CRIMINAL ANTHROPOLOGY (PSYCHICAL). § 1. Moral Insensibility.The moral insensibility of the instinctive and habitual criminal, his lack of forethought, his absence of remorse, his cheerfulness, had been noted long before they were exhaustively studied by Despine. In the argot of French criminals, conscience is la muette, and to induce any one to lead a dishonest life is l’affranchir. This moral insensibility is, indeed, a commonplace of observation with all who have come in close contact with criminals. Gall remarked: “If criminals have remorse, it is that they have not committed more crimes, or that they have let themselves be caught.” Dostoieffsky, speaking from his intimate and sympathetic acquaintance with convicts in Siberia, said: “During so many years I ought to have been able to seize some indication, however fugitive, of regret, of moral suffering. I have perceived positively nothing. Seclusion and excessive work only develop among those people a profound hatred, the thirst of forbidden pleasures, and a terrible indifference.” He goes on to tell of a parricide who remarked carelessly, in the course of conversation: “Take my father, for example; he was never ill up to the day of his death.” “Scenes of heartrending despair are hardly ever witnessed among prisoners,” observes Dr. Wey of Elmira; “their On the whole we may conclude that the practice of the instinctive and habitual criminal corresponds Despine, in his Psychologie Naturelle (1868), studied this question on the largest scale in order to obtain exact results. “I addressed myself for this purpose,” he tells us, “to the collection of the Gazette des Tribunaux, going back to 1825, and I soon acquired certainty that this psychical peculiarity is an invariable rule among these criminals.... I acquired the certainty that those who premeditate and commit crime in cold blood never experience moral remorse. I found also that those who manifest acute sorrow and real remorse after a criminal act, have committed that act either under the influence of a violent passion which has momentarily stifled the moral sense, or by accident, without intention.” He concludes that the two great psychical conditions for crime are moral insensibility and perversity, with two accessory moral anomalies, imprudence and lack of foresight. “You premeditated your crime?” said the judge. “Yes, for eighteen months.” “But that is monstrous.” “I know; I ought to have done it in April, but having no money, I arranged it for January.” A murderer, after receiving sentence, was led out in the midst of a crowd who hurled imprecations at him. He saw a comrade and shouted to him, almost laughing—“Hallo! I’ve just been condemned to death.” An Albanian, after having killed a traveller to rob him, lamented that the expense of the shot amounted to Wainewright unblushingly avowed his atrocities. How could he kill such an innocent and trustful creature as Helen Abercrombie, he was asked once. After a moment’s reflection he replied, “Upon my soul I don’t know, unless it was because she had such thick legs.” It would be easy to give many similar stories exhibiting the moral insensibility of the instinctive criminal, frequently manifested in brutal bravado. They are, however, easily accessible and of sufficient notoriety. It is enough to give one more. A corporal at Paris killed an old woman, the landlady of an inn, in order to rob her. He was condemned to death without any hope that his penalty would be commuted. He knew this, but was not disturbed, and was proud of his calmness and sangfroid; he talked to his warders on the most various subjects, without reference, however, to his crime; read books from the prison library, and finally devoted himself to what he called the literary labours of his last hours. He had a taste for verse, and wrote a drama concerning his crime. “Death!” he often said to those around him; “I cannot fear it either as a soldier or as a philosopher. Yet it is overtaking me in my youth and strength. It is a terrible thing, but I am prepared, and I shall go to my execution An executioner told Lombroso that all the highwaymen and murderers went to their deaths joking. It would, however, be a mistake to trace moral insensibility in the tranquil avocations and bon-mots of men who, whatever their crimes, are about to pay the extreme forfeit for them. One criminal occupied his last hours with arranging his unpublished literary works; another gave lessons in hygiene to the warders; a third remarked to those who sought to hurry him to the place of execution, “Do not be disturbed; they will not begin without me.” Such stories have, however, been recorded of the most eminent political offenders in all countries. PLATE IX. Dr. Corre, in his interesting work, Les Criminels, has investigated the historic and judicial documents relative to the last moments of 88 criminals condemned to death, of whom 64 were men and 24 women. Of the men 25 died in a cowardly manner, already half-dead with fear, or else after a despairing struggle with the executioner. These were more than two-fifths of the whole number, and included many of the chief criminal celebrities, some of them educated men, doctors and priests. Four accepted their fate in a state of extreme nervous excitement, accompanied by loquacity. Twelve maintained to Out of more than 400 murderers Bruce Thomson had known, only three expressed remorse. Of the 4000 criminals who have passed through Elmira, 36.2 per cent. showed on admission positively no susceptibility to moral impressions; only 23.4 per cent. were “ordinarily susceptible.” Dr. Salsotto, in his recent The moral insensibility of the instinctive criminal is the cause of his cruelty, a cruelty which he frequently displays from his childhood. Rossi found in ten of his 100 criminals an exaggerated and precocious cruelty; one of them, as a child, used to take young birds, pull out their feathers, and roast them alive; another revenged himself on birds for the punishments imposed on him by his parents. A certain amount of cruelty is, however, almost normal in healthy children. The instinctive criminal is more distinctively marked by his continuance of the same practices throughout life. At Buenos Ayres a man In India no motive for murder seems too unnatural or too far-fetched to be occasionally true. “A village schoolmaster in Aligarh (1881) killed one of his pupils; and a stepfather in the same district threw his two stepsons into the Ganges because he was tired of them. A man in Jhansi (1885) killed his daughter because his neighbour had slandered her, in order that the girl’s blood might be upon the neighbour’s head. A master murdered his servant (1881) and threw the body before his enemy’s door, solely in order to bring a false charge against the latter. A similar case occurred in Azamgarh five years later: a boy was murdered by his grandfather and uncle; they threw the body into a sugar-cane field, and then charged the owner with the crime. A still stranger story comes from the Mutha District: Randbir, a Jat, who had once been a thriving man Such moral insensibility is, no doubt, intimately related to the physical insensibility already noted, and is of an equally morbid or atypical character. It passes far beyond that of the savage with which the moral insensibility involved in deliberately killing or injuring a fellow-creature may fairly be compared. “How you snore!” said one person to another. “Do it again, and I kill you.” An hour afterwards he killed him. Lord Gifford mentions an Australian woman of the Muliana tribe who admitted having killed and eaten two of her own children, who annoyed her by crying. (The Australian aborigines are, however, usually very tender to their children.) A Maori chief said to Mr. Tregear—“If I go out for a morning walk with my spear, and I see a man, and I push my spear through him, that isn’t murder—that is ‘killing.’ But if I invite him to my home, give him food, tell him to sleep, and then kill him, that is ‘murder.’”