Heavy are the brakes with which suspense and anxious longing clog the wheels of time, yet seasons end; the spokes spin and come again, insistent reminders to waiting watchers of the endless, inexorable procession of years. An early frost had hastened autumnal effects usually due a month later, and the atmosphere was crisp and sparkling. White oaks, maples, and sweet gums rustled their amber leaves sprinkled with red, black gums swung scarlet torches from every bough, wild grape vines festooned supporting trees with fluttering lace-of-gold, and crimson and bronze berry-brambles had colored warmly under the first frost kiss. Close to the little wire gate of the Dingle a tulip tree shook its burnished, brocaded banners, and in and around its branches coiled a muscadine, hung with glossy, purplish-black clusters that filled the air with delicious, challenging fragrance. With an unopened roll of newspapers in her hand, Eglah leaned for some moments on the gate, admiring the superb vestments of yellow and red that nature hung out to bar the cold—a small cloud island of ruby near the horizon against which an acacia etched its slender lines, and listening to the song of a mocking-bird, that rose like a flute above the whistle of a partridge astray in feathery broom sedge. On the orchard slope Mrs. Mitchell, basket in hand, groped and peered amid tufts of golden-rod, hunting a belated brood of young turkeys. Eglah passed through the gate, went into the mill, and found a seat on one of the circular grinding stones. The wall had partly fallen on the west side, and the glow of a sinking sun lighted the dusty, cobwebbed rafters that upheld what remained of the roof. The chant of a portion of the stream rolling from mossy rocks to the ruined, sluggish race was low and soothing as a lullaby. It had been a sad day, marking two years since the evening in the library when Judge Kent had been stricken; the beginning of a slow death. Dwelling upon the indelible incidents, an acute pain was added to the chronic ache from which his daughter's heart was never free. While missing her father sorely in her sorrowful isolation, she realized that death had come at the behest of mercy. As long as he lived his enemies could assail him at any moment; now he was comparatively safe under the snow of his native hills. If it were possible to recall him, she would not; she preferred to suffer alone that he might rest in peace. Two days before she had gone for a few hours to Y—— to see in his favorite church the recently completed tall, arched window, ablaze with rose, purple, crimson, and emerald glass, erected by her, "To the glory of God and in memory of Allison Kent." Depressed and heartsick, she often sought the solitude of the mill, but in the grey gloom of the rafters above her head a pair of wrens had dwelt for several seasons, and now resented her presence, twittering their protest. Opening the New York and Boston papers, she glanced over one and laid it aside. Unfolding another, her fingers clutched the sheet, where headlines had been reprinted from an English journal:
Until this spasm of pain seized her heart, Eglah had not realized or acknowledged that she cherished any hope, save that God would preserve the life of the man who so completely renounced her. If she had vaguely trusted time might soften and remove his bitterness, she understood at last the mockery of a delusion that she had unconsciously indulged. Above the evensong of the rippling water at her feet, rang his passionate words that last day in the carriage: "I shall try not to come home." To escape the possibility of proximity to her he had plunged into unknown wilds, where only the trails of foxes, wolves, bears, could thread the silent desolation, and at all hazards he would keep the promise of his farewell note: "Your path in future shall be spared my shadow." Wandering into the jaws of death, rather than see her again; for how elusive, how slender, the chances of meeting whalers. As in a mirage she seemed to see him on the colonnade at Nutwood, as he stood looking with eloquent, happy eyes at her, assuring her father: "When I know she is waiting at home for me, do you suppose all the ice in Greenland can shut me away from her?" And now the Arctic Circle would hold his chosen grave, because she could never cross it. The mail for America held no word for her; but doubtless kind messages had come to an old man whose sunken eyes would shine with delight over tidings from "the lad." To all of us come times when, self-surrendered to depression, some psychic imp drags from mental oblivion and shakes fiendishly before us ghoulish images long forgotten; and now, as purplish-grey shadows gathered in the mill, Eglah saw that vision of "Were-Wolves," the souls of wretched men fleeing from light, hiding in Polar midnight. "Each panter in the darkness Is a demon-haunted soul, The shadowy, phantom were-wolves, Who circle round the Pole. Their tongues are crimson flaming, Their haunted blue eyes gleam, And they strain them to the utmost O'er frozen lake and stream; Their cry one note of agony That is neither yelp nor bark, These panters of the northern waste Who hound them to the dark." The voice of Mrs. Mitchell calling her name aroused Eglah, and she staggered to her feet, swaying slightly as from a stinging blow. That silent, yearning tenderness, to which she had gladly yielded for so many months, now appeared an insult to her womanly pride. Rejected and despised, abandoned forever, made by her husband's repudiation a target for