He could hear the newspaper boys crying out the news of the disaster as he was driven swiftly to Cecily's house. The sinking of the great ship had stunned men's minds and humiliated their pride. This beautiful vessel, skilfully built, the greatest ship afloat, had seemed imperishable, the most powerful weapon that man had yet forged to subdue the sea, and in a little while, recoiling from the hidden iceberg, she had foundered, broken as easily as a child's toy, carrying all her vanity and strength to the bottom.... "It isn't true," he kept on saying to himself as if he were trying to contradict the cries of the newsvendors. "She's a Belfast boat and Belfast boats don't go down...." He felt it oddly, this loss. The drowning of many men and women and children affected him merely as a vague, impersonal thing. "Yes, it's dreadful," he would say when he thought of it, but he was not moved by it. When he remembered Tom Arthurs he was stirred, but less than Ninian had been. He could see him now, just as he had stood in the shipyard that day when John Marsh and Henry had been with him, and he had watched the workmen pouring through the gates. "Those are my pals!" he had said.... Poor Tom Arthurs! Destroyed with the thing that he had conceived and his "pals" had built! But perhaps that was as he would have wished. It would have hurt Tom Arthurs to have lived on after the Gigantic had gone down.... It was not the drowning of a crowd of people or the drowning of Tom Arthurs that most affected "By God," he said to himself, "this'll break their hearts in Belfast!" The cab drew up before the door of Cecily's house, and in a little while he was with her. "Have you heard about the Gigantic?" he said, as he walked across the room to her. "Oh, yes," she answered, "isn't it dreadful? Come and sit down here!" He had not greeted her otherwise than by his question about the Gigantic, and she frowned a little as she made room for him beside her on the sofa. "That great boat!..." he began, but she interrupted him. "I suppose you're still cross," she said. "Cross?" "Yes. You haven't even shaken hands with me!" He remembered now. "Oh!" he said in confusion, but could say no more. "Are you really going to Ireland?" she asked, putting her hand on his arm. "Yes," he answered, feeling his resolution weakening just because she had touched him. "But why?" "You know why!" he said. Her hand dropped from his arm. "I don't know why," she exclaimed pettishly, and he saw and disliked the way her lips turned downwards as she said it. "I can't bear it, Cecily," he exclaimed. "I must have you to myself or ... or not have you at all!" "Perfectly absurd!" she murmured. "It isn't absurd. How can you expect me to feel happy "I can't see what difference it makes," she said. "Jimphy and I don't interfere with each other. It's ridiculous to make all this fuss. I don't see any necessity to go about telling everybody!..." "I didn't propose that," he interrupted. "Yes, you did, Paddy, dear! You asked me to run away with you, and what's that but telling everybody?" He felt angry with her for what seemed to him to be flippancy. "I'm in earnest, Cecily!" he said. "I'm not joking!" "I'm in earnest, too. I don't want to run away with you ... not because I don't love you ... I do love you, Paddy, very much ... but it's so absurd to run away and make a ... a mountain out of a molehill. We should be awfully miserable if we were to elope. We'd have to go to some horrid place where we shouldn't know anybody and there'd be nothing to do. Really, it's much pleasanter to go on as we are now, Paddy. You can come here and take me to lunch sometimes and go to the theatre with me when Jimphy wants to go to a music-hall, and ... and so on!" He could not rid himself of the notion that she was "chattering" in the Lensley style. "It would be decenter to go away together," he said. She moved away from him angrily. "You're a prig, Paddy!" she exclaimed. "You can go to Ireland. I don't care!" He got up as if to go, but did not move away. He stood beside her irresolutely, wishing to go and wishing to stay, and then he bent over her and touched her. "Cecily," he said, "come with me!" "No!" she answered, keeping her back to him. "Very well," he said, and he walked across the room "Aren't you going to stay to lunch?" she said. "You told me to go!..." "Yes, but I didn't mean immediately. I shall be all alone." He went back to her very quickly, and sat down beside her and folded her in his arms. "I loathe you," he cried, with his lips pressed against her cheek. "I loathe you because you're so selfish and brutal. You don't really care for me...." "Oh, I do, Paddy I ..." "No, you don't. You were making love to Ninian last night!..." "So that's it, is it?..." "No, it isn't. Ninian doesn't care about you or about any woman. He's not like me, a soft, sloppy fool. You don't love me. If I were to leave you now, you'd find some one to take my place quite easily. Lensley or Boltt!..." "They're too middle-aged, Paddy!" He pushed her away from him. "Damn it, can't you be serious!" he shouted at her. "You're very rude," she replied. "I'd like to beat you! I'd like to hurt you!..." She smiled at him and then she put her arms about his neck and drew him towards her. "You don't loathe me, Paddy," she said softly, soothing him with her voice, "you love me, don't you?" "Will you come away with me? Now?" "No!" She kissed him and got up. "Let's go to lunch," she said. He felt that he ought to leave her then, but he followed her meekly enough. "I don't think I'll stay to lunch," he said weakly. "Yes, you will!" she replied. "You can take me to a picture gallery afterwards!..." |