A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, Y, Z [The names of characters in Trollope’s novels are distinguished by an asterisk]
Bleak House, 119, 235, 294 252 42, 69, 82 134, 206 BOOKS BY ANTHONY TROLLOPE Pott 8vo. Gilt Top Bound in Cloth, 1s. net; Leather, 2s. net per vol.
JOHN LANE, The Bodley Head, Vigo St., London, W. NOTICE Those who possess old letters, documents, correspondence, MSS., scraps of autobiography, and also miniatures and portraits, relating to persons and matters historical, literary, political and social, should communicate with Mr. John Lane, The Bodley Head, Vigo Street, London, W., who will at all times be pleased to give his advice and assistance, either as to their preservation or publication. Mr. Lane also undertakes the planning and printing of family papers, histories and pedigrees. LIVING MASTERS OF MUSIC. An Illustrated Series of Monographs dealing with Contemporary Musical Life, and including Representatives of all Branches of the Art. Edited by ROSA NEWMARCH. Crown 8vo. Cloth. Price 2/6 net.
STARS OF THE STAGE. A Series of Illustrated Biographies of the Leading Actors, Actresses, and Dramatists. Edited by J. T. GREIN. Crown 8vo. Price 2/6 each net.
A CATALOGUE OF THE LIFE AND LETTERS OF WILLIAM COBBETT IN ENGLAND AND AMERICA. By Lewis Melville. Author of “William Makepeace Thackeray.” With two Photogravures and numerous other Illustrations. 2 vols. Demy 8vo. 32s. net. THE LETTER-BAG OF LADY ELIZABETH SPENCER STANHOPE. By A. M. W. Stirling. Author of “Coke of Norfolk,” and “Annals of a Yorkshire House.” With a Colour Plate, 3 in Photogravure, and 27 other Illustrations. 2 vols. Demy 8vo. 32s. net. ? “Extracts might be multiplied indefinitely, but we have given enough to show the richness of the mine. We have nothing but praise for the editor’s work, and can conscientiously commend this book equally to the student oi manners and the lover of lively anecdote.”—Standard. MEMOIRS OF THE COURT OF ENGLAND IN 1675. By Marie Catherine Comtesse d’Aulnoy. Translated from the original French by Mrs. William Henry Arthur. Edited, Revised, and with Annotations (including an account of Lucy Walter) by George David Gilbert. With Illustrations. Demy 8vo. 21s. net. ? When the Comte de Gramont went back to France and Mr. Pepys decided that to save his eyesight it was essential that he should suspend his Diary, the records of delectable gossip of the ever interesting Restoration Court became, of necessity, sadly curtailed. Indeed, of the second decade of the Golden Days the sedate Evelyn has hitherto been almost the only source of information available to the public. Though the Memoirs of the Countess d’Aulnoy have always been known to students, they have never received the respect they undoubtedly merit, for until Mr. Gilbert, whose hobby is the social history of this period, took the matter in hand, no-one had succeeded in either deciphering the identity of the leading characters of the Memoirs or of verifying the statements made therein. To achieve this has been for some years his labour of love and an unique contribution to Court and Domestic history is the crown of his labours. The Memoirs, which have only to be known to rank with the sparkling “Comte de Gramont” (which they much resemble), contain amusing anecdotes and vivid portraits of King Charles II., his son the Duke of Monmouth, Prince Rupert, Buckingham, and other ruffling “Hectors” of those romantic days. Among the ladies we notice the Queen, the Duchess of Norfolk and Richmond, and the lively and vivacious Maids of Honour. The new Nell Gwynn matter is of particular interest. The Memoirs are fully illustrated with portraits, not reproduced before, from the collection of the Duke of Portland and others. AUSTRIA: HER PEOPLE AND THEIR HOMELANDS. By James Baker, F.R.G.S. With 48 Pictures in Colour by Donald Maxwell. Demy 8vo. 21s. net. ? The Empire of Austria with its strangely diversified population of many tongues is but little known to English readers. The Capital and a few famous interesting places, such as Carlsbad, Marienbad, the glorious Tyrol, and such cities as Golden Prague and Innsbruck are known to the English and Americans; but the remarkable scenery of the Upper Elbe, the Ultava or Moldau and the Danube, the interesting peasantry in their brilliant costumes, the wild mountain gorges, are quite outside the ken of the ordinary traveller. The volume is written by one who since 1873 has continually visited various parts of the Empire and has already written much upon Austria and her people. Mr. Baker was lately decorated by the Emperor Francis Joseph for his literary work and was also voted the Great Silver Medal by the Prague Senate. The volume is illustrated with 48 beautiful water-colour pictures by Mr. Donald Maxwell, the well-known artist of the Graphic, who has made several journeys to Austria for studies for this volume. TAPESTRIES: THEIR ORIGIN, HISTORY, AND RENAISSANCE. By George Leland Hunter. With four full-page Plates in Colour, and 147 Half-tone Engravings. Square 8vo. Cloth. 16s. net. ? This is a fascinating book on a fascinating subject. It is written by a scholar whose passion for accuracy and original research did not prevent him from making a story easy to read. It answers the questions people are always asking as to how tapestries differ from paintings, and good tapestries from bad tapestries. It will interest lovers of paintings and rugs and history and fiction, for it shows how tapestries compare with paintings in picture interest, with rugs in texture interest, and with historic and other novels in romantic interest; presenting on a magnificent scale the stories of the Iliad and the Odyssey, the Æneid and the Metamorphoses, the Bible and the Saints, Ancient and Medieval History and Romance. In a word, the book is indispensable to lovers of art and literature in general, as well as to tapestry amateurs, owners and dealers. FROM STUDIO TO STAGE. By Weedon Grossmith. With 32 full-page Illustrations. Demy 8vo. 16s. net. ? Justly famous as a comedian of unique gifts, Mr. Weedon Grossmith is nevertheless an extremely versatile personality, whose interests are by no means confined to the theatre. These qualities have enabled him to write a most entertaining book. He gives an interesting account of his early ambitions and exploits as an artist, which career he abandoned for that of an actor. He goes on to describe some of his most notable rÔles, and lets us in to little intimate glimpses “behind the scenes,” chats pleasantly about all manner of celebrities in the land of Bohemia and out of it, tells many amusing anecdotes, and like a true comedian is not bashful when the laugh is against himself. The book is well supplied with interesting illustrations, some of them reproductions of the author’s own work. FANNY BURNEY AT THE COURT OF QUEEN CHARLOTTE. By Constance Hill. Author of “The House in St. Martin Street,” “Juniper Hall,” etc. With numerous Illustrations by Ellen G. Hill and reproductions of contemporary