photograph The crisp rime of winter's breath II am no longer a roadmender; the stretch of white highway which leads to the end of the world will know me no more; the fields and hedgerows, grass and leaf stiff with the crisp rime of winter's breath, lie beyond my horizon; the ewes in the folding, their mysterious eyes quick with the consciousness of coming motherhood, answer another's voice and hand; while I lie here, not in the lonely companionship of my expectations, but where the shadow is bright with kindly faces and gentle hands, until one kinder and gentler still carries me down the stairway into the larger room. But now the veil was held aside and one went by crowned with the majesty of years, wearing the ermine of an unstained rule, the purple of her people's loyalty. Nations stood with bated breath to see her pass in the starlit mist of her children's tears; a monarch—greatest of her time; an empress—conquered men called mother; a woman—Englishmen cried queen; still the crowned captive of her people's heart—the prisoner of love. The night-goers passed under my window in silence, 'Victoria Dei Gratia Britanniarum Regina.' Did they think of how that legend would disappear, and of all it meant, as they paid their pennies at the coffee-stall? The feet rarely know the true value and work of the head; but all Englishmen have been and will be quick to acknowledge and revere Victoria by the grace of God a wise woman, a great and loving mother. photograph The aloneness of a great forest Years ago, I, standing at a level crossing, saw her pass. The train slowed down, and she caught sight of the gatekeeper's little girl who had climbed the barrier. Such a smile as she gave her! And then I caught a quick startled gesture as she slipped from my vision; I thought afterwards it was that she feared the child might fall. Mother first, then Queen; even so rest came to her—not in one of the royal palaces, but in her own home, surrounded by the immediate circle of her nearest and dearest, while the world kept watch and ward. I, a shy lover of the fields and woods, longed always, should a painless passing be vouchsafed me, to make my bed on the fragrant pine needles in the aloneness of a great forest; to lie once again as I had lain many With years came counsels more profound, and the knowledge that man was no mere dweller in the woods to follow the footsteps of the piping god, but an integral part of an organised whole, in which Pan too has his fulfilment. The wise Venetians knew; and read pantheism into Christianity when they set these words round Ezekiel's living creatures in the altar vault of St Mark's:— Quaeque sub obscuris de Cristo dicta figuris His aperire datur et in his, Deus ipse notatur. "Thou shalt have none other gods but me." If man had been able to keep this one commandment perfectly the other nine would never have been written; instead he has comprehensively disregarded it, and perhaps never more than now in the twentieth century. Ah, well! this world, in spite of all its sinning, is still the Garden of Eden where the Lord walked with man, not in the cool of evening, but in the heat and stress of the immediate working day. There is no angel now with naming sword to keep the way of the Tree of Life, but tapers alight morning by morning in the Hostel of God to point us to it; and we, who are as gods knowing good and evil, partake of that fruit "whereof whoso eateth shall never die"; the greatest gift or the most awful penalty—Eternal Life. I then, with my craving for tree and sky, held that a great capital with its stir of life and death, of toil and strife and pleasure, was an ill place for a sick man to wait in; a place to shrink from as a child shrinks from the rude blow of one out of authority. Yet here, far from moor and forest, hillside and hedgerow, in the family sitting-room of the English-speaking peoples, the London much misunderstood, I find the fulfilment by antithesis of all desire. For the loneliness of the moorland, there is the warmth and companionship of London's swift beating heart. For silence there is I live now as it were in two worlds, the world of sight, and the world of sound; and they scarcely ever touch each other. I hear the grind of heavy traffic, the struggle of horses on the frost-breathed ground, the decorous jolt of omnibuses, the jangle of cab bells, the sharp warning of bicycles at the corner, the swift rattle of costers' carts as they go south at night with their shouting, goading crew. All these things I hear, and more; but I see no road, only the silent river of my heart with its tale of wonder and years, and the white beat of seagulls' wings in strong inquiring flight. Sometimes there is naught to see on the waterway but a solitary black hull, a very Stygian ferry-boat, manned by a solitary figure, and moving slowly up under the impulse of the far-reaching sweeps. Then the great barges pass with their coffined treasure, drawn by a small self-righteous steam-tug. Later, lightened of their load, and waiting on wind and tide, I see them swooping by like birds set free; tawny sails that mind me of red-roofed Whitby with its northern fleet; black sails as of some heedless Theseus; white sails