Paris!

With emotions difficult to appreciate Edward found himself at home, for of all places Paris meant that to him. He went at once to his old quarters; a suite of rooms in a quiet but accessible street, where was combined something of both city and suburban life. The concierge almost overwhelmed him with his welcome.

In obedience to his letters, everything had been placed in order, books and furniture dusted, the linen renewed, the curtains laundered and stiffened anew, and on the little center table was a vase of crimson roses—a contribution for madame and mademoiselle.

His own, the larger room, was surrendered to the ladies; the smaller he retained. There was the little parlor between, for common use. Outside was the shady vista of the street and in the distance the murmur of the city.

Mrs. Montjoy was delighted with the arrangement and the scene. Mary absorbed all the surroundings of the owner's past life; every picture, every book and bit of bric-a-brac, all were parts of him and full of interest. The very room seemed imbued with his presence. Here was his shaded student's lamp, there the small upright piano, with its stack of music and, in place ready for the player, an open sheet. It might have been yesterday that he arose from its stool, walked out and closed the door.

It was a little home, and when coming into the parlor from his dressing room, Edward saw her slender figure, he paused, and then the old depression returned.

She found him watching her, and noted the troubled look upon his face.

"It is all so cozy and beautiful," she said. "I am so glad that you brought us here rather than to a hotel."

"And I, too, if you are pleased."

"Pleased! It is simply perfect!"

A note lay upon the center table. He noticed that it was addressed to him, and, excusing himself, opened it and read:

"M. Morgan. Benoni, the maestro, is ill and desires monsieur. It will be well if monsieur comes quickly.

"Annette."

He rang the bell hurriedly and the concierge appeared.

"This note," said Edward, speaking rapidly in French; "has it been long here?"

"Since yesterday. I sent it back, and they returned it. Monsieur is not disappointed, I trust." Edward shook his head and was seeking his hat and gloves.

"You recall my old friend, the maestro, who gave me the violin," he said, remembering Mary. "The note says he is very ill. It was sent yesterday. Make my excuses to your mother; I will not stay long. If I do not see you here, I will seek you over yonder in the park, where the band may be playing shortly; and then we will find a supper."

Walking rapidly to a cab stand he selected one with a promising horse, and gave directions. He was carried at a rapid rate into the region of the Quartier Latin and in a few moments found the maestro's home.

One or two persons were by him when he entered the room, and they turned and looked curiously. "Edward!" exclaimed the old man, lifting his sightless eyes toward the door; "there is but one who steps like that!"

Edward approached and took his hand. The sick man was sitting in his arm-chair, wrapped in his faded dressing-gown. "My friends," he continued, lifting his hand with a slight gesture of dismissal, "you have been kind to Benoni; God will reward you; farewell!"

The friends, one a woman of the neighborhood, the other the wife of the concierge, came and touched his hand, and, bowing to Edward, withdrew, lifting their white aprons to their faces as they passed from the room.

"You are very ill," said Edward, placing his hand upon the old man's arm; "I have just returned to Paris and came at once."

"Very ill, indeed." He leaned back his head wearily. "It will soon be over."

"Have you no friends who should know of this, good Benoni; no relatives? You have been silent upon this subject, and I have never questioned you. I will bring them if you will let me." Benoni shook his head.

"Never. I am to them already dead." A fit of coughing seized him, and he became greatly exhausted. Upon the table was a small bottle containing wine, left by one of the women. Edward poured out a draught and placed it to the bloodless lips.

"One is my wife," said the dying man, with sudden energy, "my own wife."

"I will answer that she comes; she cannot refuse."

"Refuse? No, indeed! She has been searching for me for a lifetime. Many times she has looked upon me without recognition. She would come; she has been here—she has been here!"

"And did not know you? It is possible?"

"She did not know."

"You told her, though?"

"No."

"You never told her—" There was a pause. The sick man said, gasping:

"I am a convict!" A cry of horror broke from the lips of the young man. The old violinist resented his sudden start and exclamation. "But a convict innocent. I swear it before my Maker!" Edward was deeply touched.

