He wished now that he had asked John Marsh and Patrick Galway to read the story and tell him what they thought of it. They were honest men, and would criticise his work frankly. At that moment, he had an insatiable longing to know the truth, mingled with a strange fear of knowing it. What he wished to know was whether or not he had the potentialities of a great author in him. He knew that his story was not commonplace stuff, but he was afraid that it might only be middling writing, and he did not wish to be a middling writer. If he could not be a great writer, he did not wish to be a writer at all. There were thousands and thousands of novels in the world which did no more for men than enable them to put their minds to sleep. Henry did not wish to add a book to their number. There were other books, fewer in number than those, which showed that their authors had some feeling for life, but not enough, and these authors went on, year after year, producing one or more novels, each of which "showed promise," but never showed achievement. The life these men pursued always eluded them. It was impossible for Henry to join the crowd of people who produced books which perished with the generation that they pleased. That much he knew. But he was eager that he should not fall into the ranks of the semi-great, the half-clever; and his fear was that his place was in their midst.

While he was ruminating in this manner, he remembered that Gilbert Farlow had written to him a few days before he left Dublin, and he ceased to think of his career as a writer and began to search his pockets for Gilbert's letter.

"I'll show the manuscript to Gilbert," he said to himself. "Old Gilbert loves telling people the truth!"

He found the letter and began to read it. "Quinny," it began, for Gilbert had abandoned "dears" because, he said, he sometimes had to write to people who were detestable:

"Quinny: How soon can you get quit of that barrack in Dublin where your misguided father thinks you are being taught to be Irish? Cast your eyes on the address at the head of this notepaper. It is a noble house that Roger and I have discovered. Ninian has seen it and he approves of it. I said I'd break his blighted neck for him if he disapproved of it, which may have had something to do with his decision, though not much, for Ninian has become a very muscular young fellow and I shouldn't have liked the job of breaking his neck very much. Roger and I have been here for a week now, and Ninian joins us at the end of the month. He's down at Boveyhayne at present, catching lobsters and sniffing the air, all of which he says is very good for him and would be better for me. And you. And Roger. There is a tablet on the front wall of the house, fixed by the London County Council, which says that Lord Thingamabob used to live here sometime in the eighteenth century. The landlord tried to raise the rent on that account, but we said we were Socialists and would expect the rent to be decreased because of the injury to our principles caused by residence in a house that had been inhabited by a member of the cursed, bloated and effete aristocracy. He begged our pardon and said that in the circumstances, he wouldn't charge anything extra, but he had us in the end, the mouldy worm, for he said that it was the custom to make Socialists pay a quarter's rent in advance. The result was that Roger had to stump up ... I couldn't for I was broke ... which made dear little Roger awfully unpleasant to live with for a whole day. I offered to go back and tell the man that we weren't Socialists at all, but Improved Tories, but he said I'd done enough harm. It's a pity that old Roger hasn't got a better sense of humour.

We have chosen two rooms for you, one to work in, and the other to sleep in. We're each to have two rooms, so that we can go and be morose in comfort if we want to; but I daresay in the evenings we'll want to be together. I've thought out a scheme of decoration for your room—all pink rosebuds and stuff like that. Roger asked me not to be an ass when I told him of it. His notion is a nice quiet distemper. Perhaps you'd better see to the decoration yourself although I must say I always thought your taste was perfectly damnable.

By-the-way, there's a ghost in this house. It's supposed to be the ghost of Lord Thingamabob, and I believe it is. I saw it myself three nights ago, and it was as drunk as a fiddler. My God, Quinny, it's a terrible thing to see an intoxicated spook. Roger wouldn't believe me when I told him about it afterwards. He said I was drunk myself and that he heard me tumbling up the stairs to bed. Which is a lie. I did see it, and it was drunk. I heard it hiccough! I wouldn't say it was drunk if it wasn't. De mortuis nil nisi bonum, Quinny, and it would be a very dirty trick to slander a poor bogey that can't defend itself. It looked very like its descendant, Lord Middleweight, and it had the same soppy grin that he has when he thinks he's said something clever. Damned ass, that chap!

Alexander sent my comedy back. He sent a note along with it and told me what a clever lad I am and more or less hinted that when I've grown up, I can send him another play. I suppose he thinks I'm a kid in knickerbockers. The result of this business is that I'm going to try and get a job as a dramatic critic. If I do, God help the next play he produces. I'm a hurt man, and I shall let the world know about it. I'm half-way through another piece which will take some place by storm, I hope. It's a very bright play, much better than the muck Oscar Wilde wrote, not so melodramatic, and tons better than anything Bernard Shaw has written. It's all about me.

We've got an old woman called Clutters to housekeep for us. I chose her on account of her name, and it is a piece of good luck that she cooks extraordinarily well. There is also a maid, but we don't know her name, so we call her Magnolia. I'm really writing all this rot to get myself into the "twitter-twitter" mood. One of the characters in my new comedy talks like a character in a book by E. F. Benson, and I have to work myself up into a state of babbling fatuity before I can write her lines for her.

Come to London as soon as you can.

Gilbert."