that sweep out of the morning mist "like restless gossameres." They make the bridge, which is just within my vision, and then away past Westminster and Blackfriars where St Paul's great dome lifts the cross high over a self-seeking city; past Southwark where England's poet illuminates in the scroll of divine wisdom the sign of the Tabard; past the Tower with its haunting ghosts of history; past Greenwich, fairy city, caught in the meshes of riverside mist; and then the salt and speer of the sea, the companying with great ships, the fresh burden. At night I see them again, silent, mysterious; searching the darkness with unwinking yellow stare, led by a great green light. They creep up under the bridge which spans the river with its watching eyes, and vanish, crying back a warning note as they make the upper Throughout the long watches of the night I follow them; and in the early morning they slide by, their eyes pale in the twilight; while the stars flicker and fade, and the gas lamps die down into a dull yellow blotch against the glory and glow of a new day. IIFebruary is here, February fill-dyke; the month of purification, of cleansing rains and pulsing bounding streams, and white mist clinging insistent to field and hedgerow so that when her veil is withdrawn greenness may make us glad. The river has been uniformly grey of late, with no wind to ruffle its surface or to speed the barges dropping slowly and sullenly down with the tide through a blurring haze. I watched one yesterday, its useless sails half-furled and no sign of life save the man at the helm. It drifted stealthily past, and a little behind, flying low, came a solitary seagull, grey as the river's haze—a following bird. Once again I lay on my back in the bottom of the tarry old fishing smack, blue sky above and no sound but the knock, knock of the waves, and the thud and curl of falling foam as the old boat's blunt nose breasted the coming sea. Then Daddy Whiddon spoke. "A follerin' bÜrrd," he said. I got up, and looked across the blue field we were ploughing into white furrows. Far away a tiny sail Daddy Whiddon waved his pipe towards it. "A follerin' bÜrrd," he said, again; and again I waited; questions were not grateful to him. "There be a carpse there, sure enough, a carpse driftin' and shiftin' on the floor of the sea. There be those as can't rest, poor sawls, and her'll be mun, her'll be mun, and the sperrit of her is with the bÜrrd." The clumsy boom swung across as we changed our course, and the water ran from us in smooth reaches on either side: the bird flew steadily on. "What will the spirit do?" I said. The old man looked at me gravely. "Her'll rest in the Lard's time, in the Lard's gude time—but now her'll just be follerin' on with the bÜrrd." The gull was flying close to us now, and a cold wind swept the sunny sea. I shivered: Daddy looked at me curiously. "There be reason enough to be cawld if us did but knaw it, but I be mos' used to 'em, poor sawls." He shaded his keen old blue eyes, and looked away across the water. His face kindled. "There be a skule comin', and by my sawl 'tis mackerel they be drivin'." I watched eagerly, and saw the dark line rise and Again we changed our tack, and each taking an oar, pulled lustily for the beach. "Please God her'll break inshore," said Daddy Whiddon; and he shouted the news at the idle men waiting who hailed us. In a moment all was stir, for the fishing had been slack. Two boats put out with the lithe brown seine. The dark line had turned, but the school was still behind, churning the water in clumsy haste; they were coming in. Then the brit broke in silvery leaping waves on the shelving beach. The three-fold hunt was over; the porpoises turned out to sea in search of fresh quarry; and the seine, dragged by ready hands, came slowly, stubbornly in with its quivering treasure of fish. They had sought a haven and found none; the brit lay dying in the flickering iridescent heaps as the bare-legged babies of the village gathered them up; and far away over the water I saw a single grey speck; it was the following bird. The curtain of river haze falls back; barge and bird are alike gone, and the lamplighter has lit the first Once Demeter in the black anguish of her desolation searched for lost Persephone by the light of Hecate's torch; and searching all in vain, spurned beneath her empty feet an earth barren of her smile; froze with set brows the merry brooks and streams; and smote forest, and plain, and fruitful field, with the breath of her last despair, until even Iambe's laughing jest was still. And then when the desolation was complete, across the wasted valley where the starveling cattle scarcely longed to browse, came the dreadful chariot—and Persephone. The day of the prisoner of Hades had dawned; and as the sun flamed slowly up to light her thwarted eyes the world sprang into blossom at her feet. We can never be too Pagan when we are truly Christian, and the old myths are eternal truths held fast in the Church's net. Prometheus fetched fire from Heaven, to be slain forever in the fetching; and lo, a Greater than Prometheus came to fire the cresset "Lume È lassÙ, che visibile face lo creatore a quella