The Public Buildings of New York are not numerous. Some of them are handsome, and others are models of ugliness. We shall mention here only those which are not described elsewhere in this volume. The most prominent is the City Hall, which is located in the City Hall Park. It faces the south, and the ground line is perpendicular to Broadway. It is a handsome edifice, and is surmounted by the best clock tower in the Union, above which is a marble image of Justice. The front and ends of the City Hall are constructed of white marble, but the rear face is of brown stone. The building was erected between the years 1803 and 1810, and the city fathers, sagely premising that New York would never extend above the Park, decided to save the difference between marble and brown stone at this side, “as this portion would face the country.” The building contains the offices of the Mayor and city officials. Some of its rooms are very handsome, and are elegantly decorated. The clock tower and the upper portions of the building were set on fire by the pyrotechnical display in honor of the Atlantic Telegraph of 1859. They were rebuilt soon afterwards, in much better style. “Previous to the completion of the new cupola, our city fathers contracted with Messrs. Sperry & Co., the celebrated tower-clock makers of Broadway, to build a clock for it, at a cost not exceeding four thousand dollars, that our citizens might place the utmost reliance upon, as a time-keeper of unvarying correctness. During the month of April the clock was completed, and the busy thousands who were daily wont to look up To the east of the City Hall, and within the limits of the Park, is the Hall of Records, a stone building, covered with stucco. It was erected in 1757, as a city prison. It is now occupied by the Registrar of the city and his clerks. It was this building which furnished the Ring with their favorite pretext for stealing the public money. The manner in which this was done has been described in another chapter. The Bible House is a massive structure of red brick, with brown stone trimmings, and covers the block bounded by Third and Fourth avenues and Eighth and Ninth streets. It covers three-quarters of an acre, its four fronts measuring a total of 710 feet. It was completed in 1853, at a cost, including the ground, of $303,000, and is to-day worth nearly double that sum. It contains fifty stores and offices, which yield an aggregate annual rent of nearly $40,000. These rooms are occupied chiefly by benevolent and charitable societies, so that the Bible House has become the great centre from which radiate the principal labors of charity and benevolence in the City and State. The Bible House is owned by, and forms the headquarters of the American Bible Society. The Bibles of this Society are printed here, every portion of their publication being carried on under this vast roof. The receipts of the Society since its organization in 1816 have amounted to nearly $6,000,000. Thousands of copies are annually printed and distributed from here. The entire Union has been canvassed three times by the agents of the Society, and hundreds of thousands of destitute families have been furnished each with a copy of the Blessed Book. The Bible has been printed here in twenty-nine different languages, and parts of it have been issued in other languages. About 625 persons find employment in this gigantic establishment. Of these about three hundred are girls, and twenty or thirty boys. The girls feed the presses, sew the books, apply Tammany Hall, in East Fourteenth street, between Irving Place and Third avenue, is a handsome edifice of red brick, with white marble trimmings. It contains several fine halls, and a number of committee rooms. The main hall is one of the handsomest in the city, and was formerly used as a theatre. It was in this hall that the National Democratic Convention of 1868 was held. The building is the property of the “Tammany Society.” This Society was organized in 1789 as a The Academy of Design is located at the northwest corner of Fourth avenue and Twenty-third street. It is one of the most beautiful edifices in the city. It is built in the pure Gothic style of the thirteenth century, and the external walls are composed of variegated marble. It has an air of lightness and elegance, that at once elicit the admiration of the gazer. The interior is finished with white pine, ash, mahogany, oak, and black walnut in their natural colors; no paint being used in the building. Schools of art, a library, reading room, lecture room, and the necessary rooms for the business of the institution, occupy the first and second stories. The third floor is devoted STEINWAY AND SONS’ PIANO FACTORY. One of the most imposing buildings in the city is the new Grand Central Depot, on Forty-second street and Fourth avenue. It is constructed of red brick, with iron trimmings painted white, in imitation of marble. The south front is adorned with three and the west front with two massive pavilions. The central pavilion of each front contains an illuminated clock. The entire building is 696 feet long and 240 feet wide. The space for the accommodation of the trains is 610 feet long and 200 feet wide. The remainder of the edifice is devoted to the offices of the various railways using it. Waiting-rooms, baggage-rooms, etc. The car-shed is covered with an immense circular roof of iron and glass. The remainder of the building is of brick and iron. The principal front is on Forty-second street. This portion is to be occupied by the offices and waiting-rooms of the New York and New Haven and the Shore Line railways. The southern portion of the west front is occupied by the offices and waiting-rooms of the New York, Harlem, and Albany Railway, and the remainder of this front by the offices and waiting-rooms of the Hudson River and New York Central railways. These roads are the only lines which enter the city, and they are here provided with a common terminus in the very heart of the metropolis. The waiting-rooms and offices are finished in hard wood, are handsomely frescoed, and are supplied with every convenience. The height of the roof of the main body of the depot is 100 feet from the ground; the apex of the central pavilion on Forty-second street is 160 feet from the ground. The car-house constitutes the main body of the depot. It is lighted from the roof by day, and at night large reflectors, lighted by an electrical apparatus, illuminate the vast interior. The platforms between the tracks are composed of stone blocks. Each road has a particular portion assigned to it, and there is no confusion in any of the arrangements. The roof is supported by thirty-one handsome iron trusses, each weighing forty tons, and About eighty trains enter and depart from this depot every day. The running of these is regulated by the depot-master, who occupies an elevated position at the north end of the car-house, from which he can see the track for several miles. A system of automatic signals governs the running of the trains through the city. The building was projected by Commodore Vanderbilt. Ground was broken for it on the 15th of November, 1869, and it was ready for occupancy on the 9th of October, 1871. |