THE little town of Meaux on the banks of the Marne is only thirty miles or so from Paris, and was remarkable for its old mills on the bridge over the river bed, behind the HÔtel de Ville, as well as for the beautiful cathedral of St. Etienne. The beauties of the town could best be appreciated from the shady walk along the river side. Here were great shade trees overhanging the roadway, through the branches of which one got glimpses of the cream colored tower of the old cathedral, above the red tiled roofs of the town, all against a summer sky of pale blue.
Upon reaching the town, there were the two bridges over the Marne, both of them covered with some old mills with high wooden walls and quaint buttresses; almost theatrical and unbelievable in these practical days.
The town had about twelve or thirteen thousand inhabitants, and was busied with a trade in grain. Some rather handsome boulevards seemed entirely out of key with the rest of the town, but there were the remains of an ancient chateau of the Counts of Flanders, built during the thirteenth, or maybe the twelfth century, accounts differ, which seemed much more in keeping with the place, and a most delightful little hotel called the "Trois Rois" from which it was hard to get away, so ideal were its comforts, and so moderate its charges.
Meaux, says history, was the refuge of the noble ladies of France in the Jacquerie revolts of the thirteenth century, when the horrors of the rebel persecutions at Beauvais commenced. Once having reached the shelter of its walls, they dared not leave, and remained prisoners until the terror ended. Here remained the Duchesses of OrlÉans and Normandy among others no less famous and prominent, so that intrepid warrior, the Captai de Buch, accompanied by the Earl of Foix, gathered together a force of armed men for their rescue.
All the roads leading to the town, from Paris, from Beauvoisie, from Valois, were filled with bands of peasantry, all bound for the town, which they had heard contained great treasure. Arriving at Meaux, de Buch and Foix were welcomed with great joy, for the peasants had begun to pillage wherever they could. Then ensued a great slaughter in which the marauding peasants were rounded up and killed like rats by the armed warriors. "They flung them in great heaps into the river. In short, they killed upwards of seven thousand; not one would have escaped if they had chosen to pursue them."
Meaux, too, is famous for a great siege during the wars of Henry V, when he camped before the town walls in 1421. Monstrelet says, "The King of England was indefatigable in the siege of Meaux, and having destroyed many parts of the walls of the market place, he summoned the garrison to surrender themselves to the King of France and himself, or he would storm the place. To this summons they replied that it was not yet time to surrender, on which the King ordered the place to be stormed. The assault continued for seven or eight hours, in the most bloody manner; nevertheless, the besieged made a most obstinate defense, in spite of the great numbers that were attacking them. Their lances had been almost all broken, but in their stead they made use of spits, and fought back with such courage that the English were driven back from the ditches, which encouraged them much."
Eventually, however, not receiving help from the Dauphin, upon which they had counted, they capitulated to Henry's soldiers.
Under the treaty which followed, they agreed: "On the 11th day May, the market place, and all Meaux was to be surrendered into the hands of the Kings of France and England."
As a warning to the people against further insurrection the leader, one Vauras, "the bastard," who had in his career killed many English and Burgundians, was hanged, drawn, and quartered before the walls of the town.
After this, King Henry, who was very proud of his victory, entered the town in great pomp and splendor, remaining for some days with his princes and attendants, and left after giving orders that the town walls should be rebuilt and all other damages repaired.
The ancient building called the "EvÊchÉ" near the cathedral was the residence of Bossuet, the famous preacher, in 1681. He was nicknamed the "Aigle de Meaux," and renowned for his eloquence, even at a time when France was rich in such genius. Bossuet stood head and shoulders even above such contemporaries as Mas-silon and Bourdaloue, Arnauld, Fleury, and FÉnelon. It was really he who established the privileges and liberty of the Gallican church.
Here in the little green garden behind the gray walls of the "EvÊchÉ," he sat, mused, and wrote his essays upon the encroachments of Papacy, which destroyed the remnants of Pope Innocent's power in France.
In his later years he remained in seclusion here at Meaux, leading the life of a simple parish priest, and here he died "full of honors and beloved by all," and was buried in the church in 1704. A handsome statue by Ruxtiel was erected in his honor on the south side of the choir.
Old Mills: Meaux
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Here, too, was a fine kneeling statue of Philip of Castile, dated 1627.
But the great point of attraction for the stranger at Meaux was the bridge and the old timbered mills which overhung it, and the curious greeny water of the river Marne.
I could not ascertain what gave the water its green color; it did not seem natural, yet there were apparently no dye works near at hand—none of the inhabitants whom I questioned seemed able to answer my question; they had never noticed it, they said.