creatura, che solo in lui vedere ha la sua pace." Immediately outside my window is a lime tree—a little black skeleton of abundant branches—in which sparrows congregate to chirp and bicker. Farther away I have a glimpse of graceful planes, children of moonlight and mist; their dainty robes, still more or less unsullied, gleam ghostly in the gaslight athwart the dark. They make a brave show even in winter with their feathery branches and swinging tassels, whereas my little tree stands stark and uncompromising, with its horde of sooty sparrows cockney to the last tail feather, and a pathetic inability to look anything but black. Rain comes with strong caressing fingers, and the branches seem no whit the cleaner for her care; but then their glistening blackness mirrors back the succeeding sunlight, as a muddy pavement will sometimes lap our feet in a sea of gold. The little wet sparrows are for the moment equally transformed, Last night there was a sudden clatter of hoofs, a shout, and then silence. A runaway cab-horse, a dark night, a wide crossing, and a heavy burden: so death came to a poor woman. People from the house went out to help; and I heard of her, the centre of an unknowing curious crowd, as she lay bonnetless in the mud of the road, her head on the kerb. A rude but painless death: the misery lay in her life; for this woman—worn, white-haired, and wrinkled—had but fifty years to set against such a condition. The policeman reported her respectable, hard-working, living apart from her husband with a sister; but although they shared rooms, they "did not speak," and the sister refused all responsibility; so the parish buried the dead woman, and thus ended an uneventful tragedy. Was it her own fault? If so, the greater pathos. The lonely souls that hold out timid hands to an unheeding world have their meed of interior comfort even here, while the sons of consolation wait on the It was once my privilege to know an old organ-grinder named Gawdine. He was a hard swearer, a hard drinker, a hard liver, and he fortified himself body and soul against the world: he even drank alone, which is an evil sign. One day to Gawdine sober came a little dirty child, who clung to his empty trouser leg—he had lost a limb years before—with a persistent unintelligible request. He shook the little chap off with a blow and a curse; and the child was trotting dismally away, when it suddenly turned, ran back, and held up a dirty face for a kiss. Two days later Gawdine fell under a passing dray which inflicted terrible internal injuries on him. They patched him up in hospital, and he went back to his He continued to drink; it did not come within his new code to stop, since he could "carry his liquor well"; but he rarely, if ever, swore. He told me this tale through the throes of his anguish as he lay crouched on a mattress on the floor; and as the grip of the pain took him he tore and bit at his hands until they were maimed and bleeding, to keep the ready curses off his lips. He told the story, but he gave no reason, offered no explanation: he has been dead now many a year, and thus would I write his epitaph:— He saw the face of a little child and looked on God. III"Two began, in a low voice, 'Why, the fact is, you see, Miss, this here ought to have been a red rose-tree, and we put a white one in by mistake.'" As I look round this room I feel sure Two, and Five, and Seven, have all been at work on it, and made no mistakes, for round the walls runs a frieze of squat standard rose-trees, red as red can be, and just like those that Alice saw in the Queen's garden. In between them are Chaucer's name-children, prim little daisies, peering wideawake from green grass. This same grass has a history which I have heard. In the original stencil for the frieze it was purely conventional like the rest, and met in spikey curves round each tree; the painter, however, who was doing the work, was a lover of the fields; and feeling that such grass was a travesty, he added on his own account dainty little tussocks, and softened the hard line into a tufted carpet, the grass growing irregularly, bent at will by the wind. The result from the standpoint of conventional art is indeed disastrous; but my sympathy and The sea has its crested waves of recognisable form; the river its eddy and swirl and separate vortices; but the grass! The wind bloweth where it listeth and the grass bows as the wind blows—"thou canst not tell whither it goeth." It takes no pattern, it obeys no recognised law; it is like a beautiful creature of a thousand wayward moods, and its voice is like nothing else in the wide world. It bids you rest and bury your tired face in the green coolness, and breathe of its breath and of the breath of the good earth from which man was taken and to which he will one day return. Then, if you lend your ear and are silent minded, you may hear wondrous things of the deep places of the earth; of life in mineral and stone as well as in pulsing sap; of a green world as the stars saw it before man trod it under foot—of the emerald which has its place with the rest in the City of God. "What if earth Be but the shadow of heaven, and things therein, Each to each other like, more