THE ancient city of Valladolid lies on low ground and is watered by the Pisuerga, a broad river for this waterless land.

Although so far in the north, Valladolid was at this time considered the official capital of Castile, and therefore it was there that Blanche had come to meet her much dreaded bridegroom.

A more uninviting city does not exist in Spain, as we see it now, and although it suffered cruelly from the invasion of the French in the Peninsular War, uninteresting it must always have been. No charm leads one’s thoughts lovingly to Valladolid. The cathedral is hideous. Only the front of San Pablo and the Collegiata de San Gregorio, a magnificent gift of Cardinal Ximenes, dwell in the mind.

Of course, with the exception of San Pablo, these buildings were erected centuries after Don Pedro’s reign, and one asks oneself what Valladolid could have been then?

There are no environs. The river flows through flat banks with no timber except long lines of thin poplars, the poorest of all trees, and beyond, the eye wanders over endless plains towards Burgos and Salamanca to the borders of Portugal.

But now, forgetting the present aspect of the city, we must go back to the 3d of June, 1375, the day on which Don Pedro was to arrive to meet the new queen, espoused in his name by his brother, the Grand Master of Santiago, to be kept as a great festival, for which thousands had assembled from all parts of the kingdom. For indeed, in those days of perpetual warfare, a fiesta was well esteemed, as they were very rare, especially in the north, inhabited by a more serious and impassioned race of hardy men than the lighthearted southerners of Andalusia.

Now this occasion had been seized as a gift from heaven, especially as it was to take the form of a tournament, in which the Infante Don Fadique was to take part, as well as the Infante of Aragon, and Don Juan de MaÑara, known in all ages as “Don Juan,” the favourite of the king, gambler, reveller, and seducer, and that graceful but treacherous knight, Don Garcia de Padilla, brother of Maria, both being in attendance on the king. The queen-mother, DoÑa Maria of Portugal, had also journeyed from Seville to welcome the young queen, and Albuquerque followed her, full of alarm for the result of the alliance he had brought about.

Much had been heard of the strange qualities of the young king, about whom men’s minds were divided. Such mysterious crimes were attributed to him, such unheard-of brutalities, that it was generally supposed he acted under the influence of magic spells, wrought on him by his mistress, Maria de Padilla, held by the populace as a witch accursed by God and man.

Those who had not seen him, and they were many, and the women especially, who had heard harrowing tales of his misdeeds, crowded into Valladolid, where, accommodation not being easily obtained except for the rich, the season being summer, had built themselves huts of branches along the river, and camped out there, as near as possible to the green vega where the tournament was to be held.

And a wonderful sight it is, and almost beautiful to behold, under a heaven one sheet of unbroken blue, golden lights resting on the gaudy colours within the enclosed space, carpeted with grass; lofty gateways, making the four entrances, adorned with coloured tiles in blue and gold; tents of variegated rich stuffs, luxuriously fitted up for the convenience of each knight about to take part in the tilt; galleries hung with brocade and cloth of gold; turreted towers in silk striped black and yellow, from which hang banners; fountains furnished with bowls of silver to refresh the knights, over which court pages keep guard; stands for the musicians, covered balconies for the ladies, where the sparkle of dark eyes and rounded arms peep out of delicate draperies; and in the centre, the gaudiest of all, the royal pavilion, “as high as three lances,” blazing with cloth of gold, trimmed with feathers and flowers, the flag of Castile and Leon floating overhead, beside the emblazoned Nodo of Castile, and the French lilies impanelled on the same shield—the interior protected from the sun by tinted awnings, under which rise three crimson thrones, for the king, queen, and queen-mother, “Matrique” to the bride, and all around the soft whispering of leaves, the cooing of doves and pigeons, brought, Moorish fashion, in cages, and the splash of abundant waters.

The time fixed for the tournament was at the setting of the sun, but from the earliest dawn the populace had crowded into every available space, and been entertained with seguidillas and zambras danced by bronzed gitanas to the clink of castanets, and there were races of tame elephants with silken howdahs, jumpers and tossers of ball, and Moorish jugglers whose tricks were wonderful and set all the peasants agape with joy.

It was known that the king’s brother, the Grand Master, would break a lance, and it was thought that the young king himself would run at the ring in honour of his bride. But this was said only by those who did not know, for in the first place Don Pedro, a young warrior full of conceit and constantly risking his life in battles, disdained all these courtly pageants; and in the second place, he had arrived at Valladolid in so bad a temper that his attendants feared to approach him.