gossip and harsh comment, why should she love him? Why, when too hopelessly late, had her heart so unexpectedly followed him, refusing to relax its quest? Gathering the scattered papers, she left the mill and walked toward the house. As the core of an opal the west showed bands of pearl, beryl, sapphire, rose, and when twilight stole over hillside and dingle, Venus glowed in a violet sea, so large, palpitating, brilliant, she seemed a golden torch flaring in interstellar currents, to light the way of the thin young moon swimming beneath her. Did both torture the were-wolves? At the gate Eliza waited, and putting an arm around the girl drew her into the hall of the cottage, where a lamp hung from the low ceiling. Under its light Eglah's face showed white and rigid. "Little mother, I must ask you to leave me to myself to-night. This has been a sad day in many ways. I miss my father, and one trouble of which I never speak, even to you—the only one who loves me—presses heavily upon me just now. There are the papers. You will find an account of the return of the 'Ahvungah,' but Mr. Herriott preferred to remain another year. Kiss me good-night, and ask God to take me soon, soon—to father." The following winter was long and cold, with flurries of snow, and rattling of sleet, and it proved monotonously dull to the two women shut in the small house. The rooms were cosey, with curtains falling to the bright carpets; and roaring fires of oak and pine logs reddened the walls of the little parlor, where Eglah's upright piano enabled her to banish, at times, gloomy retrospection. Twice Mr. Whitfield came for a day and night, and cheered them with news of the outside world. When the weather permitted Eliza to attend her Sabbath-school at Maurice, she occasionally persuaded Eglah to play the organ for the children, but she was annoyed by no obtrusive attention on the part of sympathetic country people, whose warm hearts respected the heavy mourning in which she was wrapped, and recognized her right to complete seclusion. At college one of her favorite studies had been Spanish, and without giving an explanation she now applied herself to it with renewed interest. When Eliza questioned her, she referred vaguely to the liquid melody that charmed her in Spanish poetry, and expressed a desire to translate a volume which pleased her. No allusion to Mr. Herriott or his home now passed her lips. Mr. Whitfield's anxiety to understand the perplexing conditions, and Eglah's unwavering reticence, led him to interrogate Eliza. "Mr. Whitfield, I can't tell you what I do not know. Mr. Herriott's name is never uttered by her, never mentioned now by me. She is so silent she would certainly forget how to talk if she were not a woman. She intends to go to Europe, and, as you know, keeps some business matters in readiness, but no date has been fixed. You will be advised in time to draw up her will, of which she talked to me about a week ago. The months come and go, and the dear child is always as you see her, calm, uncomplaining, with lips locked as a statue's, but I must say I feel all the time as if I am walking over a grave that may suddenly crumble and cave in under my feet." Returning spring was welcome, and early summer brought once more the solace and diversion of long rides through solemn, lonely pine stretches, where only birds, nature's feathered syrinx, sounded in the silence, happy as human children prattling to their mother. A mute acceptance of the inevitable, as far removed from resignation, as from pleading protest, had sealed Eglah's face in passionless repose, pathetic and inscrutable. Inflexibly she maintained her resolve, "—to fly no signal That the soul founders in a sea of sorrow," and solitude was her refuge. A long delayed monument having been completed at her father's grave, the desire to visit and inspect it dominated her, and one hot day the two women went North. To the devoted child bowed at the feet of a marble angel, the carved lips seemed to whisper her father's farewell words of commendation and tender gratitude for her self-sacrifice in his behalf. Did he know now all it had cost—the branding humiliation, the fierce heart hunger she had found only when she offered herself on an altar that crumbled beneath her? When the slab was covered with white violets, and she had pressed her lips to the name chiselled on the scroll, she put one hand on Mrs. Mitchell's shoulder and pointed to a grassy plot at her feet. "Little mother, I hope it will not be long before I can shut my tired eyes forever, and when that happy day comes I want you to bring me here and lay me close to father, at his left side. One other thing you must not fail to do; after I am in my coffin be sure you take off my ring—my wedding ring—and if Mr. Herriott be living give it into his hand. He has wanted it back since the day he placed it on my finger, and only God knows how glad I shall be to surrender it. 