than on earth is thought?" It is a natural part of civilisation's lust of re-arrangement that we should be so ready to conventionalise the beauty of this world into decorative patterns for our pilgrim tents. It is a phase, and will melt into other phases; but it tends to the increase of artificiality, and exists not only in art but in everything. It is no new thing for jaded sentiment to crave the spur of the unnatural, to prefer the clever imitation, to live in a Devachan where the surroundings appear that which we would have them to be; but it is an interesting record of the pulse of the present day that 'An Englishwoman's Love Letters' should have taken society by storm in the way it certainly has. It is a delightful book to leave about, with its vellum binding, dainty ribbons, and the hallmark of a great publisher's name. But when we seek within we find love with its thousand voices and wayward moods, its shy graces and seemly reticences, love which has its throne and robe of state as well as the garment of the beggar maid, love which is before time was, which knew the world when the stars took up their courses, presented to us in gushing outpourings, the appropriate language of a woman's heart to the boor she delights to honour. "It is woman who is the glory of man," says the There is scant need for the apologia which precedes the letters; a few pages dispels the fear that we are prying into another's soul. As for the authorship, there is a woman's influence, an artist's poorly concealed bias in the foreign letters; and for the rest a man's blunders—so much easier to see in another than to avoid oneself—writ large from cover to cover. King Cophetua, who sends his "profoundly grateful remembrances," has most surely written the letters he would wish to receive. "Mrs Meynell!" cries one reviewer, triumphantly. Nay, the saints be good to us, what has Mrs Meynell in common with the "Englishwoman's" language, style, or most unconvincing passion? Men can write as from a woman's heart when they are minded to do so in desperate earnestness—there is Clarissa Harlowe and Stevenson's Kirstie, and many more to prove it; but when a man writes as the author of the "Love Letters" writes, I feel, as did the painter of the frieze, that pattern-making has gone too far and included "I quite agree with you," said the Duchess, "and the moral of that is—'Be what you would seem to be'—or, if you'd like to put it more simply—'never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" And so by way of the Queen's garden I come back to my room again. My heart's affections are still centred on my old attic, with boarded floor and whitewashed walls, where the sun blazoned a frieze of red and gold until he travelled too far towards the north, the moon streamed in to paint the trees in inky wavering shadows, and the stars flashed their glory to me across the years. But now sun and moon greet me only indirectly: and under the red roses hang pictures, some of them the dear companions of my days. Opposite me is the Arundel print of the Presentation, painted by the gentle "Brother of the Angels." Priest Simeon, a stately figure in green and gold, great with prophecy, gazes adoringly at the Bambino he holds with fatherly care. Our Lady, in robe of red and veil of shadowed purple, is instinct with light despite the sombre colouring, St Peter Martyr and the Dominican nun, gazing in rapt contemplation at the scene, are not one whit surprised to find themselves in the presence of eternal mysteries. In the Entombment, which hangs on the opposite wall, St Dominic comes round the corner full of grievous amaze and tenderest sympathy, but with no sense of shock or intrusion, for was he not "famigliar di Cristo"? And so he takes it all in; the stone bed empty and waiting; the Beloved cradled for the last time on His mother's knees to be washed, lapped round, and laid to rest as if He were again the Babe of Bethlehem. He sees the Magdalen anointing the Sacred Feet; Blessed John caring for the living and the Dead; and he, Dominic—hound of the Lord—having his real, living share in the anguish and hope, the bedding of the dearest Dead, who did but leave this earth that He might manifest Himself more completely. Underneath, with a leap across the centuries, is Rossetti's picture; Dante this time the onlooker, Beatrice, in her pale beauty, the death-kissed one. The same idea under different representations; the Beatrice was to Dante the inclusion of belief. She was more to him than he himself knew, far more to him after her death than before. And, therefore, the analogy between the pictures has at core a common reality. "It is expedient for you that I go away," is constantly being said to us as we cling earthlike to the outward expression, rather than to the inward manifestation—and blessed are those who hear and understand, for it is spoken only to such as have been with Him from the beginning. The eternal mysteries come into time for us individually under widely differing forms. The tiny child mothers its doll, croons to it, spends herself upon it, why she cannot tell you; and we who are here in our extreme youth, never to be men and women grown in this world, nurse our