CHAPTER IV

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THE EGYPTIANS IN SINAI I.

THE monuments which the Egyptians erected in Sinai are evidence of their continued connection with the place. These were examined and studied in the winter of 1906.[42] They comprised many monuments which were carved in the living rock, and were found in the Wadi Maghara, the Wadi Nasb and at Serabit. At Serabit, moreover, there were found numerous offerings consisting of statuettes, vases, pottery, and other objects which were brought from Egypt to the sanctuary. Outside this sanctuary the Egyptians set up steles near the holy caves and on the neighbouring hillside, and they built chambers and porticoes inside the temenos, and covered these with scenes and inscriptions. Thus the buildings outside the caves went on increasing till the place assumed the appearance of a vast temple.

The baboon figure which was discovered in the temple of Serabit, and the turquoise that was found in early graves in Egypt, show that the Egyptians came to the peninsula in pre-dynastic days. The beginning of dynastic history in Egypt was dated by Prof. Breasted (1909) to about b.c. 3400,[43] and by Prof. Petrie (1914) to about b.c. 5500. Scholars are more and more inclining to accept the earlier date.

At the beginning of the First Dynasty the Egyptians had secured a firm foothold in the peninsula, as is shown by the inscriptions on the living rock of the Pharaohs of this dynasty. These rock-inscriptions are close to the mine holes in the hillside about 170 feet above the valley floor. Besides these there were many inscriptions of kings of the Third, Fifth and Sixth Dynasties. They were known to Europeans in the eighteenth century, and some were drawn and described. But their importance was not fully recognised and many perished in the blasting, when the search for turquoise was renewed in the nineteenth century. Among those which were ruthlessly destroyed was the great tablet of King Khufu (IV 2), here reproduced. A full record was therefore made of those which remained in 1906, and, in order to save the tablets, they were removed to the Museum in Cairo. One only was left in situ. It was the oldest of all, dating from King Semerkhet (I 7), seventh king of the First Dynasty, which is engraved on the rock 394 feet above the valley floor in a position which seems to guarantee its safety.

The earliest tablets in the Wadi Maghara represented the Pharaoh under three aspects: as king of Upper Egypt, as king of Lower Egypt, and as smiter of the enemy who crouches before him. There is, at first, little wording beside the names and the titles of the king. As a smiter the king holds a mace in one hand and a staff in the other, and the enemy has a bold cast of countenance, abundant hair, a peaked beard, and wears a loin-cloth. The Pharaoh holds him by the top-knot, together with a carved object which he seems to have taken from him. This may be a feather; possibly it is a boomerang or throwstick.

The rock inscription of Semerkhet was worked by cutting away the face, and leaving the figures and the hieroglyphs standing in relief. A little in front of the scenes, and worked on the same scale, was the general of the expedition, who wears no distinctive dress, but the word Mer-meshau (leader of troops), written in hieroglyphs, is before him. He is without head-dress and carries arrows and a bow of the double-curved Libyan type.

Semerkhet was probably not the first Pharaoh who worked in Sinai. For a small plaque found at Abydos represents Den-Setui, an earlier king of the First Dynasty, who is seen in the same attitude as the Pharaohs on the Sinai rock tablets, and the cast of countenance of the enemy is also the same.[44]

Little is known of King Semerkhet outside Sinai. It is supposed that the First Dynasty at his time was weakening. No records in Sinai mention kings of the Second Dynasty, who were indigenous to the Nile valley, and whose energies were devoted to reconstructing the older elements of government at home.

A new spirit arose with the kings of the Third Dynasty, of whom Sanekht (III 1) was represented at Wadi Maghara in the usual scenes with the addition of the jackal-nome standard, one of the earliest represented in Egypt, which may refer to the troops that accompanied his expedition. The face of Sanekht is strongly Ethiopian in character, not unlike the present Sudanys. The jackal-nome standard appears also on the tablet of Zeser (III 2), the next Pharaoh recorded, who was seen in the regular group of smiting with the addition of the familiar titles, “giver of purity, stability, life, gladness for ever.”[45]

