarket’s the natural place for him to be won’t do that. How can you tell! Monkeying with what’s to be. I’m out at the yards every day, in and out of the cattle pens, talking to the drovers and herders, mixing in with the buyers. I can tell the weight of a hog and what he’s worth just by a look at him, and a steer, too. My son-in-law Michael Arnold sits up in the office all day in our plant, dictating letters. His clothes they never stink of the pens like mine do. . . . Now I ain’t saying anything against him, Julie. But I bet my grandson Eugene”—he repeated it, stressing the name so that you sensed his dislike of it—“Eugene, if he comes into the business at all when he grows up, won’t go within smelling distance of the yards. His office I bet will be in a new office building on, say Madison Street, with a view of the lake. Life! You’ll be hoggin’ it all yourself and not know it.”

“Don’t pay any attention to him,” Julie interposed. “He goes on like that. Old yards!”

August Hempel bit off the end of a cigar, was about to spit out the speck explosively, thought better of it and tucked it in his vest pocket. “I wouldn’t change places with Mike, not——”

“Please don’t call him Mike, Pa.”

“Michael, then. Not for ten million. And I need ten million right now.”

“And I suppose,” retorted Selina, spiritedly, “that when your son-in-law Michael Arnold is your age he’ll be telling Eugene how he roughed it in an office over at the yards in the old days. These will be the old days.”

August Hempel laughed good humouredly. “That can be, Selina. That can be.” He chewed his cigar and settled to the business at hand.

“You want to drain and tile. Plant high-grade stuff. You got to have a man on the place that knows what’s what, not this Rip Van Winkle we saw in the cabbage field. New horses. A wagon.” His eyes narrowed speculatively. Shrewd wrinkles radiated from their corners. “I betcha we’ll see the day when you truck farmers will run into town with your stuff in big automobile wagons that will get you there in under an hour. It’s bound to come. The horse is doomed, that’s chust what.” Then, abruptly, “I will get you the horses, a bargain, at the yards.” He took out a long flat check book. He began writing in it with a pen that he took from his pocket—some sort of marvellous pen that seemed already filled with ink and that you unscrewed at the top and then screwed at the bottom. He squinted through his cigar smoke, the check book propped on his knee. He tore off the check with a clean rip. “For a starter,” he said. He held it out to Selina.

“There now!” exclaimed Julie, in triumphant satisfaction. That was more like it. Doing something.

But Selina did not take the check. She sat very still in her chair, her hands folded. “That isn’t the regular way,” she said.

August Hempel was screwing the top on his fountain pen again. “Regular way? for what?”

“I’m borrowing this money, not taking it. Oh, yes, I am! I couldn’t get along without it. I realize that now, after yesterday. Yesterday! But in five years—seven—I’ll pay it back.” Then, at a half-uttered protest from Julie, “That’s the only way I’ll take it. It’s for Dirk. But I’m going to earn it—and pay it back. I want a——” she was being enormously businesslike, and unconsciously enjoying it——“a—an I. O. U. A promise to pay you back just as—as soon as I can. That’s business, isn’t it? And I’ll sign it.”

“Sure,” said Aug Hempel, and unscrewed his fountain pen again. “Sure that’s business.” Very serious, he scribbled again, busily, on a piece of paper. A year later, when Selina had learned many things, among them that simple and compound interest on money loaned are not mere problems devised to fill Duffy’s Arithmetic in her school-teaching days, she went to August Hempel between laughter and tears.

“You didn’t say one word about interest, that day. Not a word. What a little fool you must have thought me.”

“Between friends,” protested August Hempel.

But—“No,” Selina insisted. “Interest.”

“I guess I better start me a bank pretty soon if you keep on so businesslike.”

Ten years later he was actually the controlling power in the Yards & Rangers’ Bank. And Selina had that original I. O. U. with its “Paid In Full. Aug Hempel,” carefully tucked away in the carved oak chest together with other keepsakes that she foolishly treasured—ridiculous scraps that no one but she would have understood or valued—a small school slate such as little children use (the one on which she had taught Pervus to figure and parse); a dried bunch of trilliums; a bustled and panniered wine-red cashmere dress, absurdly old-fashioned; a letter telling about the Infanta Eulalie of Spain, and signed Julie Hempel Arnold; a pair of men’s old side-boots with mud caked on them; a crude sketch, almost obliterated now, done on a torn scrap of brown paper and showing the Haymarket with the wagons vegetable-laden and the men gathered beneath the street-flares, and the patient farm horses—Roelf’s childish sketch.

Among this rubbish she rummaged periodically in the years that followed. Indeed, twenty years later Dirk, coming upon her smoothing out the wrinkled yellow creases of the I. O. U. or shaking the camphor-laden folds of the wine-red cashmere, would say, “At it again! What a sentimental generation yours was, Mother. Pressed flowers! They went out with the attic, didn’t they? If the house caught fire you’d probably run for the junk in that chest. It isn’t worth two cents, the lot of it.”

“Perhaps not,” Selina said, slowly. “Still, there’d be some money value, I suppose, in an early original signed sketch by Rodin.”

“Rodin! You haven’t got a——”

“No, but here’s one by Pool—Roelf Pool—signed. At a sale in New York last week one of his sketches—not a finished thing at all—just a rough drawing that he’d made of some figures in a group that went into the Doughboy statue—brought one thous——”

“Oh, well, that—yes. But the rest of the stuff you’ve got there—funny how people will treasure old stuff like that. Useless stuff. It isn’t even beautiful.”

“Beautiful!” said Selina, and shut the lid of the old chest. “Why, Dirk—Dirk! You don’t even know what beauty is. You never will know.”

If those vague characteristics called (variously) magnetism, manner, grace, distinction, attractiveness, fascination, go to make up that nebulous quality known as charm; and if the possessor of that quality is accounted fortunate in his equipment for that which the class-day orators style the battle of life, then Dirk DeJong was a lucky lad and life lay promisingly before him. Undoubtedly he had it; and undoubtedly it did. People said that things “came easy” for Dirk. He said so himself, not boastfully, but rather shyly. He was not one to talk a great deal. Perhaps that was one of his most charming qualities. He listened so well. And he was so quietly effortless. He listened while other people talked, his fine head inclined just a little to one side and bent toward you. Intent on what you were saying, and evidently impressed by it. You felt him immensely intelligent, appreciative. It was a gift more valuable than any other social talent he might have possessed. He himself did not know how precious an attribute this was to prove in a later day when to be allowed to finish a sentence was an experience all too rare. Older men especially said he was a smart young feller and would make his mark. This, surprisingly enough, after a conversation to which he had contributed not a word other than “Yes,” or “No,” or, “Perhaps you’re right, sir,” in the proper places.

Selina thought constantly of Dirk’s future. A thousand other thoughts might be racing through her mind during the day—plans for the farm, for the house—but always, over and above and through all these, like the steady beat of a drum penetrating sharper and more urgent sounds—was the thought of Dirk. He did well enough at high school. Not a brilliant student, nor even a very good one. But good enough. Average. And well liked.

It was during those careless years of Dirk’s boyhood between nine and fifteen that Selina changed the DeJong acres from a worn-out and down-at-heel truck farm whose scant products brought a second-rate price in a second-rate market to a prosperous and blooming vegetable garden whose output was sought a year in advance by the South Water Street commission merchants. DeJong asparagus with firm white thick stalk bases tapering to a rich green streaked with lavender at the tips. DeJong hothouse tomatoes in February, plump, scarlet, juicy. You paid for a pound a sum Pervus had been glad to get for a bushel.

These six or seven years of relentless labour had been no showy success with Selina posing grandly as the New Woman in Business. No, it had been a painful, grubbing, heart-breaking process as is any project that depends on the actual soil for its realization. She drove herself pitilessly. She literally tore a living out of the earth with her two bare hands. Yet there was nothing pitiable about this small energetic woman of thirty-five or forty with her fine soft dark eyes, her clean-cut jaw-line, her shabby decent clothes that were so likely to be spattered with the mud of the road or fields, her exquisite nose with the funny little wrinkle across the bridge when she laughed. Rather, there was something splendid about her; something rich, prophetic. It was the splendour and richness that achievement imparts.

It is doubtful that she ever could have succeeded without the money borrowed from August Hempel; without his shrewd counsel. She told him this, sometimes. He denied it. “Easier, yes. But you would have found a way, Selina. Some way. Julie, no. But you, yes. You are like that. Me, too. Say, plenty fellers that was butchers with me twenty years ago over on North Clark Street are butchers yet, cutting off a steak or a chop. ‘Good morning, Mrs. Kruger. What’ll it be to-day?’ ”

The Hempel Packing Company was a vast monster now stretching great arms into Europe, into South America. In some of the yellow journals that had cropped up in the last few years you even saw old Aug himself portrayed in cartoons as an octopus with cold slimy eyes and a hundred writhing reaching tentacles. These bothered Aug a little, though he pretended to laugh at them. “What do they want to go to work and make me out like that for? I sell good meat for all I can get for it. That’s business, ain’t it?”

Dirk had his tasks on the farm. Selina saw to that. But they were not heavy. He left for school at eight in the morning, driving, for the distance was too great for walking. Often it was dark on his return in the late afternoon. Between these hours Selina had accomplished the work of two men. She had two field-helpers on the place now during the busy season and a woman in the house, the wife of Adam Bras, one of the labourers. Jan Snip, too, still worked about the place in the barn, the sheds, tending the coldframes and hothouses, doing odd jobs of carpentering. He distrusted Selina’s new-fangled methods, glowered at any modern piece of machinery, predicted dire things when Selina bought the twenty acres that comprised the old Bouts place adjoining the DeJong farm.

“You bit off more as you can chaw,” he told her. “You choke yet. You see.”

By the time Dirk returned from school the rough work of the day was over. His food was always hot, appetizing, plentiful. The house was neat, comfortable. Selina had installed a bathroom—one of the two bathrooms in High Prairie. The neighbourhood was still rocking with the shock of this when it was informed by Jan that Selina and Dirk ate with candles lighted on the supper table. High Prairie slapped its thigh and howled with mirth.

“Cabbages is beautiful,” said old Klaas Pool when he heard this. “Cabbages is beautiful I betcha.”

Selina, during the years of the boy’s adolescence, had never urged him to a decision about his future. That, she decided, would come. As the farm prospered and the pressure of necessity lifted she tried, in various ingenious ways, to extract from him some unconscious sign of definite preference for this calling, that profession. As in her leanest days she had bought an occasional book at the cost of much-needed shoes for herself so now she bought many of them with money that another woman would have used for luxury or adornments. Years of personal privation had not killed her love of fine soft silken things, mellow colouring, exquisite workmanship. But they had made it impossible for her to covet these things for herself. She loved to see them, to feel them. Could not wear them. Years later, when she could well afford a French hat in one of the Michigan Avenue millinery shops, she would look at the silk and satin trifles blooming in the windows like gay brilliant flowers in a conservatory—and would buy an untrimmed “shape” for $2.95 in Field’s basement. The habit of a lifetime is strong. Just once she made herself buy one of these costly silk-and-feather extravagances, going about the purchase deliberately and coldly as a man gets drunk once for the experience. The hat had cost twenty-two dollars. She never had worn it.

Until Dirk was sixteen she had been content to let him develop as naturally as possible, and to absorb impressions unconsciously from the traps she so guilefully left about him. Books on the lives of great men—lives of Lincoln, of Washington, Gladstone, Disraeli, Voltaire. History. Books on painting, charmingly illustrated. Books on architecture; law; medicine, even. She subscribed to two of the best engineering magazines. There was a shed which he was free to use as a workshop, fitted up with all sorts of tools. He did not use it much, after the first few weeks. He was pleasantly and mildly interested in all these things; held by none of them. Selina had thought of Roelf when they were fitting up the workshop. The Pools had heard from Roelf just once since his flight from the farm. A letter had come from France. In it was a sum of money for Geertje and Jozina—a small sum to take the trouble to send all the way from an outlandish country, the well-to-do Pool household thought. Geertje was married now to Vander Sijde’s son Gerrit and living on a farm out Low Prairie way. Jozina had a crazy idea that she wanted to go into the city as a nurse. Roelf’s small gift of money made little difference in their day. They never knew the struggle that the impecunious young Paris art student had had to save it sou by sou. Selina had never heard from him. But one day years later she had come running to Dirk with an illustrated magazine in her hand.

“Look!” she had cried, and pointed to a picture. He had rarely seen her so excited, so stirred. The illustration showed a photographic reproduction of a piece of sculpture—a woman’s figure. It was called The Seine. A figure sinuous, snake-like, graceful, revolting, beautiful, terrible. The face alluring, insatiable, generous, treacherous, all at once. It was the Seine that fed the fertile valley land; the Seine that claimed a thousand bloated lifeless floating Things; the red-eyed hag of 1793; the dimpling coquette of 1650. Beneath the illustration a line or two—Roelf Pool . . . Salon . . . American . . . future . . .

“It’s Roelf!” Selina had cried. “Roelf. Little Roelf Pool!” Tears in her eyes. Dirk had been politely interested. But then he had never known him, really. He had heard his mother speak of him, but——

Selina showed the picture to the Pools, driving over there one evening to surprise them with it. Mrs. Klaas Pool had been horrified at the picture of a nude woman’s figure; had cried “Og heden!” in disgust, and had seemed to think that Selina had brought it over in a spirit of spite. Was she going to show it to the rest of High Prairie!

Selina understood High Prairie folk better now, though not altogether, even after almost twenty years of living amongst them. A cold people, yet kindly. Suspicious, yet generous. Distrustful of all change, yet progressing by sheer force of thrift and unceasing labour. Unimaginative for generations, only to produce—a Roelf Pool.

She tried now to explain the meaning of the figure Roelf had moulded so masterfully. “You see, it’s supposed to represent the Seine. The River Seine that flows through Paris into the countryside beyond. The whole history of Paris—of France—is bound up in the Seine; intertwined with it. Terrible things, and magnificent things. It flows just beneath the Louvre. You can see it from the Bastille. On its largest island stands Notre Dame. The Seine has seen such things, Mrs. Pool!——”

“What dom talk!” interrupted the late widow. “A river can’t see. Anybody knows that.”

At seventeen Dirk and Selina talked of the year to come. He was going to a university. But to what university? And what did he want to study? We-e-ll, hard to say. Kind of a general course, wasn’t there? Some languages—little French or something—and political economy, and some literature and maybe history.

“Oh,” Selina had said. “Yes. General. Of course, if a person wanted to be an architect, why, I suppose Cornell would be the place. Or Harvard for law. Or Boston Tech for engineering, or——”

Oh, yeh, if a fellow wanted any of those things. Good idea, though, to take a kind of general course until you found out exactly what you wanted to do. Languages and literature and that kind of thing.

Selina was rather delighted than otherwise. That, she knew, was the way they did it in England. You sent your son to a university not to cram some technical course into him, or to railroad him through a book-knowledge of some profession. You sent him so that he might develop in an atmosphere of books, of learning; spending relaxed hours in the companionship of men who taught for the love of teaching; whose informal talks before a study fire were more richly valuable than whole courses of classroom lectures. She had read of these things in English novels. Oxford. Cambridge. Dons. Ivy. Punting. Prints. Mullioned windows. Books. Discussion. Literary clubs.

This was England. An older civilization, of course. But there must be something of that in American universities. And if that was what Dirk wanted she was glad. Glad! A reaching after true beauty.

You heard such wonderful things about Midwest University, in Chicago. On the south side. It was new, yes. But those Gothic buildings gave an effect, somehow, of age and permanence (the smoke and cinders from the Illinois Central suburban trains were largely responsible for that, as well as the soft coal from a thousand neighbouring chimneys). And there actually was ivy. Undeniable ivy, and mullioned windows.

Dirk had suggested it, not she. The entrance requirements were quite mild. Harvard? Yale? Oh, those fellows all had wads of money. Eugene Arnold had his own car at New Haven.

In that case, they decided, Midwest University, in Chicago, on the south side near the lake, would do splendidly. For a general course, sort of. The world lay ahead of Dirk. It was like the childhood game of counting buttons.

Together they counted Dirk’s mental buttons but it never came out twice the same. It depended on the suit you happened to be wearing, of course. Eugene Arnold was going to take law at Yale. He said it would be necessary if he was going into the business. He didn’t put it just that way, when talking to Dirk. He said the damned old hog business. Pauline (she insisted that they call her Paula now) was at a girls’ school up the Hudson—one of those schools that never advertise even in the front of the thirty-five-cent magazines.

So, at eighteen, it had been Midwest University for Dirk. It was a much more economical plan than would have resulted from the choice of an eastern college. High Prairie heard that Dirk DeJong was going away to college. A neighbour’s son said, “Going to Wisconsin? Agricultural course there?”

“My gosh, no!” Dirk had answered. He told this to Selina, laughing. But she had not laughed.

“I’d like to take that course myself, if you must know. They say it’s wonderful.” She looked at him, suddenly. “Dirk, you wouldn’t like to take it, would you? To go to Madison, I mean. Is that what you’d like?”

He stared. “Me! No! . . . Unless you want me to, Mother. Then I would, gladly. I hate your working like this, on the farm, while I go off to school. It makes me feel kind of rotten, having my mother working for me. The other fellows——”

“I’m doing the work I’m interested in, for the person I love best in the world. I’d be lost—unhappy—without the farm. If the city creeps up on me here, as they predict it will, I don’t know what I shall do.”

But Dirk had a prediction of his own to make. “Chicago’ll never grow this way, with all those steel mills and hunkies to the south of us. The north side is going to be the place to live. It is already.”

“The place for whom?”

“For the people with money.”

She smiled then so that you saw the funny little wrinkle across her nose. “Well, then the south section of Chicago is going to be all right for us yet a while.”

“Just you wait till I’m successful. Then there’ll be no more working for you.”

“What do you mean by ‘successful’, Sobig?” She had not called him that in years. But now the old nickname came to her tongue perhaps because they were speaking of his future, his success. “What do you mean by ‘successful’, Sobig?”

“Rich. Lots of money.”

“Oh, no, Dirk! No! That’s not success. Roelf—the thing Roelf does—that’s success.”

“Oh, well, if you have money enough you can buy the things he makes, and have ’em. That’s almost as good, isn’t it?”

Midwest University had sprung up almost literally overnight on the property that had been the site of the Midway Plaisance during the World’s Fair in Chicago in ’93. One man’s millions had been the magic wand that, waved over a bare stretch of prairie land, had produced a seat of learning. The university guide book spoke of him reverently as the Founder, capitalizing the word as one does the Deity. The student body spoke of him with somewhat less veneration. They called him Coal-Oil Johnny. He had already given thirty millions to the university and still the insatiable maw of this institute of learning yawned for more. When oil went up a fraction of a cent they said, “Guess Coal-Oil Johnny’s fixing to feed us another million.”