ideal, exchange it, refashion it, call it by many names; and at last in here or hereafter we find in its naked truth the Child in the manger, even as the Wise Men found Him when they came from the East to seek a great King. There is but one necessary condition of this finding; we must follow the particular manifestation of light given us, never resting until it rests—over the place I think the old bishop must have understood it. He is my friend of friends as he lies opposite my window in his alabaster sleep, clad in pontifical robes, with unshod feet, a little island of white peace in a many-coloured marble sea. The faithful sculptor has given every line and wrinkle, the heavy eyelids and sunken face of tired old age, but withal the smile of a contented child. I do not even know my bishop's name, only that the work is of the thirteenth century; but he is good to company with through the day, for he has known darkness and light and the minds of many men; most surely, too, he has known that God fulfils Himself in strange ways, so with the shadow of his feet upon the polished floor he rests in peace. IVOn Sunday my little tree was limned in white and the sparrows were craving shelter at my window from the blizzard. Now the mild thin air brings a breath of spring in its wake and the daffodils in the garden wait the kisses of the sun. Hand-in-hand with memory I slip away down the years, and remember a day when I awoke at earliest dawn, for across my sleep I had heard the lusty golden-throated trumpeters heralding the spring. The air was sharp-set; a delicate rime frosted roof and road; the sea lay hazy and still like a great pearl. Then as the sky stirred with flush upon flush of warm rosy light, it passed from misty pearl to opal with heart of flame, from opal to gleaming sapphire. The earth called, the fields called, the river called—that pied piper to whose music a man cannot stop his ears. It was with me as with the Canterbury pilgrims:— "So priketh hem nature in hir corages; Than longen folk to gon on pilgrimages." Half an hour later I was away by the early train Light of heart and foot with the new wine of the year I sped on again, stray daffodils lighting the wayside, until I heard the voice of the stream and reached the field gate which leads to the lower meadows. There before me lay spring's pageant; green pennons waving, dainty maids curtseying, and a host of joyous yellow trumpeters proclaiming 'Victory' to an awakened earth. They range in serried ranks right down to photograph A host of joyous yellow trumpeters At the upper end of the field the river provides yet closer sanctuary for these children of the spring. Held in its embracing arms lies an island long and narrow, some thirty feet by twelve, a veritable untrod Eldorado, glorious in gold from end to end, a fringe of reeds by the water's edge, and save for that—daffodils. A great oak stands at the meadow's neck, an oak with gnarled and wandering roots where a man may rest, for it is bare of daffodils save for a group of three, and a solitary one apart growing close to the old tree's side. I sat down by my lonely little sister, blue sky overhead, green grass at my feet decked, like the pastures of the BlessÈd, in glorious sheen; a sea of triumphant, golden heads tossing blithely back It was all mine to have and to hold without severing a single slender stem or harbouring a thought of covetousness; mine, as the whole earth was mine, to appropriate to myself without the burden and bane of worldly possession. "Thou sayest that I am—a King," said the Lord before Pilate, and "My kingdom is not of this world." We who are made kings after His likeness possess all things, not after this world's fashion but in proportion to our poverty; and when we cease to toil and spin, are arrayed as the lilies, in a glory transcending Solomon's. Bride Poverty—she who climbed the Cross with Christ—stretches out eager hands to free us from our chains, but we flee from her, and lay up treasure against her importunity, while Amytas on his seaweed bed weeps tears of pure pity for crave-mouth CÆsar of great possessions. Presently another of spring's lovers cried across the water "Cuckoo, cuckoo," and the voice of the stream sang joyously in unison. It is free from burden, this merry little river, and neither weir nor mill bars its quick way to the sea as it completes the eternal circle, lavishing gifts of coolness and refreshment on the children of the meadows. It has its birth on the great lone moor, cradled The river of God is full of water. The streets of the City are pure gold. Verily, here also having nothing we possess all things. The air was keen and still as I walked back in the early evening, and a daffodil light was in the sky VThe seagulls from the upper reaches pass down the river in sober steady flight seeking the open sea. I shall miss the swoop and circle of silver wings in the sunlight and the plaintive call which sounds so strangely away from rock and shore, but it is good to know that they have gone from mudbank and murky town back to the free airs of their inheritance, to the shadow of sun-swept cliffs and the curling crest of the wind-beaten waves, to brood again over the great