The morning upon which I made my sketches of the ancient mills and the old bridges, there were two of them over the river, the sky suddenly darkened, and a heavy shower of rain fell. I took refuge in the open doorway of one of the old mills, and sat on the lower step of a ruinous dusty steep stairway leading upwards into mysterious deep shadows. Somewhere in the interior sounded the rhythmic beating of heavy machinery, but save for this, the "drumming fingers of the rain," and an occasional tinkle of a bell high up in the tower of the cathedral, there were no signs or sounds of life. Meaux is not a large town, neither is it a very lively one, but it is charmingly situated. Were it farther away from Paris, I doubt not that it might attract the tourist, for it has a most delightful public promenade along the river Marne which is entered immediately before the railway station. But up to the time of the outbreak of the great world war, Meaux was comparatively unknown to the foreigner tourist, and were it not for the old mills of which I had heard, I should not have stopped there. The cathedral treasury possessed copies of nine of RaphaËl's cartoons, and included two of the three "lost" ones, described as "Martyrdom of St. Stephen and Conversion of St. Paul." There were also copies of frescoes by Guido Reni and Dominichino, an "Adoration of the Magi" after Champaigne and an "Annunciation" after Stella. I had made notes concerning these in my pocket diary and as I sat on the step in the old doorway of the dusty mill, I mused over the pages while the raindrops fell outside.
All at once the door swung to slowly, and when I tried to open it, I found that it was fast and would not yield. There was no sort of knob visible in the gloom, nor was there any aperture in the door through which light could come. There seemed to be light somewhere above, so I mounted the steps, which stopped abruptly before another closed door which, however, was not fastened, for it yielded at once to my touch. There was a small window here of four panes thick with dust, through which some feeble light came. More steep steps led upward, and I continued to mount, judging that I should soon come to some sort of room where there were men at work.
But at the top of these stairs was a similar door and more steps, and still another flight brought me into an immense empty room with an uneven floor, the planks of which were loose here and there and gave alarmingly to my weight. Overhead huge beams crossed and recrossed the dimness, and on these beams perched countless numbers of rooks, who uneasily regarded my intrusion. The windows—there were five of them—I could not reach from the floor, nor could I by jumping up, try as I might, reach the sills, so that I might see out. Backwards and forwards I passed, and then along the blank wall which I judged adjoined the neighboring mill, seeking a doorway. I could find none. Finally I found a small door, not more than three feet from the floor in the blank wall. This was fastened by a hasp and opened readily. I got down on my hands and knees in the dust which lay thickly, and crept through it into a second large dim room, almost the counterpart of that which I had just left, save that it was lighted by only one window and this without glass. It, too, was high up in the wall like the others.
In the very middle of the uneven floor was an unguarded opening through which the heavy ropes of a pulley hung. I lost no time in feeling my way carefully down the steps at one side which were without any rail to hold on to. I found that there was a ladder here by which I might descend, which I did at once, but with some misgivings as to where it might land me.
Now I heard voices from below and, reassured, I put foot to the ladder. In a few moments I was on the floor below, but as I was about to walk away from the ladder in the darkness towards an opening on the farther end, I bethought me to put out a foot carefully to try the floor. To my horror there was no floor there, and retreating I lighted a match and threw it before me. The feeble flame was enough to show a great black chasm where I had thought to step a moment before, and the hair on my scalp rose in fright at my escape. I shouted aloud for help—I heard running footsteps—and right beside me a door opened letting in a flood of daylight and the figure of one of the millers, who regarded me with openmouthed astonishment, as well he might.
When I had explained my predicament, he and the other men who gathered about were loud in their expressions of wonder at my escape from a terrible death, for had I but stepped a foot farther, I had fallen forty or fifty feet into a sluiceway from which they vowed I never could have escaped alive. I invited all hands over to the cafÉ, and there I gave offerings to Bacchus in honor of my escape which were eagerly consumed by the millers of Meaux.
Cathedral: Meaux
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M. Georges Montorgueil, writing in "La CitÉs Meurtries, 1916," his account of the early days of terror in Meaux, gives a picture of the old priest who so devotedly and courageously shepherded his little flock of women and children, helpless before the invasion and destruction of the town by the Germans:
"Where, meanwhile, was the venerable priest, an old man of seventy-five years, the AbbÉ Fossin, whose age and gray hairs was no protection, to him, nor the eighteen unfortunates who were seized with him by the Germans and thrown into jail, under the most atrocious circumstances, not matched by any of its most ancient barbarities when the Germans were known as 'Huns.'
"The AbbÉ Fossin kept a Journal of events during the tragic hours preceding his arrest:
"'5th of September, 1914. Saturday.
"'I read my breviary. An aÉroplane passed above my head. The bodies of two pilots killed by a bomb were taken to the cemetery. A group of captured French soldiers are passing. "L'Église en ambulance." The prisoners of Guerard have gone. All the electric lights in the town are out.
"'6th September. Sunday.
"'A bad night. Impossible to say Mass or hold funeral of the two aviators in the cemetery because of the falling shells. The cannonade began at nine o'clock and lasted until five o'clock without interruption. We are under a very rain of fire! The batteries of the Germans, placed behind the presbytery, have been located by the English. I believe my last hour has arrived. The din is frightful! I have thanked God that I am protected.
"'7th September. Monday.
