Photography in the Studio and in the Field / A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer

CONTENTS.

	PAGE
INTRODUCTION,	7

PART I.

GLASS,	10
Quality—Preparation—Albumenizing.
COLLODION,	14
Positive Process—Formula for Positive—How to Coat Plates With —Exposure of the Plates—Development of Plates—Developer—Fixing Solution—Dry Plate Ferrotypes.
COLLODION PROCESS FOR NEGATIVES,	24
Negative—Formula A—Formula B—Formula C.
COLLODION COTTON,	28
Formula for Making Collodion with Above.
NEGATIVE SILVER BATH,	29
Preparation of—Contaminations of—Renovating, &c.
THE NEGATIVE DEVELOPER,	33
FormulÆ for Developing Solution.
FIXING SOLUTIONS FOR NEGATIVES,	35
INTENSIFYING NEGATIVES,	36
THE BROMO ARGENTIC DRY PLATE PROCESS,	37
GELATINO EMULSION,	38
Emulsion A, Paget Prize—Emulsion B, Jarman—Emulsion C, Ever—Emulsion D, Ever—Apparatus for Making—Preparation of Glass—Coating Plates.
APPARATUS USED IN MAKING EMULSIONS,	44
Cooling Table—Drying Room.
DEVELOPING ROOM FOR DRY PLATES,	48
DEVELOPMENT OF DRY PLATES,	54
DRY PLATE DEVELOPERS,	55
Alkaline Pyro—Developer, a Sal Soda.
FIXING SOLUTION,	57
CLEARING SOLUTION,	58
DRY PLATE DEVELOPMENT,	58
Ferrous Oxalate—Ammonia Pyro—Intensification—Solution A—Solution B.
PRACTICALITIES,	63
RETOUCHING NEGATIVES,	63
Apparatus Furniture.
SILVER PRINTING,	70
Printing Room—Silvering Room—Silver Solution for Paper—Sensitizing Paper—Fuming Paper—Toning the Prints—Toning Solution—Fixing the Prints—Mounting the Prints—Spotting the Prints—Preparation for Burnishing.
THE PHOTOGRAPHIC STUDIO,	80
THE CAMERA LENSES,	84
Optics of Photography.
CAMERA BOXES,	99
For Positives, the Multiplyer—For Negatives, Wet or Dry.
THE BENSTER PLATE HOLDER,	109
CAMERA BOXES,	110
For Copying and Enlarging—For Viewing and Out-Door Work—The Novel View Camera—The Klauber Camera.
CAMERA STANDS,	116
The Lever Stand—The Knickerbocker Stand—The Balance Stand—The Bowdish Stand—The Automatic Stand—The Gem City Stand—The Handy Stand—The Magic Stand—The Iron Centre Stand.
PNEUMATIC SHUTTERS,	124
The Cadett Shutter—The Lightning Shutter—The Garland Shutter—The Invisible Shutter.
HEAD RESTS,	130
Success Head Rests—The Rigid—The Spencer.
POSING CHAIRS,	133
The Bowdish Chair—Other Chairs.

PART II.

FIELD PHOTOGRAPHY,	140
Amateur Outfit—Constituents of Viewing Outfit—Dry Plates—Handling Dry Plates—Dry Plate Holder—View Cameras—Detective Camera—Satchel Detective Camera—Bijou Camera.
AMATEUR EQUIPMENTS,	153
Equipment No. 1—The Fairy Camera—The Novel Camera—The Novelette Camera.
THE VIEW LENS,	157
Single Combination Lenses—Double Combination Lenses—The Platyscope—Dallmeyer's Rapid Rectilinear—Wide Angle Lenses—Dallmeyer's Wide Angle.
THE TRIPOD OR VIEW CAMERA STAND,	162
THE INSTANTANEOUS SHUTTER,	164
The Drop Shutter—The Prosch Shutters.
THE CARRYING BOX,	167
DEVELOPING OUTFIT FOR AMATEURS,	167
Chemical Constituents of—Ferrous Oxalate Development—Cooper's Developer.
EASTMAN'S IMPROVED NEGATIVE PAPER,	179
THE ROLL HOLDER,	181
How to Use them.
THE ROCHE PAPER FILM,	187
ENLARGING AND DUPLICATING SMALL NEGATIVES,	188
The Copying and Duplicating Camera—Duplicate Negatives by Contact.
PRINTING PROCESSES,	192
On Anthony's Gelatino Bromide Paper—Anthony's Collodio Chloride.
THE ENLARGING CAMERA,	203
PRINTING WITHOUT SALTS OF SILVER,	207
The Blue Process—Another—The Cyanotype Process with Salts of Uranium—Process for Red Pictures—Process for Green Pictures—Process for Violet Pictures.
TRANSPARENCIES ON GLASS OPAL,	212
Development of—Ferrous Oxalate Development—By Wet Collodion.
BICYCLE CAMERA,	222
PHOTO MICROGRAPHY,	224

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