Dirk commenced his studies at Midwest University in the autumn of 1909. His first year was none too agreeable, as is usually the case in first years. He got on well, though. A large proportion of the men students were taking law, which accounts for the great number of real-estate salesmen and insurance agents now doing business in and about Chicago. Before the end of the first semester he was popular. He was a natural-born floor committeeman and badges bloomed in his buttonhole. Merely by donning a ready-made dress suit he could give it a made-to-order air. He had great natural charm of manner. The men liked him, and the girls, too. He learned to say, “Got Pol Econ at ten,” which meant that he took Political Economy at that hour; and “I’d like to cut Psyk,” meant that he was not up on his approaching lesson in Applied Psychology. He rarely “cut” a class. He would have felt that this was unfair and disloyal to his mother. Some of his fellow students joked about this faithfulness to his classes. “Person would think you were an Unclassified,” they said.

The Unclassifieds were made up, for the most part, of earnest and rather middle-aged students whose education was a delayed blooming. They usually were not enrolled for a full course, or were taking double work feverishly. The Classifieds, on the other hand, were the regularly enrolled students, pretty well of an age (between seventeen and twenty-three) who took their education with a sprinkling of sugar. Of the Unclassified students the University catalogue said:

You saw them the Cinderellas and the Smikes of this temple of learning.

The Classifieds and the Unclassifieds rarely mixed. Not age alone, but purpose separated them. The Classifieds, boys and girls, were, for the most part, slim young lads with caps and pipes and sweaters, their talk of football, baseball, girls; slim young girls in sheer shirtwaists with pink ribbons run through the corset covers showing beneath, pleated skirts that switched delightfully as they strolled across the campus arm in arm, their talk of football games, fudge, clothes, boys. They cut classes whenever possible. The Student Body. Midwest turned them out by the hundreds—almost by the link, one might say, as Aug Hempel’s sausage factory turned out its fine plump sausages, each one exactly like the one behind and the one ahead of it. So many hundreds graduated in this year’s class. So many more hundreds to be graduated in next year’s class. Occasionally an unruly sausage burst its skin and was discarded. They attended a university because their parents—thrifty shop-keepers, manufacturers, merchants, or professional men and their good wives—wanted their children to have an education. Were ambitious for them. “I couldn’t have it myself, and always regretted it. Now I want my boy (or girl) to have a good education that’ll fit ’em for the battle of life. This is an age of specialization, let me tell you.”

Football, fudge, I-said-to-Jim, I-said-to-Bessie.

The Unclassifieds would no more have deliberately cut a class than they would have thrown their sparse weekly budget-allowance into the gutter. If it had been physically possible they would have attended two classes at once, listened to two lectures, prepared two papers simultaneously. Drab and earnest women between thirty and forty-eight, their hair not an ornament, but something to be pinned up quickly out of the way, their clothes a covering, their shoes not even smartly “sensible,” but just shoes, scuffed, patched, utilitarian. The men were serious, shabby, often spectacled; dandruff on their coat collars; their lined, anxious faces in curious contrast to the fresh, boyish, care-free countenances of the Classifieds. They said, carefully, almost sonorously, “Political Economy. Applied Psychology.” Most of them had worked ten years, fifteen years for this deferred schooling. This one had had to support a mother; that one a family of younger brothers and sisters. This plump woman of thirty-nine, with the jolly kindly face, had had a paralyzed father. Another had known merely poverty, grinding, sordid poverty, with fifteen years of painful penny savings to bring true this gloriously realized dream of a university education. Here was one studying to be a trained Social Service Worker. She had done everything from housework as a servant girl to clerking in a 5- and 10-cent store. She had studied evenings; saved pennies, nickels, dimes, quarters. Other valuable educative experience in practical life. They had had it, God knows.

They regarded the university at first with the love-blind eyes of a bridegroom who looks with the passionate tenderness of possession upon his mistress for whom he has worked and waited through the years of his youth. The university was to bring back that vanished youth—and something more. Wisdom. Knowledge. Power. Understanding. They would have died for it—they almost had, what with privation, self-denial, work.

They came with love clasped close in their two hands, an offertory. “Take me!” they cried. “I come with all I have. Devotion, hope, desire to learn, a promise to be a credit to you. I have had experience, bitter-sweet experience. I have known the battle. See, here are my scars. I can bring to your classrooms much that is valuable. I ask only for bread—the bread of knowledge.”

And the University gave them a stone.

“Get on to the hat!” said the Classifieds, humorously, crossing the campus. “A fright!”

The professors found them a shade too eager, perhaps; too inquiring; demanding too much. They stayed after class and asked innumerable questions. They bristled with interrogation. They were prone to hold forth in the classroom, “Well, I have found it to be the case in my experience that——”

But the professor preferred to do the lecturing himself. If there was to be any experience related it should come from the teacher’s platform, not the student’s chair. Besides, this sort of thing interfered with the routine; kept you from covering ground fast enough. The period bell rang, and there you were, halfway through the day’s prescribed lesson.

In his first year Dirk made the almost fatal mistake of being rather friendly with one of these Unclassifieds—a female Unclassified. She was in his Pol Econ class and sat next to him. A large, good-humoured, plump girl, about thirty-eight, with a shiny skin which she never powdered and thick hair that exuded a disagreeable odour of oil. She was sympathetic and jolly, but her clothes were a fright, the Classifieds would have told you, and no matter how cold the day there was always a half-moon of stain showing under her armpits. She had a really fine mind, quick, eager, balanced, almost judicial. She knew just which references were valuable, which useless. Just how to go about getting information for next day’s class; for the weekly paper to be prepared. Her name was Schwengauer—Mattie Schwengauer. Terrible!

“Here,” she would say good-naturedly, to Dirk. “You don’t need to read all those. My, no! I’ll tell you. You’ll get exactly what you want by reading pages 256 to 273 in Blaine’s; 549 to 567 in Jaeckel; and the first eleven—no, twelve—pages of Trowbridge’s report. That’ll give you practically everything you need.”

Dirk was grateful. Her notes were always copious, perfect. She never hesitated to let him copy them. They got in the way of walking out of the classroom together, across the campus. She told him something of herself.

“Your people farmers!” Surprised, she looked at his well-cut clothes, his slim, strong, unmarked hands, his smart shoes and cap. “Why, so are mine. Iowa.” She pronounced it Ioway. “I lived on the farm all my life till I was twenty-seven. I always wanted to go away to school, but we never had the money and I couldn’t come to town to earn because I was the oldest, and Ma was sickly after Emma—that’s the youngest—there are nine of us—was born. Ma was anxious I should go and Pa was willing, but it couldn’t be. No fault of theirs. One year the summer would be so hot, with no rain hardly from spring till fall, and the corn would just dry up on the stalks, like paper. The next year it would be so wet the seed would rot in the ground. Ma died when I was twenty-six. The kids were all pretty well grown up by that time. Pa married again in a year and I went to Des Moines to work. I stayed there six years but I didn’t save much on account of my brother. He was kind of wild. He had come to Des Moines, too, after Pa married. He and Aggie—that’s the second wife—didn’t get along. I came to Chicago about five years ago. . . . I’ve done all kinds of work, I guess, except digging in a coal mine. I’d have done that if I’d had to.”

She told him all this ingenuously, simply. Dirk felt drawn toward her, sorry for her. His was a nature quick to sympathy. Something she said now stirred him while it bewildered him a little, too.

“You can’t have any idea what it means to me to be here . . . All those years! I used to dream about it. Even now it seems to me it can’t be true. I’m conscious of my surroundings all the time and yet I can’t believe them. You know, like when you are asleep and dream about something beautiful, and then wake up and find it’s actually true. I get a thrill out of just being here. ‘I’m crossing the campus,’ I say to myself. ‘I’m a student—a girl student—in Midwest University and now I’m crossing the campus of my university to go to a class.’ ”

Her face was very greasy and earnest and fine.

“Well, that’s great,” Dirk replied, weakly. “That’s cer’nly great.”

He told his mother about her. Usually he went home on Friday nights to stay until Monday morning. His first Monday-morning class was not until ten. Selina was deeply interested and stirred. “Do you think she’d spend some Saturday and Sunday here with us on the farm? She could come with you on Friday and go back Sunday night if she wanted to. Or stay until Monday morning and go back with you. There’s the spare room, all quiet and cool. She could do as she liked. I’d give her cream and all the fresh fruit and vegetables she wanted. And Meena would bake one of her fresh cocoanut cakes. I’d have Adam bring a fresh cocoanut from South Water Street.”

Mattie came one Friday night. It was the end of October, and Indian summer, the most beautiful time of the year on the Illinois prairie. A mellow golden light seemed to suffuse everything. It was as if the very air were liquid gold, and tonic. The squash and pumpkins next the good brown earth gave back the glow, and the frost-turned leaves of the maples in the sun. About the countryside for miles was the look of bounteousness, of plenty, of prophecy fulfilled as when a beautiful and fertile woman having borne her children and found them good, now sits serene-eyed, gracious, ample bosomed, satisfied.

Into the face of Mattie Schwengauer there came a certain glory. When she and Selina clasped hands Selina stared at her rather curiously, as though startled. Afterward she said to Dirk, aside, “But I thought you said she was ugly!”

“Well, she is, or—well, isn’t she?”

“Look at her!”

Mattie Schwengauer was talking to Meena Bras, the houseworker. She was standing with her hands on her ample hips, her fine head thrown back, her eyes alight, her lips smiling so that you saw her strong square teeth. A new cream separator was the subject of their conversation. Something had amused Mattie. She laughed. It was the laugh of a young girl, care-free, relaxed, at ease.

For two days Mattie did as she pleased, which meant she helped pull vegetables in the garden, milk the cows, saddle the horses; rode them without a saddle in the pasture. She tramped the road. She scuffled through the leaves in the woods, wore a scarlet maple leaf in her hair, slept like one gloriously dead from ten until six; ate prodigiously of cream, fruits, vegetables, eggs, sausage, cake.

“It got so I hated to do all those things on the farm,” she said, laughing a little shamefacedly. “I guess it was because I had to. But now it comes back to me and I enjoy it because it’s natural to me, I suppose. Anyway, I’m having a grand time, Mrs. DeJong. The grandest time I ever had in my life.” Her face was radiant and almost beautiful.

“If you want me to believe that,” said Selina, “you’ll come again.”

But Mattie Schwengauer never did come again.

Early the next week one of the university students approached Dirk. He was a Junior, very influential in his class, and a member of the fraternity to which Dirk was practically pledged. A decidedly desirable frat.

“Say, look here, DeJong, I want to talk to you a minute. Uh, you’ve got to cut out that girl—Swinegour or whatever her name is—or it’s all off with the fellows in the frat.”

“What d’you mean! Cut out! What’s the matter with her!”

“Matter! She’s Unclassified, isn’t she! And do you know what the story is? She told it herself as an economy hint to a girl who was working her way through. She bathes with her union suit and white stockings on to save laundry soap. Scrubs ’em on her! ’S the God’s truth.”

Into Dirk’s mind there flashed a picture of this large girl in her tight knitted union suit and her white stockings sitting in a tub half full of water and scrubbing them and herself simultaneously. A comic picture, and a revolting one. Pathetic, too, but he would not admit that.

“Imagine!” the frat brother-to-be was saying. “Well, we can’t have a fellow who goes around with a girl like that. You got to cut her out, see! Completely. The fellahs won’t stand for it.”

Dirk had a mental picture of himself striking a noble attitude and saying, “Won’t stand for it, huh! She’s worth more than the whole caboodle of you put together. And you can all go to hell!”

Instead he said, vaguely, “Oh. Well. Uh——”

Dirk changed his seat in the classroom, avoided Mattie’s eye, shot out of the door the minute class was over. One day he saw her coming toward him on the campus and he sensed that she intended to stop and speak to him—chide him laughingly, perhaps. He quickened his pace, swerved a little to one side, and as he passed lifted his cap and nodded, keeping his eyes straight ahead. Out of the tail of his eye he could see her standing a moment irresolutely in the path.

He got into the fraternity. The fellahs liked him from the first. Selina said once or twice, “Why don’t you bring that nice Mattie home with you again some time soon? Such a nice girl—woman, rather. But she seemed so young and care-free while she was here, didn’t she? A fine mind, too, that girl. She’ll make something of herself. You’ll see. Bring her next week, h’m?”

Dirk shuffled, coughed, looked away. “Oh, I dunno. Haven’t seen her lately. Guess she’s busy with another crowd, or something.”

He tried not to think of what he had done, for he was honestly ashamed. Terribly ashamed. So he said to himself, “Oh, what of it!” and hid his shame. A month later Selina again said, “I wish you’d invite Mattie for Thanksgiving dinner. Unless she’s going home, which I doubt. We’ll have turkey and pumpkin pie and all the rest of it. She’ll love it.”

“Mattie?” He had actually forgotten her name.

“Yes, of course. Isn’t that right? Mattie Schwengauer?”

“Oh, her. Uh—well—I haven’t been seeing her lately.”

“Oh, Dirk, you haven’t quarrelled with that nice girl!”

He decided to have it out. “Listen, Mother. There are a lot of different crowds at the U, see? And Mattie doesn’t belong to any of ’em. You wouldn’t understand, but it’s like this. She—she’s smart and jolly and everything but she just doesn’t belong. Being friends with a girl like that doesn’t get you anywhere. Besides, she isn’t a girl. She’s a middle-aged woman, when you come to think of it.”

“Doesn’t get you anywhere!” Selina’s tone was cool and even. Then, as the boy’s gaze did not meet hers: “Why, Dirk DeJong, Mattie Schwengauer is one of my reasons for sending you to a university. She’s what I call part of a university education. Just talking to her is learning something valuable. I don’t mean that you wouldn’t naturally prefer pretty young girls of your own age to go around with, and all. It would be queer if you didn’t. But this Mattie—why, she’s life. Do you remember that story of when she washed dishes in the kosher restaurant over on Twelfth Street and the proprietor used to rent out dishes and cutlery for Irish and Italian neighbourhood weddings where they had pork and goodness knows what all, and then use them next day in the restaurant again for the kosher customers?”

Yes, Dirk remembered. Selina wrote Mattie, inviting her to the farm for Thanksgiving, and Mattie answered gratefully, declining. “I shall always remember you,” she wrote in that letter, “with love.”

Throughout Dirk’s Freshman year there were, for him, no heartening, informal, mellow talks before the wood-fire in the book-lined study of some professor whose wisdom was such a mixture of classic lore and modernism as to be an inspiration to his listeners. Midwest professors delivered their lectures in the classroom as they had been delivering them in the past ten or twenty years and as they would deliver them until death or a trustees’ meeting should remove them. The younger professors and instructors in natty gray suits and bright-coloured ties made a point of being unpedantic in the classroom and rather overdid it. They posed as being one of the fellows; would dashingly use a bit of slang to create a laugh from the boys and an adoring titter from the girls. Dirk somehow preferred the pedants to these. When these had to give an informal talk to the men before some university event they would start by saying, “Now listen, fellahs——” At the dances they were not above “rushing” the pretty co-eds.

Two of Dirk’s classes were conducted by women professors. They were well on toward middle age, or past it; desiccated women. Only their eyes were alive. Their clothes were of some indefinite dark stuff, brown or drab-gray; their hair lifeless; their hands long, bony, unvital. They had seen classes and classes and classes. A roomful of fresh young faces that appeared briefly only to be replaced by another roomful of fresh young faces like round white pencil marks manipulated momentarily on a slate, only to be sponged off to give way to other round white marks. Of the two women one—the elder—was occasionally likely to flare into sudden life; a flame in the ashes of a burned-out grate. She had humour and a certain caustic wit, qualities that had managed miraculously to survive even the deadly and numbing effects of thirty years in the classroom. A fine mind, and iconoclastic, hampered by the restrictions of a conventional community and the soul of a congenital spinster.

Under the guidance of these Dirk chafed and grew restless. Miss Euphemia Hollingswood had a way of emphasizing every third or fifth syllable, bringing her voice down hard on it, thus:

“In the consideration of all the facts in the case presented before us we must first review the history and attempt to analyze the outstanding——”

He found himself waiting for that emphasis and shrinking from it as from a sledge-hammer blow. It hurt his head.

Miss Lodge droned. She approached a word with a maddening uh-uh-uh-uh. In the uh-uh-uh face of the uh-uh-uh-uh geometrical situation of the uh-uh-uh uh——

He shifted restlessly in his chair, found his hands clenched into fists, and took refuge in watching the shadow cast by an oak branch outside the window on a patch of sunlight against the blackboard behind her.

During the early spring Dirk and Selina talked things over again, seated before their own fireplace in the High Prairie farmhouse. Selina had had that fireplace built five years before and her love of it amounted to fire-worship. She had it lighted always on winter evenings and in the spring when the nights were sharp. In Dirk’s absence she would sit before it at night long after the rest of the weary household had gone to bed. Old Pom, the mongrel, lay stretched at her feet enjoying such luxury in old age as he had never dreamed of in his bastard youth. High Prairie, driving by from some rare social gathering or making a late trip to market as they sometimes were forced to do, saw the rosy flicker of Mrs. DeJong’s fire dancing on the wall and warmed themselves by it even while they resented it.

“A good heater in there and yet anyway she’s got to have a fire going in a grate. Always she does something funny like that. I should think she’d be lonesome sitting there like that with her dog only.”

They never knew how many guests Selina entertained there before her fire those winter evenings—old friends and new. Sobig was there, the plump earth-grimed baby who rolled and tumbled in the fields while his young mother wiped the sweat from her face to look at him with fond eyes. Dirk DeJong of ten years hence was there. Simeon Peake, dapper, soft-spoken, ironic, in his shiny boots and his hat always a little on one side. Pervus DeJong, a blue-shirted giant with strong tender hands and little fine golden hairs on the backs of them. Fanny Davenport, the actress-idol of her girlhood came back to her, smiling, bowing; and the gorgeous spangled creatures in the tights and bodices of the old Extravaganzas. In strange contrast to these was the patient, tireless figure of Maartje Pool standing in the doorway of Roelf’s little shed, her arms tucked in her apron for warmth. “You make fun, huh?” she said, wistfully, “you and Roelf. You make fun.” And Roelf, the dark vivid boy, misunderstood. Roelf, the genius. He was always one of the company.

Oh, Selina DeJong never was lonely on these winter evenings before her fire.

She and Dirk sat there one fine sharp evening in early April. It was Saturday. Of late Dirk had not always come to the farm for the week-end. Eugene and Paula Arnold had been home for the Easter holidays. Julie Arnold had invited Dirk to the gay parties at the Prairie Avenue house. He had even spent two entire week-ends there. After the brocaded luxury of the Prairie Avenue house his farm bedroom seemed almost startlingly stark and bare. Selina frankly enjoyed Dirk’s somewhat fragmentary accounts of these visits; extracted from them as much vicarious pleasure as he had had in the reality—more, probably.