ocean of a world's tears. My little tree is gemmed with buds, shy, immature, but full of promise. The sparrows busied with nest-building in the neighbouring pipes and gutters use it for a vantage ground, and crowd there in numbers, each little beak sealed with long golden straw or downy feather. The river is heavy with hay barges, the last fruits of winter's storehouse; the lengthening days slowly and steadily oust the dark; the air is loud with a growing clamour of life: spring is not only proclaimed, but on this Feast she is crowned, and despite the "SphÆra cujus centrum ubique, circumferentia nullibi," was said of Mercury, that messenger of the gods who marshalled reluctant spirits to the Underworld; and for Mercury we may write Life with Death as its great sacrament of brotherhood and release, to be dreaded only as we dread to partake unworthily of great benefits. Like all sacraments it has its rightful time and due solemnities; the horror and sin of suicide lie in the presumption of free will, the forestalling of a gift,—the sin of Eve in Paradise, who took that which might only be given at the hand of the Lord. It has too its physical pains, but they are those of a woman in travail, and we remember them no more for joy that a child-man is born into the world naked and not ashamed: beholding ourselves as we are we shall see also the leaves of the Tree of Life set for the healing of the nations. We are slowly, very slowly, abandoning our belief in sudden and violent transitions for a surer and fuller Socrates faced death with the magnificent calm bred of dignified familiarity. He had built for himself a desired heaven of colour, light, and precious stones—the philosophic formula of those who set the spiritual above the material, and worship truth in the beauty of holiness. He is not troubled by doubts or regrets, for the path of the just lies plain before his face. He forbids mourning and lamentations as out of place, obeys minutely and cheerily the directions of his executioner, and passes with unaffected dignity to the apprehension of that larger truth for which he had constantly prepared himself. His friends may bury him provided they will remember they are not burying Socrates; and that all things may be done decently and in order, a cock must go to Æsculapius. Long before, in the days of the Captivity, there lived in godless, blood-shedding Nineveh an exiled Jew whose father had fallen from the faith. He was a simple man, child-like and direct; living the careful, kindly life of an orthodox Jew, suffering many persecutions for conscience' sake, and in constant danger of death. He narrates the story of his life and of the blindness which fell on him, with gentle placidity, and checks the exuberance of his more emotional wife with the assurance of untroubled faith. Finally, when his pious expectations are fulfilled, his sight restored, and "Let my soul bless God the great King," he cries; and looks away past the present distress; past the Restoration which was to end in fresh scattering and confusion; past the dream of gold, and porphyry, and marble defaced by the eagles and emblems of the conqueror; until his eyes are held by the Jerusalem of God, "built up with sapphires, and emeralds, and precious stones," with battlements of pure gold, and the cry of 'Alleluia' in her streets. Many years later, when he was very aged, he called his son to him and gave him as heritage his own simple rule of life, adding but one request: "Keep thou the law and the commandments, and shew thyself merciful and just, that it may go well with thee.... Consider what alms doeth, and how righteousness doth deliver.... And bury me decently, and thy mother with me." Having so said, he went his way quietly and contentedly to the Jerusalem of his heart. It is the simple note of familiarity that is wanting in us; that by which we link world with world. Once, years ago, I sat by the bedside of a dying man in a wretched garret in the East End. He was entirely ignorant, entirely quiescent, and entirely uninterested. The minister of a neighbouring chapel came to see him and spoke to him at some length of the need for repentance and the joys of heaven. After he had gone my friend lay staring restlessly at the mass of decrepit broken chimney pots which made his horizon. At last he spoke, and there was a new note in his voice:— "Ee said as 'ow there were golding streets in them parts. I ain't no ways particler wot they're made of, but it'll feel natral like if there's chimleys too." The sun stretched a sudden finger and painted the chimney pots red and gold against the smoke-dimmed sky, and with his face alight with surprised relief my friend died. We are one with the earth, one in sin, one in redemption. It is the fringe of the garment of God. "If I may but touch the hem," said a certain woman. On the great Death-day which shadows the early spring with a shadow of which it may be said Umbra Dei est Lux, the earth brought gifts of grief, the fruit of the curse, barren thorns, hollow reed, and the wood of the cross; the sea made offering of Tyrian purple; photograph In the distance rise the great lone heavenward hills The second Adam stood in the garden with