The intercourse between Egypt and Sinai found a new development under Sneferu (III 9), who was represented wearing the horned head-dress mentioned above, and the wording of his tablet described him as “Great god ravaging the lands,” here reproduced. Sneferu worked not only at Maghara, but was in contact also with the sanctuary at Serabit. To this he presented the figure of a hawk, his favourite emblem, worked in grey limestone, which was discovered in the winter of 1906 in the sacred cave itself. Its work and inscription mark it as a contemporary monument. It is now in the British Museum. Later ages looked upon Sneferu as especially connected with Sinai, reckoning him as one of the protecting divinities of the place, and his haul in turquoise was referred to in the Twelfth Dynasty as exceptional. “I obtained more turquoise than any man since Sneferu.”[46] The value which was set on turquoise in Egypt during his reign is shown by one of the so-called Tales of the Magicians, which relates how the damsels of the harim of Sneferu went rowing on the lake. One dropped her jewel of “new turquoise” into the water, which was recovered by magical means.[47]

The next Pharaoh who was commemorated at Maghara was Khufu (IV 2), the great pyramid builder, who, as already mentioned, was figured smiting the enemy before the ibis-headed figure of the god Thoth. At Maghara several tablets recorded him, which were of large size and of excellent workmanship. The chief one had fortunately been drawn and photographed before it was entirely smashed during the recent blasting. On this tablet, the Pharaoh, here named Khnumu-Khufu, was described as a smiter of the Anu, a word written with three pillar signs, with a man as a determinative (Fig. 4).

Next in date at Maghara was the tablet of Sahura (V 2), which was framed by a colossal Uas-sceptre on either side and a row of stars along the top. Sahura was described in the wording as “smiter of the Mentu.” The same words were used to describe Ra-en-user (V 6), whose tablet at Maghara measured 63 by 102 inches, and was the largest of all. This tablet has the additional feature of an enormous vase supported by two ankhs with the words: “The lord of foreign lands (neb Setui) gave coolness,” which suggests that a water supply was made accessible by some local sheykh.

The Pharaohs at Maghara, between the First and the Fourth Dynasties, were always represented as smiters. The tablets of the Fifth and Sixth Dynasties are for the most part broken or destroyed, but what is left of them points to more peaceful relations, and records the mining expeditions with additional detail.

Thus the tablet of Dadkara (V 8) states that the expedition (upt) was sent in the year after the fourth cattle census, which dates it to the eighth or ninth year of the reign of this king. Again, a tablet of Pepy I (VI 3) was dated by “the year after the eighteenth cattle census”. These tablets, moreover, mention some of the dignitaries who took part in the expedition. That of Dadkara named the ship-captain Nenekt-Khentikhet; that of Pepy I the ship-captain Ibdu; a further one of Pepy II (VI 5) the ship-captain Benkeneph.[48] This shows that the Egyptians approached the mine-land by water. There is mention on these tablets also of princes, of scribes, of a commander of recruits (hez-uz-neferu), of inspectors (uba), of interpreters of princes (sehez-saru), of the seal-bearer to the god (neter sahu), of a chief of the land (mer ta), of a chief of the storehouse (mer ab), of a chief of the elders (mer uru), and of others, which shows how carefully the expeditions were organised. The tablet of Dadkara, moreover, mentions for the first time the Fkat country, fkat being short for mafkat, the ancient Egyptian word for turquoise. There is always a difficulty in reading aright the names of precious stones. Mafkat was often rendered as malachite, and it needed the turning over of the rubbish heaps at Serabit and the discovery of turquoise, in order fully to establish the nature of the stone that was the product of the area appropriated to “Hathor of Mafkat.”

The close of the Sixth Dynasty brought a break in the relations between Egypt and Sinai, which is attributable, no doubt, to changes in Egypt itself, of which we know little at this period. Perhaps there were movements among the people of the east. Among those who threatened Egypt from this side were the Mentu, who were Asiatics, and whose successful defeat was achieved, as mentioned above, with the help of the devotees to Sopd.

The Egyptians probably resumed work in Sinai during the Eleventh Dynasty, since workmen’s pots, found in the Wadi Maghara, are dated to this dynasty by their style.[49] The reign may have been that of Mentu-hotep III (XI 7), for a group of four kings seated at a table carved in stone was discovered at Serabit, with the names of the kings along the edge of the table on which their hands were placed. They were Sneferu (probably), Mentu-hotep III (XI 7), Amen-em-hat I (XII 1), and his son Sen-usert (XII 2), who was probably the donor of the group.[50]

When work was resumed in Sinai in the Eleventh Dynasty, the attitude of the Egyptians towards Serabit had undergone a marked change. In early days they had approached the sanctuary as quasi-worshippers, presenting offerings such as the baboon and the hawk. Now the sanctuary itself was drawn within the sphere of their influence, and they erected uprights or mazzeboth on the approach to the cave on which they recorded their mining expeditions.