“Now tell me what you had to eat,” she would say, sociably, like a child. “What did you have for dinner, for example? Was it grand? Julie tells me they have a butler now. Well! I can’t wait till I hear Aug Hempel on the subject.”

He would tell her of the grandeurs of the Arnold mÉnage. She would interrupt and exclaim: “Mayonnaise! On fruit! Oh, I don’t believe I’d like that. You did! Well, I’ll have it for you next week when you come home. I’ll get the recipe from Julie.”

He didn’t think he’d be home next week. One of the fellows he’d met at the Arnolds’ had invited him to their place out north, on the lake. He had a boat.

“That’ll be lovely!” Selina exclaimed, after an almost unnoticeable moment of silence—silence with panic in it. “I’ll try not to fuss and be worried like an old hen every minute of the time I think you’re on the water. . . . Now do go on, Sobig. First fruit with mayonnaise, h’m? What kind of soup?”

He was not a naturally talkative person. There was nothing surly about his silence. It was a taciturn streak inherited from his Dutch ancestry. This time, though, he was more voluble than usual. “Paula . . .” came again and again into his conversation. “Paula . . . Paula . . .” and again “. . . Paula.” He did not seem conscious of the repetition, but Selina’s quick ear caught it.

“I haven’t seen her,” Selina said, “since she went away to school the first year. She must be—let’s see—she’s a year older than you are. She’s nineteen going on twenty. Last time I saw her I thought she was a dark scrawny little thing. Too bad she didn’t inherit Julie’s lovely gold colouring and good looks, instead of Eugene, who doesn’t need ’em.”

“She isn’t!” said Dirk, hotly. “She’s dark and slim and sort of—uh—sensuous”—Selina started visibly, and raised her hand quickly to her mouth to hide a smile—“like Cleopatra. Her eyes are big and kind of slanting—not squinty I don’t mean, but slanting up a little at the corners. Cut out, kind of, so that they look bigger than most people’s.”

“My eyes used to be considered rather fine,” said Selina, mischievously; but he did not hear.

“She makes all the other girls look sort of blowzy.” He was silent a moment. Selina was silent, too, and it was not a happy silence. Dirk spoke again, suddenly, as though continuing aloud a train of thought, “—all but her hands.”

Selina made her voice sound natural, not sharply inquisitive. “What’s the matter with her hands, Dirk?”

He pondered a moment, his brows knitted. At last, slowly, “Well, I don’t know. They’re brown, and awfully thin and sort of—grabby. I mean it makes me nervous to watch them. And when the rest of her is cool they’re hot when you touch them.”

He looked at his mother’s hands that were busy with some sewing. The stuff on which she was working was a bit of satin ribbon; part of a hood intended to grace the head of Geertje Pool Vander Sijde’s second baby. She had difficulty in keeping her rough fingers from catching on the soft surface of the satin. Manual work, water, sun, and wind had tanned those hands, hardened them, enlarged the knuckles, spread them, roughened them. Yet how sure they were, and strong, and cool and reliable—and tender. Suddenly, looking at them, Dirk said, “Now your hands. I love your hands, Mother.”

She put down her work hastily, yet quietly, so that the sudden rush of happy grateful tears in her eyes should not sully the pink satin ribbon. She was flushed, like a girl. “Do you, Sobig?” she said.

After a moment she took up her sewing again. Her face looked young, eager, fresh, like the face of the girl who had found cabbages so beautiful that night when she bounced along the rutty Halsted road with Klaas Pool, many years ago. It came into her face, that look, when she was happy, exhilarated, excited. That was why those who loved her and brought that look into her face thought her beautiful, while those who did not love her never saw the look and consequently considered her a plain woman.

There was another silence between the two. Then: “Mother, what would you think of my going East next fall, to take a course in architecture?”

“Would you like that, Dirk?”

“Yes, I think so—yes.”

“Then I’d like it better than anything in the world. I—it makes me happy just to think of it.”

“It would—cost an awful lot.”

“I’ll manage. I’ll manage. . . . What made you decide on architecture?”

“I don’t know, exactly. The new buildings at the university—Gothic, you know—are such a contrast to the old. Then Paula and I were talking the other day. She hates their house on Prairie—terrible old lumpy gray stone pile, with the black of the I. C. trains all over it. She wants her father to build north—an Italian villa or French chÂteau. Something of that sort. So many of her friends are moving to the north shore, away from these hideous south-side and north-side Chicago houses with their stoops, and their bay windows, and their terrible turrets. Ugh!”

“Well, now, do you know,” Selina remonstrated mildly, “I like ’em. I suppose I’m wrong, but to me they seem sort of natural and solid and unpretentious, like the clothes that old August Hempel wears, so squarecut and baggy. Those houses look dignified to me, and fitting. They may be ugly—probably are—but anyway they’re not ridiculous. They have a certain rugged grandeur. They’re Chicago. Those French and Italian gimcracky things they—they’re incongruous. It’s as if Abraham Lincoln were to appear suddenly in pink satin knee breeches and buckled shoes, and lace ruffles at his wrists.”

Dirk could laugh at that picture. But he protested, too. “But there’s no native architecture, so what’s to be done! You wouldn’t call those smoke-blackened old stone and brick piles with their iron fences and their conservatories and cupolas and gingerbread exactly native, would you?”

“No,” Selina admitted, “but those Italian villas and French chÂteaux in north Chicago suburbs are a good deal like a lace evening gown in the Arizona desert. It wouldn’t keep you cool in the daytime, and it wouldn’t be warm enough at night. I suppose a native architecture is evolved from building for the local climate and the needs of the community, keeping beauty in mind as you go. We don’t need turrets and towers any more than we need draw-bridges and moats. It’s all right to keep them, I suppose, where they grew up, in a country where the feudal system meant that any day your next-door neighbour might take it into his head to call his gang around him and sneak up to steal your wife and tapestries and gold drinking cups.”

Dirk was interested and amused. Talks with his mother were likely to affect him thus. “What’s your idea of a real Chicago house, Mother?”

Selina answered quickly, as if she had thought often about it; as if she would have liked just such a dwelling on the site of the old DeJong farmhouse in which they now were seated so comfortably. “Well, it would need big porches for the hot days and nights so’s to catch the prevailing southwest winds from the prairies in the summer—a porch that would be swung clear around to the east, too—or a terrace or another porch east so that if the precious old lake breeze should come up just when you think you’re dying of the heat, as it sometimes does, you could catch that, too. It ought to be built—the house, I mean—rather squarish and tight and solid against our cold winters and north-easters. Then sleeping porches, of course. There’s a grand American institution for you! England may have its afternoon tea on the terrace, and Spain may have its patio, and France its courtyard, and Italy its pergola, vine-covered; but America’s got the sleeping porch—the screened-in open-air sleeping porch, and I shouldn’t wonder if the man who first thought of that would get precedence, on Judgment Day, over the men who invented the aeroplane, the talking machine, and the telephone. After all, he had nothing in mind but the health of the human race.” After which grand period Selina grinned at Dirk, and Dirk grinned at Selina and the two giggled together there by the fireplace, companionably.

“Mother, you’re simply wonderful!—only your native Chicago dwelling seems to be mostly porch.”

Selina waved such carping criticism away with a careless hand. “Oh, well, any house that has enough porches, and two or three bathrooms and at least eight closets can be lived in comfortably, no matter what else it has or hasn’t got.”

Next day they were more serious. The eastern college and the architectural career seemed to be settled things. Selina was content, happy. Dirk was troubled about the expense. He spoke of it at breakfast next morning (Dirk’s breakfast; his mother had had hers hours before and now as he drank his coffee, was sitting with him a moment and glancing at the paper that had come in the rural mail delivery). She had been out in the fields overseeing the transplanting of young tomato seedlings from hotbed to field. She wore an old gray sweater buttoned up tight, for the air was still sharp. On her head was a battered black felt soft hat (an old one of Dirk’s) much like the one she had worn to the Haymarket that day ten years ago. Selina’s cheeks were faintly pink from her walk across the fields in the brisk morning air.

She sniffed. “That coffee smells wonderful. I think I’ll just——” She poured herself a half cup with the air of virtue worn by one who really longs for a whole cup and doesn’t take it.

“I’ve been thinking,” he began, “the expense——”

“Pigs,” said Selina, serenely.

“Pigs!” He looked around, bewildered; stared at his mother.

“Pigs’ll do it,” Selina explained, calmly. “I’ve been wanting to put them in for three or four years. It’s August Hempel’s idea. Hogs, I should have said.”

Again, as before, he echoed, “Hogs!” rather faintly.

“High-bred hogs. They’re worth their weight in silver this minute, and will be for years to come. I won’t go in for them extensively. Just enough to make an architect out of Mr. Dirk DeJong.” Then, at the expression in his face: “Don’t look so pained, son. There’s nothing revolting about a hog—not my kind, brought up in a pen as sanitary as a tiled bathroom and fed on corn. He’s a handsome, impressive-looking animal, the hog, when he isn’t treated like one.”

He looked dejected. “I’d rather not go to school on—hogs.”

She took off the felt hat and tossed it over to the old couch by the window; smoothed her hair back with the flat of her palm. You saw that the soft dark hair was liberally sprinkled with gray now, but the eyes were bright and clear as ever.

“You know, Sobig, this is what they call a paying farm—as vegetable farms go. We’re out of debt, the land’s in good shape, the crop promises well if we don’t have another rainy cold spring like last year’s. But no truck garden is going to make its owner rich these days, with labour so high and the market what it is, and the expense of hauling and all. Any truck farmer who comes out even thinks he’s come out ahead.”

“I know it.” Rather miserably.

“Well. I’m not complaining, son. I’m just telling you. I’m having a grand time. When I see the asparagus plantation actually yielding, that I planted ten years ago, I’m as happy as if I’d stumbled on a gold mine. I think, sometimes, of the way your father objected to my planting the first one. April, like this, in the country, with everything coming up green and new in the rich black loam—I can’t tell you. And when I know that it goes to market as food—the best kind of food, that keeps people’s bodies clean and clear and flexible and strong! I like to think of babies’ mothers saying: ‘Now eat your spinach, every scrap, or you can’t have any dessert! . . . Carrots make your eyes bright. . . . Finish your potato. Potatoes make you strong!’ ”

Selina laughed, flushed a little.

“Yes, but how about hogs? Do you feel that way about hogs?”

“Certainly!” said Selina, briskly. She pushed toward him a little blue-and-white platter that lay on the white cloth near her elbow. “Have a bit more bacon, Dirk. One of these nice curly slivers that are so crisp.”

“I’ve finished my breakfast, Mother.” He rose.

The following autumn saw him a student of architecture at Cornell. He worked hard, studied even during his vacations. He would come home to the heat and humidity of the Illinois summers and spend hours each day in his own room that he had fitted up with a long work table and a drawing board. His T-square was at hand; two triangles—a 45 and a 60; his compass; a pair of dividers. Selina sometimes stood behind him watching him as he carefully worked on the tracing paper. His contempt for the local architecture was now complete. Especially did he hold forth on the subject of the apartment-houses that were mushrooming on every street in Chicago from Hyde Park on the south to Evanston on the north. Chicago was very elegant in speaking of these; never called them “flats”; always apartments. In front of each of these (there were usually six to a building), was stuck a little glass-enclosed cubicle known as a sun-parlour. In these (sometimes you heard them spoken of, grandly, as solariums) Chicago dwellers took refuge from the leaden skies, the heavy lake atmosphere, the gray mist and fog and smoke that so frequently swathed the city in gloom. They were done in yellow or rose cretonnes. Silk lamp shades glowed therein, and flower-laden boxes. In these frank little boxes Chicago read its paper, sewed, played bridge, even ate its breakfast. It never pulled down the shades.

“Terrible!” Dirk fumed. “Not only are they hideous in themselves, stuck on the front of those houses like three pairs of spectacles; but the lack of decent privacy! They do everything but bathe in ’em. Have they never heard the advice given people who live in glass houses!”

By his junior year he was talking in a large way about the Beaux Arts. But Selina did not laugh at this. “Perhaps,” she thought. “Who can tell! After a year or two in an office here, why not another year of study in Paris if he needs it.”

Though it was her busiest time on the farm Selina went to Ithaca for his graduation in 1913. He was twenty-two and, she was calmly sure, the best-looking man in his class. Undeniably he was a figure to please the eye; tall, well-built, as his father had been, and blond, too, like his father, except for his eyes. These were brown—not so dark as Selina’s, but with some of the soft liquid quality of her glance. They strengthened his face, somehow; gave him an ardent look of which he was not conscious. Women, feeling the ardour of that dark glance turned upon them, were likely to credit him with feelings toward themselves of which he was quite innocent. They did not know that the glance and its effect were mere matters of pigmentation and eye-conformation. Then, too, the gaze of a man who talks little is always more effective than that of one who is loquacious.

Selina, in her black silk dress, and her plain black hat, and her sensible shoes was rather a quaint little figure amongst all those vivacious, bevoiled, and beribboned mammas. But a distinctive little figure, too. Dirk need not be ashamed of her. She eyed the rather paunchy, prosperous, middle-aged fathers and thought, with a pang, how much handsomer Pervus would have been than any of these, if only he could have lived to see this day. Then, involuntarily, she wondered if this day would ever have occurred, had Pervus lived. Chided herself for thinking thus.

When he returned to Chicago, Dirk went into the office of Hollis & Sprague, Architects. He thought himself lucky to work with this firm, for it was doing much to guide Chicago’s taste in architecture away from the box car. Already Michigan Boulevard’s skyline soared somewhat above the grimly horizontal. But his work there was little more than that of draughtsman, and his weekly stipend could hardly be dignified by the term of salary. But he had large ideas about architecture and he found expression for his suppressed feelings on his week-ends spent with Selina at the farm. “Baroque” was the word with which he dismissed the new Beachside Hotel, north. He said the new Lincoln Park band-stand looked like an igloo. He said that the city council ought to order the Potter Palmer mansion destroyed as a blot on the landscape, and waxed profane on the subject of the east face of the Public Library Building, down town.

“Never mind,” Selina assured him, happily. “It was all thrown up so hastily. Remember that just yesterday, or the day before, Chicago was an Indian fort, with tepees where towers are now, and mud wallows in place of asphalt. Beauty needs time to perfect it. Perhaps we’ve been waiting all these years for just such youngsters as you. And maybe some day I’ll be driving down Michigan Boulevard with a distinguished visitor—Roelf Pool, perhaps. Why not? Let’s say Roelf Pool, the famous sculptor. And he’ll say, ‘Who designed that building—the one that is so strong and yet so light? So gay and graceful, and yet so reticent!’ And I’ll say, ‘Oh, that! That’s one of the earlier efforts of my son, Dirk DeJong.’ ”

But Dirk pulled at his pipe moodily; shook his head. “Oh, you don’t know, Mother. It’s so damned slow. First thing you know I’ll be thirty. And what am I! An office boy—or little more than that—at Hollis’s.”

During his university years Dirk had seen much of the Arnolds, Eugene and Paula, but it sometimes seemed to Selina that he avoided these meetings—these parties and week-ends. She was content that this should be so, for she guessed that the matter of money held him back. She thought it was well that he should realize the difference now. Eugene had his own car—one of five in the Arnold garage. Paula, too, had hers. She had been one of the first Chicago girls to drive a gas car; had breezed about Chicago’s boulevards in one when she had been little more than a child in short skirts. At the wheel she was dexterous, dare-devil, incredibly relaxed. Her fascination for Dirk was strong. Selina knew that, too. In the last year or two he had talked very little of Paula and that, Selina knew, meant that he was hard hit.

Sometimes Paula and Eugene drove out to the farm, making the distance from their new north-shore house to the DeJong place far south in some breath-taking number of minutes. Eugene would appear in rakish cap, loose London coat, knickers, queer brogans with an English look about them, a carefully careless looseness about the hang and fit of his jacket. Paula did not affect sports clothes for herself. She was not the type, she said. Slim, dark, vivacious, she wore slinky clothes—crÊpes, chiffons. Her feet were slim in sheer silk stockings and slippers with buckles. Her eyes were languorous, lovely. She worshipped luxury and said so.

“I’ll have to marry money,” she declared. “Now that they’ve finished calling poor Grandpa a beef-baron and taken I don’t know how many millions away from him, we’re practically on the streets.”

“You look it!” from Dirk; and there was bitterness beneath his light tone.

“Well, it’s true. All this silly muckraking in the past ten years or more. Poor Father! Of course Grand-dad was pur-ty rough, let me tell you. I read some of the accounts of that last indictment—the 1910 one—and I must say I gathered that dear old Aug made Jesse James look like a philanthropist. I should think, at his age, he’d be a little scared. After all, when you’re over seventy you’re likely to have some doubts and fears about punishment in the next world. But not a grand old pirate like Grandfather. He’ll sack and burn and plunder until he goes down with the ship. And it looks to me as if the old boat had a pretty strong list to starboard right now. Father says himself that unless a war breaks, or something, which isn’t at all likely, the packing industry is going to spring a leak.”

“Elaborate figure of speech,” murmured Eugene. The four of them—Paula, Dirk, Eugene, and Selina—, were sitting on the wide screened porch that Selina had had built at the southwest corner of the house. Paula was, of course, in the couch-swing. Occasionally she touched one slim languid foot to the floor and gave indolent impetus to the couch.

“It is, rather, isn’t it? Might as well finish it, then. Darling Aug’s been the grand old captain right through the vi’age. Dad’s never been more than a pretty bum second mate. And as for you, Gene my love, cabin boy would be, y’understand me, big.” Eugene had gone into the business a year before.

“What can you expect,” retorted Eugene, “of a lad that hates salt pork? And every other kind of pig meat?” He despised the yards and all that went with it.

Selina now got up and walked to the end of the porch. She looked out across the fields, shading her eyes with her hand. “There’s Adam coming in with the last load for the day. He’ll be driving into town now. Cornelius started an hour ago.” The DeJong farm sent two great loads to the city now. Selina was contemplating the purchase of one of the large automobile trucks that would do away with the plodding horses and save hours of time on the trip. She went down the steps now on her way to oversee the loading of Adam Bras’s wagon. At the bottom of the steps she turned. “Why can’t you two stay to supper? You can quarrel comfortably right through the meal and drive home in the cool of the evening.”

“I’ll stay,” said Paula, “thanks. If you’ll have all kinds of vegetables, cooked and uncooked. The cooked ones smothered in cream and oozing butter. And let me go out into the fields and pick ’em myself like Maud Muller or Marie Antoinette or any of those make-believe rustic gals.”

In her French-heeled slippers and her filmy silk stockings she went out into the rich black furrows of the fields, Dirk carrying the basket.

“Asparagus,” she ordered first. Then, “But where is it? Is that it!”

