One would expect deafness to be an insuperable obstacle to a musician, yet Beethoven produced a large part of his work while handicapped by it, and some of his greatest compositions when his deafness had become complete. Mozart was delicate and subject to fevers; his last work and his best was written just before his death. It was said of HÄndel: “He was never greater than when, warned by palsy of the approach of death, and struggling with distress and suffering, he sat down to compose the great works which have made his name immortal in music.” Schubert was barely five feet one and walked with a strange shuffling gait; his eyesight was so defective that he slept in his spectacles. He suffered from digestive trouble and died young. So also did Chopin, having been an invalid the greater part of his short life. Mendelssohn was very frail and delicate. Carl Maria von Weber was not only ravaged by disease but also deformed and lame. Paganini, the most extraordinary violinist the world has ever heard, suffered from phthisis of the larynx and was constantly ill.

The case of Robert Schumann is very curious. He was studying to be a pianist, when, in attempting to strengthen his fingers, he accidentally paralyzed his right hand. To this apparent misfortune we owe one of the greatest composers.