Uprights of this kind are entirely unknown in Egypt. The mazzeboth erected by the Egyptians in Sinai were therefore set up in deference to the custom of the place. They were worked in red sandstone which was quarried on the north side of the temple height judging by a great square cutting that remains there, and the work of inscribing them was done in situ by Egyptian stone-cutters who were attached to the expeditions. These steles are for the most part 6 to 12 feet high, 2 to 4 feet broad, and 6 to 8 inches thick. Their tops are rounded, which gives them the appearance of gravestones, and this led some of the earlier travellers to describe the height of Serabit as a place of burial.

The oldest of the mazzeboth were erected on a prominent spot outside the temenos within sight of the sanctuary; later these steles were placed along the approach to the cave, more and more crowding the adytum. These Egyptian inscribed mazzeboth all have a flat stone at the base which suggests a place of offering, and their purpose seems to have been to recommend the members of the expedition who set up the stone to the good graces of Hathor of Mafkat.

In keeping with this, a statuette of Hathor was presented to the shrine by the Pharaohs of the Twelfth Dynasty, every one of whom organised one, if not several, expeditions to Sinai, in order to secure turquoise. Several of these statuettes, varying in size and in workmanship, were discovered inside the temple area during the winter of 1906; most of them were sadly mutilated.

One statuette was the gift of Amen-em-hat I (XII 1), the founder of the dynasty, who erected a portal outside the lesser cave as was shown by a stone lintel bearing his name, which was found here. His successor, Sen-usert I (XII 2), added to this portal as was shown by a piece of limestone bearing his name. The larger cave about this time was squared, its walls were smoothed and a slab was fixed inside, on which were placed the more important Egyptian offerings, including the hawk presented by Sneferu, and the statuettes of Hathor. It served also to hold a hawk worked in sandstone that was presented by Sen-usert himself, which named him, his queen Khent, their daughter Sebat, and Ankhab, chief or overseer of the north land.

The same Ankhab also set up a tablet of his own, inside the cave on which he was represented offering loaves to Amen.

Of the next king, Amen-em-hat II (XII 3), there was found the usual statuette of Hathor, which was presented by the ship-captain Sneferu. Inscriptions on a hill at some distance from the caves showed that the Egyptians now worked turquoise mines at Serabit on their own account on land which they had acquired. One inscription was of the seventeenth year of Amen-em-hat II, another of his twenty-fourth year. The latter mentioned the “mine chamber which Men, born of Mut, triumphant and revered, excavated.” Two steles erected in the approach to the sanctuary likewise recorded the seventeenth and the twenty-fourth year of the reign of the same king.

The next kings, Sen-usert II (XII 4) and Sen-usert III (XII 5), made the usual gift of a statuette of Hathor. The latter was presented by five officials, including Merru, two inspectors, a scribe of the cattle, and an Amu or Syrian named Lua or Luy, “a name which corresponds to the Semitic LÉvy.”[51] This shows a Semite in actual contact with the place. A stele of the same Pharaoh stood in a knoll of hÆmatite on the plateau, the exposed position of which caused it to fall and crumble long ago; its remains strew the ground.

The reign of the next Pharaoh, Amen-em-hat III (XII 6), marked a climax in the intercourse of Egypt and Sinai. Of the forty-four years of his reign, at least fourteen witnessed expeditions to Sinai, which were commemorated by inscriptions set up in Wadi Maghara, in Wadi Nasb, and at Serabit.

A great inscription of the second year, mentioned above, stands on a boulder at the entrance to Wadi Maghara, which shows the king facing the ibis-headed Thoth and Hathor, and the accompanying wording mentions Khenti-hotep Khenemsu, who was commissioned to fetch turquoise and copper, and who had with him 734 men. Another inscription was set up by Harnakt, who “crossed the sea and secured stones of great excellence.”[52]

At Serabit also Amen-em-hat III was commemorated by many inscriptions. Large stone steles, set up on the plateau, recorded the 4th, 8th, 13th, 23rd, 30th, 44th, and 45th year of this reign. Several of these steles mention by name the Retennu people, of whom we now hear for the first time in Sinai.

Fig. 9.—Upper half of Stele of Amen-em-hat III. (Petrie: Researches in Sinai.)

The stele of the fourth year contained in two columns the names and titles of over a hundred persons who took part in the expedition. The names start in fairly large hieroglyphs at the top, and diminish in size lower down. A few additional names were roughly inscribed along the edge of the stele as the result of an afterthought. This splendid stele stood about ten feet high in the approach to the temple, but, worn through at the base by the continued action of wind and rain, it fell, and snapped in two in the falling (Fig. 9).

