The first and most natural way of lighting the houses of the American colonists, both in the North and South, was by the pine-knots of the fat pitch-pine, which, of course, were found everywhere in the greatest plenty in the forests. Governor John Winthrop the younger, in his communication to the English Royal Society in 1662, said this candle-wood was much used for domestic illumination in Virginia, New York, and New England. It was doubtless gathered everywhere in new settlements, as it has been in pioneer homes till our own day. In Maine, New Hampshire, and Vermont it was used till this century. In the Southern states the pine-knots are still burned in humble households for lighting purposes, and a very good light they furnish. The historian Wood wrote in 1642, in his New England's Prospect:— "Out of these Pines is gotten the Candlewood that is much spoke of, which may serve as a shift among poore That pitchy kind of substance was tar, which was one of the most valuable trade products of the colonists. So much tar was made by burning the pines on the banks of the Connecticut, that as early as 1650 the towns had to prohibit the using of candle-wood for tar-making if gathered within six miles of the Connecticut River, though it could be gathered by families for illumination and fuel. Rev. Mr. Higginson, writing in 1633, said of these pine-knots:— "They are such candles as the Indians commonly use, having no other, and they are nothing else but the wood of the pine tree, cloven in two little slices, something thin, which are so full of the moysture of turpentine and pitch that they burne as cleere as a torch." To avoid having smoke in the room, and on account of the pitchy droppings, the candle-wood was usually burned in a corner of the fireplace, on a flat stone. The knots were sometimes called pine-torches. One old Massachusetts minister boasted at the end of his life that every sermon of the hundreds he had written, had been copied by the light of these torches. Rev. Mr. Newman, of Rehoboth, is said to have compiled his vast concordance of the Mr. Higginson wrote in 1630: "Though New England has no tallow to make candles of, yet by abundance of fish thereof it can afford oil for lamps." This oil was apparently wholly neglected, though there were few, or no domestic animals to furnish tallow; but when cattle increased, every ounce of tallow was saved as a precious and useful treasure; and as they became plentiful it was one of the household riches of New England, which was of value to our own day. When Governor Winthrop arrived in Massachusetts, he promptly wrote over to his wife to bring candles with her from England when she came. And in 1634 he sent over for a large quantity of wicks and tallow. Candles cost fourpence apiece, which made them costly luxuries for the thrifty colonists. Wicks were made of loosely spun hemp or tow, Thomas Tusser wrote in England in the sixteenth century in his Directions to Housewifes:— "Wife, make thine own candle, Spare penny to handle. Provide for thy tallow ere frost cometh in, And make thine own candle ere winter begin." Every thrifty housewife in America saved her penny as in England. The making of the winter's stock of candles was the special autumnal household duty, and a hard one too, for the great kettles were tiresome and heavy to handle. An early hour found the work well under way. A good fire was started in the kitchen fireplace under two vast kettles, each two feet, perhaps, in diameter, which were hung on trammels from the lug-pole or crane, and half filled with boiling water and melted tallow, which had had two scaldings and skimmings. At the end of the kitchen or in an adjoining and cooler room, sometimes in the lean-to, two long poles were laid from chair to chair or stool to stool. Across these poles were placed at regular intervals, like the To each candle-rod was attached about six or eight carefully straightened candle-wicks. The wicking was twisted strongly one way; then doubled; then the loop was slipped over the candle-rod, when the two ends, of course, twisted the other way around each other, making a firm wick. A rod, with its row of wicks, was dipped in the melted tallow in the pot, and returned to its place across the poles. Each row was thus dipped in regular turn; each had time to cool and harden between the dips, and thus grew steadily in size. If allowed to cool fast, they of course grew quickly, but were brittle, and often cracked. Hence a good worker dipped slowly, but if the room was fairly cool, could make two hundred candles for a day's work. Some could dip two rods at a time. The tallow was constantly replenished, as the heavy kettles were used alternately to keep the tallow constantly melted, and were swung off and on the fire. Boards or sheets of paper were placed under the rods to protect the snowy, scoured floors. Candles were also run in moulds which were groups of metal cylinders, usually made of tin or Wax candles also were made. They were often The precious candles thus tediously made were taken good care of. They were carefully packed in candle-boxes with compartments; were covered over, and set in a dark closet, where they would not discolor and turn yellow. A metal candle-box, hung A natural, and apparently inexhaustible, material for candles was found in all the colonies in the waxy berries of the bayberry bush, which still grows in large quantities on our coasts. In the year 1748 a Swedish naturalist, Professor Kalm, came to America, and he wrote an account of the bayberry wax which I will quote in full:— "There is a plant here from the berries of which they make a kind of wax or tallow, and for that reason the Swedes call it the tallow-shrub. The English call the same tree the candle-berry tree or bayberry bush; it grows abundantly in a wet soil, and seems to thrive particularly well in the neighborhood of the sea. The berries look as if flour had been strewed on them. They are gathered late in Autumn, being ripe about