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"If you've changed your mind about anything—about us, maybe—just say so. I'll understand." Frank Corson felt he had to make this point—at this particular time. There was something inevitable in the need to do so.

"You're being ridiculous. The old thing about money again," Rhoda parried.

"There's nothing old about money. The problem is ever new. It's always with us."

Rhoda Kane wanted to cry. She sat on the floor beside the sofa on which Frank Corson lay, his hands behind his head, his eyes staring up at the ceiling. She wanted to say, Darling, what's happened to me? What is this thing inside me that keeps blocking me away from you? Why can't I tell you about it?

But she could not say this. She could only push the tears back and lay her head seductively on his chest. "You're just tired, dear. You've been working too hard."

He ran his hand petulantly through her hair. "It isn't me. It's you, Rhoda. Half the time you don't even realize I'm talking to you. You're getting such a faraway look in your eyes I'm beginning to think there's another man."

"That's silly," she said lightly. "Let me make you a drink."

"I don't want a drink."

The way he responded to her kiss indicated he didn't want to make love, either. Rhoda settled back to the floor and said, "Darling—"

Suddenly she couldn't go on. Somewhere inside, a dam broke; the strange, bewildering block tottered and began to fall. "Darling—there's something I want to tell you—"

Frank Corson indicated with a jerk of his head. "The phone's ringing."

"Let it ring. Darling, I—"

"For heaven's sake, answer it, Rhoda. It might be important."

She got up, went to the phone and picked it up. "Hello."

"This is John Dennis."

She felt that frightening excitement again—that feeling of dangerous delight at something forbidden. "Yes?"

"Do you remember what I told you to do?"

"Yes."

"Has it been done?"

"Not yet."

"Why have you not done it?"

"I haven't had a chance."

"You have a chance now. Frank Corson is in your home."

"Yes. I have a chance now."

The phone clicked. Rhoda put it down and went back to the sofa. As she sank to the floor, Frank Corson looked at her questioningly.

"That was certainly a cryptic conversation."

When Rhoda didn't answer, he scowled and snapped, "There you go again. Into the brown study."

"Oh, I'm sorry, dear."

"What was the phone call about?"

"My hairdresser. It was nothing."

"Weird conversation to have with a hairdresser."

"He's a weird hairdresser."

"What had you started to say when the phone rang?"

"It just occurred to me—you never told me what happened when that government man talked to you."

Frank wished she hadn't brought that up. He'd been ordered to keep the incident in his room strictly to himself. That hadn't been too difficult. It had been hard not to look on the thing as a murder. The blood had looked real and so had the body.

But if that was the way Brent Taber wanted it, all right. Frank was amazed at how smoothly everything had been handled. There hadn't even been a police car at the door—just an unmarked delivery truck and two men carrying out what might have been a rolled-up rug.

And that had been that.

"He didn't say much. Actually, there was no point in mentioning it to you."

"What ever happened to the man with two hearts?"

"I was wrong. He just had a peculiar heartbeat. As a matter of fact, everybody's heart beats all over their body. Nothing strange about that."

"But there's something strange about a doctor not being able to tell the difference between one heart and two. Frank, you are keeping something from me."

"Rhoda! For heaven's sake! The government man told me to keep my mouth shut about it."

"Does that mean you can't tell even me?"

He turned his head and looked into her eyes. "This isn't like you, Rhoda. Not like you at all."

"That's silly. I haven't changed."

"Yes, you have."

"How?"

"It's hard to say. You don't seem to have the same sense of values any more. You've—"

"Just how have they changed?"

If he sensed any inner fright in her question he said nothing about it. "For instance, when I told you I'd given up all ideas of going into research, when I said I'd decided to finish out my internship and establish a practice, you hardly twitched an eyebrow. I thought that would make you happy."

"It did, darling. I was delighted. But I'm still a woman and that gives me a right to be curious. What did the government man say?"

He sighed and drew her cajoling hand out of his hair. "They've got some wild idea the man who broke his leg wasn't a man at all. They think he was a synthetic of some kind. An android."

"Why, that's ridiculous. You saw him. You certainly know a man when you see one."

"According to Brent Taber, these androids are men, to all intents and purposes, but they're manufactured."

"That's just utterly insane. Are we paying taxes just to keep a lot of people in Washington who don't know the difference between a human being and a—"

"Rhoda! Please! I'm sick of the whole thing and I'd rather not talk about it."

"But he must have told you more than that. Where do these—these androids come from?"

"He didn't tell us any more than he had to, but I got the idea they think they're from outer space."

Rhoda laughed. "I never heard such foolishness in my life." She stopped laughing abruptly. "Who's us?"

"What?"