[59] Such a clear-cut distinction as this testifies to a considerable degree of moral insensibility. It must be noted, § 2. Intelligence.The two most characteristic features in the intelligence of the average criminal are at first sight inconsistent. On the one hand he is stupid, inexact, lacking in forethought, astoundingly imprudent. On the other hand he is cunning, hypocritical, delighting in falsehood, even for its own sake, abounding in ruses. These characteristics are fully illustrated in the numerous anecdotal books which have been written concerning crime and criminals. Several attempts have been made to attain accurate figures as to the relative intelligence of criminals, but there must be a considerable element of guess-work in such calculations. Dr. Marro, a reliable observer, detected a notable defect of intelligence in 21 cases out of 500. He found that incendiaries and then murderers yielded the largest proportion of individuals with defective intelligence; then came vagabonds, sexual offenders, those convicted of assault, highwaymen, and those convicted of simple theft. The fraudulent class, as well as pickpockets and burglars, showed no instances of defective intelligence. That is to say that criminals against the person show a much lower level of intelligence than criminals against property. The stupidity and the cunning of the criminal are in reality closely related, and they approximate him to savages and to the lower animals. Like the At the same time men of undoubted intellectual power are sometimes found among criminals. Villon, one of the truest, if not one of the greatest of poets, was a criminal, a man perpetually in danger of the gallows; it does not seem to me, however, by any means clear that he was what we should call an instinctive criminal. Vidocq, a clever criminal who became an equally successful police official, and wrote his interesting and instructive Memoirs, may not have been, as Lombroso claims, a man of genius, but he was certainly a man of great ability. Eugene Aram is now generally recognised as a comparative PLATE X. Jonathan Wild is an interesting example of a criminal of great practical ability, a man whose genius for organisation would have made him equal to any position in which he might have been placed. “In the republic of the thieves’ guild”—I quote Mr. Pike’s excellent summary of his career[61]—“Jonathan Wild became as it were a dictator; but like many of the great men of the middle ages, he owed his greatness to double dealing. From small beginnings he became, in London at least, the receiver-in-chief of all stolen goods. He acquired and maintained this position by the persistent application of two simple principles: he did his best to aid the law in convicting all those misdoers who would not recognise his authority, and he did his best to repair the losses of all those who had been plundered and who took him into their confidence. By degrees he set up an office for the recovery of missing property, at which the government must, for a time, have connived. Here the robbed sought an audience of the only man who could promise them restitution; here the robbers congregated like workmen at a workshop, to receive the pay for the work they had done. Wild was, in some respects, more autocratic than many kings, for he had the power of life and death. If he could reward the thief who submitted to him, he could hang the robber who omitted to seek his protection. If he could, for a sufficient fee, discover what had been lost, he could, when his claims were forgotten, make the losers repent their want of worldly wisdom. He was not above his position, and never allowed such a sentiment § 3. Vanity.The vanity of criminals is at once an intellectual and an emotional fact. It witnesses at once to their false estimate of life and of themselves, and to their egotistic delight in admiration. They share this character with a large proportion of artist and literary men, though, as Lombroso remarks, they decidedly excel them in this respect. The vanity of the artist and literary man marks the abnormal element, the tendency in them to degeneration. It reveals in them the weak points of a mental organisation, which at other points is highly developed. Vanity may exist in the well-developed ordinary man, but it is unobtrusive; in its extreme forms it marks the abnormal man, the man of unbalanced mental organisation, artist or criminal. George Borrow, who was so keen a student of men, has some remarks on the vanity of criminals in regard to dress:—“There is not a set of people in the world more vain than robbers in general, more fond of cutting a figure whenever they have an opportunity, and of attracting the eyes of their fellow-creatures by the gallantry of their appearance. The famous Sheppard of olden times delighted in sporting a suit of Genoese velvet, and when he appeared in public generally wore a silver-hilted More significant and even more widely spread is the moral vanity of criminals. “In ordinary society,” said Vidocq, “infamy is dreaded; among a body of prisoners the only shame is not to be infamous; to be an escarpe (assassin) is the highest praise.” This is universally true among every group of murderers or of thieves; the author of a large criminal transaction is regarded by all his fellows as a hero, and he looks down upon the others with contempt; the man who has had the misfortune to be imprisoned for a small or, in the opinion of criminal society, disreputable offence, represents himself as the author of some crime of magnitude. A Russian youth of nineteen killed an entire family. When he heard that all St. Petersburg was talking of him, he said: “Now, my schoolfellows will The excessive vanity of the criminal sometimes The AbbÉ Moreau has described the reception of a great criminal by his fellows at the prison of La Grande Roquette. He is immediately surrounded, though the curiosity remains respectful; “he is a king in the midst of his subjects; envious looks are cast at those privileged individuals who have succeeded in placing themselves near him; they listen eagerly for his slightest word; they do not speak their admiration for fear of interrupting him, and he knows that he dominates and fascinates them.” § 4. Emotional Instability.The criminal everywhere is incapable of prolonged and sustained exertion; an amount of regular work which would utterly exhaust the most vigorous and rebellious would be easily accomplished by an While he is essentially lazy, and exhibits this even in his general neglect of personal cleanliness (though sometimes dressed outwardly as an ordinary man of the world), the criminal is capable of moments of violent activity. He cannot, indeed, live without them; they are the chief events of his spiritual life. Louis Desprez, an unfortunate littÉrateur, imprisoned at Saint-PÉlagie for a literary offence, “summed up the psychology of criminals,” remarks M. Émile Gautier, “in one picturesque formula: They see the world under the aspect of an immense gaol alternating with an immense brothel. And this is true. For them imprisonment is the normal condition. Liberty is their holiday, an occasional transitory holiday, during which they wallow in the far niente and debauch, like sailors who consume in three days the earnings of eighteen months, but a holiday which will have an end, a foreseen and expected end.” The criminal craves for some powerful stimulus, The criminal finds another strong form of excitement in gambling. The love of cards is even more widely spread among criminals than the love of drink. It frequently becomes a passion. Lauvergne tells of a band of criminals who played for two days without intermission. We hear of a French prisoner who gambled away his meagre rations of bread and wine and at last died of starvation; of another who in the excitement of the game forgot his approaching execution. To all forms of sexual excitement, natural and unnatural, criminals of both sexes resort, often from a very early age. The prison, in which the criminal is confined alone, or with persons of the same sex, serves to develop perverted sexual habits to a high degree. Prince Krapotkine, speaking of the moral influence Such practices grow up chiefly as a means of excitement and diversion in vacuous lives. Love, in its highest and strongest forms, seems to be extremely rare. This is true even when love is the cause of the crime. The love, even when strong, remains rather brutal. When a man was asked if he really loved the woman for whose sake he had murdered her husband, he replied: “Oh, if you had seen her naked!” The craving for excitement, for intoxication, for uproar, finds its chief satisfaction in the love of orgy, which is now almost confined, at all events in its extreme