'So long as ye both shall live' it is mine, but in the grave God gives us back our vows and sets us free." The cold, hopeless renunciation in face and voice was more than the loving little woman could endure, and with a burst of tears she threw her arm about the girl, pressing her to her heart. "My baby, have you no mercy for me, that you talk so cruelly? I shall be asleep by my Robert long before death calls one so young and strong and beautiful as my own dearie. Please have some consideration for me, and don't discuss such dreadful matters. I see from your eyes you want a promise. Well, if I outlive you—preposterous—I will forget nothing, provided you spare me all heart-sickening talk in future." On the return journey Mrs. Mitchell wished to stop in New York, but Eglah shrank from the possibility of meeting old friends, dreading questions. As she intended to see her cousin Vernon Temple for a day, she went on to the hotel in the city near Calvary House, where her foster-mother joined her after a day's shopping tour in New York. At the time of Eglah's visit of a few hours here with her father, and while her cousin was at Nutwood, they had discussed plans for a new altar much needed in the chapel, and during her residence at the Dingle she had submitted a design duplicating in many respects a carved and pillared shrine she and Judge Kent had seen near Avignon. The Father Superior and her cousin gratefully accepted her offer, and before she started to New England a letter announced the completion of the altar, and expressed the hope that she would be able to see it. If Mr. Herriott never returned, she locked deep in her heart an intention to make it a memorial to him, the donor of house and estate to the Brotherhood. The ProvenÇal model was guarded by two seraphs; these she would add later, if the White North kept the wanderer folded forever to her breast of snow. Of celibate organizations, Romish or Protestant, Mrs. Mitchell distinctly disapproved, and she had listened with ill-concealed annoyance and uneasiness when at Nutwood Vernon Temple expatiated upon the noble work accomplished by Episcopal deaconesses in sisterhood homes. She had always dreaded his influence over his cousin, especially since her father's death. Calvary House was as the threshold of Rimmon, and when the carriage approached it she exclaimed: "I have no intention of going inside that monkish den. How a sensible, level-headed man like Mr. Herriott could give away property for such fanatical use passes my understanding. I may be an ecclesiastical ignoramus; I certainly am a 'narrow Methodist'; but, my dear baby, I can't broaden even to please you, and you must excuse me. I had a catalogue from the great poultry farm that I hear is only a mile or two farther out on this road, and while you see your cousin and examine the things you gave the chapel, I will drive on and order some white guineas. Here, don't forget your box of embroideries. I shall wait at the gate for you." The bell on the latch rang as Eglah passed under the gilt cross, and at the front door the porter, a young lay brother, looked at her in amazement. "I wish to see Father Temple. I am his cousin, Eglah Kent." "He is not here. He went to Philadelphia yesterday." "Then tell the Father Superior—he knows me—that the lady who gave the new altar wishes to speak to him about it." "Father Superior is holding a mission in New York." "Where is the sacristan?" "'Free time' has just begun, and he has gone to look after his beehives. I can call Father Phillips." "No. I do not care to meet any of the Brotherhood who do not know me. I was here once with my father, and Father Temple has visited my house in the South. I came merely to look at the new altar, and bring some fresh covers to the sacristan. Do not disturb any one; this is 'free time,' and I must not keep you. Please say nothing about me now. I shall go into the chapel—I know the way—and then return to my carriage." He opened the nearest door of the chapel, bowed, and disappeared. Before the carved panel in the centre of the altar she stood some moments, rejoicing that the sculptor had succeeded so well in reproducing the cherub heads running as a frieze between the columns. From the box she shook out two pulpit-falls, one embroidered with iris, one with passion flowers; then a chalice veil of shimmering white silk marked with a Greek cross. Beneath these lay a long altar cover of snowy linen cambric, "the fair linen cloth," studded with crosses along the centre, and bordered with annunciation lilies. She smoothed and arranged it on the polished surface of the shrine, while a vision of an added seraph, standing in memoriam at each end, shone before her. She recalled Tennyson's inscription in Westminster Abbey, where one wife, widowed by Polar perils, had set her tribute of love. To her the sympathy of the world went out, and the nations, sharing her long search, shared her sorrow. Misunderstood and censured, Eglah bore her burden alone, and now, sinking to her knees, with her forehead pressed against the marble, she prayed that the wanderer in desolate lands might be guarded from every ill and brought safely home. Prayer always deepened her impression that he would return, and as she rose and loitered a moment in admiration of the chiselled stone, her sad lips whispered to her lonely heart: "He will come,— Ay, he will come! I can not make him dead." Suddenly her heart leaped, then seemed to forget to beat. A voice rich, mellow, unmistakable, came from the arched gallery beyond the little oratory opening into the chapel: "Roy, you are no baby, and my singing days are over." A feeble, nervous tone answered: "Herriott, you sang life into me that awful night after you carried me in your arms behind a snow drift, rubbed my frozen hands, and tied our last dog to my legs to keep me warm. 