(1)	Rosalind.	He taught me how to know a man in love; in which cage of Rushes I am sure you are not prisoner.
As You Like It, act iii, sc. 2 (388).
(2)	Phoebe.	Lean but on a Rush, The cicatrice and capable impressure Thy palm some moment keeps.
Ibid., act iii, sc. 5 (22).
(3)	Clown.	As fit as Tib's Rush for Tom's forefinger.
All's Well that Ends Well, act ii, sc. 2 (24).
(4)	Romeo.	Let wantons light of heart Tickle the senseless Rushes with their heels.
Romeo and Juliet, act i, sc. 4 (35).
(5)	Dromio of Syracuse.	Some devils ask but the parings of one's nail, A Rush, a hair, a drop of blood, a pin, A Nut, a Cherry-stone.
Comedy of Errors, act iv, sc. 3 (72).
(6)	Bastard.	A Rush will be a beam To hang thee on.
King John, act iv, sc. 3 (129).
(7)	1st Groom.	More Rushes, more Rushes.
2nd Henry IV, act v, sc. 5 (1).
(8)	Eros.	He's walking in the garden—thus; and spurns The Rush that lies before him.
Antony and Cleopatra, act iii, sc. 5 (17).
(9)	Othello.	Man but a Rush against Othello's breast, And he retires.
Othello, act v, sc. 2 (270).
(10)	Grumio.	Is supper ready, the house trimmed, Rushes strewed, cobwebs swept?
Taming of the Shrew, act iv, sc. 1 (47).
(11)	Katherine.	Be it moon or sun, or what you please, And if you please to call it a Rush-candle, Henceforth I vow it shall be so for me.
Ibid., act iv, sc. 5 (13).
(12)	Glendower.	She bids you on the wanton Rushes lay you down, And rest your gentle head upon her lap.
1st Henry IV, act iii, sc. 1 (214).
(13)	Marcius.	He that depends Upon your favours swims with fins of lead And hews down Oaks with Rushes.
Coriolanus, act i, sc. 1 (183).
(14)	Iachimo.	Our Tarquin thus Did softly press the Rushes.
Cymbeline, act ii, sc. 2 (12).
(15)	Senator.	Our gates Which yet seem shut, we have but pinn'd with Rushes! They'll open of themselves.
Coriolanus, act i, sc. 4 (16).
(16)		And being lighted, by the light he spies Lucretia's glove, wherein her needle sticks; He takes it from the Rushes where it lies.
Lucrece (316).
(17)		See Reeds, No. 7.
(18)	Wooer.	Rings she made Of Rushes that grew by, and to 'em spoke The prettiest posies.
Two Noble Kinsmen, act iv, sc. 1 (109).

See also Flag, Reed, and Bulrush.

Like the Reed, the Rush often stands for any water-loving, grassy plant, and, like the Reed, it was the emblem of yielding weakness and of uselessness.[264:1] The three principal Rushes referred to by Shakespeare are the Common Rush (Juncus communis), the Bulrush (Scirpus lacustris), and the Sweet Rush (Acorus calamus).

The Common Rush, though the mark of badly cultivated ground, and the emblem of uselessness, was not without its uses, some of which are referred to in Nos. 1, 3, and 11. In Nos. 3 and 18 reference is made to the Rush-ring, a ring, no doubt, originally meant and used for the purposes of honest betrothal, but afterwards so vilely used for the purposes of mock marriages, that even as early as 1217 Richard Bishop of Salisbury had to issue his edict against the use of "annulum de junco."

The Rush betrothal ring is mentioned by Spenser—

Shepherd's Calendar—November.