“You dig for it, idiot,” said Dirk, stooping, and taking from his basket the queerly curved sharp knife or spud used for cutting the asparagus shoots. “Cut the shoots three or four inches below the surface.”

“Oh, let me do it!” She was down on her silken knees in the dirt, ruined a goodly patch of the fine tender shoots, gave it up and sat watching Dirk’s expert manipulation of the knife. “Let’s have radishes, and corn, and tomatoes and lettuce and peas and artichokes and——”

“Artichokes grow in California, not Illinois.” He was more than usually uncommunicative, and noticeably moody.

Paula remarked it. “Why the Othello brow?”

“You didn’t mean that rot, did you? about marrying a rich man.”

“Of course I meant it. What other sort of man do you think I ought to marry?” He looked at her, silently. She smiled. “Yes, wouldn’t I make an ideal bride for a farmer!”

“I’m not a farmer.”

“Well, architect then. Your job as draughtsman at Hollis & Sprague’s must pay you all of twenty-five a week.”

“Thirty-five,” said Dirk, grimly. “What’s that got to do with it!”

“Not a thing, darling.” She stuck out one foot. “These slippers cost thirty.”

“I won’t be getting thirty-five a week all my life. You’ve got brains enough to know that. Eugene wouldn’t be getting that much if he weren’t the son of his father.”

“The grandson of his grandfather,” Paula corrected him. “And I’m not so sure he wouldn’t. Gene’s a born mechanic if they’d just let him work at it. He’s crazy about engines and all that junk. But no—‘Millionaire Packer’s Son Learns Business from Bottom Rung of Ladder.’ Picture of Gene in workman’s overalls and cap in the Sunday papers. He drives to the office on Michigan at ten and leaves at four and he doesn’t know a steer from a cow when he sees it.”

“I don’t care a damn about Gene. I’m talking about you. You were joking, weren’t you?”

“I wasn’t. I’d hate being poor, or even just moderately rich. I’m used to money—loads of it. I’m twenty-four. And I’m looking around.”

He kicked an innocent beet-top with his boot. “You like me better than any man you know.”

“Of course I do. Just my luck.”

“Well, then!”

“Well, then, let’s take these weggibles in and have ’em cooked in cream, as ordered.”

She made a pretense of lifting the heavy basket. Dirk snatched it roughly out of her hand so that she gave a little cry and looked ruefully down at the red mark on her palm. He caught her by the shoulder—even shook her a little. “Look here, Paula. Do you mean to tell me you’d marry a man simply because he happened to have a lot of money!”

“Perhaps not simply because he had a lot of money. But it certainly would be a factor, among other things. Certainly he would be preferable to a man who knocked me about the fields as if I were a bag of potatoes.”

“Oh, forgive me. But—listen, Paula—you know I’m—gosh!—— And there I am stuck in an architect’s office and it’ll be years before I——”

“Yes, but it’ll probably be years before I meet the millions I require, too. So why bother? And even if I do, you and I can be just as good friends.”

“Oh, shut up. Don’t pull that ingÉnue stuff on me, please. Remember I’ve known you since you were ten years old.”

“And you know just how black my heart is, don’t you, what? You want, really, some nice hearty lass who can tell asparagus from peas when she sees ’em, and who’ll offer to race you from here to the kitchen.”

“God forbid!”

Six months later Paula Arnold was married to Theodore A. Storm, a man of fifty, a friend of her father’s, head of so many companies, stockholder in so many banks, director of so many corporations that even old Aug Hempel seemed a recluse from business in comparison. She never called him Teddy. No one ever did. Theodore Storm was a large man—not exactly stout, perhaps, but flabby. His inches saved him from grossness. He had a large white serious face, fine thick dark hair, graying at the temples, and he dressed very well except for a leaning toward rather effeminate ties. He built for Paula a town house on the Lake Shore drive in the region known as the Gold Coast. The house looked like a restrained public library. There was a country place beyond Lake Forest far out on the north shore, sloping down to the lake and surrounded by acres and acres of fine woodland, expertly parked. There were drives, ravines, brooks, bridges, hothouses, stables, a race-track, gardens, dairies, fountains, bosky paths, keeper’s cottage (twice the size of Selina’s farmhouse). Within three years Paula had two children, a boy and a girl. “There! That’s done,” she said. Her marriage was a great mistake and she knew it. For the war, coming in 1914, a few months after her wedding, sent the Hempel-Arnold interests sky-rocketing. Millions of pounds of American beef and pork were shipped to Europe. In two years the Hempel fortune was greater than it ever had been. Paula was up to her eyes in relief work for Bleeding Belgium. All the Gold Coast was. The Beautiful Mrs. Theodore A. Storm in her Gift Shop Conducted for the Relief of Bleeding Belgium.

Dirk had not seen her in months. She telephoned him unexpectedly one Friday afternoon in his office at Hollis & Sprague’s.

“Come out and spend Saturday and Sunday with us, won’t you? We’re running away to the country this afternoon. I’m so sick of Bleeding Belgium, you can’t imagine. I’m sending the children out this morning. I can’t get away so early. I’ll call for you in the roadster this afternoon at four and drive you out myself.”

“I am going to spend the week-end with Mother. She’s expecting me.”

“Bring her along.”

“She wouldn’t come. You know she doesn’t enjoy all that velvet-footed servitor stuff.”

“Oh, but we live quite simply out there, really. Just sort of rough it. Do come, Dirk. I’ve got some plans to talk over with you . . . How’s the job?”

“Oh, good enough. There’s very little building going on, you know.”

“Will you come?”

“I don’t think I——”

“I’ll call for you at four. I’ll be at the curb. Don’t keep me waiting, will you? The cops fuss so if you park in the Loop after four.”

“Run along!” said Selina, when he called her on the farm telephone. “It’ll do you good. You’ve been as grumpy as a gander for weeks. How about shirts? And you left one pair of flannel tennis pants out here last fall—clean ones. Won’t you need . . .”

In town he lived in a large front room and alcove on the third floor of a handsome old-fashioned three-story-and-basement house in Deming Place. He used the front room as a living room, the alcove as a bedroom. He and Selina had furnished it together, discarding all of the room’s original belongings except the bed, a table, and one fat comfortable faded old armchair whose brocade surface hinted a past grandeur. When he had got his books ranged in open shelves along one wall, soft-shaded lamps on table and desk, the place looked more than livable; lived in. During the process of furnishing Selina got into the way of coming into town for a day or two to prowl the auction rooms and the second-hand stores. She had a genius for this sort of thing; hated the spick-and-span varnish and veneer of the new furniture to be got in the regular way.

“Any piece of furniture, I don’t care how beautiful it is, has got to be lived with, and kicked about, and rubbed down, and mistreated by servants, and repolished, and knocked around and dusted and sat on or slept in or eaten off of before it develops its real character,” Selina said. “A good deal like human beings. I’d rather have my old maple table, mellow with age and rubbing, that Pervus’s father put together himself by hand seventy years ago, than all the mahogany library slabs on Wabash Avenue.”

She enjoyed these rare trips into town; made a holiday of them. Dirk would take her to the theatre and she would sit entranced. Her feeling for this form of entertainment was as fresh and eager as it had been in the days of the Daly Stock Company when she, a little girl, had been seated in the parquet with her father, Simeon Peake. Strangely enough, considering the lack of what the world calls romance and adventure in her life, she did not like the motion pictures. “All the difference in the world,” she would say, “between the movies and the thrill I get out of a play at the theatre. My, yes! Like fooling with paper dolls when you could be playing with a real live baby.”

She developed a mania for nosing into strange corners of the huge sprawling city; seemed to discover a fresh wonder on each visit. In a short time she was more familiar with Chicago than was Dirk—for that matter, than old Aug Hempel who had lived in it for over half a century but who never had gone far afield in his pendulum path between the yards and his house, his house and the yards.

The things that excited her about Chicago did not seem to interest Dirk at all. Sometimes she took a vacant room for a day or two in Dirk’s boarding house. “What do you think!” she would say to him, breathlessly, when he returned from the office in the evening. “I’ve been way over on the northwest side. It’s another world. It’s—it’s Poland. Cathedrals and shops and men sitting in restaurants all day long reading papers and drinking coffee and playing dominoes or something like it. And what do you think I found out! Chicago’s got the second largest Polish population of any city in the world. In the world!”

“Yeh?” Dirk would reply, absently.

There was nothing absent-minded about his tone this afternoon as he talked to his mother on the telephone. “Sure you don’t mind? Then I’ll be out next Saturday. Or I may run out in the middle of the week to stay over night . . . Are you all right?”

“I’m fine. Be sure and remember all about Paula’s new house so’s you can tell me about it. Julie says it’s like the kind you read of in the novels. She says old Aug saw it just once and now won’t go near it even to visit his grandchildren.”

The day was marvellously mild for March in Chicago. Spring, usually so coy in this region, had flung herself at them head first. As the massive revolving door of Dirk’s office building fanned him into the street he saw Paula in her long low sporting roadster at the curb. She was dressed in black. All feminine fashionable and middle-class Chicago was dressed in black. All feminine fashionable and middle-class America was dressed in black. Two years of war had robbed Paris of its husbands, brothers, sons. All Paris walked in black. America, untouched, gayly borrowed the smart habiliments of mourning and now Michigan Boulevard and Fifth Avenue walked demurely in the gloom of crÊpe and chiffon; black hats, black gloves, black slippers. Only black was “good” this year.

Paula did not wear black well. She was a shade too sallow for these sombre swathings even though relieved by a pearl strand of exquisite colour, flawlessly matched; and a new sly face-powder. Paula smiled up at him, patted the leather seat beside her with one hand that was absurdly thick-fingered in its fur-lined glove.

“It’s cold driving. Button up tight. Where’ll we stop for your bag? Are you still in Deming Place?”

He was still in Deming Place. He climbed into the seat beside her—a feat for the young and nimble. Theodore Storm never tried to double his bulk into the jack-knife position necessary to riding in his wife’s roadster. The car was built for speed, not comfort. One sat flat with the length of one’s legs stretched out. Paula’s feet, pedalling brake and clutch so expertly, were inadequately clothed in sheer black silk stockings and slim buckled patent-leather slippers.

“You’re not dressed warmly enough,” her husband would have said. “Those shoes are idiotic for driving.” And he would have been right.

Dirk said nothing.

Her manipulation of the wheel was witchcraft. The roadster slid in and out of traffic like a fluid thing, an enamel stream, silent as a swift current in a river. “Can’t let her out here,” said Paula. “Wait till we get past Lincoln Park. Do you suppose they’ll ever really get rid of this terrible Rush Street bridge?” When his house was reached, “I’m coming up,” she said. “I suppose you haven’t any tea?”

“Gosh, no! What do you think I am! A young man in an English novel!”

“Now, don’t be provincial and Chicago-ish, Dirk.” They climbed the three flights of stairs. She looked about. Her glance was not disapproving. “This isn’t so bad. Who did it? She did! Very nice. But of course you ought to have your own smart little apartment, with a Jap to do you up. To do that for you, for example.”

“Yes,” grimly. He was packing his bag—not throwing clothes into it, but folding them deftly, neatly, as the son of a wise mother packs. “My salary’d just about keep him in white linen house-coats.”

She was walking about the living room, picking up a book, putting it down, fingering an ash tray, gazing out of the window, examining a photograph, smoking a cigarette from the box on his table. Restless, nervously alive, catlike. “I’m going to send you some things for your room, Dirk.”

“For God’s sake don’t!”

“Why not?”

“Two kinds of women in the world. I learned that at college. Those who send men things for their rooms and those that don’t.”

“You’re very rude.”

“You asked me. There! I’m all set.” He snapped the lock of his bag. “I’m sorry I can’t give you anything. I haven’t a thing. Not even a glass of wine and a—what is it they say in books?—oh, yeh—a biscuit.”

In the roadster again they slid smoothly out along the drive, along Sheridan Road, swung sharply around the cemetery curve into Evanston, past the smug middle-class suburban neatness of Wilmette and Winnetka. She negotiated expertly the nerve-racking curves of the Hubbard Woods hills, then maintained a fierce and steady speed for the remainder of the drive.

“We call the place Stormwood,” Paula told him. “And nobody outside the dear family knows how fitting that is. Don’t scowl. I’m not going to tell you my marital woes. And don’t you say I asked for it. . . . How’s the job?”

“Rotten.”

“You don’t like it? The work?”

“I like it well enough, only—well, you see we leave the university architectural course thinking we’re all going to be Stanford Whites or Cass Gilberts, tossing off a Woolworth building and making ourselves famous overnight. I’ve spent all yesterday and to-day planning how to work in space for toilets on every floor of the new office building, six stories high and shaped like a drygoods box, that’s going up on the corner of Milwaukee Avenue and Ashland, west.”

“And ten years from now?”

“Ten years from now maybe they’ll let me do the plans for the drygoods box all alone.”

“Why don’t you drop it?”

He was startled. “Drop it! How do you mean?”

“Chuck it. Do something that will bring you quick results. This isn’t an age of waiting. Suppose, twenty years from now, you do plan a grand Gothic office building to grace this new and glorified Michigan Boulevard they’re always shouting about! You’ll be a middle-aged man living in a middle-class house in a middle-class suburb with a middle-class wife.”

“Maybe”—slightly nettled. “And maybe I’ll be the Sir Christopher Wren of Chicago.”

“Who’s he?”

“Good G——, how often have you been in London?”

“Three times.”

“Next time you find yourself there you might cast your eye over a very nice little structure called St. Paul’s Cathedral. I’ve never seen it but it has been very well spoken of.”

They turned in at the gates of Stormwood. Though the trees and bushes were gaunt and bare the grass already showed stretches of vivid green. In the fading light one caught glimpses through the shrubbery of the lake beyond. It was a dazzling sapphire blue in the sunset. A final turn of the drive. An avenue of trees. A house, massive, pillared, porticoed. The door opened as they drew up at the entrance. A maid in cap and apron stood in the doorway. A man appeared at the side of the car, coming seemingly from nowhere, greeted Paula civilly and drove the car off. The glow of an open fire in the hall welcomed them. “He’ll bring up your bag,” said Paula. “How’re the babies, Anna? Has Mr. Storm got here?”

“He telephoned, Mrs. Storm. He says he won’t be out till late—maybe ten or after. Anyway, you’re not to wait dinner.”

Paula, from being the limp, expert, fearless driver of the high-powered roadster was now suddenly very much the mistress of the house, quietly observant, giving an order with a lift of the eyebrow or a nod of the head. Would Dirk like to go to his room at once? Perhaps he’d like to look at the babies before they went to sleep for the night, though the nurse would probably throw him out. One of those stern British females. Dinner at seven-thirty. He needn’t dress. Just as he liked. Everything was very informal here. They roughed it. (Dirk had counted thirteen servants by noon next day and hadn’t been near the kitchen, laundry, or dairy.)

His room, when he reached it, he thought pretty awful. A great square chamber with narrow leaded windows, deep-set, on either side. From one he could get a glimpse of the lake, but only a glimpse. Evidently the family bedrooms were the lake rooms. In the DeJong code and class the guest had the best but evidently among these moneyed ones the family had the best and the guest was made comfortable, but was not pampered. It was a new angle for Dirk. He thought it startling but rather sensible. His bag had been brought up, unpacked, and stowed away in a closet before he reached his room. “Have to tell that to Selina,” he thought, grinning. He looked about the room, critically. It was done in a style that he vaguely defined as French. It gave him the feeling that he had stumbled accidentally into the chamber of a RÉcamier and couldn’t get out. Rose brocade with gold net and cream lace and rosebuds. “Swell place for a man,” he thought, and kicked a footstool—a fauteuil he supposed it was called, and was secretly glad that he could pronounce it faultlessly. Long mirrors, silken hanging, cream walls. The bed was lace hung. The coverlet was rose satin, feather-light. He explored his bathroom. It actually was a room, much larger than his alcove bedroom on Deming Place—as large as his own bedroom at home on the farm. The bath was done dazzlingly in blue and white. The tub was enormous and as solid as if the house had been built around it. There were towels and towels and towels in blue and white, ranging in size all the way from tiny embroidered wisps to fuzzy all-enveloping bath towels as big as a carpet.

He was much impressed.

He decided to bathe and change into dinner clothes and was glad of this when he found Paula in black chiffon before the fire in the great beamed room she had called the library. Dirk thought she looked very beautiful in that diaphanous stuff, with the pearls. Her heart-shaped face, with its large eyes that slanted a little at the corners; her long slim throat; her dark hair piled high and away from her little ears. He decided not to mention it.

“You look extremely dangerous,” said Paula.

“I am,” replied Dirk, “but it’s hunger that brings this look of the beast to my usually mild Dutch features. Also, why do you call this the library?” Empty shelves gaped from the wall on all sides. The room was meant to hold hundreds of volumes. Perhaps fifty or sixty in all now leaned limply against each other or lay supine.

Paula laughed. “They do look sort of sparse, don’t they? Theodore bought this place, you know, as is. We’ve books enough in town, of course. But I don’t read much out here. And Theodore!—I don’t believe he ever in his life read anything but detective stories and the newspapers.”

Dirk told himself that Paula had known her husband would not be home until ten and had deliberately planned a tÊte-À-tÊte meal. He would not, therefore, confess himself a little nettled when Paula said, “I’ve asked the Emerys in for dinner; and we’ll have a game of bridge afterward. Phil Emery, you know, the Third. He used to have it on his visiting card, like royalty.”

The Emerys were drygoods; had been drygoods for sixty years; were accounted Chicago aristocracy; preferred England; rode to hounds in pink coats along Chicago’s prim and startled suburban prairies. They had a vast estate on the lake near Stormwood. They arrived a trifle late. Dirk had seen pictures of old Phillip Emery (“Phillip the First,” he thought, with an inward grin) and decided, looking at the rather anÆmic third edition, that the stock was running a little thin. Mrs. Emery was blonde, statuesque, and unmagnetic. In contrast Paula seemed to glow like a sombre jewel. The dinner was delicious but surprisingly simple; little more than Selina would have given him, Dirk thought, had he come home to the farm this week-end. The talk was desultory and rather dull. And this chap had millions, Dirk said to himself. Millions. No scratching in an architect’s office for this lad. Mrs. Emery was interested in the correct pronunciation of Chicago street names.

“It’s terrible,” she said. “I think there ought to be a Movement for the proper pronunciation. The people ought to be taught; and the children in the schools. They call Goethe Street ‘Gerty’; and pronounce all the s’s in Des Plaines. Even Illinois they call ‘Illinoise.’ ” She was very much in earnest. Her breast rose and fell. She ate her salad rapidly. Dirk thought that large blondes oughn’t to get excited. It made their faces red.