"None can doubt that who knows you, Benoni."

"He threatened my life; he struck at me with his knife; I turned it on him, and he fell dead. I did what I could; I was stanching the wound when they seized me. His ring jewel had cut my face; but for that I would have been executed. I had no friends, even my name was not my own. I went to prison and labor for twenty years."

He named the length of his sentence in a whisper. It was a horror he could never understand. He stretched out his hand. "Wine." Again Edward restored something of the fleeting strength.

"She came," he said, "searching for me. I was blind then; they had been careless with their blasting—my eyes were gone, my hair white, my face scarred. She did not know me. Her voice was divine! Her name has been in the mouths of all men. She came and sang at Christmas, to the prisoners, the glorious hymns of her church, and she sang to me. It was a song that none there knew but me—my song! Had she watched my face, then, she would have known; but how could she suspect me, the blind, the scarred, the gray? She passed out forever. And I, harmless, helpless, soon followed—pardoned. I knew her name; I made my way to Paris to be near that voice; and the years passed; I was poor and blind. It cost money to hear her."

Trembling with emotion, Edward whispered: "Her name?" Benoni shook his head and slowly extended his withered arms. The woolen wristlets had been removed, there were the white scars, the marks of the convict's long-worn irons.

"I have forgiven her; I will not bring her disgrace."

"Cambia?" said Edward, unconsciously. There was a loud cry; the old man half-rose and sank back, baffled by his weakness.

"Hush! Hush!" he gasped; "it is my secret; swear to me you will keep it; swear to me, swear!"

"I swear it, Benoni, I swear it." The old man seemed to have fallen asleep; it was a stupor.

"She came," he said, "years ago and offered me gold. It was to be the last effort of her life. She could not believe but that her husband was in Paris and might be found. She believed the song would find him. I had been suggested to her because my music and figure were known to all the boulevards. I was blind and could never know her. But I knew her voice.

"She went, veiled to avoid recognition; she stood by me at a certain place on the boulevard where people gather in the evening and sang. What a song. The streets were blocked, and men, I am told, uncovered before the sacred purity of that voice, and when all were there who could hear she sang our song; while I, weeping, played the accompaniment, ay, as no man living or dead could have played it. Always in the lines—

—her voice gave way. They called it art.

"Well, I thought, one day I will tell; it was always the next day, but I knew, as she sang, in her mind must have arisen the picture of that husband standing by her side—ah, my God, I could not, I could not; blind, scarred, a felon, I could not; I was dead! It was bitter!

"And then she came to me and said: 'Good Benoni, your heart is true and tender; I thank you; I have wealth and plenty; here is gold, take it in memory of a broken heart you have soothed.' I said:

"'The voice of that woman, her song, are better than gold. I have them.' I went and stood in the door as she, weeping, passed out. She lifted her veil and touched the forehead of the old musician with her lips, and then—I hardly knew! I was lying on the floor when Annette came to bring my tea."

For a long time he sat without motion after this recital. Edward loosened the faded cords of his gown. The old man spoke again in a whisper:

"Come closer; there is another secret. I knew then that I had never before loved her. My marriage had been an outrage of heart-faith. I mistook admiration, sympathy, memory, for love. I was swept from my feet by her devotion, but it is true—as God is my judge, I never loved her until then—until her sad, ruined life spoke to me in that song on the streets of Paris." Edward still held his hand.

"Benoni," he said, simply, "there is no guilt upon your soul to have deserved the convict's irons. Believe me, it is better to send for her and let her come to you. Think of the long years she has searched; of the long years of uncertainty that must follow. You cannot, you cannot pass away without paying the debt; it was your fault in the beginning——"

The old man had gradually lifted his head; now he bowed it. "Then you owe her the admission. Oh, believe me, you are wrong if you think the scars of misfortune can shame away love. You do not know a true woman's heart. You have not much time, I fear; let me send for her." There was no reply. He knelt and took one withered hand in his. "Benoni, I plead for you as for her. There will come a last moment—you will relent; and then it will be too late."