forms, to the criminal and his intimate ally, the prostitute. The orgy is the criminal’s most sacred festival; here he attains his highest experiences of In Germany these periodic explosions (known as Zuchthaus-Knall) have been described by DelbrÜck and Krafft-Ebing. In Italy they have been noted by Lombroso, especially in very hot weather and at such times as epileptic attacks are most frequent, and he regards them as fresh proof of a close relationship between the instinctive criminal and the epileptic. In England they appear to be rare in men, but, on the other hand, common in women who have, in prison language, “broken out.” This wild fit of maniacal violence which from time to time seizes on the women confined in prisons, and might almost be regarded as an exaggerated or vicarious form of orgy, has been studied with some care in England. Here as well as abroad it is frequently supposed to be a voluntary insubordination deserving punishment. A lady superintendent thus described the “breaking out” to Mayhew:—“Sometimes they know when the fit is coming on, and will themselves ask to be locked up in the refractory wards. When they’re in these fits they’re terribly violent indeed; they tear up and break everything they can lay their hands on. The younger they are the worse they behave. The most violent age, I think, is from seventeen to two or three and twenty;—indeed they are like fiends at that age very often.” The medical officer told him that “4 per cent. of the whole of the prisoners, or 20 in 600, were subject to such fits of violent passion, and these were almost invariably from fifteen to twenty-five years of age.” “Women,” he added, “seldom injure Miss Mary Carpenter, in her Female Life in Prison, reproduces what she tells us is a characteristic dialogue:— “‘Miss G., I’m going to break out to-night.’ “‘Oh, nonsense; you won’t think of any such folly, I’m sure.’ “‘I’m sure I shall.’ “‘What for?’ “‘Well, I’ve made up my mind, that’s what for. I shall break out to-night—see if I don’t.’ “‘Has any one offended you or said anything?’ “‘N-no. But I must break out. It’s so dull here. I’m sure to break out.’ “‘And then you’ll go to the “dark” [cell].’ “‘I want to go to the “dark.”’ “And the breaking out often occurs as promised; the glass shatters out of the window frames; strips of sheets and blankets are passed through or left in a heap in the cell; the guards are sent for, and there is a scuffling and fighting and scratching and screaming that Pandemonium might equal, nothing else.” Dr. Nicolson has made an interesting observation as to the periods when these “breakings-out” are most liable to occur. “At dates corresponding with the menstrual period there is a greater likelihood of their occurrence. Besides having verified this in several cases myself, I have the testimony of experienced prison matrons to the same effect.” These maniacal outbursts of hysteria may be compared to the somewhat similar effects observed especially at The period of the year seems also to have some influence on the emotional instability. Miss Carpenter remarks that “the prisoners are always the most ill-behaved at Christmas time,” perhaps because this period has, even before the days of Christianity, been associated with excesses. Among the men at Elmira, judging from the charts given by Dr. Wey, there is a tendency to insubordination in the autumn, and also in the spring. In Spanish prisons, it appears from Salillas’s Vida Penal en EspaÑa, quarrels and arrests are much more common in spring and summer than at any other season. Thus, to take one record: March-May, 8; June-Aug., 9; Sept.-Nov., 4; Dec.-Feb., 3. Two suicides both occurred in September. Very interesting is the instinctive and irresistible Precisely the same instinctive and involuntary impulses, unaccompanied by shame, are found among various lower races. Of the natives of British New Guinea, for instance, it has been said, “They are inveterate thieves, but they experience no sense of shame when they are discovered. They frequently say that they can feel an irresistible power which compels them to put out their hand and close it upon some article which they covet, but which does not belong to them.”[66] § 5. Sentiment.It may seem a curious contradiction of what has already been set down concerning the criminal’s moral insensibility, his cruelty, and his incapacity to experience remorse, when it is added that he is frequently open to sentiment. It is, however, true. Whatever refinement or tenderness of feeling criminals attain to reveals itself as what we should call sentiment or sentimentality. Their cynicism allies itself with sentiment in their literary productions. Their unnatural loves are often sentimental, as PLATE XI. All prisoners make pets of birds, or animals, or flowers, if they get the chance. This is simply the result of solitude, and has no connection whatever with criminal psychology. It is found, if anything, more frequently among non-criminal prisoners. No one has described better than Dostoieffsky, in his Recollections of the Dead-House, the part that animals play in the lives of prisoners. He describes at length the goat, the horse, the dogs, the ducks, the eagle. No one who has once read it may forget the history of the eagle. The eagle would not be tamed; solitary and inconsolable he refused all food; at last his mournful despair aroused the sympathy of the convicts; they resolved to liberate him, bore him to the Family affection is by no means rare among criminals. Often indeed, as is well known, it constitutes the motive for the crime. It is very rare to find a prisoner who is not touched by an allusion to his mother. Inspector Byrnes, of New York, says: “Remember that nearly all the great criminals of the country are men who lead double lives. Strange as it may appear, it is the fact that some of the most unscrupulous rascals who ever cracked a safe, or turned out a counterfeit, were at home model husbands and fathers. In a great many cases wives have aided their guilty partners in their villainy, and the children too have taken a hand in it. But in as many all suggestions of the criminal’s calling was left outside the front door. There was George Engles, the forger. His family lived quietly and respectably, mingled with the best of people, and were liked by all they met. George Leonidas Leslie, alias Howard, who was found dead near Yonkers, probably made away with by his pals, was a fine-looking man, with cultured tastes and refined manners. Billy Porter and Johnny Irving were not so spruce, but they would pass for artisans; and Irving is said, in all his villainy, to have well provided for his old mother and his sisters. Johnny the Greek paid for his little girls’ tuition at a convent in Canada, and had them brought up as ladies, without even a suspicion of their father’s business reaching them. I know this same thing to be done by some of the hardest cases we have to contend with.” Inspector Byrnes also mentions a celebrated burglar The criminal appreciates sympathy. Dostoieffsky tells how immediately the convicts responded to a governor who was affable and good-natured, and treated the prisoners as equals: “They did not love him, they adored him.... I do not remember that they ever permitted themselves to be disrespectful or familiar. On the contrary. When he met the governor the convict’s face suddenly lighted up; he smiled largely, cap in hand, even to see him approach.” Prince Krapotkine quotes and confirms the observations of Dr. Campbell, an experienced prison surgeon. By mild treatment, says Dr. Campbell, “with as much consideration as if they had been delicate ladies, the greatest order was generally maintained in the hospital.” He was struck with that “estimable trait in the character of prisoners—observable even among the roughest criminals; I mean the great attention they bestow on the sick. The most hardened criminals,” he adds, “are not exempt from this feeling.” Such sentiment as this—limited, imperfect, fantastic, as it may sometimes seem—is the pleasantest spot in criminal psychology. It is also the most hopeful. In the development of this tenderness lies a point of departure for the moralisation of the criminal. What a ruined fund of fine feeling, for instance, was concealed in the young thief, recorded by Lombroso, who committed suicide by hanging, having first set his shoes on the bed between two straw crosses, as though to § 6. Religion.In all countries religion, or superstition, is closely related with crime. The Sansya dacoits, in the Highlands of Central India, would spill a little liquor on the ground before starting on an expedition, in order to propitiate Devi. “If any one sneezed, or any other very bad omen was observed, the start was postponed. If they heard a jackal, or the bray of the village donkey, their hearts were cheered; but a funeral or a snake turned them back. They were also very superstitious about their oil. The vessel was not allowed to touch the ground until the oil had been poured upon the torch, and then it was dashed on the earth; and from that moment until the job was finished no water touched their lips.”