At bridge after dinner Phillip the Third proved to be sufficiently the son of his father to win from Dirk more money than he could conveniently afford to lose. Though Mrs. Phil had much to do with this, as Dirk’s partner. Paula played with Emery, a bold shrewd game.

Theodore Storm came in at ten and stood watching them. When the guests had left the three sat before the fire. “Something to drink?” Storm asked Dirk. Dirk refused but Storm mixed a stiff highball for himself, and then another. The whiskey brought no flush to his large white impassive face. He talked almost not at all. Dirk, naturally silent, was loquacious by comparison. But while there was nothing heavy, unvital about Dirk’s silence this man’s was oppressive, irritating. His paunch, his large white hands, his great white face gave the effect of bleached bloodless bulk. “I don’t see how she stands him,” Dirk thought. Husband and wife seemed to be on terms of polite friendliness. Storm excused himself and took himself off with a word about being tired, and seeing them in the morning.

After he had gone: “He likes you,” said Paula.

“Important,” said Dirk, “if true.”

“But it is important. He can help you a lot.”

“Help me how? I don’t want——”

“But I do. I want you to be successful. I want you to be. You can be. You’ve got it written all over you. In the way you stand, and talk, and don’t talk. In the way you look at people. In something in the way you carry yourself. It’s what they call force, I suppose. Anyway, you’ve got it.”

“Has your husband got it?”

“Theodore! No! That is——”

“There you are. I’ve got the force, but he’s got the money.”

“You can have both.” She was leaning forward. Her eyes were bright, enormous. Her hands—those thin dark hot hands—were twisted in her lap. He looked at her quietly. Suddenly there were tears in her eyes. “Don’t look at me that way, Dirk.” She huddled back in her chair, limp. She looked a little haggard and older, somehow. “My marriage is a mess, of course. You can see that.”

“You knew it would be, didn’t you?”

“No. Yes. Oh, I don’t know. Anyway, what’s the difference, now? I’m not trying to be what they call an Influence in your life. I’m just fond of you—you know that—and I want you to be great and successful. It’s maternal, I suppose.”

“I should think two babies would satisfy that urge.”

“Oh, I can’t get excited about two pink healthy lumps of babies. I love them and all that, but all they need is to have a bottle stuffed into their mouths at proper intervals and to be bathed, and dressed and aired and slept. It’s a mechanical routine and about as exciting as a treadmill. I can’t go round being maternal and beating my breast over two nice firm lumps of flesh.”

“Just what do you want me to do, Paula?”

She was eager again, vitally concerned in him. “It’s all so ridiculous. All these men whose incomes are thirty—forty—sixty—a hundred thousand a year usually haven’t any qualities, really, that the five-thousand-a-year man hasn’t. The doctor who sent Theodore a bill for four thousand dollars when each of my babies was born didn’t do a thing that a country doctor with a Ford wouldn’t do. But he knew he could get it and he asked it. Somebody has to get the fifty-thousand-dollar salaries—some advertising man, or bond salesman or—why, look at Phil Emery! He probably couldn’t sell a yard of pink ribbon to a schoolgirl if he had to. Look at Theodore! He just sits and blinks and says nothing. But when the time comes he doubles up his fat white fist and mumbles, ‘Ten million,’ or ‘Fifteen million,’ and that settles it.”

Dirk laughed to hide his own little mounting sensation of excitement. “It isn’t quite as simple as that, I imagine. There’s more to it than meets the eye.”

“There isn’t! I tell you I know the whole crowd of them. I’ve been brought up with this moneyed pack all my life, haven’t I? Pork packers and wheat grabbers and pedlers of gas and electric light and dry goods. Grandfather’s the only one of the crowd that I respect. He has stayed the same. They can’t fool him. He knows he just happened to go into wholesale beef and pork when wholesale beef and pork was a new game in Chicago. Now look at him!”

“Still, you will admit there’s something in knowing when,” he argued.

Paula stood up. “If you don’t know I’ll tell you. Now is when. I’ve got Grandfather and Dad and Theodore to work with. You can go on being an architect if you want to. It’s a fine enough profession. But unless you’re a genius where’ll it get you! Go in with them, and Dirk, in five years——”

“What!” They were both standing, facing each other, she tense, eager; he relaxed but stimulated.

“Try it and see what, will you? Will you, Dirk?”

“I don’t know, Paula. I should say my mother wouldn’t think much of it.”

“What does she know! Oh, I don’t mean that she isn’t a fine, wonderful person. She is. I love her. But success! She thinks success is another acre of asparagus or cabbage; or a new stove in the kitchen now that they’ve brought gas out as far as High Prairie.”

He had a feeling that she possessed him; that her hot eager hands held him though they stood apart and eyed each other almost hostilely.

As he undressed that night in his rose and satin room he thought, “Now what’s her game? What’s she up to? Be careful, Dirk, old boy.” On coming into the room he had gone immediately to the long mirror and had looked at himself carefully, searchingly, not knowing that Paula, in her room, had done the same. He ran a hand over his close-shaved chin, looked at the fit of his dinner coat. He wished he had had it made at Peter Peel’s, the English tailor on Michigan Boulevard. But Peel was so damned expensive. Perhaps next time . . .

As he lay in the soft bed with the satin coverlet over him he thought, “Now what’s her lit-tle game!”

He awoke at eight, enormously hungry. He wondered, uneasily, just how he was going to get his breakfast. She had said his breakfast would be brought him in his room. He stretched luxuriously, sprang up, turned on his bath water, bathed. When he emerged in dressing gown and slippers his breakfast tray had been brought him mysteriously and its contents lay appetizingly on a little portable table. There were flocks of small covered dishes and a charming individual coffee service. The morning papers, folded and virgin, lay next this. A little note from Paula: “Would you like to take a walk at about half-past nine? Stroll down to the stables. I want to show you my new horse.”

The distance from the house to the stables was actually quite a brisk little walk in itself. Paula, in riding clothes, was waiting for him. She looked boyish and young standing beside the sturdy bulk of Pat, the head stableman. She wore tan whipcord breeches, a coat of darker stuff, a little round felt hat whose brim curved away from her face.

She greeted him. “I’ve been out two hours. Had my ride.”

“I hate people who tell you, first thing in the morning, that they’ve been out two hours.”

“If that’s the kind of mood you’re in we won’t show him the horse, will we, Pat?”

Pat thought they would. Pat showed him the new saddle mare as a mother exhibits her latest offspring, tenderly, proudly. “Look at her back,” said Pat. “That’s the way you tell a horse, sir. By the length of this here line. Lookut it! There’s a picture for you, now!”

Paula looked up at Dirk. “You ride, don’t you?”

“I used to ride the old nags, bareback, on the farm.”

“You’ll have to learn. We’ll teach him, won’t we, Pat?”

Pat surveyed Dirk’s lean, flexible figure. “Easy.”

“Oh, say!” protested Dirk.

“Then I’ll have some one to ride with me. Theodore never rides. He never takes any sort of exercise. Sits in that great fat car of his.”

They went into the coach house, a great airy whitewashed place with glittering harness and spurs and bridles like jewels in glass cases. There were ribbons, too, red and yellow and blue in a rack on the wall; and trophy cups. The coach house gave Dirk a little hopeless feeling. He had never before seen anything like it. In the first place, there were no motors in it. He had forgotten that people rode in anything but motors. A horse on Chicago’s boulevards raised a laugh. The sight of a shining brougham with two sleek chestnuts driving down Michigan Avenue would have set that street to staring and sniggering as a Roman chariot drawn by zebras might have done. Yet here was such a brougham, glittering, spotless. Here was a smart cream surrey with a cream-coloured top hung with fringe. There were two-wheeled carts high and slim and chic. A victoria. Two pony carts. One would have thought, seeing this room, that the motor vehicle had never been invented. And towering over all, dwarfing the rest, out-glittering them, stood a tally-ho, a sheer piece of wanton insolence. It was in perfect order. Its cushions were immaculate. Its sides shone. Its steps glistened. Dirk, looking up at it, laughed outright. It seemed too splendid, too absurd. With a sudden boyish impulse he swung himself up the three steps that led to the box and perched himself on the fawn cushioned seat. He looked very handsome there. “A coach and four—isn’t that what they call it? Got any Roman juggernauts?”

“Do you want to drive it?” asked Paula. “This afternoon? Do you think you can? Four horses, you know.” She laughed up at him, her dark face upturned to his.

Dirk looked down at her. “No.” He climbed down. “I suppose that at about the time they drove this hereabouts my father was taking the farm plugs into the Haymarket.”

Something had annoyed him, she saw. Would he wait while she changed to walking things? Or perhaps he’d rather drive in the roadster. They walked up to the house together. He wished that she would not consult his wishes so anxiously. It made him sulky, impatient.

She put a hand on his arm. “Dirk, are you annoyed at me for what I said last night?”

“No.”

“What did you think when you went to your room last night? Tell me. What did you think?”

“I thought: ‘She’s bored with her husband and she’s trying to vamp me. I’ll have to be careful.’ ”

Paula laughed delightedly. “That’s nice and frank . . . What else?”

“I thought my coat didn’t fit very well and I wished I could afford to have Peel make my next one.”

“You can,” said Paula.

As it turned out, Dirk was spared the necessity of worrying about the fit of his next dinner coat for the following year and a half. His coat, during that period, was a neat olive drab as was that of some millions of young men of his age, or thereabouts. He wore it very well, and with the calm assurance of one who knows that his shoulders are broad, his waist slim, his stomach flat, his flanks lean, and his legs straight. Most of that time he spent at Fort Sheridan, first as an officer in training, then as an officer training others to be officers. He was excellent at this job. Influence put him there and kept him there even after he began to chafe at the restraint. Fort Sheridan is a few miles outside Chicago, north. No smart North Shore dinner was considered complete without at least a major, a colonel, two captains, and a sprinkling of first lieutenants. Their boots shone so delightfully while dancing.

In the last six months of it (though he did not, of course, know that it was to be the last six months) Dirk tried desperately to get to France. He was suddenly sick of the neat job at home; of the dinners; of the smug routine; of the olive-drab motor car that whisked him wherever he wanted to go (he had a captaincy); of making them “snap into it”; of Paula; of his mother, even. Two months before the war’s close he succeeded in getting over; but Paris was his headquarters.

Between Dirk and his mother the first rift had appeared.

“If I were a man,” Selina said, “I’d make up my mind straight about this war and then I’d do one of two things. I’d go into it the way Jan Snip goes at forking the manure pile—a dirty job that’s got to be cleaned up; or I’d refuse to do it altogether if I didn’t believe in it as a job for me. I’d fight, or I’d be a conscientious objector. There’s nothing in between for any one who isn’t old or crippled, or sick.”

Paula was aghast when she heard this. So was Julie whose wailings had been loud when Eugene had gone into the air service. He was in France now, thoroughly happy. “Do you mean,” demanded Paula, “that you actually want Dirk to go over there and be wounded or killed!”

“No. If Dirk were killed my life would stop. I’d go on living, I suppose, but my life would have stopped.”

They all were doing some share in the work to be done.

Selina had thought about her own place in this war welter. She had wanted to do canteen work in France but had decided against this as being selfish. “The thing for me to do,” she said, “is to go on raising vegetables and hogs as fast as I can.” She supplied countless households with free food while their men were gone. She herself worked like a man, taking the place of the able-bodied helper who had been employed on her farm.

Paula was lovely in her Red Cross uniform. She persuaded Dirk to go into the Liberty Bond selling drive and he was unexpectedly effective in his quiet, serious way; most convincing and undeniably thrilling to look at in uniform. Paula’s little air of possession had grown until now it enveloped him. She wasn’t playing now; was deeply and terribly in love with him.

When, in 1918, Dirk took off his uniform he went into the bond department of the Great Lakes Trust Company in which Theodore Storm had a large interest. He said that the war had disillusioned him. It was a word you often heard uttered as a reason or an excuse for abandoning the normal. “Disillusioned.”

“What did you think war was going to do?” said Selina. “Purify! It never has yet.”

It was understood, by Selina at least, that Dirk’s abandoning of his profession was a temporary thing. Quick as she usually was to arrive at conclusions, she did not realize until too late that this son of hers had definitely deserted building for bonds; that the only structures he would rear were her own castles in Spain. His first two months as a bond salesman netted him more than a year’s salary at his old post at Hollis & Sprague’s. When he told this to Selina, in triumph, she said, “Yes, but there isn’t much fun in it, is there? This selling things on paper? Now architecture, that must be thrilling. Next to writing a play and seeing it acted by real people—seeing it actually come alive before your eyes—architecture must be the next most fun. Putting a building down on paper—little marks here, straight lines there, figures, calculations, blueprints, measurements—and then, suddenly one day, the actual building itself. Steel and stone and brick, with engines throbbing inside it like a heart, and people flowing in and out. Part of a city. A piece of actual beauty conceived by you! Oh, Dirk!” To see her face then must have given him a pang, it was so alive, so eager.

He found excuses for himself. “Selling bonds that make that building possible isn’t so dull, either.”

But she waved that aside almost contemptuously. “What nonsense, Dirk. It’s like selling seats at the box office of a theatre for the play inside.”

Dirk had made many new friends in the last year and a half. More than that, he had acquired a new manner; an air of quiet authority, of assurance. The profession of architecture was put definitely behind him. There had been no building in all the months of the war; probably would be none in years. Materials were prohibitive, labour exorbitant. He did not say to Selina that he had put the other work from him. But after six months in his new position he knew that he would never go back.

From the start he was a success. Within one year he was so successful that you could hardly distinguish him from a hundred other successful young Chicago business and professional men whose clothes were made at Peel’s; who kept their collars miraculously clean in the soot-laden atmosphere of the Loop; whose shoes were bench-made; who lunched at the Noon Club on the roof of the First National Bank where Chicago’s millionaires ate corned-beef hash whenever that plebeian dish appeared on the bill of fare. He had had a little thrill out of his first meal at this club whose membership was made up of the “big men” of the city’s financial circle. Now he could even feel a little flicker of contempt for them. He had known old Aug Hempel, of course, for years, as well as Michael Arnold, and, later, Phillip Emery, Theodore Storm, and others. But he had expected these men to be different.

Paula had said, “Theodore, why don’t you take Dirk up to the Noon Club some day? There are a lot of big men he ought to meet.”

Dirk went in some trepidation. The great grilled elevator, as large as a room, whisked them up to the roof of the fortress of gold. The club lounge furnished his first disappointment. It looked like a Pullman smoker. The chairs were upholstered in black leather or red plush. The woodwork was shiny red imitation mahogany. The carpet was green. There were bright shining brass cuspidors in the hall near the cigar counter. The food was well cooked. Man’s food. Nine out of every ten of these men possessed millions. Whenever corned beef and cabbage appeared on the luncheon menu nine out of ten took it. These were not at all the American Big Business Man of the comic papers and of fiction—that yellow, nervous, dyspeptic creature who lunches off milk and pie. They were divided into two definite types. The older men of between fifty and sixty were great high-coloured fellows of full habit. Many of them had had a physician’s warning of high blood pressure, hardening arteries, overworked heart, rebellious kidneys. So now they waxed cautious, taking time over their substantial lunches, smoking and talking. Their faces were impassive, their eyes shrewd, hard. Their talk was colloquial and frequently illiterate. They often said “was” for “were.” “Was you going to see Baldwin about that South American stuff or is he going to ship it through without?” Most of them had known little of play in their youth and now they played ponderously and a little sadly and yet eagerly as does one to whom the gift of leisure had come too late. On Saturday afternoon you saw them in imported heather green golf stockings and Scotch tweed suits making for the links or the lake. They ruined their palates and livers with strong cigars, thinking cigarette smoking undignified and pipes common. “Have a cigar!” was their greeting, their password, their open sesame. “Have a cigar.” Only a few were so rich, so assured as to smoke cheap light panatellas. Old Aug Hempel was one of these. Dirk noticed that when he made one of his rare visits to the Noon Club his entrance was met with a little stir, a deference. He was nearing seventy-five now; was still straight, strong, zestful of life; a magnificent old buccaneer among the pettier crew. His had been the direct and brutal method—swish! swash! and his enemies walked the plank. The younger men eyed him with a certain amusement and respect.

These younger men whose ages ranged from twenty-eight to forty-five were disciples of the new system in business. They were graduates of universities. They had known luxury all their lives. They were the second or third generation. They used the word “psychology.” They practised restraint. They knew the power of suggestion. Where old Aug Hempel had flown the black flag they resorted to the periscope. Dirk learned that these men did not talk business during meal time except when they had met definitely for that purpose. They wasted a good deal of time, Dirk thought, and often, when they were supposed to be “in conference” or when their secretaries said primly that they were very busy and not to be disturbed until three, they were dozing off for a comfortable half hour in their private offices. They were the sons or grandsons of those bearded, rugged, and rather terrible old boys who, in 1835 or 1840, had come out of County Limerick or County Kilkenny or out of Scotland or the Rhineland to mold this new country in their strong hairy hands; those hands whose work had made possible the symphony orchestras, the yacht clubs, the golf clubs through which their descendants now found amusement and relaxation.

Dirk listened to the talk of the Noon Club.

“I made it in eighty-six. That isn’t so bad for the Tippecanoe course.”

“. . . boxes are going pretty well but the Metropolitan grabs up all the big ones and the house wants names. Garden doesn’t draw the way she used to, even in Chicago. It’s the popular subscription that counts.”

“. . . grabbed the Century out of New York at two-forty-five and got back here in time to try out my new horse in the park. She’s a little nervous for city riding but we’re opening the house at Lake Forest next week——”

“. . . pretty good show but they don’t send the original companies here, that’s the trouble . . .”

“. . . in London. It’s a neat shade of green, isn’t it? You can’t get ties like this over here, I don’t know why. Got a dozen last time I was over. Yeh, Plumbridge in Bond Street.”

Well, Dirk could talk like that easily enough. He listened quietly, nodded, smiled, agreed or disagreed. He looked about him carefully, appraisingly. Waist lines well kept in; carefully tailored clothes; shrewd wrinkles of experience radiating in fine sprays in the skin around the corners of their eyes. The president of an advertising firm lunching with a banker; a bond salesman talking to a rare book collector; a packer seated at a small table with Horatio Craft, the sculptor.

Two years and Dirk, too, had learned to “grab the Century” in order to save an hour or so of time between Chicago and New York. Peel said it was a pleasure to fit a coat to his broad, flat tapering back, and trousers to his strong sturdy legs. His colour, inherited from his red-cheeked Dutch ancestors brought up in the fresh sea-laden air of the Holland flats, was fine and clear. Sometimes Selina, in pure sensuous delight, passed her gnarled, work-worn hand over his shoulders and down his fine, strong, straight back. He had been abroad twice. He learned to call it “running over to Europe for a few days.” It had all come about in a scant two years, as is the theatrical way in which life speeds in America.

