And then the particular variety of Maupassant's cynicism was just that variation of the artistic idea upon the temperament which puts the best finish upon work necessarily so limited, obliged to be so clenching, as the short story. Flaubert's gigantic dissatisfaction with life, his really philosophic sense of its vanity, would have overweighted a writer so thoroughly equipped for his work as the writer of "Boule de Suif" and "La Maison Tellier." Maupassant had no time, he allowed himself no space, to reason about life; the need was upon him to tell story after story, each with its crisis, its thrill, its summing up of a single existence or a single action. The sharp, telling thrust that his conception of art demanded could be given only by a very specious, not very profound, very forthright, kind of cynicism, like the half kindly, half contemptuous laugh of the man who tells a good story at the club. For him it was the point of the epigram.

Maupassant was the man of his period, and his period was that of Naturalism. In "Les Soirees de Medan," the volume in which "Boule de Suif" appeared, there is another story called "Sac au Dos," in which another novelist made his appearance among the five who "publicly affirmed their literary tendencies" about the central figure of Zola. J. K. Huysmans, then but at the outset of his slow and painful course through schools and experiments, was in time to sum up the new tendencies of a new period, as significantly as Maupassant summed up in his short and brilliant, and almost undeviating career, the tendencies of that period in which Taine and science seemed to have at last found out the physical basis of life. Now it is a new realism which appeals to us: it is the turn of the soul. The battle which the "Soirees de Medan" helped to win has been won; having gained our right to deal with humble and unpleasant and sordidly tragic things in fiction, we are free to concern ourselves with other things. But though the period has passed, and will not return, the masterpieces of the period remain. Among these masterpieces are the novels and short stories of Guy de Maupassant.

Arthur Symons.