Portraits, etc. Demy 8vo. 16s. net. ? This book deals with the Court life of Fanny Burney covering the years 1786-91, and therefore forms a link between the two former works on Fanny Burney by the same writer, viz. “The House in St. Martin Street,” and “Juniper Hall.” The writer has been fortunate in obtaining much unpublished material from members of the Burney family as well as interesting contemporary portraits and relics. The scene of action in this work is constantly shifting—now at Windsor, now at Kew, now sea-girt at Weymouth, and now in London; and the figures that pass before our eyes are endowed with a marvellous vitality by the pen of Fanny Burney. When the court was at St. James’s the Keeper of the Robes had opportunities of visiting her own family in St. Martin Street, and also of meeting at the house of her friend Mrs. Ord “everything delectable in the blue way.” Thither Horace Walpole would come in all haste from Strawberry Hill for the sole pleasure of spending an evening in her society. After such a meeting Fanny writes—“he was in high spirits, polite, ingenious, entertaining, quaint and original.” A striking account of the King’s illness in the winter of 1788-9 is given, followed by the widespread rejoicings for his recovery; when London was ablaze with illuminations that extended for many miles around, and when “even the humblest dwelling exhibited its rush-light.” The author and the illustrator of this work have visited the various places, where King George and Queen Charlotte stayed when accompanied by Fanny Burney. Among these are Oxford, Cheltenham, Worcester, Weymouth and Dorchester; where sketches have been made, or old prints discovered, illustrative of those towns in the late 18th century savours of Georgian days. There the national flag may still be seen as it appeared before the union. MEMORIES OF SIXTY YEARS AT ETON, CAMBRIDGE AND ELSEWHERE. By Oscar Browning. Illustrated. Demy 8vo. 14s. net. THE STORY OF DON JOHN OF AUSTRIA. By Padre Luis Coloma, S.J., of the Real Academia EspaÑola. Translated by Lady Moreton. With Illustrations. Demy 8vo. 16s. net. ? “A new type of book, half novel and half history,” as it is very aptly called in a discourse delivered on the occasion of Padre Coloma’s election to the Academia de EspaÑa, the story of the heroic son of Charles V. is retold by one of Spain’s greatest living writers with a vividness and charm all his own. The childhood of Jeromin, afterwards Don John of Austria reads like a mysterious romance. His meteoric career is traced through the remaining chapters of the book; first as the attractive youth; the cynosure of all eyes that were bright and gay at the court of Philip II., which Padre Coloma maintains was less austere than is usually supposed; then as conqueror of the Moors, culminating as the “man from God” who saved Europe from the terrible peril of a Turkish dominion; triumphs in Tunis; glimpses of life in the luxury loving Italy of the day; then the sad story of the war in the Netherlands, when our hero, victim of an infamous conspiracy, is left to die of a broken heart; his end hastened by fever, and, maybe, by the “broth of Doctor Ramirez.” Perhaps more fully than ever before is laid bare the intrigue which led to the cruel death of the secretary, Escovedo, including the dramatic interview between Philip II. and Antonio Perez, in the lumber room of the Escorial. A minute account of the celebrated auto da fe in Valladolid cannot fail to arrest attention, nor will the details of several of the imposing ceremonies of Old Spain be less welcome than those of more intimate festivities in the Madrid of the sixteenth century, or of everyday life in a Spanish castle. ? “This book has all the fascination of a vigorous roman À clef... the translation is vigorous and idiomatic.”—Mr. Owen Edwards in Morning Post. THIRTEEN YEARS OF A BUSY WOMAN’S LIFE. By Mrs. Alec Tweedie. With Nineteen Illustrations. Demy 8vo. 16s. net. Third Edition. ? It is a novel idea for an author to give her reasons for taking up her pen as a journalist and writer of books. This Mrs. Alec Tweedie has done in “Thirteen Years of a Busy Woman’s Life.” She tells a dramatic story of youthful happiness, health, wealth, and then contrasts that life with the thirteen years of hard work that followed the loss of her husband, her father, and her income in quick succession in a few weeks. Mrs. Alec Tweedie’s books of travel and biography are well-known, and have been through many editions, even to shilling copies for the bookstalls. This is hardly an autobiography, the author is too young for that, but it gives romantic, and tragic peeps into the life of a woman reared in luxury, who suddenly found herself obliged to live on a tiny income with two small children, or work—and work hard—to retain something of her old life and interests. It is a remarkable story with many personal sketches of some of the best-known men and women of the day. ? “One of the gayest and sanest surveys of English society we have read for years.”—Pall Mall Gazette. ? “A pleasant laugh from cover to cover.”—Daily Chronicle. THE ENGLISH AND FRENCH IN THE XVIIth CENTURY. By Charles Bastide. With Illustrations. Demy 8vo. 12s. 6d. net. ? The author of this book of essays on the intercourse between England and France in the seventeenth century has gathered much curious and little-known information. How did the travellers proceed from London to Paris? Did the Frenchmen who came over to England learn, and did they ever venture to write English? An almost unqualified admiration for everything French then prevailed: French tailors, milliners, cooks, even fortune-tellers, as well as writers and actresses, reigned supreme. How far did gallomania affect the relations between the two countries? Among the foreigners who settled in England none exercised such varied influence as the Hugenots; students of Shakespeare and Milton can no longer ignore the Hugenot friends of the two poets, historians of the Commonwealth must take into account the “Nouvelles ordinaires de Londres,” the French gazette, issued on the Puritan side, by some enterprising refugee. Is it then possible to determine how deeply the refugees impressed English thought? Such are the main questions to which the book affords an answer. With its numerous hitherto unpublished documents and illustrations, drawn from contemporary sources, it cannot fail to interest those to whom a most brilliant and romantic period in English history must necessarily appeal. THE VAN EYCKS AND THEIR ART. By W. H. James Weale, with the co-operation of Maurice Brockwell. With numerous Illustrations. Demy 8vo. 12s. 6d. net. ? The large book on “Hubert and John Van Eyck” which Mr. Weale published in 1908 through Mr. John Lane was instantly recognised by the reviewers and critics as an achievement of quite exceptional importance. It is now felt that the time has come for a revised and slightly abridged edition of that which was issued four years ago at £5 5s. net. The text has been compressed in some places