Selina was a little bewildered now at this new Dirk whose life was so full without her. Sometimes she did not see him for two weeks, or three. He sent her gifts which she smoothed and touched delightedly and put away; fine soft silken things, hand-made—which she could not wear. The habit of years was too strong upon her. Though she had always been a woman of dainty habits and fastidious tastes the grind of her early married life had left its indelible mark. Now, as she dressed, you might have seen that her petticoat was likely to be black sateen and her plain, durable corset cover neatly patched where it had worn under the arms. She employed none of the artifices of a youth-mad day. Sun and wind and rain and the cold and heat of the open prairie had wreaked their vengeance on her flouting of them. Her skin was tanned, weather-beaten; her hair rough and dry. Her eyes, in that frame, startled you by their unexpectedness, they were so calm, so serene, yet so alive. They were the beautiful eyes of a wise young girl in the face of a middle-aged woman. Life was still so fresh to her.

She had almost poignantly few personal belongings. Her bureau drawers were like a nun’s; her brush and comb, a scant stock of plain white underwear. On the bathroom shelf her toothbrush, some vaseline, a box of talcum powder. None of those aids to artifice with which the elderly woman deludes herself into thinking that she is hoodwinking the world. She wore well-made walking oxfords now, with sensible heels—the kind known as Field’s special; plain shirtwaists and neat dark suits, or a blue cloth dress. A middle-aged woman approaching elderliness; a woman who walked and carried herself well; who looked at you with a glance that was direct but never hard. That was all. Yet there was about her something arresting, something compelling. You felt it.

“I don’t see how you do it!” Julie Arnold complained one day as Selina was paying her one of her rare visits in town. “Your eyes are as bright as a baby’s and mine look like dead oysters.” They were up in Julie’s dressing room in the new house on the north side—the new house that was now the old house. Julie’s dressing table was a bewildering thing. Selina DeJong, in her neat black suit and her plain black hat, sat regarding it and Julie seated before it, with a grim and lively interest.

“It looks,” Selina said, “like Mandel’s toilette section, or a hospital operating room just before a major operation.” There were great glass jars that contained meal, white and gold. There were rows and rows of cream pots holding massage cream, vanishing cream, cleansing cream. There were little china bowls of scarlet and white and yellowish pastes. A perforated container spouted a wisp of cotton. You saw toilet waters, perfumes, atomizers, French soaps, unguents, tubes. It wasn’t a dressing table merely, but a laboratory.

“This!” exclaimed Julie. “You ought to see Paula’s. Compared to her toilette ceremony mine is just a splash at the kitchen sink.” She rubbed cold cream now around her eyes with her two forefingers, using a practised upward stroke.

“It looks fascinating,” Selina exclaimed. “Some day I’m going to try it. There are so many things I’m going to try some day. So many things I’ve never done that I’m going to do for the fun of it. Think of it, Julie! I’ve never had a manicure! Some day I’m going to have one. I’ll tell the girl to paint my nails a beautiful bright vermilion. And I’ll tip her twenty-five cents. They’re so pretty with their bobbed hair and their queer bright eyes. I s’pose you’ll think I’m crazy if I tell you they make me feel young.”

Julie was massaging. Her eyes had an absent look. Suddenly: “Listen, Selina. Dirk and Paula are together too much. People are talking.”

“Talking?” The smile faded from Selina’s face.

“Goodness knows I’m not strait-laced. You can’t be in this day and age. If I had ever thought I’d live to see the time when—— Well, since the war of course anything’s all right, seems. But Paula has no sense. Everybody knows she’s insane about Dirk. That’s all right for Dirk, but how about Paula! She won’t go anywhere unless he’s invited. Of course Dirk is awfully popular. Goodness knows there are few enough young men like him in Chicago—handsome and successful and polished and all. Most of them dash off East just as soon as they can get their fathers to establish an Eastern branch or something. . . . They’re together all the time, everywhere. I asked her if she was going to divorce Storm and she said no, she hadn’t enough money of her own and Dirk wasn’t earning enough. His salary’s thousands, but she’s used to millions. Well!”

“They were boy and girl together,” Selina interrupted, feebly.

“They’re not any more. Don’t be silly, Selina. You’re not as young as that.”

No, she was not as young as that. When Dirk next paid one of his rare visits to the farm she called him into her bedroom—the cool, dim shabby bedroom with the old black walnut bed in which she had lain as Pervus DeJong’s bride more than thirty years ago. She had on a little knitted jacket over her severe white nightgown. Her abundant hair was neatly braided in two long plaits. She looked somehow girlish there in the dim light, her great soft eyes gazing up at him.

“Dirk, sit down here at the side of my bed the way you used to.”

“I’m dead tired, Mother. Twenty-seven holes of golf before I came out.”

“I know. You ache all over—a nice kind of ache. I used to feel like that when I’d worked in the fields all day, pulling vegetables, or planting.” He was silent. She caught his hand. “You didn’t like that. My saying that. I’m sorry. I didn’t say it to make you feel bad, dear.”

“I know you didn’t, Mother.”

“Dirk, do you know what that woman who writes the society news in the Sunday Tribune called you to-day?”

“No. What? I never read it.”

“She said you were one of the jeunesse dorÉe.”

Dirk grinned. “Gosh!”

“I remember enough of my French at Miss Fister’s school to know that that means gilded youth.”

“Me! That’s good! I’m not even spangled.”

“Dirk!” her voice was low, vibrant. “Dirk, I don’t want you to be a gilded youth, I don’t care how thick the gilding. Dirk, that isn’t what I worked in the sun and cold for. I’m not reproaching you; I didn’t mind the work. Forgive me for even mentioning it. But, Dirk, I don’t want my son to be known as one of the jeunesse dorÉe. No! Not my son!”

“Now, listen, Mother. That’s foolish. If you’re going to talk like that. Like a mother in a melodrama whose son’s gone wrong. . . . I work like a dog. You know that. You get the wrong angle on things, stuck out here on this little farm. Why don’t you come into town and take a little place and sell the farm?”

“Live with you, you mean?” Pure mischievousness.

“Oh, no. You wouldn’t like that,” hastily. “Besides, I’d never be there. At the office all day, and out somewhere in the evening.”

“When do you do your reading, Dirk?”

“Why—uh——”

She sat up in bed, looking down at the thin end of her braid as she twined it round and round her finger. “Dirk, what is this you sell in that mahogany office of yours? I never did get the hang of it.”

“Bonds, Mother. You know that perfectly well.”

“Bonds.” She considered this a moment. “Are they hard to sell? Who buys them?”

“That depends. Everybody buys them—that is . . .”

“I don’t. I suppose because whenever I had any money it went back into the farm for implements, or repairs, or seed, or stock, or improvements. That’s always the way with a farmer—even on a little truck farm like this.” She pondered again a moment. He fidgeted, yawned. “Dirk DeJong—Bond Salesman.”

“The way you say it, Mother, it sounds like a low criminal pursuit.”

“Dirk, do you know sometimes I actually think that if you had stayed here on the farm——”

“Good God, Mother! What for!”

“Oh, I don’t know. Time to dream. Time to—no, I suppose that isn’t true any more. I suppose the day is past when the genius came from the farm. Machinery has cut into his dreams. He used to sit for hours on the wagon seat, the reins slack in his hands, while the horses plodded into town. Now he whizzes by in a jitney. Patent binders, ploughs, reapers—he’s a mechanic. He hasn’t time to dream. I guess if Lincoln had lived to-day he’d have split his rails to the tune of a humming, snarling patent wood cutter, and in the evening he’d have whirled into town to get his books at the public library, and he’d have read them under the glare of the electric light bulb instead of lying flat in front of the flickering wood fire. . . . Well. . . .”

She lay back, looked up at him. “Dirk, why don’t you marry?”

“Why—there’s no one I want to marry.”

“No one who’s free, you mean?”

He stood up. “I mean no one.” He stooped and kissed her lightly. Her arms went round him close. Her hand with the thick gold wedding band on it pressed his head to her hard. “Sobig!” He was a baby again.

“You haven’t called me that in years.” He was laughing.

She reverted to the old game they had played when he was a child. “How big is my son! How big?” She was smiling, but her eyes were sombre.

“So big!” answered Dirk, and measured a very tiny space between thumb and forefinger. “So big.”

She faced him, sitting up very straight in bed, the little wool shawl hunched about her shoulders. “Dirk, are you ever going back to architecture? The war is history. It’s now or never with you. Pretty soon it will be too late. Are you ever going back to architecture? To your profession?”

A clean amputation. “No, Mother.”

She gave an actual gasp, as though icy water had been thrown full in her face. She looked suddenly old, tired. Her shoulders sagged. He stood in the doorway, braced for her reproaches. But when she spoke it was to reproach herself. “Then I’m a failure.”

“Oh, what nonsense, Mother. I’m happy. You can’t live somebody else’s life. You used to tell me, when I was a kid I remember, that life wasn’t just an adventure, to be taken as it came, with the hope that something glorious was always hidden just around the corner. You said you had lived that way and it hadn’t worked. You said——”

She interrupted him with a little cry. “I know I did. I know I did.” Suddenly she raised a warning finger. Her eyes were luminous, prophetic. “Dirk, you can’t desert her like that!”

“Desert who?” He was startled.

“Beauty! Self-expression. Whatever you want to call it. You wait! She’ll turn on you some day. Some day you’ll want her, and she won’t be there.”

Inwardly he had been resentful of this bedside conversation with his mother. She made little of him, he thought, while outsiders appreciated his success. He had said, “So big,” measuring a tiny space between thumb and forefinger in answer to her half-playful question, but he had not honestly meant it. He thought her ridiculously old-fashioned now in her viewpoint, and certainly unreasonable. But he would not quarrel with her.

“You wait, too, Mother,” he said now, smiling. “Some day your wayward son will be a real success. Wait till the millions roll in. Then we’ll see.”

She lay down, turned her back deliberately upon him, pulled the covers up about her.

“Shall I turn out your light, Mother, and open the windows?”

“Meena’ll do it. She always does. Just call her. . . . Good-night.”

He knew that he had come to be a rather big man in his world. Influence had helped. He knew that, too. But he shut his mind to much of Paula’s manoeuvring and wire pulling—refused to acknowledge that her lean, dark, eager fingers had manipulated the mechanism that ordered his career. Paula herself was wise enough to know that to hold him she must not let him feel indebted to her. She knew that the debtor hates his creditor. She lay awake at night planning for him, scheming for his advancement, then suggested these schemes to him so deftly as to make him think he himself had devised them. She had even realized of late that their growing intimacy might handicap him if openly commented on. But now she must see him daily, or speak to him. In the huge house on Lake Shore Drive her own rooms—sitting room, bedroom, dressing room, bath—were as detached as though she occupied a separate apartment. Her telephone was a private wire leading only to her own bedroom. She called him the first thing in the morning; the last thing at night. Her voice, when she spoke to him, was an organ transformed; low, vibrant, with a timbre in its tone that would have made it unrecognizable to an outsider. Her words were commonplace enough, but pregnant and meaningful for her.

“What did you do to-day? Did you have a good day? . . . Why didn’t you call me? . . . Did you follow up that suggestion you made about Kennedy? I think it’s a wonderful idea, don’t you? You’re a wonderful man, Dirk; did you know that? . . . I miss you. . . . Do you? . . . When? . . . Why not lunch? . . . Oh, not if you have a business appointment . . . How about five o’clock? . . . No, not there . . . Oh, I don’t know. It’s so public . . . Yes . . . Good-bye. . . . Good-night. . . . Good-night. . . .”

They began to meet rather furtively, in out-of-the-way places. They would lunch in department store restaurants where none of their friends ever came. They spent off afternoon hours in the dim, close atmosphere of the motion picture palaces, sitting in the back row, seeing nothing of the film, talking in eager whispers that failed to annoy the scattered devotees in the middle of the house. When they drove it was on obscure streets of the south side, as secure there from observation as though they had been in Africa, for to the north sider the south side of Chicago is the hinterland of civilization.

Paula had grown very beautiful, her world thought. There was about her the aura, the glow, the roseate exhalation that surrounds the woman in love.

Frequently she irritated Dirk. At such times he grew quieter than ever; more reserved. As he involuntarily withdrew she advanced. Sometimes he thought he hated her—her hot eager hands, her glowing asking eyes, her thin red mouth, her sallow heart-shaped exquisite face, her perfumed clothing, her air of ownership. That was it! Her possessiveness. She clutched him so with her every look and gesture, even when she did not touch him. There was about her something avid, sultry. It was like the hot wind that sometimes blew over the prairie—blowing, blowing, but never refreshing. It made you feel dry, arid, irritated, parched. Sometimes Dirk wondered what Theodore Storm thought and knew behind that impassive flabby white mask of his.

Dirk met plenty of other girls. Paula was clever enough to see to that. She asked them to share her box at the opera. She had them at her dinners. She affected great indifference to their effect on him. She suffered when he talked to one of them.

“Dirk, why don’t you take out that nice Farnham girl?”

“Is she nice?”

“Well, isn’t she! You were talking to her long enough at the Kirks’ dance. What were you talking about?”

“Books.”

“Oh. Books. She’s awfully nice and intelligent, isn’t she? A lovely girl.” She was suddenly happy. Books.

The Farnham girl was a nice girl. She was the kind of girl one should fall in love with and doesn’t. The Farnham girl was one of many well-bred Chicago girls of her day and class. Fine, honest, clear-headed, frank, capable, good-looking in an indefinite and unarresting sort of way. Hair-coloured hair, good teeth, good enough eyes, clear skin, sensible medium hands and feet; skated well, danced well, talked well. Read the books you had read. A companionable girl. Loads of money but never spoke of it. Travelled. Her hand met yours firmly—and it was just a hand. At the contact no current darted through you, sending its shaft with a little zing to your heart.

But when Paula showed you a book her arm, as she stood next you, would somehow fit into the curve of yours and you were conscious of the feel of her soft slim side against you.

He knew many girls. There was a distinct type known as the North Shore Girl. Slim, tall, exquisite; a little fine nose, a high, sweet, slightly nasal voice, earrings, a cigarette, luncheon at Huyler’s. All these girls looked amazingly alike, Dirk thought; talked very much alike. They all spoke French with a pretty good accent; danced intricate symbolic dances; read the new books; had the same patter. They prefaced, interlarded, concluded their remarks to each other with, “My deah!” It expressed, for them, surprise, sympathy, amusement, ridicule, horror, resignation. “My deah! You should have seen her! My dee-ah!”—horror. Their slang was almost identical with that used by the girls working in his office. “She’s a good kid,” they said, speaking in admiration of another girl. They made a fetish of frankness. In a day when everyone talked in screaming headlines they knew it was necessary to red-ink their remarks in order to get them noticed at all. The word rot was replaced by garbage and garbage gave way to the ultimate swill. One no longer said “How shocking!” but, “How perfectly obscene!” The words, spoken in their sweet clear voices, fell nonchalantly from their pretty lips. All very fearless and uninhibited and free. That, they told you, was the main thing. Sometimes Dirk wished they wouldn’t work so hard at their play. They were forever getting up pageants and plays and large festivals for charity; Venetian fÊtes, Oriental bazaars, charity balls. In the programme performance of these many of them sang better, acted better, danced better than most professional performers, but the whole thing always lacked the flavour, somehow, of professional performance. On these affairs they lavished thousands in costumes and decorations, receiving in return other thousands which they soberly turned over to the Cause. They found nothing ludicrous in this. Spasmodically they went into business or semi-professional ventures, defying the conventions. Paula did this, too. She or one of her friends were forever opening blouse shops; starting Gifte Shoppes; burgeoning into tea rooms decorated in crude green and vermilion and orange and black; announcing their affiliation with an advertising agency. These adventures blossomed, withered, died. They were the result of post-war restlessness. Many of these girls had worked indefatigably during the 1917-1918 period; had driven service cars, managed ambulances, nursed, scrubbed, conducted canteens. They missed the excitement, the satisfaction of achievement.

They found Dirk fair game, resented Paula’s proprietorship. Susans and Janes and Kates and Bettys and Sallys—plain old-fashioned names for modern, erotic misses—they talked to Dirk, danced with him, rode with him, flirted with him. His very unattainableness gave him piquancy. That Paula Storm had him fast. He didn’t care a hoot about girls.

“Oh, Mr. DeJong,” they said, “your name’s Dirk, isn’t it? What a slick name! What does it mean?”

“Nothing, I suppose. It’s a Dutch name. My people—my father’s people—were Dutch, you know.”

“A dirk’s a sort of sword, isn’t it, or poniard? Anyway, it sounds very keen and cruel and fatal—Dirk.”

He would flush a little (one of his assets) and smile, and look at them, and say nothing. He found that to be all that was necessary.

He got on enormously.

Between these girls and the girls that worked in his office there existed a similarity that struck and amused Dirk. He said, “Take a letter, Miss Roach,” to a slim young creature as exquisite as the girl with whom he had danced the day before; or ridden or played tennis or bridge. Their very clothes were faultless imitations. They even used the same perfume. He wondered, idly, how they did it. They were eighteen, nineteen, twenty, and their faces and bodies and desires and natural equipment made their presence in a business office a paradox, an absurdity. Yet they were capable, too, in a mechanical sort of way. Theirs were mechanical jobs. They answered telephones, pressed levers, clicked buttons, tapped typewriters, jotted down names. They were lovely creatures with the minds of fourteen-year-old children. Their hair was shining, perfectly undulated, as fine and glossy and tenderly curling as a young child’s. Their breasts were flat, their figures singularly sexless like that of a very young boy. They were wise with the wisdom of the serpent. They wore wonderful little sweaters and flat babyish collars and ridiculously sensible stockings and oxfords. Their legs were slim and sturdy. Their mouths were pouting, soft, pink, the lower lip a little curled back, petal-wise, like the moist mouth of a baby that has just finished nursing. Their eyes were wide apart, empty, knowledgeous. They managed their private affairs like generals. They were cool, remote, disdainful. They reduced their boys to desperation. They were brigands, desperadoes, pirates, taking all, giving little. They came, for the most part, from sordid homes, yet they knew, in some miraculous way, all the fine arts that Paula knew and practised. They were corsetless, pliant, bewildering, lovely, dangerous. They ate lunches that were horrible mixtures of cloying sweets and biting acids yet their skin was like velvet and cream. Their voices were thin, nasal, vulgar; their faces like those in a Greuze or a Fragonard. They said, with a twang that racked the listener, “I wouldn’t of went if I got an invite but he could of give me a ring, anyways. I called him right. I was sore.”

“Yeh? Wha’d he say?”

“Oh, he laffed.”

“Didja go?”

“Me! No! Whatcha think I yam, anyway?”

“Oh, he’s a good kid.”