"You said, 'He didn't tell us any more than he had to ...' Who was with you?"

"Oh. Les King. You don't know him."

She seemed satisfied with the information and probed no farther.

He drew her close and looked very seriously into her eyes. "You have changed, Rhoda. What's got into you?"

She put her lips to his and whispered, "Is this changed?" She ran one hand softly and seductively down his body. "Or that?"

He took her in his arms. "No, baby, that hasn't changed. I guess I was wrong."

And as she kissed him, she saw the oddly expressionless face, the cold empty eyes—of John Dennis.

And she was afraid.


Something in the mind that had been given him—the synthetic duplicate of what had once been a part of Sam Baker—told the tenth android that women were attractive. For just what reason, he could not tell. There was nothing in his practical working structure that had any need of women. Still, the attraction was there in the memory patterns that had been transferred.

There were other attractions just as puzzling to him. He had vague memories of people with whom he felt no affinity except as vaguely nostalgic memories—Sam Baker's mother, his father, the blurred faces of friends he had known. And, at times, there were faint tinges of the terror Sam had known that night when a quick light flashed down from nowhere and he was abducted into a world too strange and terrible to be real. Yet it had been real.

There were no birth memories in the android, but there were the vestiges of Sam's death memories: the endless torture under a machine so sensitive that, while it had no definition of a woman, it was able to discern—in the names thefted from Sam's memory and used as names for the ten androids—those which applied to males and those that did not.

But of all these traces of memories, those concerning women nagged the android most. And now, as it turned his empty gaze on Rhoda Kane, it was with a little more personal interest than before.

"What did Frank Corson tell you?"

"He said the man in the hospital with a broken leg was not a man. He was an android."

The term, grotesquely enough, meant nothing to the creature who called himself John Dennis. In the strange pattern of his consciousness there were no patterns of definitive difference. Though in many respects more able than the humans against whom he was pitted, he was no more aware of himself as different than a dog is aware of its differences from a man. The concept didn't take shape in the android's synthetic mind.

"Did he tell you where the man with the broken leg came from?"

"He said they thought it came from somewhere in outer space."

"There were others. Did he know of them?"

"No. He only told me about a man named Les King."

"What did he say about Les King?"

"King was there when the government man talked to Frank. That was all. The government wanted them to say nothing."

"But Frank Corson told you."

"He would not tell anyone else, though. He is not interested in the androids. He wants to forget them."

"But Les King does not want to forget them?"

"I don't know."

"Will he talk about them?"

"I don't know that, either. I have never seen Les King."

"Can the government man keep Les King from talking about the man with the broken leg?"

"I doubt if he can force him to."

John Dennis again left the window and approached Rhoda Kane. She was wearing a housecoat, a brassiere and panties underneath.

"Take off your clothes."

Rhoda unbuttoned the housecoat and slipped it off. That strange excitement showed in her eyes now.

The android pointed. "Take those off."

As she unhooked her brassiere, Rhoda said, "My head aches."

"Your head does not ache."

"You are right, my head does not ache."

She slipped out of the panties and stood naked. The android regarded her. "You are different."

"Of course. I am a woman."

"I want to make love." As Rhoda stood motionless, helpless, he spoke very positively. "You make love on the bed. We will go into the bedroom ..."

Later, she was never able to recall any details of that next half-hour. In defense of her own sanity, she was able to block the incident from her mind. But as she lay naked on the bed, looking up at the man she knew as John Dennis, she thought of her mind as being in two sections. One section, the part of her consciousness that clung to reality, kept saying, I want to cry. If I could cry, everything would be all right. Why can't I cry?

The other part was a pool of quivering excitement. She lay motionless, watching John Dennis undress, garment by garment, until he, too, was naked.

His body was not perfect, yet it had an individual perfection of its own in Rhoda's eyes. The skin was smooth and white, the legs and hips firm and masculine. The chest was broad and Rhoda wanted to put her hands on it and feel John Dennis' hands on her own body.

He stood looking at her, a little like a child, she thought tenderly; a child waiting to be told what to do. She did not account this as strange—only as a shyness in him. She held out her arms.

He lowered himself onto the bed beside her. She put her arms around him and pressed her lips to his. She waited. Nothing happened.

He was neither cold nor passionate. He was neither hostile nor friendly. He was nothing.

"You wanted to make love," Rhoda whispered. "Here I am. Take me. Take me."

Instead, he disengaged himself, raised himself up on his elbows and looked down at her. "You are quite different."

She did not know whether to be complimented or offended. "I'm about the same as every other woman."

"You are different than I am."

"Of course I'm different." Was he joking? He didn't seem to be. He was deadly serious as he began examining her breasts.