that time, and are thrown into a kettle or pot full of boiling water; by this means their fat melts out, floats at the top of the water, and may be skimmed off into a vessel; with the skimming they go on till there is no tallow left. The tallow, as soon as it is congealed, looks like common tallow or wax, but has a dirty green color. By being melted over and refined it acquires a fine and transparent green color. This tallow is dearer than common tallow, but cheaper than wax. Candles of this do not easily bend, nor melt in summer as common candles do; they burn better and slower, nor do they cause any Beverley, the historian of Virginia, wrote of the smell of burning bayberry tallow:— "If an accident puts a candle out, it yields a pleasant fragrancy to all that are in the room; insomuch that nice people often put them out on purpose to have the incense of the expiring snuff." Bayberry wax was not only a useful home-product, but an article of traffic till this century, and was constantly advertised in the newspapers. In 1712, in a letter written to John Winthrop, F.R.S., I find:— "I am now to beg one favour of you,—that you secure for me all the bayberry wax you can possibly put your hands on. You must take a care they do not put too much tallow among it, being a custom and cheat they have got." Bayberries were of enough importance to have some laws made about them. Everywhere on Long Island grew the stunted bushes, and everywhere they were valued. The town of Brookhaven, in 1687, forbade the gathering of the berries before September 15, under penalty of fifteen shillings' fine. The pungent and unique scent of the bayberry, The history of whale-fishing in New England is the history of one of the most fascinating commercial industries the world has ever known. It is a story with every element of intense interest, showing infinite romance, adventure, skill, courage, and fortitude. It brought vast wealth to the communities that carried on the fishing, and great independence and comfort to the families of the whalers. To the whalemen themselves it brought incredible It was asserted that one of these spermaceti candles gave out more light than three tallow candles, and had four times as big a flame. Soon their manufacture and sale amounted to large numbers, and materially improved domestic illumination. All candles, whatever their material, were carefully used by the economical colonists to the last bit by a little wire frame of pins and rings called a save-all. Candle-sticks of various metals and shapes were found in every house; and often sconces, which were also called candle-arms, or prongs. Candle-beams were rude chandeliers, a metal or wooden hoop with candle-holders. Snuffers were always seen, with which to trim the candles, and snuffers trays. These were sometimes exceedingly richly ornamented, and were often of silver: extinguishers often accompanied the snuffers. Though lamps occasionally appear on early inventories and lists of sales, and though there was plenty of whale and fish oil to burn, lamps were not extensively used in America for many years. "Betty-lamps," shaped much like antique Roman lamps, were the earliest form. They were small, shallow receptacles, two or three inches in diameter and about an inch in depth; either rectangular, oval, round, or triangular in shape, with a projecting nose or spout an inch or two long. They usually had a hook and chain by which they could be hung on a nail in the wall, or on the round in the back of a chair; sometimes there was also a smaller hook for cleaning out the nose of the lamp. They were filled with tallow, grease, or oil, while a piece of cotton rag or coarse wick was so placed that, when lighted, the end hung out on the nose. From this wick, dripping dirty grease, rose a dull, smoky, ill-smelling flame. Phoebe-lamps were similar in shape; though some had double wicks, that is, a nose at either side. Three betty-lamps are shown in the illustration: all came from old colonial houses. The iron lamp, solid with the accumulated grease of centuries, was found in a Virginia cabin; the rectangular brass lamp came from a Dutch farmhouse; and the graceful oval brass lamp from a New England homestead. Pewter was a favorite material for lamps, as it was for all other domestic utensils. It was specially The lamps of Count Rumford's invention were doubtless a great luxury, with their clear steady light; but they were too costly to be commonly seen in our grandfathers' homes. Nor were Argand burners ever universal. Glass lamps of many simple shapes shared popularity for a long time with the pewter lamps; and as pewter gradually disappeared from household use, these glass lamps monopolized the field. They were rarely of cut or colored glass, but were pressed glass of commonplace form and quality. A group of them is here For many years the methods of striking a light were very primitive, just as they were in Europe; many families possessed no adequate means, or very imperfect ones. If by ill fortune the fire in the fireplace became wholly extinguished through Another way of starting a fire was by flashing a little powder in the pan of an old-fashioned gun; sometimes this fired a twist of tow, which in turn started a heap of shavings. Down to the time of our grandfathers, and in some country homes of our fathers, lights were started with these crude elements,—flint, steel, tinder,—and transferred by the sulphur splint; for fifty years ago matches were neither cheap nor common. Though various processes for lighting in which sulphur was used in a match shape, were brought before the public at the beginning of this century, they were complicated, expensive, and rarely seen. The first practical friction matches were "Congreves," made in England in 1827. They were thin strips of wood or cardboard coated with sulphur and tipped with a mixture of mucilage, chlorate of potash, and sulphide of antimony. Eighty-four of them were sold in a box for twenty-five cents, with |