"'The battle has recommenced. Still impossible to say the Holy Mass. I paid a visit to the Germans in the Church. These are the most terribly wounded. They gave me their hands. They are badly off. I cannot give them bread; all I had, all the fruits of my garden have disappeared! I have nothing left!—'
"The diary ends here. Here was a holy man of venerable years of known truth and great charity, visiting his enemies to give them what he had, his prayers. He had nothing else to give. He was fatigued for lack of sleep. He was hungry, but he had nothing to eat. All he had in his meager house and small garden had been either taken away or destroyed. Witness now his recompense: less than an hour after he had written those last notes in his diary, the Germans had seized and dragged him before a wrathful German officer.
"He was charged with having climbed the tower of the cathedral to signal to the British lines. He who so suffered from rheumatism that he could hardly walk from his doorway to the church, a few paces away, by the aid of a cane. He was insulted by the officer, the soldiers who held him up before his questioner spat in his face. At length his shoes and clothes were stripped from him, and with great brutality he was thrown into a cellar, where he spent the night, with some potato bags to cover him. In the morning the door above was flung open, and a number of captives were thrown down the steep steps of the cellar way. These were Milliardet, Jourdin, Vapaille, TherrÉ, Croix, Eugene Leriche, Lacour, Jules Denis, Berthelemy Denis, Merillon, Combes, Mesnil, LiÉvin, Faure and his son, aged fifteen, who was baker's boy in the village of Vareddes, and known under the nickname of 'Marmiton.'
"To this group the Germans added later in the day Paul Lebel and Vincent Denis, arrested because the latter called out to a German soldier, 'Eh, well, old man, you are not yet at Paris!'
"On Saturday, without feeding them or allowing any one to visit them, all these unfortunates were divided into several groups, and surrounded by soldiers, hustled along the road to Lizy-sur-Ourcy, where they were halted.
"They numbered now fifteen in all, not counting the old priest, the AbbÉ Fossin.
"PÈre Leriche, who was himself seventy-four years old, relates that the AbbÉ, who lay prostrate on the ground beside him, said to him in a low voice, 'I believe that they are going to shoot me—take my watch and breviary, and try and get them to my family.' When the march was resumed the AbbÉ could not walk fast enough to suit the soldiers. He was pushed and struck by them, his soutane was torn to ribbons. Finally they threw him into a wagon which they seized on the road. In this he lay groaning. He died a short time later, and was left beside the road. The heat was atrocious; thus they marched, the younger ones sustaining the elders, through the long hours to the rear, without water or food, insulted and beaten constantly by their captors.
"At Coulomb, PÈre Jourdain fell in the road, unable to continue the march. He was immediately dispatched by a revolver shot.
"At ChÉzy-en-Orxois, another old man, Milliardet, eighty years old, was similarly disposed of. Any complaint was the signal of death. Both Terry and Croix were shot for whistling.
"Old Eugene Menie, who halted on the edge of a deep ditch, was struck by the butt of a gun in the hands of one of the soldiers, and his neck broken—they threw him into the ditch and went on.
"PÈre LiÉvin, aged sixty-one, who had heart disease, could not keep step with the others; he was purple in the face, and his eyes stuck out so comically that it amused the soldiers, who finally shot him and left his body at the cemetery gate in Chauny."
These are only haphazard extracts from the records of that terrible month of September, 1914, when unfortunate Meaux was the very center of affairs. Elsewhere we read of the aspects of the streets after each successive bombardment, the telegraph hanging in festoons on the footways, the trunks of huge trees felled by cannon barring the way; the carcasses of animals lying about amid strange dÉbris, such as heavy leather shoes, broken guns, sticks and barrels, empty tin cans, torn and ragged clothing clotted with blood, strange piles of still smoking ashes containing small bones, and over all the odor of burning petroleum.
The houses with wide open doors and sashless window frames; gardens uprooted and despoiled; walls thrown down, and strewn about an immense quantity of broken glass bottles. These were the streets of Meaux, which I had explored on that peaceful morning in August, 1910, and made the sketches of the old bridge with its clustered mills, the fire blackened beams now hanging in grotesque ruins over the water of the little green river.
The bombardment began on Monday, the 7th of September, 1914. The first of the German shells fell upon the town at eleven in the morning, in the direction of the fauburg St.-Nicholas, then in the fauburg St.-Faron.
The bombardment followed the line of the railway. In the cemetery the ancient tombs were scattered in all directions; ten shells destroyed the hospital. The Grand Seminary fell next. Of the one hundred and twenty shells which on this Monday fell in the town, the first five did the greatest damage. Whole lines of houses were thrown down and set on fire. This lasted until six in the afternoon. The next day shells began to fall again in the early morning. The cathedral was encircled by shells, which did great damage, but by a special Providence with the exception of an enormous hole in the roof, and the destruction of the venerable cloisters, the ancient cathedral escaped the fate of its neighbors.
This is the chronology: Wednesday, September 2, the exodus; Thursday, the town lay deserted and helpless; Friday, the organization of all the available defensive forces; Saturday and Sunday, the battle; Monday, the bombardment; Tuesday, the enemy driven off, and the town saved.