[67] Among 200 Italian murderers Ferri did not find one who was irreligious. “A Russian peasant,” remarks Mr. Kennan, “may be a highway robber or a murderer, but he continues nevertheless to cross himself and say his prayers.” Dostoieffsky also notes the religious ardour with which the convicts gave candles and gifts to the church. All those who live by unlawful methods, said Casanova, confide in the help of God. Naples is the most criminal city in Europe for crimes against the person; the number of murderers there is about 16 in 100,000, while in Italy generally it is 8.12; and in Ireland (the least criminal land in Europe) it is about 5. Naples is also the most religious city in Europe. “No other Among women, the governor of Saint Lazare remarked to M. Joly, it is especially the criminals by passion who are superstitious, thieves very slightly so; they are practical women. It must not be supposed that there is insincerity or hypocrisy in the religion of criminals. For the man of low culture the divine powers lend themselves easily to the succour of the individual, and it is always as well to propitiate them. German murderers believe they can do this crudely, according to Casper, by leaving their excrement at the spot of the crime. A rather higher grade of intelligence will It is clear how easily religious beliefs and religious observances, especially in Catholic countries, lend themselves to the practices of the ignorant criminal, and it very rarely happens that the criminal condemned to death fails to avail himself of the ministrations of the chaplain (only once in more than thirty years at La Roquette), and frequently to respond to them with gratifying eagerness. In religion his primitive emotional nature, with its instability and love of sentiment, easily finds what it needs. A French chaplain of experience and intelligence told M. Joly that he had “more satisfaction” with his prisoners than with people of the world. The Rev. E. Payson Hammond, who has conducted many missions to When the criminal is not superstitiously devout, he is usually stupidly or brutally indifferent. Maxime du Camp, during a visit to the prison of Mazas, at service time on Sunday, had the curiosity to look into thirty-three cellules, to observe the effect of the ceremony: three were reading the mass; one stood up, with covered head, looking at the altar; one was on his knees; one displayed a prayer-book, but was reading a pamphlet; one wept with head buried in his arms; twenty-six sat at their tables, working or reading. It seems extremely rare to find intelligently irreligious men in prison. The sublime criminals whom we meet with in Elizabethan dramas, arguing haughtily concerning Divine things and performing unheard-of atrocities, are not found in our prisons. Free-thinkers are rarely found. A trifle will induce the prisoner to inscribe himself as Protestant, instead of Catholic, or vice versÂ, or to change from one side to the other; but out of 28,351 admissions to three large metropolitan prisons, remarks the Rev. J. W. Horsley, only fifty-seven described themselves as atheists, and this number, he adds, must be PLATE XII. § 7. Thieves’ Slang.Every profession, every isolated group of persons, almost every family possesses a more or less extended set of words and phrases which are unintelligible to strangers. This dialect is termed in English slang, in French argot, in Italian gergo. The most highly developed and the most widely extended slang of this kind is that used by habitual criminals. Every country has its own thieves’ slang, but within the bounds of that country the slang is generally intelligible; the Lombard thief, Lombroso remarks, can understand the Calabrian; Parisian argot is intelligible at Marseilles. The use of criminals’ slang marks the recidivist. “When a man talks argot,” said the AbbÉ Crozes, “he is registered in the army of evil-doers.” “I was jogging down a blooming slum in the Chapel, when I butted a reeler, who was sporting a red slang. I broke off his jerry, and boned the clock, which was a red one, but I was spotted by a copper, who claimed me. I was lugged before the Mr. Horsley has an interesting passage on English thieves’ slang, which I will transcribe at length:—“Of multifold origin, it is yet mainly derived from Romany or gipsy talk, and thereby contains a large Eastern element, in which old Sanskrit roots may readily be traced. Many of these words would be unintelligible to ordinary folk, but some have passed into common speech. For instance, the words bamboozle, pal (companion, a friend), mull (to make a mull or mess of a thing), bosh (from the Persian), are pure gipsy words, but have found some lodging, if not a home, in our vernacular. Then there are survivals (not always of the fittest) from the tongue of our Teutonic ancestors, so that Dr. Latham, the philologist, says—‘The thieves of London’ (and he might still more have said the professional tramps) ‘are the conservators of Anglo-Saxonisms. Next there are the cosmopolitan absorptions from many a tongue. From the French bouilli The chief interest of the slang of habitual criminals is psychological. It furnishes us with a curious insight into the mental processes of those who invent and use it; it is itself an embodiment of criminal tendencies; in Victor Hugo’s vigorous phrase, “C’est le verbe devenu forÇat.” It is full of metaphorical expressions, of objects named after their attributes. Nearly everything is degraded, sometimes with coarse and fantastic wit. “While the imagination of the poet gives a soul to animate objects,” remarks M. Joly, “the imagination of the criminal transforms living forms into things, assimilates man to animals.” Thus the skin for them is leather, the face un mufle, the mouth un bec, the arm un aileron. The body is called the corpse, and to eat is to put something in one’s corpse. The woman who supports a bully is called his saucepan (marmite), a friend un poteau; ne pas Être mÉchant means to be a fool. Everything is thus vulgarised. The criminal instinctively depreciates the precious coinage of language, just as to his imagination money is at Paris “zinc,” and in the Argentine Republic “iron.” The soul in French argot is significantly called la fausse, and the conscience la muette; shame is The criminal slang of France and Italy has been studied in its psychological bearings much more thoroughly than the English, by Mayor, Lombroso, and others. Lombroso considers that the most marked and most curious characteristic of criminal slang is that already noted by which a thing is designated by its most salient qualities from the criminal point of view. Thus the advocate becomes the blanchisseur or imbiancatore (washerman); the juge d’instruction, the curicux or the pÈre sondeur; the sermon, l’ennuyeuse or tediosa; the purse is la santa; the court, la juste. “The guillotine,” remarks M. Joly, “is designated without imprecation, without contempt, without hatred, but with a wealth of expressions and with a resignation, one might almost say a fatalistic humour, which is not reassuring for them—or for others. The executioner himself is called the juge de la paix.” Very strange, remote, and bizarre are some of these slang synonyms, full of coarse ironies and jests. Paradouze = paradis (douze instead of dise); saucisse = moi (by way of moi-s-aussi); crottard = trottoir; blanchir du foie = to intend betrayal (play on foi); perdreau = pederaste (pedro-pÉdero); herbe sainte = absinthe; Être dans l’infanterie = to be pregnant (enfanter); moulin À vent = derriÈre; pape = verre de rhum (Rome); veronique = lanterne (verre); vert-de-gris = absinthe (play on vert and verre, with allusion to its deleterious properties); demoiselle du Pont-neuf (that all may go over) = prostitute; apaier = to assassinate; boire dans la grande tasse = to drown oneself; a knife is a lingre (from Langres, the French Sheffield); the souteneur (a prostitute’s bully) is called by the English word fish, or some similar name (poisson, goujon, baraillon, maquereau); the prostitute is called morue, and Banc de Terre-Neuve is applied to that portion of the Parisian boulevards lying between the Madeleine and the Porte Saint-Denis. Sometimes the slang of criminals, like that of the rest of the world, commemorates an historical fact. To dethrone in France is juilletiser. The sun is le grand Jablo, Jablochoff’s electric lamps having been Words are frequently abbreviated. As examples, Lombroso mentions tra = travail; ces mess = ces Messieurs = the police; chand = marchand; lubre = lugubre; abs = absinthe; avoir ses aff = avoir ses affaires (menstrues); mac = maquereau = souteneur, of a prostitute. Very curious are the large number of foreign words, in more or less corrupted form generally, which are to be found in criminal slang. In the German cant Hebrew words are numerous; German and French in Italian; German and English in French; Italian and Romany in English. “Hebrew, or rather Yiddish,” Lombroso observes, “supplies the half of Dutch slang, and nearly a fourth of German, in which I counted 156 out of 700, and in which all the terms for various crimes (except band-spicler for a cheater at dice) are Jewish.” The presence of archaisms, classical and mediÆval, is also curious. It is more interesting to find a revelation of the things in which the criminal is most intimately interested by noting the wealth and variety of synonyms for certain words. Thus Cougnet and Righini found 17 words for warders or police; 9 for the act of sodomy; 7 for plunder. French cant has 44 synonyms for drunkenness, besides 20 for drinking, and 8 for wine, in all 72; while there are only 19 for water and 36 for money. This slang is largely of ephemeral life, but a considerable proportion is permanent. Its tendency is, PLATE XIII. § 8. Prison Inscriptions.Whenever the average human being is secluded for any considerable length of time from his fellows, he experiences the need of embodying some literary or artistic expression of himself. This instinct seems to be deeper and more wide-spread than that which induces some people to leave their names or other sign manual—the frothiest efflorescence of vain moments—on the places they visit. There is no vanity here, and it is an instinct from which no individual, whatever his degree of culture, is exempt; it is indeed scarcely distinguishable from the instinct which leads to the production of heroic works of art. The expression must vary with the individual. I knew a room, the residence of a long succession of medical students during certain weeks of seclusion involved by hospital duty, of which the walls were covered by inscriptions, humorous or broadly witty, cleverly artistic sketches, happy lines from the classics. Each person’s inscription is after his kind: Mgr. Darboy, the Archbishop of Paris, writes in the form of a cross, “O crux, mentis robur, ave;” Bill Sykes at Clerkenwell writes, “Lads, your only friend here is your brown lofe and pint of thick.” In general, it seems, the lower the order of culture the more complete and trustworthy is the inscription as an expression of individual peculiarities. “The child loves to speak to himself,” as Dr. Corre remarks; “the negro, and especially the negress, think aloud; and if from restraint or distrust the criminal keeps Here are a few terse English examples of exploits, probably the work of old hands, and recorded by Mr. Davitt and Mr. Horsley:— “A burst in the City. Copped while boning the swag. 7 stretch, 1869. Roll on 1876. Cheer up, pals.” “Little Dicky from the New Cut. 10 and a ticket. Put away by a Moll” (i.e., sold by a prostitute). “Fullied for a clock and slang” (i.e., committed for trial for stealing watch and chain). “Poor old Jim, the lob crawler, fell from Racker, and got pinched” (i.e., James and Racker having gone out to commit till robberies, the former was apprehended, and the latter escaped). “For seven long years have I served them, The last writer was at Dartmoor, and introduced Van Diemen’s Land because of the exigencies of rhyme. The delights of food inspire much verse, and dissatisfaction with its quality or quantity a large number of remarks:— “I had for my dinner, ochone! ochone! “Here’s luck to the pint of skilly!” “Lord save me from starvashun!”
“O for a pot of beer!” “Love is a great thing,” writes an Italian philosopher, “but hunger surpasses everything.” “O who can tell the panes I feel, A poet, Crutchy Quinn by name, known to Mr. Davitt, and who was himself acquainted with seven of the prisons he characterises, wrote as follows with a nail on the bottom of a dinner can:— “Millbank for thick shins and graft at the pump; Quinn, in spite of his name, was not an Irishman, but two-thirds of the prison-poets, Mr. Davitt found, are Irish. From the more miscellaneous group of sentimental, religious, moral, didactic, and reflective sayings may be quoted the following:— “The heart may breake, yet may brokenly live on.” Mr. Davitt found a book at Newgate with “Good-bye, “Good-bye, Lucy dear, A poet of a more caustic school had added beneath this— “If Lucy dear is like most gals, Remarks against women are by no means rare, as the following given by Lombroso— “La donna È un essere inutile; io la stima soltanto quando la ch... Napoleone I. empereur.” And another Italian writes— “He is a poor deluded fool who believes in the love and honour of women.” But the women reciprocate this sentiment, and in an Italian illustrated magazine a woman writes— “In this stormy sea which is called the world I have only found fleeting pleasures and cruel disillusions. And if I felt any happiness I had to pay for it with bitter tears. Never believe in the love of men: for them love is a pastime. When you have sacrificed for them honour, family, religion, interest, youth, they will turn their shoulders to you with contempt, in search of other loves. That is the kind of thing that man is.” But the same woman writes passionately to her accomplice in murder, robbery, and adultery— “Questo foglio dal cuor ti mando, Another woman’s inscription is a pathetic recollection of an old ballad— “I wish to God my baby was born, Beneath a design of a funeral monument a thief wrote this inscription (translated from Lombroso)— “Here lies the body of poor Tulac Who, tired of stealing in this world, Goes to steal in another. His happy relatives have erected this memorial.” Very significant of mental vacuity in solitude are some inscriptions given by Mr. Horsley:— “21,000 times have I walked round this cell in a week.” “3330 bricks in this cell.” “131 black tiles, 150 red tiles in this cell.” Good resolutions and moral exhortations are not uncommon:— “It’s no good crying, you have got to do it, then after you have done it don’t do it any more; I wont.” “Cheer up, girls; it’s no use to fret.” “Brethren in adversity, turn your heart to God and be happy.” “½ pint whisky brought me here—took the pledge for 2 years—renewable for ever.” “The Lord saith, It is good to be here.” “The Almighty for master, the devil for servant. Amen.” “Fear God and scorn the Devil, then you will not be here again.” The Italian inscriptions supply a more dubious exhortation:— “O thieves! our profession is ruined by those rascally judges. But courage! Forward!” This brief account would not be complete if I neglected to give some specimens of the imprecations, crude erotic aspirations, and perverse instincts which occupy some considerable space in Lombroso’s collection. I will leave them untranslated:— “Abbasso il direttore delle carcere e il capo-guardia, che sono due avanzi di galera. A morte le gafe [warders] e tutti le spie, a morte il capo-guardiano delle carcere, a morte l’Arca che sono la rovina di tanti giovani.” “Mia adorata stella, quando potrÔ ch...?” “Pensare che in questo stesso luogo vi sono tante bighe [women] che hanno volontÀ di farsi infilzare e non possono e tanti p... che infilzerebbero un cane altro che una f... e non possono farlo.” “Pare impossible. Che si possa stare tanto tempo