quickening feet, and all the earth pulsed and sang for joy of the new hope and the new life quickening within her, to be hers through the pains of travail, the pangs of dissolution. The Tree of Life bears Bread and Wine—food of the wayfaring man. The day of divisions is past, the day of unity has dawned. One has risen from the dead, and in the Valley of Achor stands wide the Door of Hope—the Sacrament of Death. Scio Domine, et vere scio ... quia non sum dignus accedere ad tantum mysterium propter nimia peccata mea et infinitas negligentias meas. Sed scio ... quia tu potes me facere dignum. VI"Anytus and Meletus can kill me, but they cannot hurt me," said Socrates; and Governor Sancho, with all the itch of newly-acquired authority, could not make the young weaver of steel-heads for lances sleep in prison. In the Vision of Er the souls passed straight forward under the throne of necessity, and out into the plains of forgetfulness, where they must severally drink of the river of unmindfulness whose waters cannot be held in any vessel. The throne, the plain, and the river are still here, but in the distance rise the great lone heavenward hills, and the wise among us no longer ask of the gods Lethe, but rather remembrance. Necessity can set me helpless on my back, but she cannot keep me there; nor can four walls limit my vision. I pass out from under her throne into the garden of God a free man, to my ultimate beatitude or my exceeding shame. All day long this world lies open to me; ay, and other worlds also, if I will but have it so; and when night comes I pass into the kingdom and power of the dark. I lie through the long hours and watch my bridge, Sometimes in the country on a night in early summer you may shut the cottage door to step out into an immense darkness which palls heaven and earth. Going forward into the embrace of the great gloom, Shut in by the intangible dark, we are brought up against those worlds within worlds blotted out by our concrete daily life. The working of the great microcosm at which we peer dimly through the little window of science; the wonderful, breathing earth; the pulsing, throbbing sap; the growing fragrance shut in the calyx of to-morrow's flower; the heartbeat of a sleeping world that we dream that we know; and around, above, and interpenetrating all, the world of dreams, of angels and of spirits. It was this world which Jacob saw on the first night of his exile, and again when he wrestled in Peniel until the break of day. It was this world which Elisha saw with open eyes; which Job knew when darkness fell on him; which Ezekiel gazed into from his place among the captives; which Daniel beheld as he stood alone by the great river, the river Hiddekel. For the moment we have left behind the realm of question and explanation, of power over matter and the exercise of bodily faculties; and passed into darkness It is the material counterpart of the 'Night of the Soul.' We have left our house and set forth in the darkness which paralyses those faculties that make us men in the world of men. But surely the great mystics, with all their insight and heavenly love, fell short when they sought freedom in complete separateness from creation instead of in perfect unity with it. The Greeks knew better when they flung Ariadne's crown among the stars, and wrote Demeter's grief on a barren earth, and Persephone's joy in the fruitful field. For the earth is gathered up in man; he is the whole which is greater than the sum of its parts. Standing in the image of God, and clothed in the garment of God, he lifts up priestly hands and presents the sacrifice of redeemed earth before the throne of the All-Father. "Dust and ashes and a house of devils," he cries; and there comes back for answer, "Rex concupiscet decorem tuam." The Angel of Death has broad wings of silence and The Egyptians, in their ancient wisdom, set in the desert a great androsphinx, image of mystery and silence, staring from under level brows across the arid sands of the sea-way. The Greeks borrowed and debased the image, turning the inscrutable into a semi-woman who asked a foolish riddle, and hurled herself down in petulant pride when Œdipus answered aright. So we, marring the office of silence, question its mystery; thwart ourselves with riddles of our own suggesting; and turn away, leaving our offering but half consumed on the altar of the unknown god. It was not the theft The universe is full of miracle and mystery; the darkness and silence are set for a sign we dare not despise. The pall of night lifts, leaving us engulphed in the light of immensity under a tossing heaven of stars. The dawn breaks, but it does not surprise us, for we have watched from the valley and seen the pale twilight. Through the wondrous Sabbath of faithful souls, the long day of rosemary and rue, the light brightens in the East; and we pass on towards it with quiet feet and opening eyes, bearing with us all of the redeemed earth that we have made our own, until we are fulfilled in the sunrise of the great Easter Day, and the peoples come from north and south and east and west to the City which lieth foursquare—the Beatific Vision of God. Vere Ierusalem est illa civitas |