THE chÂteau and the Chapel Palatine of GÈrbÉviller were unique in many respects. Dating from the thirteenth century, the chateau served as appanage to the Cadets of Lorraine, to whom they were given by Charles the Bold, and transmitted in 1486 to Huet du ChÂtelet, whose illustrious family founded the Maison des Cannes.
In 1641 it came into the hands of Charles-Emmanuel de la Tornielle, step-brother of Christian du ChÂtelet of the powerful Tornielle family, thence it descended successively to the Lombartyes, in whose possession it remained until it was seized and sold by the state in the troublous times of 1796.
The chapel was restored, almost reconstructed and consecrated on the nineteenth of July, 1865, by Monsignor Lavigerie with great splendor and pomp in the presence of the Lombartye family and a score of dignitaries of the state.
The chÂteau itself, constructed in the eighteenth century, was possessed of what the French call "grand air," and was certainly imposing in size from a distance, shining among the dark green of the heavy foliage which surrounded it. Its faÇade on the road was somewhat marred by the narrowness of the approach. But the faÇade on the parkway, through which a small brook called the "Montagne" meandered most delightfully, was most impressive. The sketch which I made of it will serve to show the character of the great house better than many pages of written description.
The reputation enjoyed by this great typical chÂteau of France was not by any means confined to the country. It was known throughout Europe, and for this reason, I suppose, was a shining mark for the Teutons.
At the side of the chÂteau was the grand entrance, used only upon state occasions. This entrance was flanked by two immense "vasques" or vases of dark gray marble, a little too monumental, perhaps architects might think, but taken together with the "grand air" of the chÂteau entirely in keeping, to my mind. These it is claimed still stand unharmed amid the ruins all about.
Chapel of the ChÂteau: GÈrbÉviller
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The Chapel Palatine architecturally, perhaps, does not merit extended eulogy. Its towers are shot away, and some blackened calcined walls are all that remain. But the treasures which it contained, now either destroyed or carried off to Berlin, who shall say if they can ever be replaced? I am told that the family of Lombartye, and notably its last representative, who restored it in 1865, was long a resident of Rome, and being very wealthy had collected a vast store of most valuable objects of art of all kinds, including statuary and paintings, and these he had installed not only in the chÂteau, but had so enriched the chapel that it was a veritable storehouse of precious objects—even more than a museum, because most of them related to the history of the ancient families who had occupied GÈrbÉviller.
Here then in this small chapel was a collection of marvels of decorative art, tapestries of Arras, examples of the jeweler's craft, illuminations upon vellum, a hundred or more priceless volumes, and notably a collection of funerary urns, containing the ashes of most illustrious personages, including some of the Saints. Among the treasures in this small chapel was a series of the tapestries of Gobelin, another of Beauvais, and a third complete pictorial set made in Antwerp after the cartoons of Nicolas Memling. These last, just before the destruction of GÈrbÉviller, were presented to the Cathedral of Nancy. The others are among the ashes of the ruins.
The Master altar of the chapel was covered by a magnificent "ciborium," raised upon three columns of black marble, ornamented by "tears" of silver of twelfth century workmanship. The great candelabra, called "Flambeaux," were of Flemish work, and had twenty-four lusters; these were destroyed.
There were splendid tombs on all sides; one was a reproduction of that of Henry I, Count of Champagne, and of St. Etienne of Troyes; the tomb of Lombartye, of de la Vieufville, of Rochechourt-la-Rochefoucauld, of du Caylar, of Vieuville, of Gouy d'Arsy, and that of PÈre Jandel the Dominican. All these are mutilated and broken. Of the funeral urns, one contained the ashes of St. Auguste, the martyr; another of what is called "cipollin," the ashes of Ste Victoire; a red marble one those of St. Vital; a "chasse" held a portion of the petrified bones of Candide, presented by the Bishop of Nancy. Another one contained the bones of St. Felix Romain.