Never was a royal bridegroom so ill-disposed for mirth as Don Pedro when, habited in a royal mantle draped over a crimson surcoat trimmed with fur, and wearing a helmet encircled by a crown, panached with snowy feathers, he took his seat on his throne in the centre of the pavilion, Albuquerque, his padrino or god-father, behind him, to the cry of “Castilla! Santiago! Santiago! Viva el Rey Justiciar!”

Beside him, on a less elevated seat, sat his mother, Queen Maria.

As the bride-queen, white as her name, and trembling in every limb, advances to place herself on a chair of state on his right hand, the king—who now sees her for the first time, having purposely delayed his entrance into Valladolid until the last possible moment—rises to salute her; when, at the aspect of terror depicted on her face, in evident wrath he suddenly turns to address Albuquerque, pointing contemptuously to the poor princess who sinks back into the arms of Claire.

“Sangre de Dio! Signor Conte,” mutters the king, loud enough to be heard, “a pretty consort you have chosen. I am not wont to be considered an ogre in ladies’ eyes, but doubtless the Lady Blanche, spite of her baby-face, has met some damoisel at her father’s court whose remembrance turns me to a monster in her eyes. By my Patron Saint (if I have one), before the day is over I will assure myself who is the cuckoo who has soiled my nest.”

“My lord, these are most unworthy suspicions,” returns Albuquerque, with that calm dignity of manner before which the king’s petulant humour so often yields. But not so now. Surrounded by those who have fostered his evil passions, he knows that his every look and movement will be duly reported by her brother, Don Garcia, to Maria de Padilla.

From this moment to the end of the pageant he hardly addresses himself to Blanche or turns towards her, but with an angry scowl, his steely eyes wander unceasingly over the crowd of brilliant knights who, singly or together, gallop past the royal estrado to salute him and the queen.

Spite of herself, Blanche, revived by the strong essences Claire used to restore her, begins to be attracted by the brilliant show. She is the chief figure in this mimic war; the noblest dames of Castile are there to do her homage; the queen-mother comforting her with gentle words, and when Claire, who stands behind her chair, whispers into her ear, “Do you see him, there under the flag-staff in the centre? He wears a long white mantle over his armour, and your scarf upon his arm. Oh! is he not charming?” a mist passes before her eyes, the tell-tale colour mounts to her cheeks, and forgetting Don Pedro and all her fears past, present, and to come, she leans forward, a wild look in her eyes, towards the spot where Don Fadique has reined up his charger, to head the knights of Santiago preparing to salute the king and the new queen. This passed in an instant, but not before Don Pedro had noted it, and his naturally pallid face grows white with rage.

“Madam,” says he, addressing Blanche for the first time, who, at the sound of his harsh voice, starts back aghast, “it seems that the favour you deny me, you accord to my brother. Happy youth! Doubtless he will know how to profit by it.”

Utterly unable to reply, Blanche shrank back, as if about to faint, but terror so far gave her strength that she found voice to reply that at Narbonne it was her duty towards his Grace to receive his brother well.

“I doubt it not, madam,” answers Don Pedro with a bitter sneer. “Yes, at Narbonne you made good use of your time, doubtless. I was a cursed fool to send him there,” he mutters. Then, turning his back upon her, he addresses himself to Don Juan, the big tears streaming slowly down poor Blanche’s cheeks.

Alas! alas! This insult seems the last drop in her cup of misery. Poor little queen! her heart is bursting, and nothing but her horror of the king, whose cold eyes follow her wherever she turns, prevents her sobs from being heard by all the court.