senza piantare il membro in una f... od in un culo. Eppure sono giÀ 22 mesi che me lo meno due volte ogni quattro giorno e non sono ancora tisico.” The last I will give was written by a woman in a religious book, and is translated by Lombroso from the Piedmontese dialect— § 9. Criminal Literature and Art.M. Joly has made some interesting investigations (which he has recorded recently in the Archives de l’Anthropologie Criminelle) concerning the favourite reading of French prisoners. He found that such criminals do not read either MoliÈre or Voltaire. Nor do they care for the psychological novel of character and analysis; they have no taste and no capacity for introspection; they prefer the rococo style, and an old romance in five or six volumes called Épreuves du Sentiment is a great favourite at La Grande Roquette. This is what we should expect from that sentimentalism which has already been noted. But among the favourite prison novelists Alexandre Dumas is facile princeps. We must not seek to explain this by finding in Dumas a response to specific criminal instincts. In this matter prisoners are at one with a very large body of non-prisoners, with George Sand, TolstoÏ, and Rossetti at their head. It is the universally human quality in the prolific novelist, the anodyne of his entrancing and unflagging interest, the satisfaction which he offers to the love of adventure, by which Dumas fetters the criminal as well as the man of genius. The female prisoners at Saint Lazare, unlike the male prisoners, are constantly asking for Voltaire’s books, which, however, the sisters are not able to supply. They are very fond of Henri Conscience, the Flemish Walter Scott, a If the favourite reading of those whose criminal career is decided is of so innocent a character, the same cannot always be said of the literature read by the immature. There is ample and unquestionable evidence to show that a low-class literature in which the criminal is glorified, as well as the minute knowledge of criminal arts disseminated by newspapers, have a very distinct influence in the production of young criminals.[72] Tropmann, a notorious French murderer, was influenced by novels. The famous criminal Lacenaire, who glorified himself and was glorified by others, has had an influence in the production of crime down to our own day. After every celebrated or startling crime, some weak-minded and impressionable persons go and commit the like, or give themselves up to the police under the impression that they have been guilty of the crime. It is youths and children who are especially prone to the imitation of criminal events from books or from real life. After the murders associated with the name of Jack the Ripper several murders by young children took place throughout the country. It is not, usually, until he is in prison that the criminal tries to find literary expression for himself. This expression takes chiefly the form of verse, nearly always of a rude character, often affected or boastful, A song, of which this is a translation, was heard in a Russian prison:— “In this spot where infamy has placed for ever her dwelling, two angels pant, having in their hands a cross.... But at night, with measured steps, slowly, slowly, watching the prison, the sentinels turn. Within these walls are sadness and terror. Without are life, gold, and liberty.... But the black echo of that slow, slow step warns me: Thou shalt stay, stay.” This was written and most sweetly sung by a man who had cruelly murdered his wife. The poetic productions of English criminals, however numerous, are of no great interest; they seem to appear at their best in the inscriptions already given. Mr. Davitt has a chapter on “Prison ‘Poets,’” but what he has to say of them is not encouraging, although he tells us that Portsmouth has the reputation of being “a community of imprisoned songsters,” and such a specimen as the following does not produce much desire for more— “’Twas one fine morning I left Wakefield Jail, One could write as well as that without being a convict. Lamb and other good judges thought well of Thomas Wainewright, the forger and poisoner. As a man of letters he enjoyed considerable reputation as In Italy we meet with a genuine, and often traditional body of criminal songs which is of great interest. It is found in chief perfection in Italy and the large neighbouring islands, Sardinia, Corsica, and especially Sicily, where the civilisation is more primitive, and the level of criminality much higher. In the Canti Siculi of the able and enthusiastic folklorist, PitrÉ, there are twenty-seven which he describes as Prison Songs; with others rather similar in the same collection, the total amounts to forty-one (4 per cent. of the whole), mostly declarations of vengeance, laments for lost liberty, imprecations against judges and police. Some are in praise of prison, as the following:— “Carcere, vita mia, cara, felice! There are also fine notes of despair, and sweet recollections of the absent mother or sweetheart. Sardinia, a land of brigandism and assassination, has produced numerous criminal songs of interest. “The Corsican songs collected by Tommaseo,” remarks Lombroso, “might be said to be almost all the creation of brigands. Nearly all breathe vengeance for a slain friend, or hatred against an enemy, and admiration for murder.” A ferocious Corsican brigand, named Peverone, who used to leave his mark behind by covering his victim with capsicums (peperoni), wrote verses which, says Lombroso, “would not be unworthy of Laura’s sweet singer.” As a specimen of French criminal literature I will give a poem by Lebiez, the young murderer spoken of in Chapter I.; it is addressed to a young girl’s skull:— “De quelque belle enfant restes froids et sans vie, When his papers were returned to him by the police, Lebiez wrote on the margin of this: “Poor verses! but, bad as they are, they are a faithful picture of the state of my mind in moments of solitude. In the world I am amiable and gay. I am taken for a wild fellow, who mocks at everything; but if they knew my character thoroughly, if they were aware that when I laugh and joke I have just come out of a solitude of despair and tears! If they knew that there are sobs at the bottom of my heart when smiles cover my lips, they would not say that I mock at everything. My gaiety is only a mask which hides the anguish which has for so long torn my heart.” There are one or two examples of newspapers written and conducted by prisoners. The AbbÉ Crozes, in his Souvenirs de la Petite et de la Grande Roquette, gives us specimens and a facsimile page of one of these, the Tam-Tam, which, however, only lasted a very short time. Here are a couple of fragments from this remarkable journal:— “Un grand tambour-major, pressÉ par la famine, Echos et Bruits. “Nons apprenons avec plaisir À nos lecteurs le projet formÉ par la SociÉtÉ Agricole de France, de se servir des oreilles de Transparent, pour se livrer À des essais sur la culture des champignons. L’abondance et la qualitÉ du fumier que contiennent ces vastes esgourdes, leur grandeur, leur systÈme d’aÉration promettent aux amateurs de cÈpes les rÉsultats les plus satisfaisants.” Very different from the Tam-Tam is the Summary, a newspaper published at the Elmira Reformatory, New York. This newspaper, largely written by prisoners and, at one time at all events, edited by a prisoner, contains, besides original contributions and the news of the Reformatory, a summary of general news; and by its tone and its method of selection, it compares favourably, as it has been said, with many newspapers published outside prison-walls. The following contribution to the Summary is from “a bright young burglar,” about eighteen years old, and is entitled “God and the Robin”; it has an allegorical and personal significance:— “Early in the morning, long before the lazy cock crows, you may hear the robin singing his welcome to the sun. He has been watching through the darkness for the first rays of coming day, and as they appear he pours forth the melody as an expression of his joy. All is quiet till his music rends the air, and as you listen you are inspired with thoughts of Him who made the robin and you. Perhaps the sweet song is a prayer of thanks to God for sheltering him from the dangers of the The following interesting dialogue in the Socratic manner—“An Imaginary