and extended in others, while certain emendations have been made, and after due reflection, the plan of the book has been materially recast. This renders it of greater assistance to the student. The large amount of research work and methodical preparation of a revised text obliged Mr. Weale, through failing health and eyesight, to avail himself of the services of Mr. Brockwell, and Mr. Weale gives it as his opinion in the new Foreword that he doubts whether he could have found a more able collaborator than Mr. Brockwell to edit this volume. “The Van Eycks and their Art,” so far from being a mere reprint at a popular price of “Hubert and John Van Eyck,” contains several new features, notable among which are the inclusion of an Appendix giving details of all the sales at public auction in any country from 1662 to 1912 of pictures reputed to be by the Van Eycks. An entirely new and ample Index has been compiled, while the bibliography, which extends over many pages, and the various component parts of the book have been brought abreast of the most recent criticism. Detailed arguments are given for the first time of a picture attributed to one of the brothers Van Eyck in a private collection in Russia. In conclusion it must be pointed out that Mr. Weale has, with characteristic care, read through the proofs and passed the whole book for press. The use of a smaller format and of thinner paper renders the present edition easier to handle as a book of reference. COKE OF NORFOLK AND HIS FRIENDS. The Life of Thomas Coke, First Earl of Leicester and of Holkham. By A. M. W. Stirling. New Edition, revised, with some additions. With 19 Illustrations. In one volume. Demy 8vo. 12s. 6d. net. THE EMPRESS JOSEPHINE. By Joseph Turquan. Author of “The Love Affairs of Napoleon,” “The Wife of General Bonaparte.” Illustrated. Demy 8vo. 12s. 6d. net. ? “The Empress Josephine” continues and completes the graphically drawn life story begun in “The Wife of General Bonaparte” by the same author, takes us through the brilliant period of the Empire, shows us the gradual development and the execution of the Emperor’s plan to divorce his middle-aged wife, paints in vivid colours the picture of Josephine’s existence after her divorce, tells us how she, although now nothing but his friend, still met him occasionally and corresponded frequently with him, and how she passed her time in the midst of her miniature court. This work enables us to realise the very genuine affection which Napoleon possessed for his first wife, an affection which lasted till death closed her eyes in her lonely hermitage at La Malmaison, and until he went to expiate at Saint Helena his rashness in braving all Europe. Comparatively little is known of the period covering Josephine’s life after her divorce, and yet M. Turquan has found much to tell us that is very interesting; for the ex-Empress in her two retreats, Navarre and La Malmaison, was visited by many celebrated people, and after the Emperor’s downfall was so ill-judged as to welcome and fete several of the vanquished hero’s late friends, now his declared enemies. The story of her last illness and death forms one of the most interesting chapters in this most complete work upon the first Empress of the French. NAPOLEON IN CARICATURE: 1795-1821. By A. M. Broadley. With an Introductory Essay on Pictorial Satire as a Factor in Napoleonic History, by J. Holland Rose, Litt. D. (Cantab.). With 24 full-page Illustrations in Colour and upwards of 200 in Black and White from rare and unique originals. 2 Vols. Demy 8vo. 42s. net. Also an Edition de Luxe. 10 guineas net. NAPOLEON’S LAST CAMPAIGN IN GERMANY. By F. Loraine Petre. Author of “Napoleon’s Campaign in Poland,” “Napoleon’s Conquest of Prussia,” etc. With 17 Maps and Plans. Demy 8vo. 12s. 6d. net. ? In the author’s two first histories of Napoleon’s campaigns (1806 and 1807) the Emperor is at his greatest as a soldier. The third (1809) showed the commencement of the decay of his genius. Now, in 1813, he has seriously declined. The military judgment of Napoleon, the general, is constantly fettered by the pride and obstinacy of Napoleon, the Emperor. The military principles which guided him up to 1807 are frequently abandoned; he aims at secondary objectives, or mere geographical points, instead of solely at the destruction of the enemy’s army; he hesitates and fails to grasp the true situation in a way that was never known in his earlier campaigns. Yet frequently, as at Bautsen and Dresden, his genius shines with all its old brilliance. The campaign of 1813 exhibits the breakdown of his over-centralised system of command, which left him without subordinates capable of exercising semi-independent command over portions of armies which had now grown to dimensions approaching those of our own day. The autumn campaign is a notable example of the system of interior lines, as opposed to that of strategical envelopment. It marks, too, the real downfall of Napoleon’s power, for, after the fearful destruction of 1813, the desperate struggle of 1814, glorious though it was, could never have any real probability of success. FOOTPRINTS OF FAMOUS AMERICANS IN PARIS. By John Joseph Conway, M.A. With 32 Full-page Illustrations. With an Introduction by Mrs. John Lane. Demy 8vo. 12s. 6d. net. ? Franklin, Jefferson, Munroe, Tom Paine, La Fayette, Paul Jones, etc., etc., the most striking figures of a heroic age, working out in the City of Light the great questions for which they stood, are dealt with here. Longfellow the poet of the domestic affections; matchless Margaret Fuller who wrote so well of women in the nineteenth century; Whistler master of American artists; Saint-Gaudens chief of American sculptors; Rumford, most picturesque of scientific knight-errants and several others get a chapter each for their lives and achievements in Paris. A new and absorbing interest is opened up to visitors. Their trip to Versailles becomes more pleasurable when they realise what Franklyn did at that brilliant court. The Place de la Bastille becomes a sacred place to Americans realizing that the principles of the young republic brought about the destruction of the vilest old dungeon in the world. The Seine becomes silvery to the American conjuring up that bright summer morning when Robert Fulton started from the Place de la Concorde in the first steam boat. The Louvre takes on a new attraction from the knowledge that it houses the busts of Washington and Franklyn and La Fayette by Houdon. The Luxembourg becomes a greater temple of art to him who knows that it holds Whistler’s famous portrait of his mother. Even the weather-beaten bookstalls by the banks of the Seine become beautiful because Hawthorne and his son loitered among them on sunny days sixty years ago. The book has a strong literary flavour. Its history is enlivened with anecdote. It is profusely illustrated. MEMORIES OF JAMES MCNEILL WHISTLER: The Artist. By Thomas R. Way. Author of “The Lithographs of J. M. Whistler,” etc. With numerous Illustrations. Demy 