At this moment, amid the blare of trumpets, the roll of drums and clash of cymbals, the chimes of all the bells of the city clashing, and the frantic shouts of the mob, pressing forward at every point where they can find standing room along the barriers, a gallant company of knights, attended by their esquires, galloped into the centre of the field in a general mÊlÉe; the Knight of the Dragon, Don Juan de Cerda—who, could he have foreseen the future, would then and there have forfeited his fealty to a recreant king; the Knight of the White Rose, Don Diego de Guzman; the unknown knight, his turban protected by chains of finest steel interwoven with the folds of dazzling white, and white his tunic and mantle, on his left arm a shield, in his right hand a slender lance, mounted on a raven-black charger, and attended by two slaves in Moorish dress, black from casque to toe, his visor down—said to be the Moorish king of Granada, Ben Hade, come in disguise, to break a lance with the Christians; the two Medinas, Celi and Sidonia, a tribe of Aguilars, every man of the name a hero in the track of war, the de Cuevas, Cipuntes, Cabras, Perez del Pulgar, and the great southern noble, Ponce de Leon, arrived from the plains of Xeres, where he ruled more powerful than the king; the judges of the lists, stranger knights, marshals, swordsmen, bowmen; pages, gorgeous in silk and samite, heralds in gold and embroidered tabards; and last, and chiefest, in splendid armour, the Lord of the Tournament, the Grand Master de Santiago, attended by the knights of his order in the absence of the king.

Small of stature, but light and elegant, his heavy accoutrements can not conceal the grace of every movement, or the mastery with which he manages his horse, a fiery chestnut, curveting and prancing, as he takes his place in the centre of the lists amid cries of “Plaza! Plaza por los Infante! Santiago! Santiago!”

Conscious that Blanche’s eyes are upon him, and knowing nothing of what has just passed between her and Don Pedro, and that her poor little heart is melting in fear, he takes advantage of every opportunity to place himself before the royal pavilion, thirsting for one look of her sweet eyes, a gesture, a sign, to feel the assurance of her love; but he looks in vain.

Many tilts are run. The stranger knight unhorses several riders. When called on by the herald to raise his visor he courteously declines, rides three times round the field, displaying his colours, the Moorish cognisance of yellow on a black ground, then vanishes through the open gates, his black slaves after him. Many sharp blows are then exchanged and wounds inflicted in this mimic warfare, to the delight of the king, who rises to his feet loudly laughing and clapping his hands as the vanquished knights are carried from the field.

Then, to the cries of Dios y EspaÑa, four cavaliers ride forth, with violet surcoats over their coats of mail, and run a Moorish tilt with reeds instead of lances, an elegant pastime of Granada worthy of the courtly Moslems with whom Don Pedro is so much in league, while stringed instruments strike up a joyful measure, and castanets are played by the gitanos who dance a seguidilla before the king.

Many of the great nobles, offended at the insolent bearing of Don Pedro, have not, as yet, taken their lances out of rest, but have only ridden round at the opening of the lists, at which great wonder is expressed among the spectators, and much discontent amid their followers.

Now, all are in honour bound to break a lance, in the Grande MÊlÉe, with Don Fadique, who takes his place in the centre of the field. Whether it is out of courtesy to his youth and royal rank, or that, by a kind of miracle, his lady-love being present, his arm is strengthened to do wonders in her eyes, many a famous noble has the worst of it, at which wild cries are again heard of “Santiago! Viva el Gran Maestro! Viva el Infante!”

A grand procession ends the tournament, around the golden pole set up in the centre, from which depends a laurel crown woven with pearls, which, according to the rules, ought to be presented to the victor by the young queen. But Don Pedro, in savage mood (for the success of his brother has deeply angered him), has willed it otherwise.

With his large eyes fixed in a disdainful stare he gives no heed to the tilting, and scarcely responds to the salutations of the noble knights who gather under the pavilion.

When Don Fadique stations himself in front to salute him and the two queens, Don Pedro—who at that moment is talking eagerly with the Lord of Monteney, from time to time turning towards Albuquerque, as if to inform him of some important fact—turns and fixes his eyes upon him with such a glare of rage that Don Fadique never advances at all to claim the guerdon he was to receive, and retreats to his tent, the king at the same time suddenly rising, and signalling to the gaudy herald, displaying his particoloured costume in the last rays of the sunset which light up the west, to the delight of the townsfolk, to approach.

Like all the world the herald dreads the king, and comes riding as fast as his horse can carry him.

“Vain knave!” says Don Pedro surveying his brilliant garb, “can you find nothing better with which to fill your time, than serving as a popinjay to the people? Break up the lists. I have had enough of it; and see you do it quickly.”

And now, slowly, as the day falls, along the river bank under the shade of the poplar avenues, passes the procession, winding into the deep and narrow streets of Burgos.