Not far from this stele stood one that was set up by Horoura, describing an expedition which reached the mines in hot weather. “The desert burnt like summer; the mountains burnt like fire; the vein seemed exhausted; the overseer questioned the miners; the skilled workers who knew the mine replied, There is turquoise to all eternity in the mountain, and at that moment it appeared.”[53]

The reference is to the turquoise mines opened by Amen-em-hat II, which were now further developed. The neck of rock which contained the turquoise had hitherto been worked from the north. This neck of rock was now attacked from the south, and, as the work became complex, a shaft of about ten feet square was sunk from above, which brought light and air into the passages. This shaft was wrongly described by some travellers as a reservoir. The passages eventually extended about 220 feet into the rock. A great inscription on the rock, near the chief opening, gives an idea of the offerings which the Egyptians made at the sanctuary at this time; evidently in return for the permission to work here. It mentions “a thousand loaves, jars of beer, cattle, fowls, incense, ointment, and everything on which the gods live.” The offerings in this case were presented by Sebek-her-heb, chief chamberlain, who declared, “I excavated a mine-chamber for my lord, the workmen came in full quota, never was there any neglect.”[54]

The same Sebek-her-heb erected the stele of the 44th year of Amen-em-hat III on the plateau. It is inscribed on one side only and stands in a rough stone enclosure with a flat stone at the base. The inscription runs “a royal offering to Hathor, mistress of turquoise (mafkat), for the family spirit (ka) of the chief chamberlain Sebek-her-heb, and the ka of the seal-bearer, deputy of the overseer of seal-bearers, Kemnaa, born of Ka-hotep.”[55]

Another inscription of the 45th year of Amen-em-hat III, named Ptahwer, triumphant, who described himself as “delivering the Anu Sut (eastern foreigners) to the Pharaoh, and bringing the Mentu to the halls of the king.”[56]

During the reign of Amen-em-hat III the caves at Serabit were re-modelled to their present shape. The larger cave, without the recesses, now measures 20 by 10 feet. A square pillar of rock was left standing in its centre as a support to the roof. On one side of this pillar the Pharaoh was represented facing the goddess Hathor, wearing a high head-dress, who held out to him a sceptre. Beneath this scene Khenum-su, Ameny-seneb, seal-bearer, and other officials were seen.[57] The walls of the cave at the same time were smoothed and inscribed with mortuary prayers. But their surface for the most part has crumbled away, perhaps owing to intentional desecration, and the inscriptions are lost.

Ameny-seneb who was represented on the squared pillar, also set up in the cave an altar in the name of his king. This altar measured 40 by 26 inches, and probably stood at the back of the cave in a recess of corresponding dimensions. It was found in another part of the cave. This altar had the ordinary appearance of an Egyptian altar and was worked in the red sandstone of the place. It apparently took the place of an earlier stone or altar of different appearance, fragments of which were also found inside the cave. The smashing of this altar also points to an intentional desecration of the place.

The smaller cave which was appropriated to Sopd, was probably re-arranged at the same time. There was here no sign of inscription or tablet. It was simply a rounded apse with three steps leading up to it.

The other work which was done during the reign of Amen-em-hat III included mining in the Wadi Nasb, where an inscription at the head of the valley recorded his 20th year.[58]

The head of the valley floor of the Wadi Nasb is covered with an enormous mass of slag, which points to extensive copper smelting. The mass of slag is 6 to 8 feet deep, 300 feet wide, and extends about 500 feet down the valley. It “may amount to 100,000 tons.” The provenance of the copper that was smelted here is insufficiently known. It can hardly have been brought up from the mines in the Wadi Khalig. But even at Serabit, now entirely denuded of trees, a crucible was found.

After the long reign of Amen-em-hat III came the short reign of Amen-em-hat IV (XII 7), the last king of his dynasty. An inscription in the Wadi Maghara recorded work done there in his sixth year, and, at Serabit, the small rock tablet mentioned above, was set up on the western side of the plateau. A portico-court about 10 feet square was also built by him outside the larger cave. This court was roofed over with slabs of stone, the roof being supported by two fluted columns which, like the rest of the building, were worked in the red sandstone of the place. The walls of this portico were inscribed, the subject being Hathor seated with the Pharaoh offering to her, and a long row of officials behind him. The same scene reversed was represented on the other side of the entrance. But the surface of the wall has crumbled so that the general character only of the scenes is visible and the names of the officials have gone.


                                                                                                                                                                                                                                                                                                           

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