4to. 10s. 6d. net. ? This volume contains about forty illustrations, including an unpublished etching drawn by Whistler and bitten in by Sir Frank Short, A.R.A., an original lithograph sketch, seven lithographs in colour drawn by the Author upon brown paper, and many in black and white. The remainder are facsimiles by photo-lithography. In most cases the originals are drawings and sketches by Whistler which have never been published before, and are closely connected with the matter of the book. The text deals with the Author’s memories of nearly twenty year’s close association with Whistler, and he endeavours to treat only with the man as an artist, and perhaps, especially as a lithographer. *Also an Edition de Luxe on hand-made paper, with the etching printed from the original plate. Limited to 50 copies. *This is Out of Print with the Publisher. HISTORY OF THE PHILHARMONIC SOCIETY: A Record of a Hundred Years’ Work in the Cause of Music. Compiled by Myles Birket Foster, F.R.A.M., etc. With 16 Illustrations. Demy 8vo. 10s. 6d. net. ? As the Philharmonic Society, whose Centenary is now being celebrated, is and has ever been connected, during its long existence, with the history of musical composition and production, not only in this country, but upon the Continent, and as every great name in Europe and America in the last hundred years (within the realm of high-class music), has been associated with it, this volume will, it is believed, prove to be an unique work, not only as a book of reference, but also as a record of the deepest interest to all lovers of good music. It is divided into ten Decades, with a small narrative account of the principal happenings in each, to which are added the full programmes of every concert, and tables showing, at a glance, the number and nationality of the performers and composers, with other particulars of interest. The book is made of additional value by means of rare illustrations of MS. works specially composed for the Society, and of letters from Wagner, Berlioz, Brahms, Liszt, etc., etc., written to the Directors and, by their permission, reproduced for the first time. IN PORTUGAL. By Aubrey F. G. Bell. Author of “The Magic of Spain.” Demy 8vo. 7s. 6d. net. ? The guide-books give full details of the marvellous convents, gorgeous palaces, and solemn temples of Portugal, and no attempt is here made to write complete descriptions of them, the very name of some of them being omitted. But the guide-books too often treat Portugal as a continuation, almost as a province of Spain. It is hoped that this little book may give some idea of the individual character of the country, of the quaintnesses of its cities, and of peasant life in its remoter districts. While the utterly opposed characters of the two peoples must probably render the divorce between Spain and Portugal eternal, and reduce hopes of union to the idle dreams of politicians. Portugal in itself contains an infinite variety. Each of the eight provinces (more especially those of the alemtejanos, minhotos and beirÖes) preserves many peculiarities of language, customs, and dress; and each will, in return for hardships endured, give to the traveller many a day of delight and interest. A TRAGEDY IN STONE, AND OTHER PAPERS. By Lord Redesdale, G.C.V.O., K.C.C., etc. Demy 8vo. 7s. 6d. net. ? “From the author of ‘Tales of Old Japan’ his readers always hope for more about Japan, and in this volume they will find it. The earlier papers, however, are not to be passed over.”—Times. ? “Lord Redesdale’s present volume consists of scholarly essays on a variety of subjects of historic, literary and artistic appeal.”—Standard. ? “The author of the classic ‘Tales of Old Japan’ is assured of welcome, and the more so when he returns to the field in which his literary reputation was made. Charm is never absent from his pages.”—Daily Chronicle. MY LIFE IN PRISON. By Donald Lowrie. Crown 8vo. 6s. net. ? This book is absolutely true and vital. Within its pages passes the myriorama of prison life. And within its pages may be found revelations of the divine and the undivine; of strange humility and stranger arrogance; of free men brutalized and caged men humanized; of big and little tragedies; of love, cunning, hate, despair, hope. There is humour, too though sometimes the jest is made ironic by its sequel. And there is romance—the romance of the real; not the romance of Kipling’s 9.15, but the romance of No. 19,093, and of all the other numbers that made up the arithmetical hell of San Quentin prison. Few novels could so absorb interest. It is human utterly. That is the reason. Not only is the very atmosphere of the prison preserved, from the colossal sense of encagement and defencelessness, to the smaller jealousies, exultations and disappointments; not only is there a succession of characters emerging into the clearest individuality and genuineness,—each with its distinctive contribution and separate value; but beyond the details and through all the contrasted variety, there is the spell of complete drama,—the drama of life. Here is the underworld in continuous moving pictures, with the overworld watching. True, the stage is a prison; but is not all the world a stage? It is a book that should exercise a profound influence on the lives of the caged, and on the whole attitude of society toward the problems of poverty and criminality. AN IRISH BEAUTY OF THE REGENCY: By Mrs. Warrenne Blake. Author of “Memoirs of a Vanished Generation, 1813-1855.” With a Photogravure Frontispiece and other Illustrations. Demy 8vo. 16s. net. ? The Irish Beauty is the Hon. Mrs. Calvert, daughter of Viscount Pery, Speaker of the Irish House of Commons, and wife of Nicholson Calvert, M.P., of Hunsdon. Born in 1767, Mrs. Calvert lived to the age of ninety-two, and there are many people still living who remember her. In the delightful journals, now for the first time published, exciting events are described. THE FOUNDATIONS OF THE NINETEENTH CENTURY. By Stewart Houston Chamberlain. A Translation from the German by John Lees. With an Introduction by Lord Redesdale. Demy 8vo. 2 vols. 25s. net. Second Edition. ? “A man who can write such a really beautiful and solemn appreciation of true Christianity, of true acceptance of Christ’s teachings and personality, as Mr. Chamberlain has done... represents an influence to be reckoned with and seriously to be taken into account.”—Theodore Roosevelt in the Outlook, New York. ? “It is a masterpiece of really scientific history. It does not make confusion, it clears it away. He is a great generalizer of thought, as distinguished from the crowd of mere specialists. It is certain to stir up thought. Whoever has not read it will be rather out of it in political and sociological discussions for some time to come.”—George Bernard Shaw in Fabian News. ? “This is unquestionably one of the rare books that really matter. His judgments of men and things are deeply and indisputably sincere and are based on immense reading.... But even many well-informed people... will be grateful to Lord Redesdale for the biographical details which he gives them in the valuable and illuminating introduction contributed by him to this English translation.”