'It shall be light, it shall be light!' How the song soared and echoed in the terrible silence of the ice desert, as if spirits of the snow caught up the refrain! Do you remember that ghastly red thread of a moon on the glacial line above us, like a swooping bloody sickle? Even in my blindness that infernal moon haunts me still. Just then, as the echo died, out of the blackness, as if an answer to a prophet's prayer, the swift glory of the aurora swept down and enveloped us. You saved my life, and before you leave me here I should like to hear that song once more. I suppose I am childish yet, but in my blindness you might humor me. Who wrote that song?" "You are such a hopeless pagan you do not recognize the Bible? It is an arrangement of two verses in the Old Testament: 'And it shall come to pass in that day, that the light shall not be clear. But it shall come to pass that at evening time it shall be light.' When I was attending lectures in Germany, one of the professors set the words to the tune of an old Latin hymn, and the students began to chant it. That night when I was obliged to keep you awake, it occurred to me. Roy, I can't humor you now, but I intend to take you and an old man at home down to Arizona to thaw the Arctic poison out of you. When we are stretched on a sunny mesa where the air quivers with heat, if you feel the need of more light, I promise to chant your song. I am not willing to abandon the goal that we were so near. If you had not broken down, we should have found those stone ruins with the inscriptions, and I intend to see them. After a while I shall fit out an expedition to suit myself, and if you can get rid of your horror of that baby moon that in your delirium you swore was a bloody scythe coming to cut your throat, I hope to number you among my impedimenta." The purple curtain, caught back only during service, hung over the arch; but at one side a narrow aperture, close to the gilt organ pipe in the oratory, admitted outside light. Irresistibly drawn by the voice that set her pulses surging, Eglah had gone to the arch, and grasping the velvet folds looked cautiously through the cleft between organ and curtain, across the small oratory and down the cloister. On a cot lay an emaciated man whose eyes were bandaged. By his side and fronting the oratory stood Mr. Herriott, his hands in his pockets. He looked taller, rather gaunt, somewhat bleached in complexion, and the absence of mustache showed the fine curves of his peculiarly firm, thin lips. His eyes were lowered to the sick man's countenance, and the thick black lashes veiled their grey-blue depths, but over the handsome face had come a subtle change, etched by corroding memories. It was graver, colder, less magnetic. As Eglah watched him her breath fluttered; involuntarily she stretched her arms an instant toward him, and her eyes lighted with a tender glow. "My own Mr. Noel. My own!" was the unspoken claim of her heart, momentarily happy at sight of him. Then Mr. Herriott put his fingers over his friend's pulse. "Vernon promised to get back to-morrow, and the oculist will look after you until I can go home and see about my neglected household. In order to avoid press publicity and inevitable interviewing, I am keeping my return secret for a few days; and, clean-shaven and goggle-eyed, hope to reach my house unrecognized, where I can smooth out the tangles that years of absence tie. Later, business will force me to New York, and I shall be glad of a glimpse of my old club life, but meanwhile you will not be forgotten. Now, Roy, you must come in. One of the lay brothers will help me lift your cot." As he advanced toward the steps near the end of the cloister, Eglah covered her face with her heavy veil, and went swiftly through a side door of the chapel, down the gladiolus-bordered walk to the gate, where the carriage waited. As she sank back in one corner, keeping her features veiled, Mrs. Mitchell laid a hand on her knee. "Well? Are you satisfied, and did the altar cloths fit? Did you find what you expected?" She did not answer immediately, and when she spoke her voice quivered through the effort to strangle a dry sob. "I found far more than I expected, and the altar is lovely. Everything I could possibly do that would have pleased father I have done. My father, my father, have I spared even myself! Memorial window, monument, the altar here, all are finished, and now nothing remains for my empty hands. My dear little mother, you are so good to me; you promised you would go abroad when I felt it best to start. At last the time has come, and I wish to leave America within the next week if possible." After a moment a long, shuddering sigh made her voice unsteady. "I have just seen Mr. Herriott—safe, strong, and well. He will never know I was so near; he could not see me. Accidentally I heard his voice, and looked through a curtain, and——" Mrs. Mitchell had drawn her into her arms, but the black crÊpe was held over her face. "The public will be kept in ignorance of his return for a few days, and before his arrival is announced and people begin to question and speculate, I must be on the ocean. I was so close to him—so close—and yet——" A wave of tenderness drowned words. "Oh, my baby! Why did you not speak to your husband?" After a struggle for composure she answered, with a cold, rising ring in her tone: "He does not consider himself my husband. More than three years ago he willed we should be strangers. He built the wall of separation, of absolute silence between us, and no word, no sign from me shall ever cross it. He is within his rights. I dispute nothing. I claim only the privilege of helping him in his effort to avoid me, and I must have the ocean between us. He will breathe freely when he feels sure that by no possible accident the sight of my face can ever again affront him." |