"Send!" It was a whisper. The lips moved again; it was an address. Upon a card Edward wrote hurriedly:

"The blind musician who once played for you is dying. He has the secret of your life. If you would see your husband alive lose no minute.

"A Friend."

He dashed from the room and ran rapidly to a cab stand.

"Take this," he said, "bring an answer in thirty minutes, and get 100 francs. If the police interfere, say a dying man waits for his friend."

The driver lashed his horses, and was lashing them as he faded into the distance.

Edward returned; he called for hot water and bathed the dying man's feet; he rubbed his limbs and poured brandy down his throat. He laid his watch upon the little table; five, ten, fifteen, twenty, five—would she never come?

Death had already entered; he was hovering over the doomed man.

The door opened; a tall woman of sad but noble countenance stepped in, thrusting back her veil. Edward was kneeling by Benoni's side. Cambia's eyes were fastened upon the face of the dying man.

Edward passed out, leaving them alone. A name escaped her.

"Gaspard."

Slowly, leaning upon the arm of his chair, the old man arose and listened.

"It was a voice from the past," he said, clearly. "Who calls Gaspard Levigne?"

"Oh, God in heaven!" she moaned, dropping to her knees. "Is it true? What do you know of Gaspard Levigne?"

"Nothing that is good; but I am he, Marie!" The woman rushed to his side; she touched his face and smoothed the disordered hair. She held his hand after he had sunk into his chair.

"Tell me, in God's name," she said. "Tell me where are the proofs of our marriage? Oh, Gaspard, for my sake, for the sake of your posterity! You are dying; do not deny me!"

"Ah," he said, in a whisper. "I did not know—there—was—another—I did not know. The woman—she wrote that it died!" He rose again to his feet, animated by a thought that gave him new strength. Turning his face toward her in horror, he said:

"It is for you that you search, then—not for me!"

"Speak, Gaspard, my husband, for my sake, for the sake of your Marie, who loved and loves you, speak!" His lips moved. She placed her ear to them:

"Dear heaven," she cried in despair. "I cannot hear him! I cannot hear him! Gaspard! Gaspard! Gaspard! Ah——" The appeal ended in a shriek. She was staring into his glazing eyes. Then over the man's face came a change. Peace settled there. The eyes closed and he whispered: "Freda!"

Hearing her frantic grief, Edward rushed in and now stood looking down in deep distress upon the scene.

"He is dead, madame," he said, simply. "Let me see you to your home." She arose, white and calm, by a mighty effort.

"What was he to you? Who are you?" she asked.

"He was my friend and master." He laid his hands lovingly on the eyes, closing them. "I am Edward Morgan!" Her eyes never left him. There was no motion of her tall figure; only her hand upon the veil closed tightly and her features twitched. They stood in silence but a moment; it was broken by Cambia. She had regained something of the bearing of the dramatic soprano. With a simple dignity she said:

"Sir, you have witnessed a painful scene. On the honor of a gentleman give me your pledge to secrecy. There are tragedies in all lives; chance has laid bare to you the youth of Cambia." He pointed downward to where the still form lay between them.

"Above the body of your husband—my friend—I swear to you that your secret is safe."

"I thank you."

She looked a moment upon the form of the sleeper, and then her eyes searched the face of the young man. "Will you leave me alone with him a few moments?" He bowed and again withdrew into the little hall.

When he was gone she knelt above the figure a long time in prayer, and then, looking for the last time upon the dead face, sadly withdrew. The young man took her to the carriage. A policeman was guarding it.

"The driver broke the regulation by my orders," Edward said; "he was bringing this lady to the bedside of a dying friend. Here is enough to pay his fine." He gave a few napoleons to the cabman and his card on which he placed his address.

"Adieu, madame. I will arrange everything, and if you will attend the funeral I will notify you."

"I will attend," said Cambia; "I thank you. Adieu."