Conversation between two Members of the Casuistry Class”—is also by a very young criminal, who was also something of a poet:— “Did you not agree last Sunday with the member of our class who said that life in prison is a state of slavery? No, I did not. In fact, I am astonished at your question. I rather think it is not a state of slavery. That is a very curious belief. It may appear to be; but I think it can be proved to be I should define it to be the involuntary subjection of one person to the will of another. But cannot a person be a slave to passion and to other qualities of mind as well as to persons? Yes. Then your definition is obviously incorrect. I would define slavery as a state in which one’s actions are regulated by some power over which he has no control. Would you agree with me? Well, I think I would. Very well. Having agreed upon a definition of slavery, we will discuss whether life in prison is slavery. Now, let me ask, why are men sent to prison? Usually for violating the law. Well, do you believe that men steal, for instance, voluntarily? Undoubtedly. Your tone is rather confident, so I daresay you can tell me why men steal? In order to get certain articles that will enable them to live more comfortably, or which they desire to have. That is, you mean that they have certain feelings—such as laziness, love of gain, etc.—which they wish to gratify? Well, yes. But if a man had not these feelings he would not steal? I think not. Then these feelings regulate his conduct in stealing? It seems so. But you agreed that he whose conduct is regulated by some power other than his own free will is a slave. Well, I am afraid you have caught me again. But do you admit it? I do. Then he who prevents this man from stealing is emancipating him, not enslaving him? I see you are right. Then one who is in prison for wrong-doing is a free man, not a slave? Yes. But suppose that the man has been sent to prison unjustly; what then? I do. Then do you not think that the truly righteous man, be he in prison or out, is free? Do you not see that a man who does right, even though he lose fortune or life by doing so, is freer than the one who allows his conduct to be regulated by fear, malice, or other passions? Remember that a man may be free in a dungeon and bound down with chains, and that he may be an abject slave and be clothed in purple.” The Summary perhaps does something to encourage priggishness, but priggishness, it need scarcely be said, indicates a far higher moral level than the vacuous brutality which lies behind so large a proportion of prison inscriptions. So far we have been dealing with writers who are first and above all criminals. It is necessary to mention a few artists and men of letters who, while distinctly criminals, are not primarily criminals. Villon is generally named at the head of these, and with good reason, as he has himself supplied the evidence by which he must be counted a criminal. But Villon was a poet, and a great poet; his crimes never degraded his art. It is worth noting that almost the only passage[74] which Lombroso quotes to prove such degradation is, on independent grounds Cellini, as self-revealed in his wonderful autobiography, bears more distinct marks than Villon of instinctive criminality. Crime is, however, rare among great sculptors; on the other hand it has been, as Lombroso points out, very common among painters; numerous are the examples of murder, cruelty, theft, sexual offences, among distinguished painters; alcoholism is also very common. Casanova, a man of various and extraordinary abilities, has in his Memoirs, of which the strict historical accuracy is now generally accepted, produced one of the most valuable and interesting records of the eighteenth century, and at the same time a most complete and complaisant history of his own criminal offences. It is difficult to say whether in him the criminal or the man of genius is most prominent. A living poet of some eminence, M. Paul Verlaine, furnishes an interesting example of the man of genius who is also distinctly a criminal. M. Verlaine is the chief of the so-called “Decadant” school. The precise rank that he will ultimately take as a poet is not yet clear; while on the one hand he has been unduly neglected, on the other he has been unduly extolled. At his best he excels in delicate passages of vague and mystic reverie, in sudden lines of poignant emotion. His style, a curious mixture of simplicity and obscurity, is studded with words borrowed from the criminal’s argot. His latest volume[75] contains poems which well show his curious power of expressing the most delicate nuances of sentiment side by side with “La cour se fleurit de souci I do not know any more interesting document in criminal literature than one poem, LÆti et Errabundi, contained in this volume. Fully to understand the significance of this remarkable poem, it is necessary to state that Verlaine’s imprisonment was due to an attempt on the life of his comrade in sexual perversity, himself also a poet of some note. The latter left Europe, and it is not now known whether he is alive or dead. To him LÆti et Errabundi is addressed. I quote the concluding lines:— “On vous dit mort, vous. Que le Diable Verlaine’s very remarkable head, though large, is the head of a criminal much more than of a man of genius, with its heavy jaw, projecting orbital arches and acrocephalic occiput, with central ridge—the head which the acute Lauvergne called Satanic, and which, in its extreme form, he believed to announce the monstrous alliance of the most eminent faculty of man, genius, with the most pronounced tendencies to crime. M. Verlaine has long been a victim to chronic alcoholism, and the author of the FÊtes Galantes and of some of the most tender lines written in our day is now most often found within the wards of Parisian hospitals. “Je compte parmi les maladroits. A few words may be added concerning criminal art as shown in design. Lombroso reproduces numerous drawings, etc., made in prison. They are generally very rough and slight, never beautiful, but frequently expressive, rendering character, now and then, in face and attitude, with ease and felicity. Dr. Laurent, in his work, Les HabituÉs des Prisons, has treated this matter more completely than any other writer known to me, and has reproduced some very characteristic and instructive examples of this art, although he has not dared to reproduce the more extravagant designs which he describes. What has chiefly impressed him among the large number of drawings by prisoners which have passed through his hands is the absence of any elevated thought, of any noble sentiment. In the erotic designs there is occasionally an imaginative audacity, but love is always regarded as a purely physiological act, and everywhere else the design is pathetically commonplace; it is naturalistic in the lowest sense of the word, adding nothing, suppressing nothing; and these drawings have therefore a remarkable family likeness. If there is any great artist of whom they ever remind us it is Ostade, with his perpetual research of the mean and degraded, physically and morally, in humanity. Dr. Laurent draws special attention to a design which appears to represent These artists also do not succeed in caricature, and rarely attempt it. To be successful here involves some judgment, delicacy, and insight, and these the prison artists do not appear to possess. In the nude, as I have already mentioned, prison artists take great delight, and they even achieve a certain amount of success. There is a certain Hogarthian vigour and ease with which the faces and forms of these coarse, low-browed, animal, energetic women, with their large pendent breasts, are brought before us. The only prison sketch I have seen showing anything more than a crude sense of beauty, any real appeal to the imagination, or distinct science of § 10. Criminal Philosophy.One of the most interesting and instructive departments of criminal literature is that dealing with the criminal’s mental attitude towards crime. In considering the problems of crime, and the way to deal with them, it is of no little importance to have a clear conception of the social justification for crime from the criminal’s point of view. Not only is he free from remorse; he either denies his crime or justifies it as a duty, at all events as a trifle. He has a