Before the cathedral, public tables are spread with highly flavoured viands such as Spaniards love, to be washed down by strong Xeres wine served out of great earthen jars, so big it seems as if thousands could be satisfied.

Don Pedro would have ridden alone into the city, but for the remonstrances of Albuquerque and of his mother, who, with tears implored him not to rouse the suspicions of his subjects by such a disregard of royal custom as to allow his bride to return alone.

Thus while all the citizens wait beside the tables (none caring to fall to until the king’s return) a flourish of clarions and trumpets suddenly announces his presence, preceded by a troop of men-at-arms in the low cap and close-setting jerkin of that warlike time. Don Pedro himself mounted on a coal-black war-horse, the jewelled reins held by two great nobles, the Lord of Bertrayo and the Sevillian Don Enrique de la Cerda, husband of DoÑa Maria de Coronel.

Beside him, but somewhat in the rear, rides the queen, her bridal veil enveloping her like a shroud, and it is well so, for her ashen cheeks and sunken eyes would tell a tale of suffering no words could express.

Following after her comes the queen-mother, mounted on a white mule shod with gold, her eyes cast down, and with a visage full of sorrow.

As the young queen passes, the word goes round that she is an unwilling bride. “And no wonder, poor soul,” answers a richer burgher, who has pushed himself forward and looks into her white face, “if she knows the sort of husband she is espousing. He kills all who come to him.”

“An ill-omened couple,” whispers a fat countrywoman into his ear. “Look at the king, he never turns his eyes on the poor young thing, but rides straight on, and so fast her horse cannot keep pace with him. Why does he marry her? It is plain to see he hates her. I wonder how the young queen will like his harem? They say he lives like a Moor, and keeps a whole bevy of slaves shut up in the castle of Carmona.”

“Poor soul, I would not be in her shoes, and have to face his mistress, Maria de Padilla,” says another woman; “and after all, why should the king flout her if he likes a pretty face?”

“Belike some one has cast a spell on him,” observes a little man in a black capa and mantle, the city medico.

“Aye,” is the reply, “a jealous woman has overlooked her.”

And so it came to be understood among the crowd that the king had been bewitched and never would care for his girl queen.

“God grant he may not murder her,” are the last words of the fat countrywoman as they all move on to where the tables are spread.

The king meanwhile is hurrying in the most unseemly fashion, indifferent to the discomfort he causes to those behind, especially to the Lady Blanche, who with her two royal rein-holders, the Grand Master Don Fadique and the Infante of Aragon, not daring to look up, is now separated from him, which greatly mars the effect of the pageant.

The knights, having changed their armour while Queen Blanche was in her retiring room, reappear in fanciful suits of many-coloured silk and brocade, their helmets replaced by graceful caps, ornamented with gems and pearls, in readiness for the nuptial banquet.

Don Juan de MaÑara is most conspicuously attired in the excess of the mode, of no great beauty, but with so bold an eye, it is said of him he fears neither the living nor the dead. In all his wildest excesses Don Juan is the king’s companion, but never for murder, injustice, or spoil. No wantonness is too great for him where women are concerned, and woe to the wife or maid who takes his fancy.

No one can rival Don Juan in the jewels he wears except the southern lord, Ponce de Leon, whose robe of pale silver tissue is covered with uncut stones, and his head encircled by a wreath of orient pearls taken from a Moorish emir whom he has slain.

Don Enrique de la Cerda, the king’s favourite before Don Juan, but so much better than he that the people of Seville call him jeeringly El Santo, is attired in a dark velvet suit quite at variance with his usual magnificence. It is rumoured that he is out of favour on account of his beautiful wife, DoÑa Maria de Coronel, upon whom the king has cast eyes of love, a distinction which, contrary to fealty and allegiance as understood in those times, Cerda has not appreciated, and has not only shut her up in his castle of Cerda, but is inclined to listen to the overtures of Enrique of Trastamare and forsake the king altogether.

The board blazes with flowers, Moresque porcelain, and glittering plate; precious candelabras of sculptured silver shed a soft light, and jewelled vases and golden cups give it back in intensest colours, as the king and queen enter to the sound of trumpets and take their place in the centre, beside them the royal princes and the Infante of Aragon, the ministers of state, and such ambassadors and envoys as have been invited to the tournament.