This is mad. This is insane. Why can't I cry?

But the other part of her mind quivered with her body as John Dennis went over it, inch by inch. He appeared to be trying to memorize it. She moved and turned as his hands directed, a new kind of fire rising within her. She waited. He touched her and waited for a response. There was none; nor any feeling within her at that moment except the strange fire inside and the ache of her taut groin tendons.

John Dennis touched her again and noted the sudden jerk and quiver of her response. He became grotesquely, academically interested. He touched the same nerve surface again and studied her face for the response.

Her eyes were closed and her lower lip was gripped in her teeth. "No," she gasped. "Not that way. Not that way—please."

She could have been pleading with a brick wall. John Dennis continued—her natural reactions interested him. He frowned and seemed puzzled by the excitement he generated within her.

Then she cried out and rolled away from him and lay sobbing, her face buried in the pillow. But they were dry sobs; strange, tense sounds filling a questionable and dubious ecstasy.

"You are cruel," she whimpered.

"Cruel?"

"You make love so brutally."

He considered this and then got off the bed. "I do not like making love."

He began putting on his clothes. She watched him, completely defeated. "Where do you come from?" she demanded. "Who are you? Why did you want to know about the man with the broken leg?"

He turned from putting on his shirt and stood motionless, looking down into her eyes and after a moment or two it did not matter to Rhoda again. It mattered no more than it had in the beginning. The strange fire had not been quenched by what had occurred. It was still there, in her mind more than in her body, but finding its boundaries was not important either.

"Are you going?"

"Yes."

"Will you come back?"

"I will come back. I want you to find out from Frank Corson what happened to the androids."

"He doesn't know."

"Have him find out for you."

"I can't do that."

"Then I will not come back."

Somehow, in the part of Rhoda Kane's mind that was beyond her control, the thought that John Dennis might not return took on the proportions of a disaster. Her feeling was akin to panic as she said, "I will make him find out."

"Then I will come back."

"Please. I will wait for you."


Les King answered the knock on the door and broke into a smile. "Well, talk about luck! I've been looking all over hell for you. Come in. Come in."

The tenth android was already in. He walked across the room and turned to look back at Les King with the outside light behind him.

King returned the gaze and wondered if he was afraid. It was an odd thing to wonder about. A man should know his own emotions. But King could not quite analyze the ones that struck him at that moment. For one thing, he'd discounted most of what Taber had said. There was something going on here, true—something big. When the government could cover up a murder in Greenwich Village, there had to be a big score at stake. And there had been a murder—but no cops, no police cars, nothing. Only a couple of guys in an unmarked truck walking out with what could have been a rolled-up carpet. They'd swiped his pictures and told him to keep his mouth shut.

This last was what made Les King mad. He'd found the story. It was his by every right. But when they were ready to break it they'd do it through some privileged Washington newspaperman who'd get it on a silver platter. The hell with that stuff. It would take more than a shadowy character like Brent Taber to scare him off.

He looked at the man in the blue suit and said, "You've been lucky. They're after you."

"Who is they?"

"Taber. The government crowd. The police, too, maybe. You killed that guy in the Village, didn't you?" Les King had decided a bold approach was the best way. But he was no fool. He kept his hand on the doorknob and watched the man carefully. "By the way, you haven't told me your name."

"John Dennis."

"You look like a man named Sam Baker. He disappeared about ten years ago—from a little town upstate."

"I am John Dennis."

King shrugged. "Okay, you're John Dennis. All I want to do is stay on top of this thing and have the inside track when it breaks."

"Brent Taber told you to forget about it."

King did not like the odd feeling of helplessness that seemed to have a grip on him. He was not alarmed, though. Over and above this was a sense of excitement. There was money here—he knew damned well there was money here.

"You want money, don't you?"

The question startled King. Could the guy read his mind? "Who the hell doesn't?" he retorted defensively. "If you're heeled you've got it made."

Somehow King felt that the pressure, the odd excitement, lessened in intensity. His nerves, he conceded, were sure playing tricks.

"There are some things I want. I will tell you where they are. I will give you money for them."

An espionage approach? King wondered. In a way, he hoped it was. He could always get clear. When the time was right, when he had the story locked, he'd go to the FBI with it. He had a quick vision of a spread in Life, a title: "I Broke the Russian Spy Ring." His own by-line.

"That sounds touchy," he said.

"I will tell you where to go and what to do."

"I'll have to know more than that."

"I will tell you what to do."

John Dennis left without saying good-bye.

Les King stared at the inner side of the closed door. "Jesus!" he muttered.

But the excitement was creeping back.


                                                                                                                                                                                                                                                                                                           

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