It was Wednesday when Isaacson read, and re-read, this note. He regretted the days that must intervene before the Sunday came. For he feared to repent his betrayal. And the note did not banish this fear. More than once he did repent. Then he and Nigel met and again he gave conscious help to his heart. He did not speak to Nigel of the projected visit, and Nigel did not say anything more about Mrs. Chepstow. Isaacson wondered at this reserve, which seemed to him unnatural in Nigel. More than once he found himself thinking that Nigel regretted what he had said about the possibility of Mrs. Chepstow visiting Egypt. But of this he could not be sure. On Sunday, at a few minutes past five, he arrived at the Savoy, and was taken to Mrs. Chepstow's room.

The autumn darkness had closed over London, and when he came into the room, which was empty, the curtains were drawn, the light shone, a fire was blazing on the hearth. Not far from it was placed a tea-table, close to a big sofa which stood out at right angles from the wall.

There were quantities of white carnations in vases on the mantel-piece, on the writing-table, and on the top of the rosewood piano. The piano was shut, and no "Gerontius" was visible.

Meyer Isaacson stood for a moment looking round, feeling the atmosphere of this room, or at least trying to feel it. In the summer had it not seemed a little lonely, a little dreary, a chamber to escape from, despite its comfort and pretty colours? Now it was bright, cosy, even hopeful. Yes, he breathed a hopeful atmosphere.

A door clicked. Mrs. Chepstow came in.

She wore a rose-coloured dress, cut very high at the throat, with tight sleeves that came partly over her hands, emphasizing their attractive delicacy. The dress was very plainly made and seemed moulded to her beautiful figure. She had no hat on, but Isaacson had never before been so much struck by her height. As she came in, she looked immensely tall. And there was some marked change in her appearance. For an instant he did not know what it was. Then he saw that she had given to her cheeks an ethereal flush of red. This altered her extraordinarily. It made her look younger, more brilliant, but also much less refined. She smiled gaily as she took his hand. She enveloped him at once with a definite cheerfulness which came to him as a shock. As she held his hand, she touched the bell. Then she drew him down on the sofa, with a sort of coaxing cordiality.

"This shall be better than Bank Holiday," she said. "I know you pitied me then. You wondered how I could bear it. Now I've shut out the river. I'm glad you never came again till I could have the lights and the fire. I love the English winters, don't you, because one has to do such delicious things to keep all thought of them out. Now, in the hot places abroad, that people are always raving about, all the year round one can never have a room like this, an hour like this by a clear fire, with thick curtains drawn—and a friend."

As she said the last three words, her voice had a really beautiful sound in it, and a sound that was surely beautiful because of some moral quality it contained or suggested. More than a whole essay of Emerson's did this mere sound suggest friendship. The leaves of the book of this woman's attractions were being turned one by one for Isaacson. And of all her attractions her voice perhaps was the greatest.

The waiter came in with tea. When he had gone, the Doctor could speak.

But he scarcely knew what to say. Very seldom was his self-possession disturbed. To-day he felt at a disadvantage. The depression, perhaps chiefly physical, which had lately been brooding over him, and which had become acute at the concert, deepened about him to-day, made him feel morally small. Mrs. Chepstow's cheerfulness seemed like height. For a moment in all ways she towered above him, and even her bodily height seemed like a mental triumph, or a triumph of her will over his.

"But this is only autumn," he said.

"We can pretend it is winter."

She gave him his cup of tea, with the same gesture that had charmed Nigel on the day when he first visited her. Then she handed him a plate with little bits of lemon on it.

"I've found out your tastes, you see. I know you never take milk."

He was obliged to feel grateful. Yet something in him longed to refuse the lemon, the something that never ceased from denouncing her. He uttered the right banality:

"How good of you to bother about me!"

"But you bother about me, and on your only free day! Don't you think I am grateful to you?"

There was no mockery in her voice. Today her irony was concealed, but, like a carefully-covered fire, he knew it was burning still. And because it was covered he resented it. He resented this comedy they were playing, the insincerity into which she was smilingly leading him. She could not imagine that she deceived him. She was far too clever for that. Then what was the good of it all?—that she had put him, that she kept him, at a disadvantage.

She handed him the muffins. She ministered to him as if she wanted to pet him. Again he had to feel grateful. Even in acute dislike men must be conscious of real charm in a woman. And Isaacson did not know how to ignore anything that was beautiful. Had the Devil come to him—with a grace, he must have thought, "How graceful is the Devil!" Now he was charmed by her gesture. Nevertheless, being a man of will, and, in the main, a man who was very sincere, he called up his hard resolutions, and said:

"No, I don't think you are grateful. I don't think you are the woman to be grateful without a cause."

"Or with one," he mentally added.

"But here is the cause!"

She touched his sleeve. And suddenly, with that touch, all her charm for him vanished, and he was angry with her for daring to treat him like those boys by whom she had been surrounded, for daring to think that she could play upon the worst in him.

"I'm afraid you are mistaken," he said. "I am no cause for your gratitude."

She looked more cordial and natural even than before.

"But I think you are. For you don't really like me, and yet you come to see me. That is unselfishness."

"Only supposing what you say were true, and that you did like me."

"I do like you."