A great tall "ciborium" contained the "relique" of Tarcisius, the young martyr of the Eucharist. These, contained in a wonderful chest covered with vermilion enamel, bore an epitaph composed by Pope Damase, and were brought from Rome by the Dominicans. Overjoyed in the possession of such a treasure, the Marquis of Lombartye, sought an artist of renown who could make a fitting monument to contain it. His choice fell upon Fal-guiÈre the sculptor. He it was who fashioned the exquisite statue in the Luxembourg. But it is not generally known that this is a replica of the original which was in the Chapel of GÈrbÉviller, and which is now entirely destroyed.
I understand that in searching the ruins, certain fragments of precious objects have been found and removed to Paris.
M. Pigot in his report claims that the head of Fal-guiÈre's statue of St. Tarcisius was found among the ashes, and, placed in a strong oaken box, has been given into the hands of M. le Sous-PrÉfet of LunÉville.
But the remarkable paintings which the chapel contained are of course entirely consumed in the fire caused by the bombs and shells which fell upon the chapel for days at a time. There was the painting by Lippo Lippi; a portrait of Prosper Lambartini (Pope Benoit XIV); a triptych by Fra Angelico; one by Sandro Botticelli; The Virgin, the infant and two angels; a copy of the "Femme AdultÉrÉ" by Titian; a Benozzo Gozzoli; a canvas by a pupil of Ferrare, and various others. There was a splendid statue of the Virgin in terra cotta of the sixteenth century; a life size St. Joseph by Lizier-Richie; and two statues of Christ and John the Baptist in bronze by Dubois. Of these the statue of Christ remains (says M. Pigot in his report) "unharmed."
The little town of GÈrbÉviller itself is entirely destroyed, and the wretched inhabitants are scattered to the four winds. And for what good was all this, one asks?
M. Georges Goyan, writing in the Revue des Deux Mondes, of the heroic work performed by the nuns of France, relates a touching story of a Sister Julia of GÈrbÉviller, who, when the village was in flames and a German officer was about to give the order to burn the Red Cross pavilion, stepped before the lieutenant and with the most superb courage defied him to commit the sacrilege. The officer, a Bavarian, taken aback for the moment, bowed his head, and the pavilion was spared.
Sister Gabriela of the little town of Clermont-en-Ar-gonne was no less courageous. She advanced to meet the army of the Crown Prince when it arrived, saying, "We will care for your wounded, if you will spare the town." She received a promise, which was not kept, however. Again, she sought the Colonel, and bravely said, "I see now that the word of a German officer is not to be relied on." Ashamed, he ordered the work of destruction stopped, and thus the town was spared. Twenty-five wounded French prisoners owed their lives to this devoted nun, who in April, 1916, received the decoration of the war medal. Goyan quotes verbatim from the report of the nun, "The Major made his congratulatory speech while I was completing the bandage of my poor 'poilu,' whose head rested on my lap."
ChÂteau: GÈrbÉviller
Waldeck-Rousseau, the former Premier of France, in a speech before the French senate in 1903 stated that "Catholicism survives in France, if not as a religious law, faithfully observed by everybody, at least as a social statute respected by the vast majority." M. Goyan declares that the French church is indeed a moral power to be reckoned with, "and when the war-tocsin had rung throughout the land, when the hour of death had been welcomed as an old dear friend, all misunderstandings of the past melted away, and now for fully twenty-eight months the church could again place itself at the disposal of France."
With emotion and gratitude he relates the patriotic sacrifices made by the Protestant churches and the synagogues of France. Out of four hundred and ninety pastors of the Lutheran and Reformed churches, "one hundred and eighty are in the trenches: all students of the Paris Rabbinical Seminary and more than three-fifths of the officiating rabbis of the Republic left for the front; two of them were killed, one was missing.
"When after this war is over, our sister churches will write their own martyrology, Catholic witnesses will rise to glorify their dead. The whole Catholic press rendered a well deserved homage to Chief Rabbi Bloch of Lyons, who was mortally wounded by a German bullet while he attended a dying Catholic soldier, holding the cross to his livid lips."
After these prefatory remarks the author traces in his inimitable style a picture of the life and activity of the Catholic church from the unforgettable July days of 1914, to date. One-third of its priesthood followed the call of their country. *
* The Literary Digest, Feb. 17, 1917.