—Times. THE SPEAKERS OF THE HOUSE OF COMMONS from the Earliest Times to the Present Day, with a Topographical Account of Westminster at Various Epochs, Brief Notes on Sittings of Parliament and a Retrospect of the principal Constitutional Changes during Seven Centuries. By Arthur Irwin Dasent, Author of “The Life and Letters of John Delane,” “The History of St. James’s Square,” etc., etc. With numerous Portraits, including two in Photogravure and one in Colour. Demy 8vo. 21s. net. ROMANTIC TRIALS OF THREE CENTURIES. By Hugh Childers. With numerous Illustrations. Demy 8vo. 12s. 6d. net. ? This volume deals with some famous trials, occurring between the years 1650 and 1850. All of them possess some exceptional interest, or introduce historical personages in a fascinating style, peculiarly likely to attract attention. The book is written for the general reading public, though in many respects it should be of value to lawyers, who will be especially interested in the trials of the great William Penn and Elizabeth Canning. The latter case is one of the most enthralling interest. Twenty-two years later the same kind of excitement was aroused over Elizabeth Chudleigh, alias Duchess of Kingston, who attracted more attention in 1776 than the war of American independence. Then the history of the fluent Dr. Dodd, a curiously pathetic one, is related, and the inconsistencies of his character very clearly brought out; perhaps now he may have a little more sympathy than he has usually received. Several important letters of his appear here for the first time in print. Among other important trials discussed we find the libel action against Disraeli and the story of the Lyons Mail. Our knowledge of the latter is chiefly gathered from the London stage, but there is in it a far greater historical interest than would be suspected by those who have only seen the much altered story enacted before them. THE OLD GARDENS OF ITALY—HOW TO VISIT THEM. By Mrs. Aubrey Le Blond. With 100 Illustrations from her own Photographs. Crown 8vo. 5s. net. ? Hitherto all books on the old gardens of Italy have been large, costly, and incomplete, and designed for the library rather than for the traveller. Mrs. Aubrey Le Blond, during the course of a series of visits to all parts of Italy, has compiled a volume that garden lovers can carry with them, enabling them to decide which gardens are worth visiting, where they are situated, how they may be reached, if special permission to see them is required, and how this may be obtained. Though the book is practical and technical, the artistic element is supplied by the illustrations, one at least of which is given for each of the 71 gardens described. Mrs. Aubrey Le Blond was the illustrator of the monumental work by H. Inigo Triggs on “The Art of Garden Design in Italy,” and has since taken three special journeys to that country to collect material for her “The Old Gardens of Italy.” The illustrations have been beautifully reproduced by a new process which enables them to be printed on a rough light paper, instead of the highly glazed and weighty paper necessitated by half-tone blocks. Thus not only are the illustrations delightful to look at, but the book is a pleasure to handle instead of a dead weight. DOWN THE MACKENZIE AND UP THE YUKON. By E. Stewart. With 30 Illustrations and a Map. Crown 8vo. 5s. net. ? Mr. Stewart was former Inspector of Forestry to the Government of Canada, and the experience he thus gained, supplemented by a really remarkable journey, will prove of great value to those who are interested in the commercial growth of Canada. The latter portion of his book deals with the various peoples, animals, industries, etc., of the Dominion; while the story of the journey he accomplished provides excellent reading in Part I. Some of the difficulties he encountered appeared insurmountable, and a description of his perilous voyage in a native canoe with Indians is quite haunting. There are many interesting illustrations of the places of which he writes. AMERICAN SOCIALISM OF THE PRESENT DAY. By Jessie Wallace Hughan. With an Introduction by John Spargo. Crown 8vo. 5s. net. ? All who are interested in the multitudinous political problems brought by the changing conditions of the present day should read this book, irrespective of personal bias. The applications of Socialism throughout the world are so many and varied that the book is of peculiar importance to English Socialists. THE STRUGGLE FOR BREAD. By “A Rifleman” Crown 8vo. 5s. net. ? This book is a reply to Mr. Norman Angell’s well-known work, “The Great Illusion” and also an enquiry into the present economic state of Europe. The author, examining the phenomenon of the high food-prices at present ruling in all great civilized states, proves by statistics that these are caused by a relative decline in the production of food-stuffs as compared with the increase in general commerce and the production of manufactured-articles, and that consequently there has ensued a rise in the exchange-values of manufactured-articles, which with our system of society can have no other effect than of producing high food-prices and low wages. The author proves, moreover, that this is no temporary fluctuation of prices, but the inevitable outcome of an economic movement, which whilst seen at its fullest development during the last few years has been slowly germinating for the last quarter-century. Therefore, food-prices must continue to rise whilst wages must continue to fall. THE LAND OF TECK & ITS SURROUNDINGS. By Rev. S. Baring-Gould. With numerous Illustrations (including several in Colour) reproduced from unique originals. Demy 8vo. 10s. 6d. net. GATES OF THE DOLOMITES. By L. Marion Davidson. With 32 Illustrations from Photographs and a Map. Crown 8vo. Second Edition. 