She said it quite simply, without emphasis. And even to him it sounded true.

"Some day perhaps you will know it."

"But—I do not believe it."

He had recovered from the stroke of her greatest weapon, her voice.

"That does not matter. What is matters, not what some one thinks is, or is not."

"Yes," he said. "What is matters. I have come here, not to pay a formal call, or even a friendly visit, but, perhaps, to commit an impertinence."

She smilingly moved her head, and handed him her cigarette-case.

"No, you would never do that."

He hesitated to take a cigarette—and now her bright eyes frankly mocked him, and said, "A cigarette commits you to nothing!" Certainly she knew how to make him feel almost like an absurd and awkward boy; or was it his feeling of overwork, of physical depression, that was disarming him today?

"Thank you."

He lighted a cigarette, and she lighted another, still with a happy air.

"How do you know that?" he asked.

"I feel it."

With a little laugh, she reminded him of his saying about women.

"You are wrong. I am going to do it," he said.

"But—do you really think it an impertinence?"

He was beset by his sensitive dislike to mix in other people's affairs, but almost angrily he overcame it.

"I don't know. You may. Mrs. Chepstow, you were raving just now about the delights of the English winter—"

"Shut out!" she interpolated.

"Then why should you avoid them?"

"And who says I am going to?"

"Are not you going to Egypt?"

She settled herself in the angle of the sofa.

"Would it be the wrong climate for me, Doctor Isaacson?"

She put an emphasis on "Doctor."

"I am not talking as a doctor."

"Then as a friend—or as an enemy?"

"As a friend—of his."

"Of whom?"

"Of Nigel Armine."

"Because he is working in the Fayyūm, may not I go up the Nile?"

"If you were on the Nile, Armine would not be in the Fayyūm."

"You are anxious about his reclaiming of the desert? Have you put money into his land scheme?"

"You think I only care for money?" he said, nettled, despite himself, at the sound of knowledge in her voice.

"What do you know of me?"

"And you—of me?"

She still spoke lightly, smilingly. But he thought of the inexorable beating of that pulse of life—of life, and the will to live as her philosophy desired.

"I don't wish to speak of any knowledge I may have of you. But—leave Armine in the Fayyūm."

"Did he say I was going to Egypt?"

"He spoke of it once only. Then he said you might go."

"Anything else?"

"He said that if you did go he would look after you."

She sat looking at him in silence.

"And—why not?" she said at last, as he said nothing more.

"Others have—looked after you."

Her face did not change.

"Doesn't he know it?" she said.

"And he isn't like—others."

"I know what he is like."

When she said that, Isaacson hated her, hated her for her woman's power of understanding, and, through her understanding, of governing men.

"What does he mean by—looking after you?" he said.

And now, almost without knowing it, he spoke sternly, and his dark face was full of condemnation.

"What did you mean when you said that 'others' have done it?"

"Then it is that!"

Isaacson had not meant to speak the words, but they escaped from his lips. No passing light in her eyes betrayed that she had caught the reflection of the thought that lay behind them.

"Men! Men!" his mind was saying. "And—even Armine!"

"You are afraid for the Fayyūm?" she said.

"Oh, Mrs. Chepstow!" he began, with a sudden vehemence that suggested the unchaining of a nature. Then he stopped. Behind his silence there was a flood of words—words to describe her temperament and Armine's, her mode of life and Armine's, what she deserved—and he; words that would have painted for Mrs. Chepstow not only the good in Isaacson's friend, but also the secret good in Isaacson, shown in his love of it, his desire to keep it out of the mud. And it was just this secret good that prevented Isaacson from speaking. He could not bear to show it to this woman. Instinctively she knew, appreciated, what was, perhaps, not high-minded in him. Let her be content with that knowledge. He would not make her the gift of his goodness.

And—to do so would be useless.

"Yes?" she said.

She sat up on the sofa. She was looking lightly curious.

"If you do go to the Nile, let me wish you a happy winter."

He was once more the self-possessed Doctor so many women liked.

"If I go, I shall know how to make him happy," she replied, echoing his cool manner, despite her more earnest words.

He got up. Again he hated her for her knowledge of men. He hated her so much that he longed to be away from her. Why should she be allowed to take a life like Armine's into her soiled hands, even if she could make him happy for a time, being a mistress of deception?

"Good-bye."

He just touched her hand.

"Good-bye. I am grateful. You know why."

Again she sent him that cordial smile. He left her standing up by the hearth. The glow from the flames played over her rose-coloured gown. Her beautiful head was turned towards the door to watch him go. In one hand she held her cigarette. Its tiny wreath of smoke curled lightly about her, mounting up in the warm, bright room. Her figure, the shape of her head, her eyes—they looked really lovely. She was still the "Bella Donna" men had talked about so long. But as he went out, he saw the tiny wrinkles near her eyes, the slight hardness about her cheekbones, the cynical droop at the corners of her mouth.

Armine did not see them. He could not make Armine see them. Armine saw only the beauties she possessed. His concentration on them made for blindness.

And yet even he had his ugliness. For now Isaacson believed in the liaison between him and Mrs. Chepstow.

Only eight days later, after Mrs. Chepstow and Nigel had sailed for Alexandria, did he learn that they were married.

---