Among these Dirk worked immune, aloof, untouched. He would have been surprised to learn that he was known among them as Frosty. They approved his socks, his scarfs, his nails, his features, his legs in their well-fitting pants, his flat strong back in the Peel coat. They admired and resented him. Not one that did not secretly dream of the day when he would call her into his office, shut the door, and say, “Loretta” (their names were burbankian monstrosities, born of grafting the original appellation onto their own idea of beauty in nomenclature—hence Loretta, Imogene, Nadine, Natalie, Ardella), “Loretta, I have watched you for a long, long time and you must have noticed how deeply I admire you.”

It wasn’t impossible. Those things happen. The movies had taught them that.

Dirk, all unconscious of their pitiless, all-absorbing scrutiny, would have been still further appalled to learn how fully aware they were of his personal and private affairs. They knew about Paula, for example. They admired and resented her, too. They were fair in granting her the perfection of her clothes, drew immense satisfaction from the knowledge of their own superiority in the matters of youth and colouring; despised her for the way in which she openly displayed her feeling for him (how they knew this was a miracle and a mystery, for she almost never came into the office and disguised all her telephone talks with him). They thought he was grand to his mother. Selina had been in his office twice, perhaps. On one of these occasions she had spent five minutes chatting sociably with Ethelinda Quinn who had the face of a Da Vinci cherub and the soul of a man-eating shark. Selina always talked to everyone. She enjoyed listening to street car conductors, washwomen, janitors, landladies, clerks, doormen, chauffeurs, policemen. Something about her made them talk. They opened to her as flowers to the sun. They sensed her interest, her liking. As they talked Selina would exclaim, “You don’t say! Well, that’s terrible!” Her eyes would be bright with sympathy.

Selina had said, on entering Dirk’s office, “My land! I don’t see how you can work among those pretty creatures and not be a sultan. I’m going to ask some of them down to the farm over Sunday.”

“Don’t, Mother! They wouldn’t understand. I scarcely see them. They’re just part of the office equipment.”

Afterward, Ethelinda Quinn had passed expert opinion. “Say, she’s got ten times the guts that Frosty’s got. I like her fine. Did you see her terrible hat! But say, it didn’t look funny on her, did it? Anybody else in that getup would look comical, but she’s the kind that could walk off with anything. I don’t know. She’s got what I call an air. It beats style. Nice, too. She said I was a pretty little thing. Can you beat it! At that she’s right. I cer’nly yam.”

All unconscious, “Take a letter, Miss Quinn,” said Dirk half an hour later.

In the midst, then, of this fiery furnace of femininity Dirk walked unscorched. Paula, the North Shore girls, well-bred business and professional women he occasionally met in the course of business, the enticing little nymphs he encountered in his own office, all practised on him their warm and perfumed wiles. He moved among them cool and serene. Perhaps his sudden success had had something to do with this; and his quiet ambition for further success. For he really was accounted successful now, even in the spectacular whirl of Chicago’s meteoric financial constellation. North-side mammas regarded his income, his career, and his future with eyes of respect and wily speculation. There was always a neat little pile of invitations in the mail that lay on the correct little console in the correct little apartment ministered by the correct little Jap on the correct north-side street near (but not too near) the lake, and overlooking it.

The apartment had been furnished with Paula’s aid. Together she and Dirk had gone to interior decorators. “But you’ve got to use your own taste, too,” Paula had said, “to give it the individual touch.” The apartment was furnished in a good deal of Italian furniture, the finish a dark oak or walnut, the whole massive and yet somehow unconvincing. The effect was sombre without being impressive. There were long carved tables on which an ash tray seemed a desecration; great chairs roomy enough for lolling, yet in which you did not relax; dull silver candlesticks; vestments; Dante’s saturnine features sneering down upon you from a correct cabinet. There were not many books. Tiny foyer, large living room, bedroom, dining room, kitchen, and a cubby-hole for the Jap. Dirk did not spend much time in the place. Sometimes he did not sit in a chair in the sitting room for days at a time, using the room only as a short cut in his rush for the bedroom to change from office to dinner clothes. His upward climb was a treadmill, really. His office, the apartment, a dinner, a dance. His contacts were monotonous, and too few. His office was a great splendid office in a great splendid office building in LaSalle Street. He drove back and forth in a motor car along the boulevards. His social engagements lay north. LaSalle Street bounded him on the west, Lake Michigan on the east, Jackson Boulevard on the south, Lake Forest on the north. He might have lived a thousand miles away for all he knew of the rest of Chicago—the mighty, roaring, sweltering, pushing, screaming, magnificent hideous steel giant that was Chicago.

Selina had had no hand in the furnishing of his apartment. When it was finished Dirk had brought her in triumph to see it. “Well,” he had said, “what do you think of it, Mother?”

She had stood in the centre of the room, a small plain figure in the midst of these massive sombre carved tables, chairs, chests. A little smile had quirked the corner of her mouth. “I think it’s as cosy as a cathedral.”

Sometimes Selina remonstrated with him, though of late she had taken on a strange reticence. She no longer asked him about the furnishings of the houses he visited (Italian villas on Ohio Street), or the exotic food he ate at splendid dinners. The farm flourished. The great steel mills and factories to the south were closing in upon her but had not yet set iron foot on her rich green acres. She was rather famous now for the quality of her farm products and her pens. You saw “DeJong asparagus” on the menu at the Blackstone and the Drake hotels. Sometimes Dirk’s friends twitted him about this and he did not always acknowledge that the similarity of names was not a coincidence.

“Dirk, you seem to see no one but just these people,” Selina told him in one of her infrequent rebukes. “You don’t get the full flavour of life. You’ve got to have a vulgar curiosity about people and things. All kinds of people. All kinds of things. You revolve in the same little circle, over and over and over.”

“Haven’t time. Can’t afford to take the time.”

“You can’t afford not to.”

Sometimes Selina came into town for a week or ten days at a stretch, and indulged in what she called an orgy. At such times Julie Arnold would invite her to occupy one of the guest rooms at the Arnold house, or Dirk would offer her his bedroom and tell her that he would be comfortable on the big couch in the living room, or that he would take a room at the University Club. She always declined. She would take a room in a hotel, sometimes north, sometimes south. Her holiday before her she would go off roaming gaily as a small boy on a Saturday morning, with the day stretching gorgeously and adventuresomely ahead of him, sallies down the street without plan or appointment, knowing that richness in one form or another lies before him for the choosing. She loved the Michigan Boulevard and State Street shop windows in which haughty waxed ladies in glittering evening gowns postured, fingers elegantly crooked as they held a fan, a rose, a programme, meanwhile smiling condescendingly out upon an envious world flattening its nose against the plate glass barrier. A sociable woman, Selina, savouring life, she liked the lights, the colour, the rush, the noise. Her years of grinding work, with her face pressed down to the very soil itself, had failed to kill her zest for living. She prowled into the city’s foreign quarters—Italian, Greek, Chinese, Jewish. She penetrated the Black Belt, where Chicago’s vast and growing Negro population shifted and moved and stretched its great limbs ominously, reaching out and out in protest and overflowing the bounds that irked it. Her serene face and her quiet manner, her bland interest and friendly look protected her. They thought her a social worker, perhaps; one of the uplifters. She bought and read the Independent, the Negro newspaper in which herb doctors advertised magic roots. She even sent the twenty-five cents required for a box of these, charmed by their names—Adam and Eve roots, Master of the Woods, Dragon’s Blood, High John the Conqueror, Jezebel Roots, Grains of Paradise.

“Look here, Mother,” Dirk would protest, “you can’t wander around like that. It isn’t safe. This isn’t High Prairie, you know. If you want to go round I’ll get Saki to drive you.”

“That would be nice,” she said, mildly. But she never availed herself of this offer. Sometimes she went over to South Water Street, changed now, and swollen to such proportions that it threatened to burst its confines. She liked to stroll along the crowded sidewalks, lined with crates and boxes and barrels of fruits, vegetables, poultry. Swarthy foreign faces predominated now. Where the red-faced overalled men had been she now saw lean muscular lads in old army shirts and khaki pants and scuffed puttees wheeling trucks, loading boxes, charging down the street in huge rumbling auto vans. Their faces were hard, their talk terse. They moved gracefully, with an economy of gesture. Any one of these, she reflected, was more vital, more native, functioned more usefully and honestly than her successful son, Dirk DeJong.

“Where ’r’ beans?”

“In th’ ol’ beanery.”

“Tough.”

“Best you can get.”

“Keep ’em.”

Many of the older men knew her, shook hands with her, chatted a moment friendlily. William Talcott, a little more dried up, more wrinkled, his sparse hair quite gray now, still leaned up against the side of his doorway in his shirt sleeves and his neat pepper-and-salt pants and vest, a pretty good cigar, unlighted, in his mouth, the heavy gold watch chain spanning his middle.

“Well, you certainly made good, Mrs. DeJong. Remember the day you come here with your first load?”

Oh, yes. She remembered.

“That boy of yours has made his mark, too, I see. Doing grand, ain’t he? Wa-al, great satisfaction having a son turn out well like that. Yes, sirree! Why, look at my da’ter Car’line——”

Life at High Prairie had its savour, too. Frequently you saw strange visitors there for a week or ten days at a time—boys and girls whose city pallor gave way to a rich tan; tired-looking women with sagging figures who drank Selina’s cream and ate her abundant vegetables and tender chickens as though they expected these viands to be momentarily snatched from them. Selina picked these up in odd corners of the city. Dirk protested against this, too. Selina was a member of the High Prairie school board now. She often drove about the roads and into town in a disreputable Ford which she manipulated with imagination and skill. She was on the Good Roads Committee and the Truck Farmers’ Association valued her opinion. Her life was full, pleasant, prolific.

Paula had a scheme for interesting women in bond buying. It was a good scheme. She suggested it so that Dirk thought he had thought of it. Dirk was head now of the bond department in the Great Lakes Trust Company’s magnificent new white building on Michigan Boulevard north. Its white towers gleamed pink in the lake mists. Dirk said it was a terrible building, badly proportioned, and that it looked like a vast vanilla sundae. His new private domain was more like a splendid bookless library than a business office. It was finished in rich dull walnut and there were great upholstered chairs, soft rugs, shaded lights. Special attention was paid to women clients. There was a room for their convenience fitted with low restful chairs and couches, lamps, writing desks, in mauve and rose. Paula had selected the furnishings for this room. Ten years earlier it would have been considered absurd in a suite of business offices. Now it was a routine part of the equipment.

Dirk’s private office was almost as difficult of access as that of the nation’s executive. Cards, telephones, office boys, secretaries stood between the caller and Dirk DeJong, head of the bond department. You asked for him, uttering his name in the ear of the six-foot statuesque detective who, in the guise of usher, stood in the centre of the marble rotunda eyeing each visitor with a coldly appraising gaze. This one padded softly ahead of you on rubber heels, only to give you over to the care of a glorified office boy who took your name. You waited. He returned. You waited. Presently there appeared a young woman with inquiring eyebrows. She conversed with you. She vanished. You waited. She reappeared. You were ushered into Dirk DeJong’s large and luxurious inner office. And there formality fled.

Dirk was glad to see you; quietly, interestedly glad to see you. As you stated your business he listened attentively, as was his charming way. The volume of business done with women clients by the Great Lakes Trust Company was enormous. Dirk was conservative, helpful—and he always got the business. He talked little. He was amazingly effective. Ladies in the modish black of recent bereavement made quite a sombre procession to his door. His suggestions (often originating with Paula) made the Great Lakes Trust Company’s discreet advertising rich in results. Neat little pamphlets written for women on the subjects of saving, investments. “You are not dealing with a soulless corporation,” said these brochures. “May we serve you? You need more than friends. Before acting, you should have your judgment vindicated by an organization of investment specialists. You may have relatives and friends, some of whom would gladly advise you on investments. But perhaps you rightly feel that the less they know about your financial affairs, the better. To handle trusts, and to care for the securities of widows and orphans, is our business.”

It was startling to note how this sort of thing mounted into millions. “Women are becoming more and more used to the handling of money,” Paula said, shrewdly. “Pretty soon their patronage is going to be as valuable as that of men. The average woman doesn’t know about bonds—about bond buying. They think they’re something mysterious and risky. They ought to be educated up to it. Didn’t you say something, Dirk, about classes in finance for women? You could make a sort of semi-social affair of it. Send out invitations and get various bankers—big men, whose names are known—to talk to these women.”

“But would the women come?”

“Of course they’d come. Women will accept any invitation that’s engraved on heavy cream paper.”

The Great Lakes Trust had a branch in Cleveland now, and one in New York, on Fifth Avenue. The drive to interest women in bond buying and to instruct them in finance was to take on almost national proportions. There was to be newspaper and magazine advertising.

The Talks for Women on the Subject of Finance were held every two weeks in the crystal room of the Blackstone and were a great success. Paula was right. Much of old Aug Hempel’s shrewdness and business foresight had descended to her. The women came—widows with money to invest; business women who had thriftily saved a portion of their salaries; moneyed women who wanted to manage their own property, or who resented a husband’s interference. Some came out of curiosity. Others for lack of anything better to do. Others to gaze on the well-known banker or lawyer or business man who was scheduled to address the meeting. Dirk spoke three or four times during the winter and was markedly a favourite. The women, in smart crÊpe gowns and tailored suits and small chic hats, twittered and murmured about him, even while they sensibly digested his well-thought-out remarks. He looked very handsome, clean-cut, and distinguished there on the platform in his admirably tailored clothes, a small white flower in his buttonhole. He talked easily, clearly, fluently; answered the questions put to him afterward with just the right mixture of thoughtful hesitation and confidence.

It was decided that for the national advertising there must be an illustration that would catch the eye of women, and interest them. The person to do it, Dirk thought, was this Dallas O’Mara whose queer hen-track signature you saw scrawled on half the advertising illustrations that caught your eye. Paula had not been enthusiastic about this idea.

“M-m-m, she’s very good,” Paula had said, guardedly, “but aren’t there others who are better?”

“She!” Dirk had exclaimed. “Is it a woman? I didn’t know. That name might be anything.”

“Oh, yes, she’s a woman. She’s said to be very—very attractive.”

Dirk sent for Dallas O’Mara. She replied, suggesting an appointment two weeks from that date. Dirk decided not to wait, consulted other commercial artists, looked at their work, heard their plans outlined, and was satisfied with none of them. The time was short. Ten days had passed. He had his secretary call Dallas O’Mara on the telephone. Could she come down to see him that day at eleven?

No: she worked until four daily at her studio.

Could she come to his office at four-thirty, then?

Yes, but wouldn’t it be better if he could come to her studio where he could see something of the various types of drawings—oils, or black-and-white, or crayons. She was working mostly in crayons now.

All this relayed by his secretary at the telephone to Dirk at his desk. He jammed his cigarette-end viciously into a tray, blew a final infuriated wraith of smoke, and picked up the telephone connection on his own desk. “One of those damned temperamental near-artists trying to be grand,” he muttered, his hand over the mouthpiece. “Here, Miss Rawlings—I’ll talk to her. Switch her over.”

“Hello, Miss—uh—O’Mara. This is Mr. DeJong talking. I much prefer that you come to my office and talk to me.” (No more of this nonsense.)

Her voice: “Certainly, if you prefer it. I thought the other would save us both some time. I’ll be there at four-thirty.” Her voice was leisurely, low, rounded. An admirable voice. Restful.

“Very well. Four-thirty,” said Dirk, crisply. Jerked the receiver onto the hook. That was the way to handle ’em. These females of forty with straggling hair and a bundle of drawings under their arm.

The female of forty with straggling hair and a bundle of drawings under her arm was announced at four-thirty to the dot. Dirk let her wait five minutes in the outer office, being still a little annoyed. At four-thirty-five there entered his private office a tall slim girl in a smart little broadtail jacket, fur-trimmed skirt, and a black hat at once so daring and so simple that even a man must recognize its French nativity. She carried no portfolio of drawings under her arms.

Through the man’s mind flashed a series of unbusinesslike thoughts such as: “Gosh! . . . Eyes! . . . That’s way I like to see girl dress . . . Tired looking . . . No, guess it’s her eyes—sort of fatigued. . . . Pretty . . . No, she isn’t . . . yes, she . . .” Aloud he said, “This is very kind of you, Miss O’Mara.” Then he thought that sounded pompous and said, curtly, “Sit down.”

Miss O’Mara sat down. Miss O’Mara looked at him with her tired deep blue eyes. Miss O’Mara said nothing. She regarded him pleasantly, quietly, composedly. He waited for her to say that usually she did not come to business offices; that she had only twenty minutes to give him; that the day was warm, or cold; his office handsome; the view over the river magnificent. Miss O’Mara said nothing, pleasantly. So Dirk began to talk, rather hurriedly.

Now, this was a new experience for Dirk DeJong. Usually women spoke to him first and fluently. Quiet women waxed voluble under his silence; voluble women chattered. Paula always spoke a hundred words to his one. But here was a woman more silent than he; not sullenly silent, nor heavily silent, but quietly, composedly, restfully silent.

“I’ll tell you the sort of thing we want, Miss O’Mara.” He told her. When he had finished she probably would burst out with three or four plans. The others had done that.

When he had finished she said, “I’ll think about it for a couple of days while I’m working on something else. I always do. I’m doing an olive soap picture now. I can begin work on yours Wednesday.”

“But I’d like to see it—that is, I’d like to have an idea of what you’re planning to do with it.” Did she think he was going to let her go ahead without consulting his judgment!

“Oh, it will be all right. But drop into the studio if you like. It will take me about a week, I suppose. I’m over on Ontario in that old studio building. You’ll know it by the way most of the bricks have fallen out of the building and are scattered over the sidewalk.” She smiled a slow wide smile. Her teeth were good but her mouth was too big, he thought. Nice big warm kind of smile, though. He found himself smiling, too, sociably. Then he became businesslike again. Very businesslike.

“How much do you—what is your—what would you expect to get for a drawing such as that?”

“Fifteen hundred dollars,” said Miss O’Mara.

“Nonsense.” He looked at her then. Perhaps that had been humour. But she was not smiling. “You mean fifteen hundred for a single drawing?”

“For that sort of thing, yes.”

“I’m afraid we can’t pay that, Miss O’Mara.”

Miss O’Mara stood up. “That is my price.” She was not at all embarrassed. He realized that he had never seen such effortless composure. It was he who was fumbling with the objects on his flat-topped desk—a pen, a sheet of paper, a blotter. “Good-bye, Mr. DeJong.” She held out a friendly hand. He took it. Her hair was gold—dull gold, not bright—and coiled in a single great knot at the back of her head, low. He took her hand. The tired eyes looked up at him.

“Well, if that’s your price, Miss O’Mara. I wasn’t prepared to pay any such—but of course I suppose you top-notchers do get crazy prices for your work.”

“Not any crazier than the prices you top-notchers get.”

“Still, fifteen hundred dollars is quite a lot of money.”