5s. net. ? Whilst many English books have appeared on the Lande Tirol, few have given more than a chapter on the fascinating Dolomite Land, and it is in the hope of helping other travellers to explore the mountain land with less trouble and inconvenience than fell to her lot that the author has penned these attractive pages. The object of this book is not to inform the traveller how to scale the apparently inaccessible peaks of the Dolomites, but rather how to find the roads, and thread the valleys, which lead him to the recesses of this most lovely part of the world’s face, and Miss Davidson conveys just the knowledge which is wanted for this purpose; especially will her map be appreciated by those who wish to make their own plans for a tour, as it shows at a glance the geography of the country. KNOWLEDGE AND LIFE. By William Arkwright. Crown 8vo. 3s. 6d. net. ? This is a remarkably written book—brilliant and vital. Mr. Arkwright illumines a number of subjects with jewelled flashes of word harmony and chisels them all with the keen edge of his wit. Art, Letters, and Religion of different appeals move before the reader in vari-coloured array, like the dazzling phantasmagoria of some Eastern dream. CHANGING RUSSIA. A Tramp along the Black Sea Shore and in the Urals. By Stephen Graham. Author of “Undiscovered Russia,” “A Vagabond in the Caucasus,” etc. With Illustrations and a Map. Demy 8vo. 7s. 6d. net. ? In “Changing Russia,” Mr. Stephen Graham describes a journey from Rostof-on-the-Don to Batum and a summer spent on the Ural Mountains. The author has traversed all the region which is to be developed by the new railway from Novo-rossisk to Poti. it is a tramping diary with notes and reflections. The book deals more with the commercial life of Russia than with that of the peasantry, and there are chapters on the Russia of the hour, the Russian town, life among the gold miners of the Urals, the bourgeois, Russian journalism, the intelligentsia, the election of the fourth Duma. An account is given of Russia at the seaside, and each of the watering places of the Black Sea shore is described in detail. ROBERT FULTON ENGINEER AND ARTIST: HIS LIFE AND WORK. By H. W. Dickinson, A.M.I.Mech.E. Demy 8vo. 10s. 6d. net. ? No Biography dealing as a whole with the life-work of the celebrated Robert Fulton has appeared of late years, in spite of the fact that the introduction of steam navigation on a commercial scale, which was his greatest achievement has recently celebrated its centenary. The author has been instrumental in bringing to light a mass of documentary matter relative to Fulton, and has thus been able to present the facts about him in an entirely new light. The interesting but little known episode of his career as an artist is for the first time fully dealt with. His stay in France and his experiments under the Directory and the Empire with the submarine and with the steamboat are elucidated with the aid of documents preserved in the Archives Nationales at Paris. His subsequent withdrawal from France and his employment by the British Cabinet to destroy the Boulogne flotilla that Napoleon had prepared in 1804 to invade England are gone into fully. The latter part of his career in the United States, spent in the introduction of steam navigation and in the construction of the first steam-propelled warship, is of the greatest interest. With the lapse of time facts assume naturally their true perspective. Fulton, instead of being represented, according to the English point of view, as a charlatan and even as a traitor, or from the Americans as a universal genius, is cleared from these charges, and his pretensions critically examined, with the result that he appears as a cosmopolitan, an earnest student, a painstaking experimenter and an enterprising engineer. It is believed that practically nothing of moment in Fulton’s career has been omitted. The illustrations, which are numerous, are drawn in nearly every case from the original sources. It may confidently be expected, therefore, that this book will take its place as the authoritative biography which everyone interested in the subjects enumerated above will require to possess. A STAINED GLASS TOUR IN ITALY. By Charles H. Sherrill. Author of “Stained Glass Tours in England,” “Stained Glass Tours in France,” etc. With 33 Illustrations. Demy 8vo. 7s. 6d. net. ? Mr. Sherrill has already achieved success with his two previous books on the subject of stained glass. In Italy he finds a new field, which offers considerable scope for his researches. His present work will appeal not only to tourists, but to the craftsmen, because of the writer’s sympathy with the craft. Mr. Sherrill is not only an authority whose writing is clear in style and full of understanding for the requirements of the reader, but one whose accuracy and reliability are unquestionable. This is the most important book published on the subject with which it deals, and readers will find it worthy to occupy the position. SCENES AND MEMORIES OF THE PAST. By the Honble. Stephen Coleridge. With numerous Illustrations. Demy 8vo. 12s. 6d. net. ? Mr. Stephen Coleridge has seen much of the world in two hemispheres and has been able to count among his intimate personal friends many of those whose names have made the Victorian age illustrious. Mr. Coleridge fortunately kept a diary for some years of his life and has religiously preserved the letters of his distinguished friends; and in this book the public are permitted to enjoy the perusal of much vitally interesting correspondence. With a loving and appreciative hand the author sketches the characters of many great men as they were known to their intimate associates. Cardinals Manning and Newman, G. F. Watts, James Russell Lowell, Matthew Arnold, Sir Henry Irving, Goldwin Smith, Lewis Morris, Sir Stafford Northcote, Whistler, Oscar Wilde, Ruskin, and many others famous in the nineteenth century will be found sympathetically dealt with in this book. During his visit to America as the guest of the American Bar in 1883, Lord Coleridge, the Chief Justice, and the author’s father wrote a series of letters, which have been carefully preserved, recounting his impressions of the United States and of the leading citizens whom he met. Mr. Coleridge has incorporated portions of these letters from his father in the volume, and they will prove deeply interesting on both sides of the Atlantic. Among the illustrations are many masterly portraits never before published. From the chapter on the author’s library, which is full of priceless literary treasures, the reader can appreciate the appropriate surroundings amid which this book was compiled. ANTHONY TROLLOPE: HIS WORK, ASSOCIATES AND ORIGINALS. By T. H. S. Escott. Demy 8vo. 12s. 6d. net. ? The author of this book has not solely relied for his materials on a personal intimacy with its subject, during the most active years of Trollope’s life, but from an equal intimacy with Trollope’s contemporaries and from those who had seen his early life. He has derived, and here sets forth, in chronological order, a series of personal incidents and experiences that could not be gained but for the author’s exceptional opportunities. These incidents have never before appeared in print, but that are absolutely essential for a right understanding of the opinions—social, political, and religious—of which Trollope’s writings became the medium, as well as of the chief personages in his stories, from the “Macdermots of Ballycloran” (1847) to the posthumous “Land Leaguers” (1883). All lifelike pictures, whether of place, individual, character of incident, are painted from life. The entirely fresh light now thrown on the intellectual and spiritual forces, chiefly felt by the novelist during his childhood, youth and early manhood, helped to place within his reach the originals of his long portrait gallery, and had their further result in the opinions, as well as the estimates of events and men, in which his writings abound, and which, whether they cause agreement or dissent, always reveal life, nature, and stimulate thought. The man, who had for his Harrow schoolfellows Sidney Herbert and Sir William Gregory, was subsequently brought into the closest relations with the first State officials of his time, was himself one of the most active agents in making penny postage a national and imperial success, and when he planted the first pillar-box in the Channel Islands, accomplished on his own initiative a great postal reform. A life so active, varied and full, gave him a greater diversity of friends throughout the British Isles than belonged to any other nineteenth century worker, literary or official. Hence the unique interest of Trollope’s course, and therefore this, its record. THE HISTORY OF ENGLISH PATRIOTISM. By EsmÉ C. Wingfield Stratford, Fellow King’s College, Cambridge. In 2 vols. Demy 8vo. With a Frontispiece to each volume, (1,300 pages). 