And by Quarles—

But the uses of the Rush were not all bad. Newton, in 1587, said of the Rush—"It is a round smooth shoote without joints or knots, having within it a white substance or pith, which being drawn forth showeth like long white, soft, gentle, and round thread, and serveth for many purposes. Heerewith be made manie pretie imagined devises for Bride-ales and other solemnities, as little baskets, hampers, frames, pitchers, dishes, combs, brushes, stooles, chaires, purses with strings, girdles, and manie such other pretie and curious and artificiall conceits, which at such times many do take the paines to make and hang up in their houses, as tokens of good will to the new married Bride; and after the solemnities ended, to bestow abroad for Bride-gifts or presents." It was this "white substance or pith" from which the Rush candle (No. 11) was and still is made: a candle which in early days was probably the universal candle, which, till within a few years, was the night candle of every sick chamber, in which most of us can recollect it as a most ghastly object as it used to stand, "stationed in a basin on the floor, where it glimmered away like a gigantic lighthouse in a particularly small piece of water" (Pickwick), till expelled by the night-lights, and which is still made by Welsh labourers, and, I suppose, in Shakespeare's time was the only candle used by the poor.

But the chief use of Rushes in those days was to strew the floors of houses and churches (Nos. 4, 7, 10, 12, and 14). This custom seems to have been universal in all houses of any pretence. "William the son of William of Alesbury holds three roods of land of the Lord the King in Alesbury in Com. Buck by the service of finding straw for the bed of the Lord the King, and to strew his chamber, and also of finding for the King when he comes to Alesbury straw for his bed, and besides this Grass or Rushes to make his chamber pleasant."—Blunt's Tenures. The custom went on even to our own day in Norwich Cathedral, and the "picturesque custom still lingers in the West of strewing the floors of the churches on Whit Sunday with Rushes freshly pulled from the meadows. This custom attains its highest perfection in the church of St. Mary Redcliffe at Bristol. On 'Rush Sunday' the floor is strewn with Rushes. All the merchants throw open their conservatories for the vicar to take his choice of their flowers, and the pulpit, the lectern, the choir, and the communion rails and table present a scene of great beauty."—The Garden, May, 1877. For this purpose the Sweet-scented Rush was always used where it could be procured, and when first laid down it must have made a pleasant carpet; but it was a sadly dirty arrangement, and gives us a very poor idea of the cleanliness of even the best houses, though it probably was not the custom all through the year, as Newton says, speaking of Sedges, but evidently confusing the Sedge with the Sweet-scented Rush, "with the which many in this countrie do use in sommer time to straw their parlours and churches, as well for cooleness as for pleasant smell."[266:1] This Rush (Acorus calamus) is a British plant, with broad leaves, which have a strong cinnamon-like smell, which obtained for the plant the old Saxon name of Beewort. Another (so-called) Rush, the Flowering Rush (Butomus umbellatus), is one of the very handsomest of the British plants, bearing on a long straight stem a large umbel of very handsome pink flowers. Wherever there is a pond in a garden, these fine Rushes should have a place, though they may be grown in the open border where the ground is not too dry.

There is a story told by Sir John Mandeville in connection with Rushes which is not easy to understand. According to his account, our Saviour's crown of thorns was made of Rushes! "And zif alle it be so that men seyn that this Croune is of Thornes, zee shall undirstande that it was of Jonkes of the See, that is to sey, Russhes of the See, that prykken als scharpely as Thornes. For I have seen and beholden many times that of Parys and that of Constantynoble, for thei were bothe on, made of Russches of the See. But men have departed hem in two parties, of the which on part is at Parys, and the other part is at Constantynoble—and I have on of the precyouse Thornes, that semethe licke a white Thorn, and that was zoven to me for great specyaltee.... The Jewes setten him in a chayere and clad him in a mantelle, and then made thei the Croune of Jonkes of the See."—Voiage and Travaile, c. 2.

I have no certainty to what Rush the pleasant old traveller can here refer. I can only guess that as Rushes and Sedges were almost interchangeable names, he may have meant the Sea Holly, formerly called the Holly-sedge, of which there is a very appropriate account given in an old Saxon runelay thus translated by Cockayne: "Hollysedge hath its dwelling oftenest in a marsh, it waxeth in water, woundeth fearfully, burneth with blood (i.e., draws blood and pains) every one of men who to it offers any handling."[267:1]

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