The Paris diocese alone has already buried forty-five of its members. The Cardinal-Archbishop of Lyons had to enlist laymen to fill the gaps in his decimated clergy. Bishops have become again parish priests.
"Eleven young French monks, surprised by the German invasion in their monastery in the grand duchy of Luxembourg, disguised themselves, walking stealthily into Belgium, and from there to France, immediately joining their barracks. Dominicans and Jesuits vie with each other in patriotic devotion. The Church, cheerfully accepting the abrogation of its time honored immunities, with a noble gesture commanded the young priests to shoulder their rifles: 'Your parish,' explained the Cardinal Archbishop of Rheims, Monseigneur LuÇon, to his priests, is henceforth your regiment, your trench, your hospital. Love it as you have loved your church. Perhaps you will be buried on the battlefield. What of it? Why should we priests not give our blood?' Thus, the priest is no longer isolated from the people; he has become an integral part of it. The Dominican sergeants and Jesuit lieutenants have built the bridge. And who, on the other hand, would have believed, a short three years ago, that a company of French soldiers, educated in the godless school of the Republic, should, before preparing for assault, receive absolution on their knees?
"A parallel case to this kneeling company receiving absolution is the scene in the Bois d'Argonne, of March 7, 1916, when 'the successive waves of a regiment, marching to the attack, bowed themselves before the representative of God, de Chabrol, Chaplain of the division, whose hand, while the guns were thundering, made the sign of the redemption.'" (Quoted textually from an order of the day, by the commanding general.)
Fifty-nine priests and seminarists of the Paris diocese received crosses while practically under fire. "The natural love of the soil and the love of the church combined, produce heroic souls of a peculiarly noble blending. The olden days when bishops were the supreme lords of towns and countries were revived, if only for a short time, at Meaux, and elsewhere, shortly before the battle of the Marne. On September 3, 1914, the armies of von Kluck were expected any moment and the civil authorities fled. Bishop Marbeaux took possession of the City Hall, and with a rare skill organized the various municipal services. Generals Joffre and GalliÉni had stopped the triumphal onslaught of the German troops. On September 9, the civil authorities returned to Meaux and Mayor Mar-beaux gave in his resignation. Similar was the situation in Soissons and Chalons-sur-Marne; the cathedrals again became civic centers.
"But our priests (continues M. Goyan) in the midst of the brutal butchery, are not unmindful of the Saviour's advice to love even our enemies—above all, if the latter are in great stress themselves. Thus Rev. Landrieux of the cathedral of Rheims, while the church was burning, saved from its ruins at the risk of his life a group of wounded German soldiers. The enraged population was about to lynch them. 'You will have to kill me first,' said the courageous priest. Words fail to describe as they deserve the deeds of Bishop Lobbedeye of Arras and his clergy.
"The tradition of the catacombs revived; a cellar was transformed into a church (while the town was under bombardment) and here the Bishop read his mass. The priests threw off their 'soutanes' to become police and firemen, moving men and grave diggers. One of them, de Bonnieres, of noble birth, went every morning, braving the bullets which whistled about his ears, into the suburbs begging the soldiers for the scraps, left over from their meals, to distribute these pittances among the starving poor of Arras."
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"Thus, before the enemy the old union of church and state had been effected. The same population, the same government, which before had adopted the slogan, The priest's place is in the church,' requested the cooperation of the clergy. And the church obeyed the call. Everything was forgotten. 'Who cares now,' exclaimed Cardinal Savin, 'for the religious misunderstandings, political quarrels, and personal rivalries of the past! France first! United by the common danger, we learned to know and respect one the other, and after the war we will solve the grave problems which had separated us before the war. Our victory will be our main ally in this future work of pacification.'
"Forever memorable will remain that great religious manifestation at Paris during the week of the Battle of the Marne, in honor of St. GeneviÈve, the patron of the French capital. She and Joan of Arc became again the divine protectors of France.
"The people of Paris fell on their knees on the famous heights of Montmartre, the mountains of the Saint-Martyrs of the past, a place historical in the annals of France. Even the skeptics thanked the church for its resuscitation of the religious spirit. France again remembered that she had once been 'the eldest daughter of the Church.'" (Georges Goyan.)