“I think so, too. But then, I’ll always think anything over nine dollars is quite a lot of money. You see, I used to get twenty-five cents apiece for sketching hats for Gage’s.”

She was undeniably attractive. “And now you’ve arrived. You’re successful.”

“Arrived! Heavens, no! I’ve started.”

“Who gets more money than you do for a drawing?”

“Nobody, I suppose.”

“Well, then?”

“Well, then, in another minute I’ll be telling you the story of my life.”

She smiled again her slow wide smile; turned to leave. Dirk decided that while most women’s mouths were merely features this girl’s was a decoration.

She was gone. Miss Ethelinda Quinn et al., in the outer office, appraised the costume of Miss Dallas O’Mara from her made-to-order footgear to her made-in-France millinery and achieved a lightning mental reconstruction of their own costumes. Dirk DeJong in the inner office realized that he had ordered a fifteen-hundred-dollar drawing, sight unseen, and that Paula was going to ask questions about it.

“Make a note, Miss Rawlings, to call Miss O’Mara’s studio on Thursday.”

In the next few days he learned that a surprising lot of people knew a surprisingly good deal about this Dallas O’Mara. She hailed from Texas, hence the absurd name. She was twenty-eight—twenty-five—thirty-two—thirty-six. She was beautiful. She was ugly. She was an orphan. She had worked her way through art school. She had no sense of the value of money. Two years ago she had achieved sudden success with her drawings. Her ambition was to work in oils. She toiled like a galley-slave; played like a child; had twenty beaux and no lover; her friends, men and women, were legion and wandered in and out of her studio as though it were a public thoroughfare. You were likely to find there at any hour any one from Bert Colson, the blackface musical comedy star, to Mrs. Robinson Gilman of Lake Forest and Paris; from Leo Mahler, first violin with the Chicago Symphony Orchestra, to Fanny Whipple who designed dresses for Carson’s. She supported an assortment of unlucky brothers and spineless sisters in Texas and points west.

Miss Rawlings made an appointment for Thursday at three. Paula said she’d go with him and went. She dressed for Dallas O’Mara and the result was undeniably enchanting. Dallas sometimes did a crayon portrait, or even attempted one in oils. Had got a prize for her portrait of Mrs. Robinson Gilman at last spring’s portrait exhibit at the Chicago Art Institute. It was considered something of an achievement to be asked to pose for her. Paula’s hat had been chosen in deference to her hair and profile, and the neck line of her gown in deference to hat, hair, and profile, and her pearls with an eye to all four. The whole defied competition on the part of Miss Dallas O’Mara.

Miss Dallas O’Mara, in her studio, was perched on a high stool before an easel with a large tray of assorted crayons at her side. She looked a sight and didn’t care at all. She greeted Dirk and Paula with a cheerful friendliness and went right on working. A model, very smartly gowned, was sitting for her.

“Hello!” said Dallas O’Mara. “This is it. Do you think you’re going to like it?”

“Oh,” said Dirk. “Is that it?” It was merely the beginning of a drawing of the smartly gowned model. “Oh, that’s it, is it?” Fifteen hundred dollars!

“I hope you didn’t think it was going to be a picture of a woman buying bonds.” She went on working. She squinted one eye, picked up a funny little mirror thing which she held to one side, looked into, and put down. She made a black mark on the board with a piece of crayon then smeared the mark with her thumb. She had on a faded all-enveloping smock over which French ink, rubber cement, pencil marks, crayon dust and wash were so impartially distributed that the whole blended and mixed in a rich mellow haze like the Chicago atmosphere itself. The collar of a white silk blouse, not especially clean, showed above this. On her feet were soft kid bedroom slippers, scuffed, with pompons on them. Her dull gold hair was carelessly rolled into that great loose knot at the back. Across one cheek was a swipe of black.

“Well,” thought Dirk, “she looks a sight.”

Dallas O’Mara waved a friendly hand toward some chairs on which were piled hats, odd garments, bristol board and (on the broad arm of one) a piece of yellow cake. “Sit down.” She called to the girl who had opened the door to them: “Gilda, will you dump some of those things. This is Mrs. Storm, Mr. DeJong—Gilda Hanan.” Her secretary, Dirk later learned.

The place was disorderly, comfortable, shabby. A battered grand piano stood in one corner. A great skylight formed half the ceiling and sloped down at the north end of the room. A man and a girl sat talking earnestly on the couch in another corner. A swarthy foreign-looking chap, vaguely familiar to Dirk, was playing softly at the piano. The telephone rang. Miss Hanan took the message, transmitted it to Dallas O’Mara, received the answer, repeated it. Perched atop the stool, one slippered foot screwed in a rung, Dallas worked on concentratedly, calmly, earnestly. A lock of hair straggled over her eyes. She pushed it back with her wrist and left another dark splotch on her forehead. There was something splendid, something impressive, something magnificent about her absorption, her indifference to appearance, her unawareness of outsiders, her concentration on the work before her. Her nose was shiny. Dirk hadn’t seen a girl with a shiny nose in years. They were always taking out those little boxes and things and plastering themselves with the stuff in ’em.

“How can you work with all this crowd around?”

“Oh,” said Dallas in that deep restful leisurely voice of hers, “there are always between twenty and thirty”—she slapped a quick scarlet line on the board, rubbed it out at once—“thousand people in and out of here every hour, just about. I like it. Friends around me while I’m slaving.”

“Gosh!” he thought, “she’s—— I don’t know—she’s——”

“Shall we go?” said Paula.

He had forgotten all about her. “Yes. Yes, I’m ready if you are.”

Outside, “Do you think you’re going to like the picture?” Paula asked. They stepped into her car.

“Oh, I don’t know. Can’t tell much about it at this stage, I suppose.”

“Back to your office?”

“Sure.”

“Attractive, isn’t she?”

“Think so?”

So he was going to be on his guard, was he! Paula threw in the clutch viciously, jerked the lever into second speed. “Her neck was dirty.”

“Crayon dust,” said Dirk.

“Not necessarily,” replied Paula.

Dirk turned sideways to look at her. It was as though he saw her for the first time. She looked brittle, hard, artificial—small, somehow. Not in physique but in personality.

The picture was finished and delivered within ten days. In that time Dirk went twice to the studio in Ontario Street. Dallas did not seem to mind. Neither did she appear particularly interested. She was working hard both times. Once she looked as he had seen her on her first visit. The second time she had on a fresh crisp smock of faded yellow that was glorious with her hair; and high-heeled beige kid slippers, very smart. She was like a little girl who has just been freshly scrubbed and dressed in a clean pinafore, Dirk thought.

He thought a good deal about Dallas O’Mara. He found himself talking about her in what he assumed to be a careless offhand manner. He liked to talk about her. He told his mother of her. He could let himself go with Selina and he must have taken advantage of this for she looked at him intently and said: “I’d like to meet her. I’ve never met a girl like that.”

“I’ll ask her if she’ll let me bring you up to the studio some time when you’re in town.”

It was practically impossible to get a minute with her alone. That irritated him. People were always drifting in and out of the studio—queer, important, startling people; little, dejected, shabby people. An impecunious girl art student, red-haired and wistful, that Dallas was taking in until the girl got some money from home; a pearl-hung grand-opera singer who was condescending to the Chicago Opera for a fortnight. He did not know that Dallas played until he came upon her late one afternoon sitting at the piano in the twilight with Bert Colson, the blackface comedian. Colson sang those terrible songs about April showers bringing violets, and about mah Ma-ha-ha-ha-ha-ha-ha-my but they didn’t seem terrible when he sang them. There was about this lean, hollow-chested, sombre-eyed comedian a poignant pathos, a gorgeous sense of rhythm—a something unnameable that bound you to him, made you love him. In the theatre he came out to the edge of the runway and took the audience in his arms. He talked like a bootblack and sang like an angel. Dallas at the piano, he leaning over it, were doing “blues.” The two were rapt, ecstatic. I got the blues—I said the blues—I got the this or that—the somethingorother—blue—hoo-hoos. They scarcely noticed Dirk. Dallas had nodded when he came in, and had gone on playing. Colson sang the cheaply sentimental ballad as though it were the folksong of a tragic race. His arms were extended, his face rapt. As Dallas played the tears stood in her eyes. When they had finished, “Isn’t it a terrible song?” she said. “I’m crazy about it. Bert’s going to try it out to-night.”

“Who—uh—wrote it?” asked Dirk politely.

Dallas began to play again. “H’m? Oh, I did.” They were off once more. They paid no more attention to Dirk. Yet there was nothing rude about their indifference. They simply were more interested in what they were doing. He left telling himself that he wouldn’t go there again. Hanging around a studio. But next day he was back.

“Look here, Miss O’Mara,” he had got her alone for a second. “Look here, will you come out to dinner with me some time? And the theatre?”

“Love to.”

“When?” He was actually trembling.

“To-night.” He had an important engagement. He cast it out of his life.

“To-night! That’s grand. Where do you want to dine? The Casino?” The smartest club in Chicago; a little pink stucco Italian box of a place on the Lake Shore Drive. He was rather proud of being in a position to take her there as his guest.

“Oh, no, I hate those arty little places. I like dining in a hotel full of all sorts of people. Dining in a club means you’re surrounded by people who’re pretty much alike. Their membership in the club means they’re there because they are all interested in golf, or because they’re university graduates, or belong to the same political party or write, or paint, or have incomes of over fifty thousand a year, or something. I like ’em mixed up, higgledy-piggledy. A dining room full of gamblers, and insurance agents, and actors, and merchants, thieves, bootleggers, lawyers, kept ladies, wives, flaps, travelling men, millionaires—everything. That’s what I call dining out. Unless one is dining at a friend’s house, of course.” A rarely long speech for her.

“Perhaps,” eagerly, “you’ll dine at my little apartment some time. Just four or six of us, or even——”

“Perhaps.”

“Would you like the Drake to-night?”

“It looks too much like a Roman bath. The pillars scare me. Let’s go to the Blackstone. I’ll always be sufficiently from Texas to think the Blackstone French room the last word in elegance.”

They went to the Blackstone. The head waiter knew him. “Good evening, Mr. DeJong.” Dirk was secretly gratified. Then, with a shock, he realized that the head waiter was grinning at Dallas and Dallas was grinning at the head waiter. “Hello, AndrÉ,” said Dallas.

“Good evening, Miss O’Mara.” The text of his greeting was correct and befitting the head waiter of the French room at the Blackstone. But his voice was lyric and his eyes glowed. His manner of seating her at a table was an enthronement.

At the look in Dirk’s eyes, “I met him in the army,” Dallas explained, “when I was in France. He’s a grand lad.”

“Were you in—what did you do in France?”

“Oh, odd jobs.”

Her dinner gown was very smart, but the pink ribbon strap of an under-garment showed untidily at one side. Her silk brassiere, probably. Paula would have—but then, a thing like that was impossible in Paula’s perfection of toilette. He loved the way the gown cut sharply away at the shoulder to show her firm white arms. It was dull gold, the colour of her hair. This was one Dallas. There were a dozen—a hundred. Yet she was always the same. You never knew whether you were going to meet the gamin of the rumpled smock and the smudged face or the beauty of the little fur jacket. Sometimes Dirk thought she looked like a Swede hired girl with those high cheek bones of hers and her deep-set eyes and her large capable hands. Sometimes he thought she looked like the splendid goddesses you saw in paintings—the kind with high pointed breasts and gracious gentle pose—holding out a horn of plenty. There was about her something genuine and earthy and elemental. He noticed that her nails were short and not well cared for—not glittering and pointed and cruelly sharp and horridly vermilion, like Paula’s. That pleased him, too, somehow.

“Some oysters?” he suggested. “They’re perfectly safe here. Or fruit cocktail? Then breast of guinea hen under glass and an artichoke——”

She looked a little worried. “If you—suppose you take that. Me, I’d like a steak and some potatoes au gratin and a salad with Russian——”

“That’s fine!” He was delighted. He doubled that order and they consumed it with devastating thoroughness. She ate rolls. She ate butter. She made no remarks about the food except to say, once, that it was good and that she had forgotten to eat lunch because she had been so busy working. All this Dirk found most restful and refreshing. Usually, when you dined in a restaurant with a woman she said, “Oh, I’d love to eat one of those crisp little rolls!”

You said, “Why not?”

Invariably the answer to this was, “I daren’t! Goodness! A half pound at least. I haven’t eaten a roll with butter in a year.”

Again you said, “Why not?”

“Afraid I’ll get fat.”

Automatically, “You! Nonsense. You’re just right.”

He was bored with these women who talked about their weight, figure, lines. He thought it in bad taste. Paula was always rigidly refraining from this or that. It made him uncomfortable to sit at the table facing her; eating his thorough meal while she nibbled fragile curls of Melba toast, a lettuce leaf, and half a sugarless grapefruit. It lessened his enjoyment of his own oysters, steak, coffee. He thought that she always eyed his food a little avidly, for all her expressed indifference to it. She was looking a little haggard, too.

“The theatre’s next door,” he said. “Just a step. We don’t have to leave here until after eight.”

“That’s nice.” She had her cigarette with her coffee in a mellow sensuous atmosphere of enjoyment. He was talking about himself a good deal. He felt relaxed, at ease, happy.

“You know I’m an architect—at least, I was one. Perhaps that’s why I like to hang around your shop so. I get sort of homesick for the pencils and the drawing board—the whole thing.”

“Why did you give it up, then?”

“Nothing in it.”

“How do you mean—nothing in it?”

“No money. After the war nobody was building. Oh, I suppose if I’d hung on——”

“And then you became a banker, h’m? Well, there ought to be money enough in a bank.”

He was a little nettled. “I wasn’t a banker—at first. I was a bond salesman.”

Her brows met in a little frown. Her eyebrows were thick and strongly marked and a little uneven and inclined to meet over her nose. Paula’s brows were a mere line of black—a carefully traced half-parenthesis above her unmysterious dark eyes. “I’d rather,” Dallas said, slowly, “plan one back door of a building that’s going to help make this town beautiful and significant than sell all the bonds that ever floated a—whatever it is that bonds are supposed to float.”

He defended himself. “I felt that way, too. But you see my mother had given me my education, really. She worked for it. I couldn’t go dubbing along, earning just enough to keep me. I wanted to give her things. I wanted——”

“Did she want those things? Did she want you to give up architecture and go into bonds?”

“Well—she—I don’t know that she exactly——” He was too decent—still too much the son of Selina DeJong—to be able to lie about that.

“You said you were going to let me meet her.”

“Would you let me bring her in? Or perhaps you’d even—would you drive out to the farm with me some day. She’d like that so much.”

“So would I.”

He leaned toward her, suddenly. “Listen, Dallas. What do you think of me, anyway?” He wanted to know. He couldn’t stand not knowing any longer.

“I think you’re a nice young man.”

That was terrible. “But I don’t want you to think I’m a nice young man. I want you to like me—a lot. Tell me, what haven’t I got that you think I ought to have? Why do you put me off so many times? I never feel that I’m really near you. What is it I lack?” He was abject.

“Well, if you’re asking for it. I do demand of the people I see often that they possess at least a splash of splendour in their makeup. Some people are nine tenths splendour and one tenth tawdriness, like Gene Meran. And some are nine tenths tawdriness and one tenth splendour, like Sam Huebch. But some people are all just a nice even pink without a single patch of royal purple.”

“And that’s me, h’m?”

He was horribly disappointed, hurt, wretched. But a little angry, too. His pride. Why, he was Dirk DeJong, the most successful of Chicago’s younger men; the most promising; the most popular. After all, what did she do but paint commercial pictures for fifteen hundred dollars apiece?

“What happens to the men who fall in love with you? What do they do?”

Dallas stirred her coffee thoughtfully. “They usually tell me about it.”

“And then what?”

“Then they seem to feel better and we become great friends.”

“But don’t you ever fall in love with them?” Pretty damned sure of herself. “Don’t you ever fall in love with them?”

“I almost always do,” said Dallas.

He plunged. “I could give you a lot of things you haven’t got, purple or no purple.”

“I’m going to France in April. Paris.”

“What d’you mean! Paris. What for?”

“Study. I want to do portraits. Oils.”

He was terrified. “Can’t you do them here?”

“Oh, no. Not what I need. I have been studying here. I’ve been taking life-work three nights a week at the Art Institute, just to keep my hand in.”

“So that’s where you are, evenings.” He was strangely relieved. “Let me go with you some time, will you?” Anything. Anything.

She took him with her one evening, steering him successfully past the stern Irishman who guarded the entrance to the basement classrooms; to her locker, got into her smock, grabbed her brushes. She rushed down the hall. “Don’t talk,” she cautioned him. “It bothers them. I wonder what they’d think of my shop.” She turned into a small, cruelly bright, breathlessly hot little room, its walls whitewashed. Every inch of the floor space was covered with easels. Before them stood men and women, brushes in hand, intent. Dallas went directly to her place, fell to work at once. Dirk blinked in the strong light. He glanced at the dais toward which they were all gazing from time to time as they worked. On it lay a nude woman.

To himself Dirk said in a sort of panic: “Why, say, she hasn’t got any clothes on! My gosh! this is fierce. She hasn’t got anything on!” He tried, meanwhile, to look easy, careless, critical. Strangely enough, he succeeded, after the first shock, not only in looking at ease, but feeling so. The class was doing the whole figure in oils.

The model was a moron with a skin like velvet and rose petals. She fell into poses that flowed like cream. Her hair was waved in wooden undulations and her nose was pure vulgarity and her earrings were drug-store pearls in triple strands but her back was probably finer than Helen’s and her breasts twin snowdrifts peaked with coral. In twenty minutes Dirk found himself impersonally interested in tone, shadows, colours, line. He listened to the low-voiced instructor and squinted carefully to ascertain whether that shadow on the model’s stomach really should be painted blue or brown. Even he could see that Dallas’s canvas was almost insultingly superior to that of the men and women about her. Beneath the flesh on her canvas there were muscles, and beneath those muscles blood and bone. You felt she had a surgeon’s knowledge of anatomy. That, Dirk decided, was what made her commercial pictures so attractive. The drawing she had done for the Great Lakes Trust Company’s bond department had been conventional enough in theme. The treatment, the technique, had made it arresting. He thought that if she ever did portraits in oils they would be vital and compelling portraits. But oh, he wished she didn’t want to do portraits in oils. He wished——

It was after eleven when they emerged from the Art Institute doorway and stood a moment together at the top of the broad steps surveying the world that lay before them. Dallas said nothing. Suddenly the beauty of the night rushed up and overwhelmed Dirk. Gorgeousness and tawdriness; colour and gloom. At the right the white tower of the Wrigley building rose wraithlike against a background of purple sky. Just this side of it a swarm of impish electric lights grinned their message in scarlet and white. In white:

TRADE AT

XIX

XX

XXI

EDNA FERBER
By Rogers Dickinson