25s. net. ? This work compresses into about HALF A MILLION WORDS the substance of EIGHT YEARS of uninterrupted labour. The book has been read and enthusiastically commended by the leading experts in the principal subjects embraced in this encyclopÆdic survey of English History. When this work was first announced under the above title, the publisher suggested calling it “A New History of England.” Indeed it is both. Mr. Wingfield Stratford endeavours to show how everything of value that nations in general, and the English nation in particular, have at any time achieved has been the direct outcome of the common feeling upon which patriotism is built. He sees, and makes his readers see, the manifold development of England as one connected whole with no more branch of continuity than a living body or a perfect work of art. The author may fairly claim to have accomplished what few previous historians have so much as attempted. He has woven together the threads of religion, politics, war, philosophy, literature, painting, architecture, law and commerce, into a narrative of unbroken and absorbing interest. The book is a world-book. Scholars will reconstruct their ideas from it, economics examine the gradual fruition of trade, statesmen devise fresh creative plans, and the general reader will feel he is no insignificant unit, but the splendid symbol of a splendid world. CHARLES CONDER: HIS LIFE AND WORK. By Frank Gibson. With a Catalogue of the Lithographs and Etchings by Campbell Dodgson, M.S., Keeper of Prints and Drawings, British Museum. With about 100 reproductions of Conder’s work, 12 of which are in colour. Demy 4to. 21s. net. ? With the exception of one or two articles in English Art Magazines, and one or two in French, German, and American periodicals, no book up to the present has appeared fully to record the life and work of Charles Condor, by whose death English Art has lost one of its most original personalities. Consequently it has been felt that a book dealing with Conder’s life so full of interest, and his work so full of charm and beauty, illustrated by characteristic examples of his Art both in colour and in black and white, would be welcome to the already great and increasing number of his admirers. The author of this book, Mr. Frank Gibson, who knew Conder in his early days in Australia and afterwards in England during the rest of the artist’s life, is enabled in consequence to do full justice, not only to the delightful character of Conder as a friend, but is also able to appreciate his remarkable talent. The interest and value of this work will be greatly increased by the addition of a complete catalogue of Conder’s lithographs and engravings, compiled by Mr. Campbell Dodgson, M.A., Keeper of the Print-Room of the British Museum. PHILIP DUKE OF WHARTON. By Lewis Melville. Illustrated. Demy 8vo. 21s. net. ? A character more interesting than Philip, Duke of Wharton, does not often fall to the lot of a biographer, yet, by some strange chance, though nearly two hundred years have passed since that wayward genius passed away, the present work is the first that gives a comprehensive account of his life. A man of unusual parts and unusual charm, he at once delighted and disgusted his contemporaries. Unstable as water, he was like Dryden’s Zimri, “Everything by starts and nothing long.” He was poet and pamphleteer, wit, statesman, buffoon, and amorist. The son of one of the most stalwart supporters of the Hanoverian dynasty, he went abroad and joined the Pretender, who created him a duke. He then returned to England, renounced the Stuarts, and was by George I. also promoted to a dukedom—while he was yet a minor. He was the friend of Attenbury and the President of the Hell-Fire Club. At one time he was leading Spanish troops against his countrymen, at another seeking consolation in a monastery. It is said that he was the original of Richardson’s Lovelace. THE LIFE OF MADAME TALLIEN NOTRE DAME DE THERMIDOR (A Queen of Shreds and Patches.) From the last days of the French Revolution, until her death as Princess Chimay in 1885. By L. Gastine. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. ? There is no one in the history of the French Revolution who has been more eagerly canonised than Madame Tallien; yet according to M. Gastine, there is no one in that history who merited canonisation so little. He has therefore set himself the task of dissipating the mass of legend and sentiment that has gathered round the memory of “La Belle Tallien” and of presenting her to our eyes as she really was. The result of his labour is a volume, which combines the scrupulous exactness of conscientious research with the richness and glamour of a romance. In the place of the beautiful heroic but purely imaginary figure of popular tradition, we behold a woman, dowered indeed with incomparable loveliness, but utterly unmoral, devoid alike of heart and soul, who readily and repeatedly prostituted her personal charms for the advancement of her selfish and ignoble aims. Though Madame Tallien is the central figure of the book, the reader is introduced to many other personages who played famous or infamous roles in the contemporary social or political arena, and the volume, which is enriched by a number of interesting portraits, throws a new and valuable light on this stormy and perennially fascinating period of French history. MINIATURES: A Series of Reproductions in Photogravure of Ninety-Six Miniatures of Distinguished Personages, including Queen Alexandra, the Queen of Norway, the Princess Royal, and the Princess Victoria. Painted by Charles Turrell. (Folio.) The Edition is limited to One Hundred Copies for sale in England and America, and Twenty-Five Copies for Presentation, Review, and the Museums. Each will be Numbered and Signed by the Artist. 15 guineas net. RECOLLECTIONS OF GUY DE MAUPASSANT. By his Valet FranÇois. Translated from the French by Maurice Reynold. Demy 8vo. 12s. 6d. net. THE WIFE OF GENERAL BONAPARTE. By Joseph Turquan. Author of “The Love Affairs of Napoleon,” etc. Translated from the French by Miss Violette Montagu. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. ? Although much has been written concerning the Empress Josephine, we know comparatively little about the veuve Beauharnais and the citoyenne Bonaparte, whose inconsiderate conduct during her husband’s absence caused him so much anguish. We are so accustomed to consider Josephine as the innocent victim of a cold and calculating tyrant who allowed nothing, neither human lives nor natural affections, to stand in the way of his all-conquering will, that this volume will come to us rather as a surprise. Modern historians are over-fond of blaming Napoleon for having divorced the companion of his early years; but after having read the above work, the reader will be constrained to admire General Bonaparte’s forbearance and will wonder how he ever came to allow her to play the Queen at the Tuileries. THE JOURNAL OF A SPORTING NOMAD. By J. T. STUDLEY. With a Portrait and 32 other Illustrations, principally from Photographs by the Author. Demy 8vo. 12s. 6d. net. ? “Not for a long time have we read such straightforward, entertaining accounts of wild sport and adventure.”—Manchester Guardian. ? “His adventures have the whole world for their theatre. There is a great deal of curious information and vivid narrative that will appeal to everybody.”—Standard. SOPHIE DAWES, QUEEN OF CHANTILLY. By Violette M. Montagu. Author of “The Scottish College in Paris,” etc. With a Photogravure Frontispiece and 16 other Illustrations and Three Plans. Demy 8vo. 12s. 6d. net. ? Among the many queens of France, queens by right of marriage with the reigning sovereign, queens of beauty or of intrigue, the name of Sophie Dawes, the daughter of humble fisherfolk in the Isle of Wight, better known as “the notorious Mme. de Feucheres,” “The Queen of Chantilly” and “The Montespan de Saint Leu” in the land which she chose as a suitable sphere in which to exercise her talents for money-making and for getting on in the world, stand forth as a proof of what a woman’s will can accomplish when that will is accompanied with an uncommon share of intelligence. MARGARET OF FRANCE DUCHESS OF SAVOY. 1523-1574. A Biography with Photogravure Frontispiece and 16 other Illustrations and Facsimile Reproductions of Hitherto Unpublished Letters. Demy 8vo. 12s. 6d. net. ? A time when the Italians are celebrating the Jubilee of the Italian Kingdom is perhaps no unfitting moment in which to glance back over the annals of that royal House of Savoy which has rendered Italian unity possible. Margaret of France may without exaggeration be counted among the builders of modern Italy. She married Emanuel Philibert, the founder of Savoyard greatness; and from the day of her marriage until the day of her death she laboured to advance the interests of her adopted land. MADAME DE BRINVILLIERS AND HER TIMES. 1630-1676. By Hugh Stokes. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. ? The name of Marie Marguerite d’Aubray, Marquise de Brinvilliers, is famous in the annals of crime, but the true history of her career is little known. A woman of birth and rank, she was also a remorseless poisoner, and her trial was one of the most sensational episodes of the early reign of Louis XIV. The author was attracted to this curious subject by Charles le Brun’s realistic sketch of the unhappy Marquise as she appeared on her way to execution. This chef d’oeuvre of misery and agony forms the frontispiece to the volume, and strikes a fitting keynote to an absorbing story of human passion and wrong-doing. THE VICISSITUDES OF A LADY-IN WAITING. 1735-1821. By Eugene Welvert. Translated from the French by Lilian O’Neill. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. ? The Duchesse de Narbonne-Lara was Lady-in-Waiting to Madame Adelaide, the eldest daughter of Louis XV. Around the stately figure of this Princess are gathered the most remarkable characters of the days of the Old Regime, the Revolution and the first Empire. The great charm of the work is that it takes us over so much and varied ground. Here, in the gay crowd of ladies and courtiers, in the rustle of flowery silken paniers, in the clatter of high-heeled shoes, move the figures of Louis XV., Louis XVI., Du Barri and Marie-Antoinette. We catch picturesque glimpses of the great wits, diplomatists and soldiers of the time, until, finally we encounter Napoleon Bonaparte. ANNALS OF A YORKSHIRE HOUSE. From the Papers of a Macaroni and his kindred. By A. M. W. Stirling, author of “Coke of Norfolk and his Friends.” With 33 Illustrations, including 3 in Colour and 3 in Photogravure. Demy 8vo. 2 vols. 32s. net. WILLIAM HARRISON AINSWORTH AND HIS FRIENDS. By S. M. Ellis. With upwards of 50 Illustrations, 4 in Photogravure. 2 vols. Demy 8vo. 32s. net. NAPOLEON AND KING MURAT. 1805-1815: A Biography compiled from hitherto Unknown and Unpublished Documents. By Albert Espitalier. Translated from the French by J. Lewis May. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. LADY CHARLOTTE SCHREIBER’S JOURNALS Confidences of a Collector of Ceramics and Antiques throughout Britain, France, Germany, Italy, Spain, Holland, Belgium, Switzerland, and Turkey. From the year 1869 to 1885. Edited by Montague Guest, with Annotations by Egan Mew. With upwards of 100 Illustrations, including 8 in colour and 2 in Photogravure. Royal 8vo. 2 volumes. 42s. net. CHARLES DE BOURBON, CONSTABLE OF FRANCE: “The Great Condottiere.” By Christopher Hare. With a Photogravure Frontispiece and 16 other Illustrations. Demy 8vo. 12s. 6d. net. THE NELSONS OF BURNHAM THORPE: A Record of a Norfolk Family compiled from Unpublished Letters and Note Books, 1787-1843. Edited by M. Eyre Matcham. With a Photogravure Frontispiece and 16 other illustrations. Demy 8vo. 16s. net. ? This interesting contribution to Nelson literature is drawn from the journals and correspondence of the Rev. Edmund Nelson, Rector of Burnham Thorpe and his youngest daughter, the father and sister of Lord Nelson. The Rector was evidently a man of broad views and sympathies, for we find him maintaining friendly relations with his son and daughter-in-law after their separation. What is even more strange, he felt perfectly at liberty to go direct from the house of Mrs. Horatio Nelson in Norfolk to that of Sir William and Lady Hamilton in London, where his son was staying. This book shows how completely and without any reserve the family received Lady Hamilton. MARIA EDGEWORTH AND HER CIRCLE IN THE DAYS OF BONAPARTE AND BOURBON. By Constance Hill. Author of “Jane Austen: Her Homes and Her Friends,” “Juniper Hall,” “The House in St. Martin’s Street,” etc. With numerous Illustrations by Ellen G. Hill and Reproductions of Contemporary Portraits, etc. Demy 8vo. 21s. net. CESAR FRANCK: A Study. Translated from the French of Vincent d’Indy, with an Introduction by Rosa Newmarch. Demy 8vo. 7s. 6d. net. FOOTNOTES: “Mr. Leech made a speech; Learned, terse, and strong. Mr. Hart on the other part, Was glib and neat, but wrong. Mr. Parker made that darker, Which was dark enough without. Mr. Cook cited a book, The Chancellor said, ‘I doubt.’”
|