practical and empirical way of his own of regarding the matter, as Dostoieffsky remarks, and excuses these accidents by his destiny, by fate. “What contributes to justify the criminal in his own eyes is that he is quite certain that the public opinion of the class in which he was To be caught is the foolish part of the business. “You are a lot of fools to get in here, myself included,” is one of the prison inscriptions noted by Mr. Horsley. “Had God wished me to be different, He would have made me different,” said Goethe. In the same spirit is the philosophy of crime set forth by a man known to Lombroso: “If God has given to us the instinct to steal, He has given to others the instinct to imprison us; the world is an amusing theatre!” It is rare, however, for the criminal to take so lofty a standpoint as this; more usually he bases the justification for his own existence on the vices of respectable society—“the ignorance and cupidity of the public,” as one prisoner expressed it—that he is shrewd enough to perceive; “it is a game of rogue catch rogue,” a convict told Mr. Davitt. A youthful French brigand in the days of Charles IX., as he impassively ascended the scaffold, declared that he was innocent, because he had never robbed poor people but only princes and lords, the greatest robbers in the world. “We are poor rogues, and so hanged, while others, no less guilty in another way, escape,” pleaded Captain Bartholomew Roberts’s fifty-two An Italian criminal wrote in a book of “Moral Maxims” by Tommaseo: “When you have read this book become a priest or a master; if not it will be of no use to you. There are fine maxims in this book, but maxims are no good in this world, where the god of gold reigns alone. He who has money is brave and virtuous; all the maxims of Tommaseo are of no use to him who has none; he will still be treated with contempt.” A Milanese thief said to Lombroso: “I do not rob; I merely take from the rich their superfluities; and, besides, do not advocates and merchants rob? Why accuse me rather than them?” “Knowing,” wrote the murderer Raynal, “that three-fourths of the social virtues are cowardly vices, I thought that an open assault on a rich man would be less ignoble than the cautious combinations of fraud.” J. G. Wainewright, when in prison, said to a visitor: “Sir, you city men enter upon your speculations and take the chances of them. Some of your speculations succeed, and some fail. Mine happen to have failed.” An Italian thief, one Rosati, said: “I am proud of my deeds; I have never taken small sums; to attack such large sums I consider a speculation rather than a theft.” Another Italian thief said that there were two kinds of justice in the world: natural justice, that which he himself practised when he shared the proceeds of his thefts with the poor; and artificial justice, that which is protected by social laws. The criminal This conviction of the criminality of the honest is engrained in the criminal mind, and one meets it at every turn. “Who doesn’t deserve the galleys?” was a remark often heard by Dr. Lauvergne at the convict establishment at Toulon, and the same idea was cynically expressed by Lacenaire:— “Buvons À la sagesse, Most people must have observed, in talking with persons of vicious instincts, the genuine disgust which these so often feel for the slightly different vices of others and their indifference to their own. So the man in prison feels indulgence for his own offence and contempt for his more cautious brother outside who continues to retain the respect of society, feelings which the latter heartily reciprocates. Every individual, whatever his position, feels the need of a certain amount of amour propre. “I may be a thief, but, thank God, I am a respectable man.” Among the criminal songs still found in Sardinia there is one (quoted by Lombroso from Bouillier’s “The laws of society,” remarked an educated convict to Mr. Davitt, “are framed for the purpose of securing the wealth of the world to power and calculation, thereby depriving the larger portion of mankind of its rights and chances. Why should they punish me for taking by somewhat similar means from those who have taken more than they had a right to? My dear sir,” said he, “I deny your contention that there is any such thing as honesty in the world at all.” This man, who had a considerable acquaintance with literature and philosophy, maintained soberly that “thieving was an honourable pursuit,” and that religion, law, patriotism, and bodily disease were the real and only enemies of humanity. “Religion,” he would observe, “robbed the soul of its independence, while society’s social laws, in restraining the desires and faculties given by Nature to men for Lombroso found the following note written with a piece of iron in a politico-economical work, under the chapter of “Considerations on the Co-operative spirit”: “The best governed nation is that which has fewest thieves. Do you want to abolish thieves? See to it that the working man and the peasant have work to do, and are better paid for it; then they will be content, and will have nothing to say against the government; in consequence they will do their duty, and will not be forced to do evil.” Another, reading a book about an official who had been removed from the administration of taxes, wrote: “I advise you all to be public thieves, and then you will be free citizens and men who are useful to society, and will be decorated with medals and crosses. This man here was a public thief; but I am only a private robber; if I had been a public one I should not have been here.” Again: “Why are those who wear coarse breeches treated in one way, and those who are dressed finely and wear yellow gloves treated in another? Why are the first called thieves while the others are said to have committed undue appropriation? Have not both classes broken the commandment which says simply ‘Thou shalt not steal’?” In a confession made to Gisquet, the prefect of police, a different standpoint is taken up; the criminal justifies himself, not on moral grounds, but as a man of the world: “You regret the robbery that I have “In our profession we depend on nobody; we enjoy the fruits of our experience and ability. I know well that we may end in prison; but out of the 18,000 thieves in Paris not one-tenth are in prison, so that we enjoy nine years of freedom against one of prison. Besides, where is the working man who is not sometimes without work? For the rest, the working man has to pledge his things at the pawn-shop, while we, when we are free, want for nothing, and lead a life of constant feasting and pleasure. “The fear of being arrested, and the pretended remorse that people talk of, are things to which one soon gets accustomed, and which finish by giving a pleasurable emotion. “And then, if we are arrested, we live at the expense of others, who clothe us, feed us, and warm us, all at the cost of those whom we have robbed! “I will say more. During our detention in prison we think out and prepare new means of success. “They talk of thieves as of persons always in misery, and who always finish their lives in prison; but they think of those whom they have seen in their apparent state when arrested. They do not consider that many have secret resources, and that most of them are clever enough to get on without ever having anything to do with justice.” This man, it is clear, had aspirations and ideals which, though they found satisfaction by a different method, were much the same as those of ordinary persons. He represents the professional criminal. “Ah! too often it is forgotten,” wrote G. Ruscovitch, a prince among forgers, the accomplished student of science, the perfect master of half-a-dozen languages, “too often it is forgotten that criminals are members of society. All these bodies, sometimes abandoned by all except the satellites charged to guard them, are not all opaque; some of them are diaphanous and transparent. The vulgar sand which you tread under foot becomes brilliant crystal when it has passed through the furnace. The dregs may become useful if you know how to employ them; to tread them under foot with indifference and without thought is to undermine the foundations of society and to fill it with volcanoes. The man who has not visited the caverns, can he know the mountain well? The lower strata, for being situated deeper and |