Alum, 50
Andreani, Andrea, xi
Baldung, Hans, x
Bamboo-sheath, 62
Baren, 11, 61, 62
Baren, manner of using, 72
Baren, to re-cover, 63, 64
Baren, to re-cover (diagram), 64
Batches, size of, 89
Batten, J. D., 2
Block cutting, materials, 17
Blocks, cutting of, 17, 23
Blocks, mounting of, 18
Blocks, planning of, 23
Books of reference, 129
Bowie, Henry P., 86
British Museum Print Room, 43
Brushes, 65
Brushes, drawing of, 66
Carborundum stone, 21
Cherry wood, 17
Chiaroscuro, x
Chinese ink, 55
Chisel, grip of, 34, 35
Chisels, 20
Clearing of spaces, 33
Clearing of wood between knife cuts, 35
Colour, 56
Colour block, diagram of section, 42
Colour blocks, plan of, 39
Colour blocks, planning, 40, 41
Colour blocks, printing from, 73
Colour design, 87
Commercial development, 5
Conventions of design, 82
Co-operative printing, 89
Craft in Japan, 61
Craftsmen, training of, 24
Cranach, Lucas, x
Crane, Walter, ix
Creasote, 56
Cutting, 25
Da Carpo, Ugo, x
Damping, 14
Damping sheets, 51
Design, 27
Design, conventions in, 82
Designing, 81
Designing wood-block prints, principles of, 81
Design of key-block, 26
Diagram of knife cuts, 33
Drying of colour, 77
Drying of prints, 79
Errors of register, 43
Eve and the Serpent, print of, 2
Flat treatment, 26, 27
Foliage, 85
Gelatine, 48
Giles, William, 65
Glue solution with colour, 58, 75
Gouge, method of holding, 35
Gradations, printing of, 75
Grip of chisel, 34, 35
Hands, position of, in cutting, 30, 31
Herkomer, ix
HiroshigÉ, 84
Impressions, possible number of, 92
Ink, 54
Inking of block, 69
Ink, preservative for, 56
Italian woodcuts, ix
Jackson, T. B., xii
Japan, craft in, 4, 23
Japanese blocks, 43
Japanese craftsmen, 61
Japanese drawing, 27
Japanese key-block, 33
"Japanese Painting, The Laws of," 86
Japanese paper, 54
Japanese printers, 52, 80
Japanese prints, 83
Key-block, 25, 27, 84, 85
Key-block impressions, 5, 26, 33
Knife, 19
Knife, drawing of, 19
Knife, use of, 24
Knife cuts, diagram of, 33
"Laws of Japanese Painting," 86
Light and shade, 85
Line block, cutting of, 32
Line, development of, 32
Line of key-block, 26
Mallet, 21
Mallet, drawing of, 21
Mantegna, xi
Millboards for drying, 79
Modern prints, 83
Mordant, alum as, 50
Mould, 79
Mulberry fibre, 47
Museums, sets of blocks at, 43
Number of impressions, 92
Offsetting, 71, 77
Oilstones, 21
Orlik, Prof. Emil, 7
Outamaro, 24
Pad, 61
Paper, 47
Paper, damping of, 51
Paper, manner of holding, 70
Paper, mould in, 79
Paper, need of white, 54
Paper, sizing of, 48
Paper, sizing of (drawing), 49
Paste, 58
Paste, amount used in printing, 74
Paste, preparation of, 59
Plank, preparation of, 18
Planning of blocks, 24
Position of hands, 30, 31
Posters, 86, 87
Printing, 67
Printing, co-operative, 89
Printing, detailed method of, 61
Printing from colour blocks, 73
Printing, general description of, 9
Printing of gradations, 75, 76, 77
Printing pad, 62
Prints, designing, 81
Prints, drying of, 79
Register, 71, 78
Register, errors of, 41, 43
Register marks, 36, 37, 42
Register marks, position of, 37
Register marks, section of, 38
Rice flour, 59
Rice paste, 58
Rubber, glass, 65
Rubber, printing, 61
Shadows, treatment of, 85
Shallow cuts, 34
Shrinking of paper, 41
Siberian bear hair brushes, 66
Size, amount of, in paper, 75
Size, excess of, 75
Sizing of paper, 48, 49
Smithsonian Institution pamphlet, 2
South Kensington Museum, 43
Spots in paper, 79
Table, plan of, 11
Tokuno, T., 2
Tools for block-cutting, 19
Training of designers, 86
Treatment of form, 93
Tree-forms, 85, 93
Variety of line, 82, 83
Washita oilstone, 22
Wood, 17
Woodcuts, Italian, ix.
Work-table, plan of, 11