Wonderful to relate, Blanche is wreathed in smiles. This is Claire’s doing. She has contrived to convey to her a message from the Grand Master, promising an interview for the morrow, when the king rides to Segovia. As the brother of the king, Don Fadique sits at her side. For an instant their hands meet, and such a thrill of pleasure shoots through her little heart as gives her courage to face every mishap. Child as she is, she clings to happiness. The future is an unveiled mystery. Why despair?

From Don Fadique her eyes wander to Don Pedro, placed on her other side. He has the same smooth face as his brother, but sterner and loftier, and a majesty of expression all his own. He is not frowning now, and the change is marvellous. No one could compare the two brothers.

“Who knows,” Blanche begins to ask herself, peeping at him from under her long eyelashes, “if he really is such a monster as report gives out? Can anything be more perfect? His long wavy hair hanging in heavy curls.” At this moment he is leaning over her in conversation with Don Fadique. No shade of displeasure is on his face, as he casts on her such a glance as brings blushes to her cheek. Alas! alas! could she but read the treachery of his heart as he plays with the lace tissue of her robe, and lowers his voice to a soft whisper as he addresses her, she would flee from the hall, the city, and the land.

Little did the light-hearted daughter of Navarre understand the passions, deep down and fierce, of the Spaniards. Not voluble and capricious like the French, but sullen, silent, sinister, hiding all emotion under a mask. This she did not understand, nor that she had mortally offended Don Pedro, who but dissembled his revenge, storing up each word and look she thoughtlessly addressed to Don Fadique.

Poor Blanche!—her bright little head, encircled with the regal diadem—let her enjoy her brief moment of triumph. Little by little her heart is yielding to the fascinations of Don Pedro, the most brilliant cavalier she could have conjured up even in her dreams, and she feels that if he would but take her to his arms, she would tell him all her tale; how every one has frightened her, and that now she is ready to love him for ever and aye. It is all right now, and she feels so happy, she talks incessantly to Don Fadique in the pauses, telling him all she feels, which makes him inexpressibly wretched, and he casts on her the most longing glances, as a precious treasure he has lost, and heaves great sighs as he raises his eyes to her laughing face—at which she is really grieved, trying by all possible means to console him.

Don Pedro looks on with a strange, fixed smile. Now and then he even joins in the conversation with a loud harsh laugh, which, to say the truth, frightens Blanche, but, delighted at the change in his bearing towards herself, she interprets it all as “men’s ways,” and hopes in time to grow accustomed to him. Every one could not be so gentle as the Grand Master, who, after all, was half a priest, so Claire said; and of the two, ignorant Blanche said in her heart, how much more she admired the rough blunt ways of the king.

Once indeed, when talking with Don Fadique, she turned round quickly to address Don Pedro, and met his eyes riveted on her with such a cruel stare, she grew cold all over. And it was strange that when he gave the signal for the company to separate, instead of leading her to the bridal chamber, as she had been told he would, he made her a low bow and retired attended by Don Juan de MaÑara and Don Garcia de Padilla.

“I wonder if I have offended him,” she whispers to Claire, who is in waiting behind her chair. “I am afraid something must be wrong. Surely he ought not to have left me on our wedding night? What have I done? In the morning he was wroth without a cause, to-night he is gracious with still less reason.”

“You might have spoken less with the Grand Master,” is Claire’s reply. “I cannot abide Don Pedro,” Claire says, when they have reached the solitude of the queen’s apartment. “I am sure he has some secret chamber where he hangs up those who do not please him, like Blue Beard in his castle. For the sake of your life be on your guard, my queen. You may depend on the Grand Master, but the king is not to be trusted.”

“Oh, dear Claire, I am sure you are mistaken! Now I am as unhappy as ever, just when I thought all was coming right! Why did not the queen-mother come to the banquet? She is kind and gracious. I could have taken courage to consult her. I have no friend but Fadique, and now I am afraid even of him.”

And once again the tell-tale tears gather in her eyes, as she buries herself in Claire’s arms.

“Mind, Claire, we must not meet Fadique to-morrow. It might anger the king. And oh! he is so charming, I would do anything to please him.”

“Who?” asks Claire, leaning down to where the queen’s curly head rests on her arm.

“Why, Don Pedro, of course,” is the answer. “No one can compare to him! Terrible but beautiful! Oh! if he would but love me! Alas! why did he go?” So, murmuring to each other, the queen calls in her tiring women, and prepares for rest.